Glenn Danzig

Last updated

Glenn Danzig
Glenn Danzig at Wacken Open Air 2013.jpg
Danzig performing at the Wacken Open Air (2013)
Background information
Birth nameGlenn Allen Anzalone
Born (1955-06-23) June 23, 1955 (age 64)
Lodi, New Jersey, U.S.
  • Singer
  • songwriter
  • musician
  • record producer
  • Vocals
  • guitar
  • bass guitar
  • drums
  • piano
  • keyboards
Years active1977–present
Associated acts

Glenn Danzig (born Glenn Allen Anzalone; June 23, 1955) [1] is an American singer, songwriter, musician, and record producer from Lodi, New Jersey. He is the founder of the bands Misfits, Samhain and Danzig. He owns the Evilive record label as well as Verotik, an adult-oriented comic book publishing company.

Lodi, New Jersey Borough in New Jersey

Lodi is a borough in Bergen County, New Jersey, United States. As of the 2010 United States Census, the borough's population was 24,136, reflecting an increase of 165 (+0.7%) from the 23,971 counted in the 2000 Census, which had in turn increased by 1,616 (+7.2%) from the 22,355 counted in the 1990 Census.

Misfits (band) American Horrorpunk Band

The Misfits are an American punk rock band often recognized as the progenitors of the horror punk subgenre, blending punk and other musical influences with horror film themes and imagery. Founded in 1977 in Lodi, New Jersey, the original lineup consisted of vocalist and keyboardist Glenn Danzig, bassist Jerry Only, and drummer Manny Martínez. Danzig and Only were the only consistent members throughout the next six years, during which they released several EPs and singles, and with Only's brother Doyle as guitarist, the albums Walk Among Us (1982) and Earth A.D./Wolfs Blood (1983), both considered touchstones of the early-1980s hardcore punk movement. The band has gone through many lineup changes over the years, with bassist Jerry Only being the only constant member in the group.

Samhain (band) American rock band

Samhain is an American rock band formed by singer Glenn Danzig in 1983, immediately following his departure from Misfits. Samhain played in more of a deathrock and heavy metal-infused style of horror punk than Danzig's previous band. Glenn Danzig originally planned Samhain as a side project with Eerie Von. After his earlier group, the Misfits, contentiously dissolved, Samhain became his full-time band. Samhain is the least-celebrated of Danzig's major musical outlets and catalogs a transitional period in his musical career, bridging the gap between the punk rock of the Misfits and the dark, heavy metal and blues-influenced sound of Danzig. Both Samhain and its successor, Danzig, use the same horned skull image originally drawn by artist Michael Golden for the cover of the 1984 comic book The Saga of Crystar No. 8, published by Marvel Comics. The font often used in the name logo of Samhain, and later Danzig, is taken from the film The Giant Gila Monster.


Beginning in the mid-1970s, Danzig's musical career has encompassed a number of genres through the years, including punk rock, heavy metal, industrial, blues and classical music. He has also written songs for other musicians, most notably Johnny Cash and Roy Orbison. [2]

Punk rock is a rock music genre that emerged in the mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. They typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels.

Heavy metal is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom. With roots in blues rock, psychedelic rock, and acid rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. The genre's lyrics and performance styles are sometimes associated with aggression and machismo.

Industrial music is a genre of experimental music which draws on harsh, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, concentrations of artists and labels vital to the genre also emerged in America, namely in Chicago.

As a singer, he is noted for his baritone voice and tenor vocal range; his style has been compared to those of Elvis Presley, Jim Morrison, and Howlin' Wolf. [3] [4] [5] Danzig has also cited Bill Medley as a vocal influence. [6]

A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice types. Originally from the Greek βαρύτονος (barýtonos), meaning heavy sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but can be extended at either end. The baritone voice type is generally divided into the baryton-Martin baritone (light baritone), lyric baritone, Kavalierbariton, Verdi baritone, dramatic baritone, baryton-noble baritone, and the bass-baritone.

A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is one of the highest of the male voice types. The tenor's vocal range extends up to C5. The low extreme for tenors is roughly A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or spieltenor.

Elvis Presley American singer and actor

Elvis Aaron Presley, also known mononymously as Elvis, was an American singer, musician, and actor. Regarded as one of the most significant cultural icons of the 20th century, he is often referred to as the "King of Rock and Roll" or simply "the King".

Early life

Danzig was born Glenn Allen Anzalone, the third of four sons, [7] to a Protestant family of Italian, German, and Scottish heritage in Lodi, New Jersey. His father was a television repairman and a United States Marine Corps veteran of World War II and the Korean War. [8] His mother worked at a record store. [9] Danzig and his family also spent some time living in Revere, Massachusetts. [10] [11] Danzig began listening to heavy music at an early age, and has described Black Sabbath, The Ramones, Blue Cheer, and The Doors as being among his early musical influences. [6]

Scottish people ethnic inhabitants of Scotland

The Scottish people or Scots, are a nation and Celtic ethnic group native to Scotland. Historically, they emerged from an amalgamation of two Celtic-speaking peoples, the Picts and Gaels, who founded the Kingdom of Scotland in the 9th century. Later, the neighbouring Celtic-speaking Cumbrians, as well as Germanic-speaking Anglo-Saxons and Norse, were incorporated into the Scottish nation.

United States Marine Corps Amphibious warfare branch of the United States Armed Forces

The United States Marine Corps (USMC), also referred to as the United States Marines or U.S. Marines, is a branch of the United States Armed Forces responsible for conducting expeditionary and amphibious operations with the United States Navy as well as the Army and Air Force. The U.S. Marine Corps is one of the four armed service branches in the U.S. Department of Defense (DoD) and one of the seven uniformed services of the United States.

World War II 1939–1945 global war

World War II, also known as the Second World War, was a global war that lasted from 1939 to 1945. The vast majority of the world's countries—including all the great powers—eventually formed two opposing military alliances: the Allies and the Axis. A state of total war emerged, directly involving more than 100 million people from over 30 countries. The major participants threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. World War II was the deadliest conflict in human history, marked by 50 to 85 million fatalities, most of whom were civilians in the Soviet Union and China. It included massacres, the genocide of the Holocaust, strategic bombing, premeditated death from starvation and disease, and the only use of nuclear weapons in war.

