Blue Beat Records is an English record label that released Jamaican rhythm and blues (R&B) and ska music in the 1960s and later decades. Its reputation led to the use of the word bluebeat as a generic term to describe all styles of early Jamaican pop music, including music by artists not associated with the record label.
The Blue Beat label was founded in 1960, [1] in London, as an imprint of Emil E. Shalit's Melodisc Records. [2] [3] Melodisc, which was founded in London in 1947, specialised in releasing calypso and mento and imported American jazz music. The Blue Beat label focused on American-influenced Jamaican blues and R&B, which later evolved into ska, and was launched following the positive response in the United Kingdom to Laurel Aitken's Melodisc release of "Lonesome Lover". [2] Shalit put Sigimund "Siggy" Jackson in charge of the label, and Jackson subsequently chose the name Blue Beat, which he said was an adaptation of "It sounds like blues and it's got a great beat" or "Blues Beat", which apparently was a generic term for Jamaican blues music at the time. [2]
The first release on the Blue Beat label was "Boogie Rock" by Laurel Aitken, which was licensed from Dada Tewari's [4] Downbeat label. [5] The Blue Beat label's distinctive blue covers and silver logo first appeared with the label's third release, "Manny Oh" by Higgs and Wilson. [2] The Blue Beat label reached licensing agreements with the majority of major Jamaican producers and also released many home-produced recordings by Siggy Jackson, featuring English-based artists such as the Marvels. Even some Prince Buster hits, including "Wash-Wash", were recorded in London, and involved well-known UK musicians such as Georgie Fame. The Blue Beat label released around 400 singles and over a dozen albums between 1960 and 1967. [2] [6] Prince Buster became the Blue Beat label's biggest star, with songs such as "Al Capone".
Siggy Jackson established a Blue Beat night at the Marquee Club in London, and fashion accessories featuring the Blue Beat label's logo became popular. [2] Many records on the Blue Beat label were played alongside soul music in dance clubs such as the Twisted Wheel in Manchester. In addition to appealing greatly to the West Indian community in the UK, the music became associated with the British mods of the early to mid-1960s, as well as the skinheads of the late 1960s. In the late 1960s and early 1970s, records on the Blue Beat label became highly collectable amongst those who regarded records like Prince Buster's "Al Capone" as classics.
When the ska rhythm slowed to rocksteady around 1966, Melodisc started a new sub-label, Fab, and the Blue Beat label stopped issuing new releases after 1967 (although the back catalogue continued to sell for several years). [2] Jackson left to work for EMI, where he founded the Columbia Blue Beat label. [2] The Blue Beat label was revived in 1972 for a short run of obscure releases including John Holt's "Ok Fred" and "Sad News" singles. [2] as well as reissues of some of the popular classics from Prince Buster's catalogue such as Al Capone and Ten Commandments Of Man. Later in the decade some of these tunes were once again reissued in 12" single format to supply the new younger audience that emerged from the 2-Tone generation.
In 1987, Buster Bloodvessel (of the 2 Tone ska revival band Bad Manners) and producer Ivan Healy Purvis started a brand new record label called Blue Beat Records and licensed the Blue Beat label name and logo. The label was run from a reclaimed riverboat named "The Bloodvessel", which was in Bloodvessel's backyard in Spring Hill. Between 1987 and 1990, this label released several records, including the Bad Manners album Return of The Ugly. The Bad Manners single "Skaville UK" was the last Blue Beat single to make an impact on the UK charts, reaching #87 in 1989.
In 2004, Siggy Jackson was approached by No.1 Station band leader Marcus Upbeat (aka Downbeat) with the idea of starting a revival of The Blue Beat Label. Together Siggy and Marcus released a series of 7-inch singles on the label in the style of The Blue Beat Label's 1960s output. [2] [6] These releases included six singles by No. 1 Station, which featured The Blue Beat Label veteran Eddie 'Tan-Tan' Thornton on trumpet and several guest vocalists, including The Marvels. Siggy Jackson re-issued several tracks from his own back catalogue, as well as one single each from ska revival band Intensified and veterans of The Blue Beat Label the Pyramids. Siggy also reissued two Laurel Aitken tracks, and a single by the Mopeds which had previously been issued on Columbia Blue Beat. [7] These releases were all limited edition vinyl pressings. Siggy Jackson retired from the music industry in 2008. Marcus Upbeat then acquired The Blue Beat Label to continue with label's revival.
