Steven Blush is an American author, journalist, record collector [1] and film maker who is best known for his book American Hardcore and the movie of the same name. Blush has written five books, is the founder of Seconds magazine and has written articles for many magazines. Two of his books have been made into movies. Blush's work mainly specializes in hardcore punk music.
Blush grew up in a Jewish [2] family in suburban New Jersey. He would travel into the Lower East Side of Manhattan in New York City with his father [3] [4] who owned a print shop there. [2] In New York he would frequent music bars like CBGB and the Lismar Lounge and stores like Trash and Vaudeville. He witnessed the start of bands like the Ramones and Talking Heads and he found that he enjoyed small scale shows like that over larger shows like Led Zeppelin. [5] He spent some time in England where he discovered UK punk bands like the Clash and Sham 69. [3] [6] He moved to Washington, D.C. to attend George Washington University, with a view to becoming a lawyer, but that changed when he saw his first Black Flag concert there, which led to his getting involved with hardcore, working with bands like Black Flag, Minor Threat, the Circle Jerks and the Dead Kennedys. [5] [3] he briefly managed the noise band No Trend. [7] [8] [9]
Blush was a DJ for the college radio station and would play hardcore bands on the air. He booked his first show through the radio station, booking the Dead Kennedys to play in the college cafeteria. [10] After graduation, he returned to New York where he would DJ in many clubs in the city.
Currently Blush is a regular speaker at talk shows and events like the CMJ in New York. [10]
Even though Blush had no experience as a journalist, he started writing articles for magazines such as Spin, Details and Kerrang! . His first assignment was an interview with local hardcore band, the Cro-Mags. [5] He was the senior editor at Paper [11] and he started his own magazine called Seconds, [3] [12] where his interviews included Glenn Danzig of the Misfits. [13] Forty-five of Blush's interviews, conducted over his 18 years with Seconds magazine, were compiled into a book called .45 Dangerous Minds: The Most Intense Interviews From Seconds Magazine (The Art of the Interview). [14] He has also written for Vice, High Times , The Village Voice and Interview [6] [15]
After moving on from Seconds magazine, Blush decided to chronicle his hardcore musical journey in a book. [5] He started writing the book, American Hardcore, in the mid-1990s when bands like Green Day and The Offspring were popular. He saw a documentary titled The History of Rock and Roll on PBS, which he described as going "straight from the Sex Pistols and Clash (I believe it mentions X) to Nirvana, as if this decade had never happened. It was like the untold story of rock." [16] Blush said that hardcore was like a "dirty little secret that nobody really talked about when it came to music." [17] The book is Blush's first hand account of the hardcore music scene from 1980 to 1986 [18] and it exposed the punk rock underground lifestyle to a more mainstream audience, revealing it as an alternative to what many considered the life of a "rock star". [3]
The Punknews.org review said that Blush "attempted and made a really good effort to cover every scene from every area around the country." [7] The A.V. Club said is "absolutely essential reading" [19]
In 2006 a movie version of the book was produced, which included interviews with bands such as Black Flag, Minor Threat and Bad Brains. [10] The Dead Kennedys and Misfits declined to participate. [16] [ citation needed ] The file was an official selection of both the Sundance Film Festival and the Toronto Film Festival. [20]
Blush's second book, American Hair Metal, was written partially to buck conformity. [5] Blush discovered hair metal through the band Cinderella. Even though he was a "punk dude", he appreciated their "majestic bluesy groove". Other bands covered in the book include Britny Fox, Danger Danger, Roxx Gang, Vinnie Vincent Invasion, and Nitro. [21]
Spin said: "In the '80s, before decorum was invented, we liked our rockers flammably coiffed. Author Steven Blush's 'American Hair Metal' remembers that era with philosophical quips from Poison and Mötley Crüe." [22]
Lost Rockers profiles the lives of certain artists and musicians who almost made it to the big time but did not. These folks knew all the right people, etc. but somehow they never crossed the line into stardom and are largely now forgotten. [3] [5]
In 2017 a movie was made of the book.[ citation needed ]
New York Rock chronicles the music of the city, starting with the rise of the Velvet Underground in 1966, to the closing of the CBGB bar in 2006, some 40 years later. Blush chose those milestones because he believed the Velvet Underground where the first rock and roll band to appeal to "adult sensibilities", and because he felt that the end of CBGB marked the end of an era. [5] [23]
In a review for The Big Takeover , critic James Mann said that Blush has "brought together a wealth of history charting the rise of rock and roll in the Big Apple". [24] The Kirkus Review described the book as a "brisk overview of New York City's rock 'n' roll tradition, from doo-wop to hard core, mirroring the city's transformations. [25] Writing for AM New York , Hal Bienstock said: "Author, promoter and DJ Steven Blush has been covering the scene for decades, and his new book is a comprehensive look at the city's rock music, highlighting both the legends and the lesser-known acts." [26] DJ Jason said "It's actually pretty amazing that something so special and prosperous in NYC has been overlooked by journalists for so long." [27]
Punk rock is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent labels.
Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".
CBGB was a New York City music club opened in 1973 by Hilly Kristal in the East Village in Manhattan, New York City. The club was previously a biker bar and before that was a dive bar. The letters CBGB were for Country, Bluegrass, Blues, Kristal's original vision for the club. But CBGB soon emerged as a famed and iconic venue for punk rock and new wave bands, including the Ramones, Dead Boys, Television, Patti Smith Group, Blondie, Madonna and Talking Heads.