At age 11, Danzig began to use drugs and alcohol, leading him into frequent fights and trouble with the law. [12] He stopped using drugs at age 15. [12]

While growing up, Danzig began reading the works of authors including Charles Baudelaire and Edgar Allan Poe, developing his appreciation for horror. [13] Danzig collected comic books and, frustrated by American comics, he started his own company to produce "crazy, violent, erotic comics." [14]

Charles Baudelaire French poet

Charles Pierre Baudelaire was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe.

Edgar Allan Poe 19th-century American author, poet, editor and literary critic

Edgar Allan Poe was an American writer, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States and of American literature as a whole, and he was one of the country's earliest practitioners of the short story. He is generally considered the inventor of the detective fiction genre and is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to earn a living through writing alone, resulting in a financially difficult life and career.

Erotic comics

Erotic comics are adult comics which focus substantially on nudity and sexual activity, either for their own sake or as a major story element. As such they are usually not permitted to be sold to legal minors. Like other genres of comics, they can consist of single panels, short comic strips, comic books, or graphic novels/albums. Although never a mainstream genre, they have existed as a niche alongside – but usually separate from – other genres of comics.

Danzig graduated from Lodi High School in June 1973, aspiring to become a comic book creator [15] and professional photographer. He attended the Tisch School of the Arts and later the New York Institute of Photography. [16] Danzig formed an adult-oriented comic book company called Verotik in the mid-1990s. [17]

Musical career

Early career

Glenn Danzig's introduction to performing music began when he took piano and clarinet lessons as a child. [18] He later taught himself how to play the guitar. [18] Danzig started in the music business at the age of 11, first as a drum roadie [17] and then playing in local garage bands. [15] He had never taken vocal lessons, but his self-taught vocal prowess gained him attention in the local scene. Throughout his teenage years he sang for several local bands, such as Talus and Koo-Dot-N-Boo-Jang, most of which played half original songs and half Black Sabbath songs. [19]

Misfits and Samhain (1977–1987)

In the mid-1970s, Danzig started the Misfits, releasing the band's records through his own label, (originally known as Blank, then later as Plan 9 ). [20] Danzig had attempted to get the Misfits signed to several record labels, only to be told that he would never have a career in music. [21] The impetus for the band's name comes from Marilyn Monroe's last film, [22] combined with Danzig considering himself to be a "social misfit." [2] In October 1983, after releasing several singles and three albums, and gaining a small underground following, Danzig disbanded the Misfits due to increasing animosity among the band members and his dissatisfaction with their musical abilities. [2] Danzig explained his decision: "It was difficult for me to work with those guys, because they weren't prepared to put in the hours practicing. I wanted to move things forward, and they didn't seem to have the same outlook. So it was time for me to move on." [22]

After the Misfits, he began work on a new band project, Samhain. The origins of Samhain began when Danzig started rehearsing with Eerie Von, formerly of Rosemary's Babies. [23] Danzig took the name of the band from the ancient Celtic New Year, which influenced the evolution of the modern Halloween. Initially Samhain was conceived as a punk rock "super group". The band briefly featured members of Minor Threat and Reagan Youth, who contributed to Samhain's 1984 debut, Initium . The band then settled with a lineup consisting of Eerie Von on bass, Damien on guitar, and Steve Zing on drums (later replaced by London May). In 1985 the Unholy Passion EP was released, followed by November-Coming-Fire in 1986.

Samhain eventually began to attract the interest of major labels including Epic and Elektra. [24] Rick Rubin, music producer and head of the Def American label, would see the band perform at the 1986 New Music Seminar, on the advice of then-Metallica bassist Cliff Burton. [24] [25] Danzig has credited both Burton and Metallica frontman James Hetfield with helping to raise awareness about his music: "I first met them at a Black Flag gig, and then we became kinda friends. We'd often bump into each other on the road...James and Cliff helped to spread the word about me, and I was very grateful to them." [22]


"Classic" era (1987–1994)

In 1987, after two albums and an EP, Samhain was signed to a major label by Rubin and the name of the band was changed to Danzig to allow the band to retain its name in the event of line-up changes. [16] Danzig discussed the reasoning behind the name change: "Rick [Rubin] convinced me it was the way to go, and would also provide me with a lot more artistic freedom. After all, I was now in charge of where we were going musically, so if I didn't want to do something, it was a lot easier to say so." [22]

Glenn Danzig performing with Danzig at Sweden Rock (2010) Danzig at Sweden Rock.jpg
Glenn Danzig performing with Danzig at Sweden Rock (2010)

Danzig's intention at the time was for each album he recorded to consist of a different recording line-up, allowing him to keep working with different musicians. [26] The original band consisted of guitarist John Christ, bassist Eerie Von, and former Circle JerksDOABlack Flag drummer Chuck Biscuits.

In 1987, Danzig, owing to his association with Rubin, was asked to write a song for Roy Orbison. The result was "Life Fades Away", featured in the 1987 movie Less than Zero . [2] Danzig also contributed to the film's soundtrack with "You and Me (Less than Zero)". [2] Danzig had originally been asked to write the song for a female vocalist, but when Rubin could not find a suitable singer Danzig recorded the vocals himself. [27] The song is credited to "Glenn Danzig and the Power and Fury Orchestra", which featured the same membership as the initial lineup of Danzig, with the exception of Eerie Von. Since Von did not like the way producer Rubin wanted the bass played on the song, George Drakoulias played the bass instead.

In 1988, the newly formed band Danzig released their eponymous debut. Its sound showed a progression from the gothic–deathrock sound of Samhain, to a slower, heavier, more blues-based heavy metal sound.

In 1990, the band's sophomore effort Danzig II: Lucifuge marked an immediate change in musical direction. The album's overall bluesier tone and somewhat milder approach were departures from Danzig , featuring a 50s-style ballad ("Blood & Tears") and a full-on acoustic blues ("I'm the One".)

Other projects in 1990 included the final Samhain album Final Descent . The album was started under the title Samhain Grim several years prior. The album contained previously unreleased studio recordings, at least some of which had been intended for the Samhain Grim album before it was aborted.

In 1992, Danzig once again changed musical direction, releasing the darker Danzig III: How the Gods Kill . Several songs would feature a more textured, slower sound in between fast, dominant guitar riffs.