In 2011, Marcus Upbeat registered Blue Beat Records Ltd to continue The Blue Beat Label. [8] and in 2011 released another new 7" single on The Blue Beat Label. Marcus then embraced the emerging and ever faster growing digital age for The Blue Beat Label. An exclusive digital distribution agreement for The Blue Beat Label was implemented and over the following years a few selective No.1 Station and other releases were made available for digital release on iTunes and other reputable digital outlets. The Blue Beat Label got a further reboot in 2019 with the re-release of a No. 1 station single She's So Sweet on 7 inch vinyl marcus upbeat re recorded this all on his own and the digital single released on The Blue Beat Label, and a new website featuring all the releases on the label over the past sixty years, [9] alongside Marcus Upbeat agreeing a deal with Tipp Investments to acquire a stake in Blue Beat Records Ltd. [10] It has been reported that the deal is due to complete during April 2020. The Blue Beat Label is still going independently as it reaches sixty.
Ska is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.
Two-tone or 2 tone, also known as ska-rock and ska revival, is a genre of British popular music of the late 1970s and early 1980s that fused traditional Jamaican ska, rocksteady, and reggae music with elements of punk rock and new wave music. Its name derives from 2 Tone Records, a record label founded in 1979 by Jerry Dammers of the Specials, and references a desire to transcend and defuse racial tensions in Thatcher-era Britain: many two-tone groups, such as the Specials, the Selecter and the Beat, featured a mix of black, white, and multiracial people.
Alexander Minto Hughes, better known as Judge Dread, was an English reggae and ska musician. He was the first White recording artist to have a reggae hit in Jamaica, and the BBC has banned more of his songs than those of any other recording artist, because of his frequent use of sexual innuendo and double entendres. Following his death, Rolling Stone reported, "He sold several million albums throughout his 25-plus year career and was second only to Bob Marley in U.K. reggae sales during the 1970s".
Cecil Bustamente Campbell, known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary music and created a legacy of work that would be drawn upon later by reggae and ska artists.
Bad Manners are an English two-tone and ska band led by frontman Buster Bloodvessel. Early appearances included Top of the Pops and the live film documentary Dance Craze (1981).
Emmanuel "Rico" Rodriguez, also known as Rico, Reco or El Reco, was a Cuban-born Jamaican ska and reggae trombonist. He recorded with producers such as Karl Pitterson, Prince Buster, and Lloyd Daley. He was known as one of the first ska musicians. Beginning in the 1960s, he worked with The Members, The Specials, Jools Holland, and Paul Young.
Douglas Trendle, better known as Buster Bloodvessel, is an English singer who has been the frontman of the two-tone band Bad Manners since forming the band in 1976. He took his stage name from the bus conductor played by Ivor Cutler in the Beatles' 1967 film Magical Mystery Tour.
Lorenzo "Laurel" Aitken was a Cuban-Jamaican singer and one of the pioneers of ska music. He is often referred to as the "Godfather of Ska".
People from the Caribbean have made significant contributions to British Black music for many generations.
Clancy Eccles was a Jamaican ska and reggae singer, songwriter, arranger, promoter, record producer and talent scout. Known mostly for his early reggae works, he brought a political dimension to this music. His house band was known as The Dynamites.
Derrick Morgan OD is a Jamaican musical artist who was popular in the 1960s and 1970s. He worked with Desmond Dekker, Bob Marley, and Jimmy Cliff in the rhythm and blues and ska genres, and he also performed rocksteady and skinhead reggae.
Byron Lee and the Dragonaires are a Jamaican ska, calypso and soca band. The band played a crucial pioneering role in bringing Caribbean music to the world. Byron Lee died on 4 November 2008, after suffering from cancer for a sustained period.
The Skatalites are a ska band from Jamaica. They played initially between 1963 and 1965, and recorded many of their best known songs in the period, including "Guns of Navarone." They also played on records by Prince Buster and backed many other Jamaican artists who recorded during that period, including Bob Marley & The Wailers, on their first single "Simmer Down." They reformed in 1983 and have played together ever since.
Return of the Ugly is the sixth studio album by British 2 Tone and ska band Bad Manners released in 1989. It was the band's first release on an independent label and their first album release without David Farren, Brian Tuitt, Andy Marson and Paul Hyman.
Theophilus Beckford was a Jamaican pianist and one of the pioneers of Jamaican popular music during the transition from rhythm 'n' blues to Jamaican ska.
Bobby Aitken is a Cuban-born Jamaican guitarist and singer who had a string of hits in Jamaica in the 1960s and led the band The Carib Beats.
The ska stroke up or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music. It is derived from a form of rhythm and blues arrangement called the shuffle, a popular style in Jamaican blues parties of the 1940s, 1950s and 1960s.
Melodisc Records was a record label founded by Emil E. Shalit in the late 1940s. It was one of the first independent record labels in the UK and the parent company of the Blue Beat label.