Noise rock is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.
New York hardcore is both the hardcore punk music created in New York City and the subculture and lifestyle associated with that music. New York hardcore grew out of the hardcore scene established in Washington, D.C., by bands such as Bad Brains and Minor Threat. Initially a local phenomenon of the 1980s and 1990s, New York hardcore eventually grew to establish an international reputation with little to moderate mainstream popularity but with a dedicated and enthusiastic underground following, primarily in Europe and the United States. With a history spanning over more than four decades, many of the early New York hardcore bands are still in activity to this day. Some of them have been continuously or almost continuously active since their formation as well as having reunion shows.
George Lawrence Petros is an American art designer, author, editor, interviewer and illustrator. From 1984 through 1992 he published and edited EXIT, a punk-inspired art and science fiction magazine he founded with Adam Parfrey and Kim Seltzer. From 1992 through 2000 he edited and art-directed Seconds, an all-interview music and culture magazine founded by Steven Blush. From 2000 through 2005 he was a contributing editor of Juxtapoz, the low-brow art magazine founded by Robert Williams, and the senior editor of Propaganda, a goth/industrial music and style magazine founded by Fred H. Berger. He is the author of Art That Kills: A Panoramic Portrait of Aesthetic Terrorism 1984-2001, The New Transsexuals: The Next Step In Human Evolution, and the editor of American Hardcore: A Tribal History.
Bad Brains is the first album released by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on the cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging.
Life's Blood was an American hardcore punk band formed by four first-year college students in New York City in 1987. It consisted of Adam Nathanson on guitars, Neil Burke on bass, John Kriksciun on drums, and Combined Effort all ages shows promoter and fanzine editor Jason O'Toole on vocals.
American Hardcore: The History of American Punk Rock 1980–1986 is a documentary directed and produced by Paul Rachman and written by Steven Blush. It is based on the 2001 book American Hardcore: A Tribal History also written by Blush. It world premiered at the 2006 Sundance Film Festival and was released on September 22, 2006 on a limited basis by Sony Pictures Classics. The film features some early pioneers of the hardcore punk music scene including Bad Brains, Black Flag, D.O.A., Minor Threat, Minutemen, SSD, and others. It was released on DVD by Sony Pictures Home Entertainment on February 20, 2007.
Open Your Eyes is the second full-length album from New York hardcore band Warzone. It was released in 1988 on Caroline Records, a year after their first album, Don't Forget The Struggle, Don't Forget The Streets.
Danny Fields is an American music manager, publicist, journalist, and author. As a music industry executive from the 1960s to the 1980s, he was one of the most influential figures in the history of punk rock. He signed and managed Iggy and the Stooges, signed the MC5 and managed the Ramones, and worked in various roles with Jim Morrison, the Velvet Underground and the Modern Lovers. In 2014 The New York Times said, "You could make a convincing case that without Danny Fields, punk rock would not have happened."
Manic Compression is the second studio album by American post-hardcore band Quicksand. It was first released on February 24, 1995 on vinyl through Revelation Records, before being given a widespread CD release through Island Records on February 28, 1995. The album influenced many post-hardcore and alternative metal bands. It peaked at number 135 on the Billboard 200.
James Drescher, better known as Jimmy G or Jimmy Spliff, is the lead singer for New York based hardcore punk band Murphy's Law.
$1.99 Romances is an album by God Street Wine. It was their first release on a major record label and their only release with Geffen.
Pretty Ugly is the fourth studio album by the American punk rock band Lunachicks. It was released by Go-Kart Records in 1997.
The Stimulators were an American punk rock band from New York City. Although they have a limited discography, they are notable for being consistently cited as an important transitional band between the late-1970s New York City punk rock scene and New York hardcore, and for being the musical entry point for future Cro-Mags founder Harley Flanagan.
Craig Setari is an American musician who is the bass player of the hardcore punk band Sick of It All. He has also worked with many other hardcore bands, including Youth of Today, Straight Ahead, Rest in Pieces, Agnostic Front and Cro-Mags. Alongside Dan Lilker, he recorded the Noise for Noise's Sake demo tape under the name Crab Society. This demo tape inspired Lilker's band S.O.D. to record their 1985 demo album titled Crab Society North.
Straight Ahead was an American straight edge hardcore punk band formed in Queens, New York City, in 1984, by drummer and vocalist Tommy Carroll, guitarist Gordon Ancis and bassist Tony Marc Shimkin.
Susan Marie Beschta, who performed as Susan Springfield, was the founder and lead singer of Erasers, a band that headlined at CBGB in the 1970s.
Erasers was an American punk rock band active in New York City in the 1970s, often playing at CBGB. It was founded by singer and guitar player Susan Springfield and drummer Jane Fire in mid 1970s. Several other musicians played with the band over the years, including bassist Jody Beach, guitarist Richie Lure and David Ebony. They recorded two songs, produced by Richard Lloyd: "I Won't Give Up" and "(It Was So) Funny ". "Funny" was released in 1982 on the ROIR compilation Singles: The Great New York Singles Scene, and in 2015, both songs were released on Ork Records: New York, New York. The name of the band comes from the 1953 novel of the same name by Alain Robbe-Grillet.