Also in 1992, Danzig tried his hand at composing classical music with Black Aria . The album debuted at number 1 on the Billboard classical music chart. [28]

In 1993, Danzig released Thrall: Demonsweatlive , an EP featuring both studio recordings and live tracks. Danzig broke into the mainstream when the live video of "Mother '93" became a hit on MTV and earned Buzz Bin rotation, [29] six years after the original song was recorded. During this time the band reached its commercial peak, with both the debut album and Thrall: Demonsweatlive being certified Gold, and "Mother" becoming the band's highest charting single. Both Danzig and Thrall: Demonsweatlive have since been certified Platinum. [30]

In 1994, the release of Danzig 4 saw the band going further into a darker and more experimental sound. The album also saw further development of his vocal style and range; most notable in songs like "Let It Be Captured" and a more blues based approach on songs like "Going Down to Die".

Also in 1994, Danzig wrote the song "Thirteen" for Johnny Cash, which appeared on the album American Recordings . [2]

Later years (1995–2004)

Glenn Danzig at a record signing in 1996. GlennDanzig1.jpg
Glenn Danzig at a record signing in 1996.

In 1996, the band underwent a complete overhaul. The original lineup had fallen apart, as had Glenn Danzig's relationship with their record label, American Recordings, with label owner Rick Rubin's involvement as producer diminishing with each album. [16] Danzig would later engage in a legal battle with Rubin over unpaid royalties and the rights to the band's unreleased songs. [18] Danzig enlisted new bandmates, most notably Joey Castillo who would continue to be the band's drummer until 2002.

Once again, he explored a new musical direction and recorded Blackacidevil ; this time infusing heavy metal with industrial rock. Danzig went on to sign a deal with Hollywood Records, which led to several religious groups boycotting its parent company Disney for signing a controversial "satanic" band. [31] [32] As a result, the label pulled support for Blackacidevil and the record deal was severed. [33]

In September 1999, Danzig signed his band to E-Magine Records, becoming the first artist on the label. [34] The deal also led to the release of a Samhain box set and the re-release of Blackacidevil. [34]

Danzig's subsequent three albums, 6:66 Satan's Child (1999), I Luciferi (2002) and Circle of Snakes (2004), all musically and lyrically evolved to a more stripped down, heavier gothic metal sound. The Danzig lineup continued to change with each album, while Danzig's voice started to show change after years of touring.

In 1999, during the U.S. touring for the album 6:66 Satan's Child Danzig reunited Samhain along with drummers Steve Zing and London May. Then-Danzig guitarist Todd Youth was invited by Glenn Danzig to fill in the guitar position for the Samhain reunion tour, replacing Samhain's original guitarist, Pete "Damien" Marshall, who had opted out in order to tour with Iggy Pop. Eerie Von was not invited to rejoin Samhain due to personal issues within the band. Both Zing and May handled bass duties, switching from drums to bass in between the "Blood Show".

In 2003, Danzig founded the Blackest of the Black tour to provide a platform for dark and extreme bands of his choosing from around the world. [35] [36] Bands featured on the tour have included Dimmu Borgir, Superjoint Ritual, Nile, Opeth, Lacuna Coil, Behemoth, Skeletonwitch, Mortiis and Marduk.

Recent activity (2005–2011)

In 2005, Danzig's tours to support the Circle of Snakes album and the Blackest of the Black Tour were highlighted by the special guest appearance of Misfits guitarist Doyle Wolfgang von Frankenstein. Doyle joined Danzig on stage for a 20-minute set of classic Misfits songs: "To do this right, I invited Doyle to join Danzig on stage at 'Blackest of the Black' for a special guest set. This is the first time we will be performing on stage together in 20 years. It's the closest thing to a Misfits reunion anyone is ever going to see." [37]

On October 17, 2006, he released his second solo album Black Aria II . The album reached the top ten on the Billboard classical music chart. [38]

In November 2006, Danzig toured the west coast with former Samhain drummer Steve Zing on bass. They played three Samhain songs including "All Murder All Guts All Fun". In Los Angeles and Las Vegas, Doyle joined the band onstage for the encore and played two Misfits songs, "Skulls" and "Astro Zombies". [39]

In 2007 Danzig produced the debut album by ex-Misfits guitarist Doyle's metal-influenced band, Gorgeous Frankenstein. [40]

Glenn Danzig at Getaway Rock Festival in 2011. Danzig Getaway Rock Festival 2011.jpg
Glenn Danzig at Getaway Rock Festival in 2011.

In July 2007, Danzig released The Lost Tracks of Danzig , a compilation of previously unreleased songs. The project took nine months to complete with Glenn Danzig having to add extra vocal and instrument tracks to songs that had been unfinished. [41] The album included the controversial "White Devil Rise", recorded during the sessions for Danzig 4 in response to inflammatory comments by Louis Farrakhan and his use of the term "The White Devil". [42] [43] The song is Danzig's conjecture as to what would happen if Farrakhan incited the passive white race to rise up and start a race war: "No one wants to see a race war. It would be terrible, so the song's saying, 'Be careful what you wish for.'" [43] [44] Danzig himself has bluntly denied any accusations of racism: "As far as me being an Aryan or a racist, anyone who knows me knows that's bullshit." [16]

In October and November 2007, Danzig toured the western United States, along with Gorgeous Frankenstein, Horrorpops, and Suicide City. This "3 Weeks of Halloween" tour was in support of his most recent album, The Lost Tracks of Danzig, as well as the newest graphic novel release from Verotik, Drukija: Countessa of Blood. [45] On October 23, 2007, Danzig was performing the song "How the Gods Kill" in Baltimore and fell off the stage, injuring his left arm. He did not perform the Misfits set that night, [45] but he continued the tour and played classic Misfits tunes with Doyle onstage as an encore with a sling on his left arm after the injury.

In 2008, Danzig confirmed he had recorded the first duet of his career, with Melissa Auf der Maur. [46] The song, titled "Father's Grave", features Danzig singing from the perspective of a gravedigger and appears on Auf der Maur's 2010 album Out of Our Minds . [47] Auf der Maur has spoken highly about the experience of meeting and working with Danzig. [47]

Danzig's ninth album, Deth Red Sabaoth , was released on June 22, 2010. [48]

In a July 2010 interview with Metal Injection, Glenn Danzig was asked if he was going to make another Danzig record after Deth Red Sabaoth. His response was, "I don't know, we'll see. With the way record sales are now...I won't do some stupid pro-tool record in someone's living room where all the drum beats are stolen from somebody and just mashed together...and I'm not going to do that if I can't do a record how I want to do it, and if it's not financially feasible, I'm just not going to do one." [49]

During the later quarter of 2011 Danzig performed a string of one-off reunion shows called the "Danzig Legacy" tour. The shows consisted of a Danzig set, followed by a Samhain set, then closing off with Danzig and Doyle performing Misfits songs. [50]

During the third date of Metallica's 30-year anniversary shows at the Fillmore Theater in San Francisco; Danzig went on stage with Metallica to perform the Misfits songs "Die, Die My Darling", "Last Caress", and "Green Hell". [51]

Current activity (2012–present)

Glenn Danzig performing with Doyle Wolfgang von Frankenstein at Wacken Open Air 2013. Glenn Danzig and Paul Doyle Caiafa playing at Wacken Open Air 2013 04.jpg
Glenn Danzig performing with Doyle Wolfgang von Frankenstein at Wacken Open Air 2013.

Danzig has said he wishes to avoid extensive and exhaustive touring in the future, preferring instead to focus on his various music, film and comic book projects: "I don't really want to tour. My reason for not doing it is because I'm bored of it. I like being onstage, but I don't like sitting around all day doing nothing. I could be home, working." [18] [52] Danzig has started work on a third Black Aria album, [53] and a covers album is set for release by the end of 2013. [13] Danzig hopes to record a dark blues album involving Jerry Cantrell and Hank III. [18] [54] He is currently working on new Danzig material with Tommy Victor and Johnny Kelly. [55] [56] [57]

In 2014, Danzig filed a lawsuit against Misfits bassist Jerry Only claiming Only registered trademarks for everything Misfits-related in 2000 behind Danzig's back, misappropriating exclusive ownership over the trademarks for himself, including the band's iconic "Fiend Skull" logo, violating a 1994 contract the two had. Danzig claims that after registering the trademarks, Only secretly entered into deals with various merchandisers and cut him out of any potential profits in the process. [58] On August 6, 2014, a U.S. district judge in California dismissed Danzig's lawsuit. [59]

On October 21, 2015 during an interview with Loudwire, Danzig stated his current tour with Superjoint could be his last. [60]

On May 12, 2016 Danzig, Only, and Frankenstein announced they would perform together as the Misfits for the first time in 33 years in two headlining shows at the September 2016 Riot Fest in Chicago and Denver. [61] He later noted that he would be "open to possibly doing some more shows". The reunited Misfits did more shows and Danzig enforced a "no cell phone" policy at the reunion shows. [62] Danzig returned to the 2017 Riotfest with his band, Danzig.

The newest Danzig album Black Laden Crown was released on May 26, 2017.

Musical style

Danzig's musical career has encompassed a number of genres, from punk rock and heavy metal to classical music. He is noted for his baritone voice and tenor vocal range; his style has been compared to those of Elvis Presley, Jim Morrison and Howlin' Wolf.

The Misfits combined Danzig's harmonic vocals with camp-horror imagery and lyrics. The Misfits sound was a faster, heavier derivation of Ramones-style punk with rockabilly influences. Glenn Danzig's Misfits songs dealt almost exclusively with themes derived from B-grade horror and science fiction movies (e.g. "Night of the Living Dead") as well as comic books (e.g. "Wasp Women", "I Turned into a Martian"). [2] Unlike the later incarnation of the Misfits, Danzig also dealt with Atomic Era scandals in songs like "Bullet" (about the assassination of John F. Kennedy), "Who Killed Marilyn" (which alluded to alternate theories about Marilyn Monroe's death), and "Hollywood Babylon" (inspired by the Kenneth Anger book on scandals associated with the early, formative years of Hollywood). In later years the Misfits style was noticeably heavier and faster than during their earlier releases, introducing elements of hardcore punk.

Samhain's musical and lyrical style was much darker in tone than Misfits material, [2] fusing an experimental combination of horror punk, gothicdeathrock, and heavy metal. With Samhain, Glenn Danzig began to introduce more complicated drum patterns. Samhain songs often combined tribal drum beats and distorted guitars. Samhain's lyrical themes were rooted in paganism and the occult, pain and violence, and the horrors of reality.

Glenn Danzig performing with Danzig at Wacken Open Air (2013) Glenn Danzig at Wacken Open Air 2013 03.jpg
Glenn Danzig performing with Danzig at Wacken Open Air (2013)

The band Danzig showed a progression to a slower, heavier, more blues-based and doom-driven heavy metal sound primarily influenced by the early sound of Black Sabbath. [63] Other musical influences include The Doors, [64] and the ballads of Roy Orbison. [65] [66] Danzig opted for a thicker and heavier-sounding guitar tone than with his previous bands, retaining his preference for a single lead guitarist and short guitar solos. After replacing the band's original line-up, Danzig began to experiment with a more industrial sound, before merging into gothic metal. Later, Danzig albums have returned to the band's original sound.

Glenn Danzig's lyrics, which had already evolved from those of the Misfits to the more serious style of Samhain, progressed even further with Danzig to become "frighteningly intense images of doom" which "convey their bleak messages with an eerie grace and intelligence". [6] His lyrics are typically dark in subject matter, bearing "a heavily romanticized, brooding, gothic sensibility, more quietly sinister and darkly seductive than obviously threatening or satanic". [67] Lyrical themes include love, sex, evil, death, religion, and occult imagery. Danzig's songs about love often deal with the pain of loss and loneliness using gothic romanticism. [68] [69] Sex is another common theme, with songs frequently alluding to various sexual practices and depicting powerful, seductive and sometimes supernatural female figures. Glenn Danzig has tackled Biblical subjects and has offered his criticisms of organised religion. [70] He often promotes rebellion and anti-authoritarianism, whilst embracing independence and the left hand path. In other lyrics, Danzig deals with the subject of death and questions the concepts of evil and sin. [71]

Glenn Danzig has served as the sole songwriter for every band he has fronted, and described his writing process: "Sometimes I get the guitar lines, sometimes I write on the piano, sometimes I'll write the lyrics first and then figure out the chord patterns on guitar, and sometimes I write the drum pattern first. It's all different". [72] Danzig also records basic song ideas when away from his home: "I usually hum it into a microcassette recorder and then I transpose it when I get home and work it out on guitar or piano". [72]

TV and film

Danzig had a minor role as a fallen angel in the Christopher Walken film, The Prophecy II.

He was invited by 20th Century Fox to audition for the role of Wolverine in X-Men , [73] as his height and build closely resemble that of the film's protagonist, as described in the original comic books. [74] However, he declined due to scheduling conflicts. [74]

Danzig guest-appeared as himself in the Aqua Teen Hunger Force episode "Cybernetic Ghost of Christmas Past from the Future", [75] where he purchased the house of the character Carl.

In March 2013, it was announced that Danzig will appear in director Thomas Mignone's film biopic of Vanessa del Rio, playing the role of a violent thug. [76]

In February 2016, Danzig appeared in the Portlandia episode "Weirdo Beach". [77]


Danzig plays a personal role in the production of the band's music videos, suggesting ideas and sometimes directing them himself. [78] He is currently working on a film version of the Verotik comic Ge Rouge. [12] The possibility of an animated film version of the Satanika comic has also been discussed. [79]

Personal life

In January 1992, Danzig became a student of Jerry Poteet, a world-renowned martial artist in Jeet Kune Do. [27] [80] Danzig has since earned a teaching degree in the discipline. [27] Danzig has also studied Muay Thai. [27]

Glenn Danzig signing his book at Atomic Comics in Mesa, Arizona (2010) Glenn Danzig Atomic Comics Signing.JPG
Glenn Danzig signing his book at Atomic Comics in Mesa, Arizona (2010)

Danzig has several distinctive tattoos, all by tattoo artist Rick Spellman, which incorporate artwork based upon his music. [81] These include a Danzig/Samhain skull symbol designed by Michael Golden, [82] a bat with a Misfits Crimson Ghost skull, a wolf's head with the text "Wolfs Blood" (the title of a Misfits song), [81] a skeleton as found on the cover art for the album November-Coming-Fire, and a demon woman as found on the cover art for Unholy Passion. His lower back features the logo for the Devilman manga.

Danzig is a fan of horror movies and Japanese animation, and has expressed his appreciation for the works of filmmaker David Cronenberg and manga artist Go Nagai. [83] [84]

Danzig's favorite composers include Richard Wagner, Sergei Prokofiev, Camille Saint-Saëns, Carl Orff, and film score composer Jerry Goldsmith. [85]

Danzig is an avid reader and owns a large book collection on subjects including the occult, religious history and true murder cases. [6] [86] [87] He commented about the book Occult Roots Of Nazism that "every school kid should have this book". [88] Danzig also has a long-standing interest in New World Order related conspiracies: "Not only have I always been interested in the families that run the world forever, that people know now as the Bilderberg Group. But there's an older book called Committee of 300 which tells you all about it. I mean, I got in trouble for this back in the 90s, talking about this kind of stuff -- how the United States is based on a Freemason thing, and I got so many government files on me from that one". [89]

Regarding his political views, Danzig has described himself as being "conservative on some issues, and some issues I'm really liberal". He defended President Donald Trump's controversial travel ban from selected countries, arguing "It's really not a travel ban. When you walk into the country, we want to see who you are and what you're doing." [90] Danzig has voiced his dissatisfaction with the United States' two-party system; stating "the bottom line is that both parties are in agreement about one thing: They don't want a third, a fourth, or a fifth party in there. They want it Democratic and Republican. Both sides are corrupt." [91]

Though sometimes portrayed as a Satanist by the media, Danzig has denied this in several interviews, elaborating that "I embrace both my light and dark side... I definitely believe in a yin and yang, good and evil. My religion is a patchwork of whatever is real to me. If I can draw the strength to get through the day from something, that's religion... I'm not trying to be preachy or tell people what to think." [7] [16] [16] [92] [93] Danzig has voiced his approval of certain aspects of Satanic ideologies, including the quest for knowledge and individual freedom. [92] [94] He has stated that religion does not play a role in how he perceives other bands and musicians. [93]


Related Research Articles

Danzig (band) American heavy metal band

Danzig is an American heavy metal band, formed in 1987 in Lodi, New Jersey. The band is the musical outlet for singer-songwriter Glenn Danzig, preceded by the horror punk bands the Misfits and Samhain. They play in a bluesy doom-driven heavy metal style influenced by the early sound of Black Sabbath.

John Christ is a musician best known as the original guitarist for the metal band Danzig. He has been known for his bluesy hard rock sound and frequent use of the pinch harmonic. Christ was ranked 63rd in Guitar World's list of 'The 100 Greatest Metal Guitarists'.

<i>Danzig</i> (album) 1988 studio album by Danzig

Danzig is the debut album of the American heavy metal band Danzig, released in August, 1988. The album was the first release on producer Rick Rubin's new label Def American Recordings. Def American's successor, American Recordings reissued the album in the United States and United Kingdom in 1998. It remains the band's best-selling album having been certified Gold in the U.S. in 1994, and has since been certified Platinum. Danzig promoted the album with a successful world tour in 1988–1989.

<i>Danzig II: Lucifuge</i> 1990 studio album by Danzig

Danzig II: Lucifuge is the second album by American heavy metal band Danzig. It was released in 1990 on Def American Recordings and was reissued in the USA and UK in 1998 by Def American's successor, American Recordings.

Chuck Biscuits is a Canadian drummer best known for his work in rock acts such as Danzig, Black Flag, D.O.A., and Circle Jerks. Most recently, he was a member of the punk rock band Social Distortion in the late 1990s. Biscuits has named his main influences as John Bonham, Rat Scabies of the Damned, Topper Headon of the Clash, Keith Moon and Stewart Copeland.

<i>Initium</i> 1984 studio album by Samhain

Initium is the 1984 debut album of Samhain, released on lead singer Glenn Danzig's independent record label, Plan 9. In various interviews Danzig states that the album's title, which translates from Latin to English as "beginning", represents his new start after disbanding his prior band, The Misfits, in 1983. Most of the final track, "Archangel", was actually recorded in March 1981, and was originally meant to either be a Misfits song featuring Dave Vanian or a track for the band The Damned. The track "Horror Biz" likewise dates to Danzig's Misfits era, as it is a new version of "Horror Business" with different musical arrangements. The album was recorded at Reel Platinum studio in Lodi, New Jersey, excluding the introduction which was recorded at Eerie Von's home on a four track cassette.

<i>Black Aria</i> 1992 studio album by Glenn Danzig

Black Aria is an instrumental album composed by Glenn Danzig, the vocalist/songwriter for Danzig and previously of Samhain and the Misfits. Released in 1992, the album debuted at number 1 on the Billboard classical chart. The original release was on Glenn Danzig's own label, Plan 9 Records, and like his Misfits and Samhain releases, was distributed by Caroline Records. The album was reissued in 2000 on E-Magine Records, and a sequel followed on Evilive Records in 2006.

Verotik is an American mature-themed comic book company founded in August 1994 by heavy metal/horror punk musician Glenn Danzig. The comics are aimed toward adult readers as they often contain imagery of a sexual and/or violent nature. 'Verotik' is a portmanteau created by Glenn Danzig from the words 'violent' and 'erotic'.

Eerie Von is a musician best known as the original bassist for the band Danzig. Eerie Von's preferred bass is the Fender Jazz Bass.

Doyle Wolfgang von Frankenstein American musician

Doyle Wolfgang von Frankenstein is an American guitarist best known for his material with the horror punk band the Misfits and his own band eponymously named Doyle.

Halloween (Misfits song) song by the band Misfits

"Halloween" is the fifth single by the horror punk band the Misfits. It was released on October 31, 1981 on singer Glenn Danzig's label Plan 9 Records. 5,000 copies of the single were pressed on black 7-inch vinyl, some of which included a lyrics sheet. This was the first Misfits release to use their Famous Monsters of Filmland-inspired logo, as well as the first to refer to the band as simply "Misfits".

Steve Zing is an American drummer. He has drummed for Implosion, Mourning Noise, and The Undead before joining Samhain.

Son of Sam is an American horror punk band that is a side project created by Todd Youth in 2000, during his tenure as the guitarist for Danzig. The band's initial line up featured members of Samhain, Danzig, and AFI. Much like its members' other work, Son of Sam plays in the horror punk style, and also infuses metal and deathrock elements into their music. The name of the band was inspired by serial killer David Berkowitz, the notorious "Son of Sam".

<i>The Lost Tracks of Danzig</i> 2007 compilation album by Danzig

The Lost Tracks of Danzig is a compilation album by American heavy metal band Danzig. The set showcases a number of previously unreleased Danzig songs, ranging from the band's first recording sessions in 1987-88 until the sessions for Danzig's 2004 studio album, Circle of Snakes.

Danzig discography

This is a comprehensive discography of Danzig, an American heavy metal band, started in 1987 by former Misfits and Samhain vocalist Glenn Danzig. The band has released eleven studio albums, one live album, one compilation album, two EPs and twenty-four singles.

<i>Deth Red Sabaoth</i> 2010 studio album by Danzig

Deth Red Sabaoth is the ninth studio album by Danzig, released on June 22, 2010 through Evilive/The End Records. Deth Red Sabaoth marked Danzig’s highest-charting album since the release of Danzig 4 in 1994.

<i>Skeletons</i> (Danzig album) 2015 studio album by Danzig

Skeletons is the tenth studio album by the American heavy metal band Danzig, released on November 27, 2015 and consisting entirely of cover versions of songs from the 1960s through 1980s, selected by singer Glenn Danzig.


  1. Gregory, Andy. International Who's Who in Popular Music 2002 (4th ed.). Europa Publications. p. 123. ISBN   978-1-85743-161-2.
  2. 1 2 3 4 5 6 7 8 Cipollini, Christian. "Glenn Danzig – Horror Business". Penny Blood. Archived from the original on August 21, 2008. Retrieved December 28, 2013.
  3. Craig Lee. "Horror-movie rock from Misfits". L.A. Times. April 15, 1982
  4. Mike Gitter. "Live Metal". RIP Magazine. 1988
  5. Mike G. "Interview with Danzig". Metal Maniacs. December 1999.
  6. 1 2 3 4 Zogbi, Mariana (Spring 1989). "Danzig on Thin Ice". Metal Mania. Archived from the original on September 26, 2010. Retrieved October 28, 2009.
  7. 1 2 Young, Jon (August 1994). "Danzig Knows the Power of the Dark Side". Musician . Archived from the original on December 20, 2010. Retrieved February 8, 2011.
  8. Burk, Greg (October 27, 1999). "Glenn Danzig interview, 1999". LA Weekly . Archived from the original on November 27, 2010. Retrieved May 6, 2010.
  9. Kitts, Jeff (September 1994). "The Dark Knight Returns". Flux Magazine . Archived from the original on December 20, 2010. Retrieved April 20, 2011.
  10. Lyford, Joshua (October 1, 2015). "Danzig brings the rock to Rock and Shock - Worcester Mag". Archived from the original on May 7, 2018. Retrieved May 7, 2018.
  11. Eakin, Marah. "Other than Portlandia, Glenn Danzig doesn't get to the beach very often". Retrieved May 7, 2018.
  12. 1 2 3 Schieppati, Brandan (December 2006). "Rebel Meets Rebel". Revolver . Archived from the original on July 14, 2010. Retrieved January 16, 2010.
  13. 1 2 Moorman, Trent (August 21, 2013). "Glenn Danzig is a Macabre American Hero". The Stranger . Archived from the original on August 25, 2013. Retrieved September 4, 2013.
  14. Samira Alinto. "Interview: Glenn Danzig – one of the last divas – STALKER MAGAZINE inside out of rock´n´roll". Retrieved March 27, 2010.
  15. 1 2 Engleheart, Murray (February 1994). "DANZIG Demons Down Under". RIP . Archived from the original on September 26, 2010. Retrieved July 30, 2010.
  16. 1 2 3 4 5 6 Blush, Steven (October 1997). "Glenn Danzig". Seconds. Archived from the original on September 26, 2010. Retrieved October 3, 2009.
  17. 1 2 "Sympathy for the Devil". Entertainment Weekly . October 14, 1994. Archived from the original on June 13, 2011. Retrieved August 3, 2010.
  18. 1 2 3 4 5 Lee, Cosmo (2007). "Interview: Glenn Danzig". Invisible Oranges. Archived from the original on March 27, 2010. Retrieved March 31, 2010.
  19. Smith, George (August 18, 1990). "On Tour, Gothic Metal Band Danzig Usually Goes It Alone". The Morning Call . Archived from the original on February 14, 2013. Retrieved February 14, 2012.
  20. Nieradzik, Andrea (Spring 1989). "Moaning Misfit". Metal Hammer magazine. Archived from the original on September 26, 2010. Retrieved October 16, 2009.
  21. Weingarten, Christopher R. (July 19, 2010). "eMusic Q&A: Danzig". eMusic . Archived from the original on July 16, 2010. Retrieved July 23, 2010.
  22. 1 2 3 4 Dome, Malcolm (2011). "The Story Behind...Danzig". Metal Hammer . Future plc (May 2011): 70–72.
  23. "Interview with Eerie Von". Live4Metal. June 2008. Archived from the original on February 12, 2009. Retrieved 2010-08-27.
  24. 1 2 Yates, Amy Beth (April – May 1989). "Danzig Dark Arts". B Side. Archived from the original on September 26, 2010. Retrieved October 23, 2009.
  25. Wild, David (March 24, 1994). "The Devil Inside". Rolling Stone . Archived from the original on September 25, 2010. Retrieved August 6, 2010.
  26. Ferris, D.X. (May 24, 2007). "Danzig's Lost and Found: Underground Auteur Unearths Hits from Hell". OC Weekly . Archived from the original on July 11, 2010. Retrieved November 11, 2010.
  27. 1 2 3 4 "Glenn Danzig Satan's Child". November 10, 1999. Archived from the original on July 5, 2008. Retrieved October 9, 2009.
  28. "Glenn Danzig Unleashes 'Black Aria II' To Follow-Up His Classic Release". Metal Underground. August 30, 2006. Archived from the original on October 7, 2012. Retrieved December 16, 2009.
  29. "On the Same Track". Entertainment Weekly . February 18, 1994. Archived from the original on April 21, 2009. Retrieved August 2, 2010.
  30. Farr, Sara (August 2005). "DANZIG Interview". Unrated Magazine. Archived from the original on October 22, 2013. Retrieved October 21, 2013.
  31. Philips, Chuck (October 15, 1996). "Disney to Release Album by Danzig". Los Angeles Times. Archived from the original on November 20, 2008. Retrieved October 8, 2009.
  32. Boje, David (2000). "Phenomenal Complexity Theory and Change at Disney Vol 13(6): 558–566". Journal of Organizational Change Management. Archived from the original on June 29, 2011. Retrieved October 8, 2009.
  33. Stratton, Jeff (April 20, 2000). "The Devil Inside: Behold the Awesome Power of Danzig". Miami New Times . Archived from the original on November 2, 2012. Retrieved May 6, 2010.
  34. 1 2 Siegler, Dylan (February 10, 2001). "E-magine's Strategy is Key to Its Success". Billboard . Archived from the original on December 22, 2007. Retrieved May 6, 2010.
  35. "Blackest of the Black History". Blackest of the Black. Archived from the original on September 24, 2009. Retrieved October 2, 2009.
  36. Farr, Sara. "Danzig: Blackest of the Black". Unrated Magazine. Archived from the original on September 29, 2011. Retrieved October 2, 2009.
  37. Jones, Sefany (September 3, 2004). "Danzig Announces 'Blackest of the Black' Tour Lineup". KNAC. Archived from the original on December 22, 2011. Retrieved June 2, 2011.
  38. "DANZIG – Signs with The End records". The Metal Den. April 1, 2010. Archived from the original on July 17, 2011. Retrieved April 16, 2010.
  39. "Danzig / Lacuna Coil / the Haunted – live in Los Angeles". Archived from the original on September 23, 2009. Retrieved March 27, 2010.
  40. "Gorgeous Frankenstein". Retrieved October 9, 2009.
  41. The Lost Tracks of Danzig liner notes
  42. "Glenn Danzig Talks on New Album". May 31, 2007. Archived from the original on April 17, 2010. Retrieved April 20, 2010.
  43. 1 2 Chris Harris and Jon Wiederhorn (June 15, 2007). "Glenn Danzig Calls New LP 'A Pain in the Butt'". Archived from the original on April 2, 2010. Retrieved April 20, 2010.
  44. ""The Lost Tracks of Danzig" Details, Release Date Revealed". April 3, 2007. Archived from the original on June 6, 2011. Retrieved April 20, 2010.
  45. 1 2 "Glenn Danzig Falls Off Stage in Baltimore?". Metal Underground. October 24, 2007. Archived from the original on October 9, 2012. Retrieved June 2, 2011.
  46. "Exclusive Interview with Glenn Danzig for DANZIG 20th Anniversary". August 18, 2008. Archived from the original on August 31, 2009. Retrieved March 17, 2010.
  47. 1 2 Bliss, Karen (February 15, 2010). "Melissa Auf der Maur Has 'a Thing' for Danzig – and Now He's on Her Album". Noisecreep . Archived from the original on February 17, 2010. Retrieved March 17, 2010.
  48. Sciaretto, Amy (March 31, 2010). "Danzig, 'Deth Red Sabaoth' – New Album Exclusive". Noisecreep . Archived from the original on April 3, 2010. Retrieved March 31, 2010.
  49. "DANZIG Discusses His New Album, Deth Red Sabaoth". Metal Injection. July 14, 2010. Archived from the original on July 17, 2010. Retrieved July 16, 2010.
  50. "Official Danzig Website". Archived from the original on November 3, 2015. Retrieved October 23, 2015.
  51. "Rob Halford, Glenn Danzig, Jerry Cantrell Perform With Metallica At Third 30th Anniversary Show -". BLABBERMOUTH.NET. Archived from the original on January 7, 2012. Retrieved October 23, 2015.
  52. Slevin, Patrick (December 17, 2009). "Interview with Danzig: He's The One, He's The One". The Aquarian Weekly . Archived from the original on June 16, 2012. Retrieved March 31, 2010.
  53. Small, Aaron (November 1, 2010). "Danzig: On Wings of Leather and Rage". Brave Words & Bloody Knuckles . Archived from the original on December 26, 2010. Retrieved February 8, 2011.
  54. "Glenn Danzig Talks 20th Anniversary Tour, Future Plans". August 22, 2008. Archived from the original on April 8, 2010. Retrieved March 31, 2010.
  55. "Glenn Danzig Talks 25th Anniversary of Debut Danzig Album, Upcoming Covers Disc + More". April 23, 2013. Archived from the original on May 2, 2013. Retrieved May 1, 2013.
  56. "Glenn Danzig Talks To Full Metal Jackie About 'Legacy' TV Special, Covers Record, New Music". . April 28, 2013. Archived from the original on August 9, 2013. Retrieved May 1, 2013.
  57. "Danzig Recording New Music". . February 20, 2014. Archived from the original on March 2, 2014. Retrieved February 21, 2014.
  58. "GLENN DANZIG Sues MISFITS' JERRY ONLY Over HOT TOPIC Deal". . May 7, 2014. Archived from the original on May 8, 2014. Retrieved May 7, 2014.
  59. "GLENN DANZIG BITCH SLAPPED BY JUDGE: NO HOT TOPIC MONEY FOR YOU!". August 12, 2014. Archived from the original on August 17, 2014.
  60. "Glenn Danzig: 'I Don't Think I'm Going to Tour Anymore'". Loudwire. Archived from the original on October 23, 2015. Retrieved October 23, 2015.
  61. "Misfits' original lineup to reunite for Riot Fest". Archived from the original on May 13, 2016.
  62. Grow, Kory (May 26, 2017). "Glenn Danzig on Dark New LP, Misfits, Why He Hates Recent Presidents". Rolling Stone. Archived from the original on May 27, 2017. Retrieved May 28, 2017.
  63. Iwasaki, Scott. "DANZIG Scores Megapoints with Saltair Moshers". Deseret News . Archived from the original on October 23, 2013. Retrieved September 14, 2013.
  64. Reger, Rick (February 16, 1997). "Bending the Metal: Glenn Danzig Shifts Gears, and the Sparks Still Fly". Chicago Tribune . Archived from the original on November 7, 2013. Retrieved November 7, 2013.
  65. Gitter, Mike (June 30, 1990). "Glenn Danzig: Brawn to be Wild". Kerrang! . Archived from the original on February 27, 2012. Retrieved November 7, 2013.
  66. Kitts, Jeff (July 1994). "Prime Cuts: John Christ". Guitar School. Archived from the original on February 29, 2012. Retrieved November 7, 2013.
  67. Huey, Steve. "Danzig – AllMusic Artist Biography". AllMusic . Archived from the original on August 29, 2014. Retrieved November 6, 2013.
  68. "Glenn Danzig chat". Trans World Entertainment . January 27, 2000. Archived from the original on April 19, 2012. Retrieved November 6, 2013.
  69. Hicks, Robert (December 22, 2006). "Danzig brings metal and mythology to Sayreville show". Daily Record . Morristown. Retrieved November 6, 2013. the band redefined its identity with a combination of heavy metal and goth romanticism(subscription required)
  70. Russell, Tom (September 3, 1992). "Glenn Danzig Interview". 102.5 Clyde 1 . Archived from the original on February 27, 2012. Retrieved November 6, 2013.
  71. Palmer, Robert (November 4, 1990). "POP VIEW; Dark Metal: Not Just Smash And Thrash". The New York Times . Archived from the original on October 16, 2015. Retrieved November 6, 2013.
  72. 1 2 McPheeters, Sam. "Glenn Danzig". Vice . Archived from the original on September 28, 2013. Retrieved September 22, 2013.
  73. Graff, Gary (May 3, 1995). "Danzig with the devil: Rocker relishes his turn as music's bad boy". Knight-Ridder/Tribune News Services. Retrieved January 28, 2010.
  74. 1 2 Nadel, Nick (April 28, 2009). "Five Fun Facts about Wolverine You Won't Learn from His Movie". AMC Networks. Archived from the original on November 2, 2012. Retrieved August 1, 2015.
  75. Schoof, Dustin (August 9, 2013). "Glenn Danzig Looks Back on 25 Years of Taking It to the People Ahead of Bethlehem Performance". The Express-Times . Archived from the original on September 8, 2013. Retrieved September 4, 2013.
  76. "Glenn Danzig Accepts Acting Role in Thomas Mignone's Vanessa del Rio Biopic". Brave Words . March 8, 2013. Archived from the original on March 9, 2013. Retrieved March 9, 2013.
  77. Titus, Christa (February 8, 2016). "Glenn Danzig Dishes About His Upcoming 'Portlandia' Cameo and New Music on the Way". Billboard . Archived from the original on February 11, 2016. Retrieved February 13, 2016.
  78. Sherman, Lee (June 1991). "Lucifuge video feature". Faces magazine. Archived from the original on September 26, 2010. Retrieved May 4, 2010.
  79. "Glenn Danzig: The Interview". October 18, 2010. Archived from the original on May 17, 2013. Retrieved February 8, 2011.
  80. "Glenn Danzig trained in Jeet Kune Do by Bruce Lee". 1992. Archived from the original on May 13, 2013. Retrieved August 23, 2007.
  81. 1 2 "Danzig". Prick Magazine. USA. October 2005. Archived from the original on October 23, 2009. Retrieved October 6, 2009.
  82. Comic Book Legends Uncovered Archived August 18, 2010, at the Wayback Machine
  83. "Glenn Danzig Interview". Tales from the Crypt. Spring 1982. Archived from the original on September 27, 2010. Retrieved October 28, 2009.
  84. "Glenn Danzig Interview". Hollywood Book & Poster. April 1989. Archived from the original on September 26, 2010. Retrieved October 28, 2009.
  85. Flaherty, Michael (October 25, 2007). "60 Seconds with...Glenn Danzig". Los Angeles Times . Archived from the original on October 21, 2013. Retrieved October 21, 2013.
  86. Heller, Jason. "Deeper into Music With Glenn Danzig | Music | Interview". The A.V. Club. Archived from the original on December 18, 2008. Retrieved March 27, 2010.
  87. "Danzig Home Video". Def American. 1990. Archived from the original on February 14, 2010. Retrieved October 28, 2009.
  88. "Watch a Shirtless Glenn Danzig Give a Tour of His Creepy Bookshelf". October 29, 2012. Archived from the original on February 4, 2018. Retrieved May 7, 2018.
  89. Brockman, Daniel (June 21, 2010). "Interview: Glenn Danzig". The Phoenix . Archived from the original on October 21, 2013. Retrieved October 21, 2013.
  90. "Misfits' Danzig defends Trump's Muslim travel ban - NME". May 30, 2017. Archived from the original on February 4, 2018. Retrieved May 7, 2018.
  91. "Music Reviews, Concert photos, pictures, Artist and Celebrity Interviews - UnRated Entertainment Magazine". Archived from the original on February 12, 2018. Retrieved May 7, 2018.
  92. 1 2 Harward, Randy (September 2002). "Interview: Danzig". In Music We Trust. Archived from the original on February 9, 2010. Retrieved October 28, 2009.
  93. 1 2 Sean Cannon. "DANZIG WATCH 2010: In Which I Talk to Danzig Himself". Archived from the original on October 31, 2010. Retrieved November 1, 2010.
  94. Burk, Greg (July 2007). "The Spin Interview: Glenn Danzig". Spin Magazine. Archived from the original on August 25, 2010. Retrieved October 28, 2009.
  95. 1 2 "Official DANZIG Fansite". Archived from the original on August 31, 2009. Retrieved March 27, 2010.