Extreme Noise Terror

Last updated

Extreme Noise Terror
Origin Ipswich, England, United Kingdom
Genres
Years active1985–present
Labels
Members
  • Dean Jones
  • Ben McCrow
  • Ollie Jones
  • Dicky Moore
  • Michael Hourihan
Past members(See below)
Website www.extremenoiseterror.co.uk

Extreme Noise Terror (often abbreviated to ENT) are a British extreme metal band formed in Ipswich, England in 1985 and one of the earliest and most influential crust bands. Noted for one of the earliest uses of dual vocalists in hardcore, [1] and for recording a number of sessions for BBC Radio 1 DJ John Peel, the band started as crust punks and helped characterise the early, archetypal grindcore sound with highly political lyrics, fast guitars and tempos, and often very short songs.

Contents

Biography

Early years

Extreme Noise Terror were formed in early 1985 in Ipswich, England, originally consisting of dual vocalists Dean Jones and Phil Vane, guitarist Pete Hurley, bassist Jerry Clay and drummer Darren "Pig Killer" Olley. [2] Prior to ENT, Vane and Hurley had played with Discharge-influenced acts Freestate and Victims of War, [3] whilst Jones had been singing with Raw Noise. [1] Hurley claims that the band name came from an insert for an album by the Dutch band Lärm: "It featured a bandanna-ed hardcore kid with 'Extreme Noise Terror' surrounding him. Those three words summed up exactly what we were aiming at." [3] Aside from Discharge, the band cite as early influences Anti Cimex, Rattus and Antisect, another early proponent of the "one high, one low" vocal approach. [1] ENT signed to the small UK-based indie label Manic Ears after a solitary gig supporting Chaos UK. [3]

Their first release for the label was a split LP with Chaos UK in 1986, entitled Radioactive Earslaughter. Although there were still musical similarities between the two bands, ENT were already beginning to twist hardcore into what would later become known as "grindcore". ENT have however expressed misgivings about the use of the term:

We were known as hardcore punk. Then it became this 'Britcore' thing that Sounds and NME came up with, with the Electro Hippies, Napalm, Carcass and Bolt Thrower all rolled into one, all playing the same shows and then Napalm Death made the word 'grind' up. But they were always a bit more metal than us and we didn't really know what this word 'grind' meant. [1]

In 1987, ENT came to the attention of John Peel, on the recommendation of fellow Ipswich group The Stupids. [4] After seeing them live at the Caribbean Centre in Ipswich with his wife and son, [4] Peel offered them their first (of four) Peel Session for BBC Radio 1, [5] which was released through Strange Fruit. [6] A second Peel Session was recorded the following May. [7]

During this period, the drum stool was filled by former Napalm Death drummer Mick Harris, although he left soon afterward to form Scorn and was replaced by Tony "Stick" Dickens (of crust band Doom). Bassist Clay was replaced by Mark Gardener, [8] and this line-up recorded ENT's debut album, A Holocaust in Your Head , which was later voted number 3 in Terrorizer 's essential European grindcore albums, who described it as "marrying a thick crust-punk crunch and vitriolic lyrical assault with the newborn, clattering fury of grindcore, 'Holocaust...' followed Napalm's heroic uppercuts and haymakers with a Doc Martin in the goolies." [9] The band undertook a headline tour of both Europe and Japan in support of the album. In 1990, Jones and future ENT guitarist Ali Firouzbakht guested on Raw Noise's "Sound of Destruction" single release, [8] and bassist Gardener was replaced by Pete Nash from the band Doom. [6]

Collaboration with the KLF

On their return from Japan, ENT were invited to perform their third Peel Session, [10] which was released along with their first as a full-length LP by Strange Fruit. The band then embarked on another European tour, after which they released their second record, Phonophobia, through Vinyl Japan and returned to tour Japan once again. Further radio support from John Peel brought ENT to the attention of Bill Drummond of The KLF; [8] the two acts got in touch and Drummond asked ENT to re-record a version of KLF's hit single "3 a.m. Eternal", with the intention of the band performing live on Top of the Pops at Christmas. [6]

The BBC, however, felt that the song was inappropriate for broadcast on daytime television and thus refused to air the track, leading to the KLF boycotting the show. [11] The single eventually saw limited edition release through KLF Communications and won Single of the Week from both the NME and Melody Maker . ENT also worked on the abandoned KLF album The Black Room (the KLF had previously released an ambient album called The White Room ), but when Drummond and KLF co-member Jimmy Cauty announced the band's retirement, they also deleted the recordings. [11]

When asked how the collaboration came about, Jones said: "What actually happened was that Bill heard us on Peel when he was in the bath and got in touch. They had wanted to do rock versions of their songs with Motörhead but something fell through, so he rang us... The message said it's Bill from The KLF, but I thought they said 'the ALF' so I didn't take much notice... Later, we got another message saying it was definitely Bill from The KLF and I said 'f--- off! What does he want with us?' But it all got explained eventually." [12] The two bands were later asked to appear at the 1992 BRIT Awards, at which they caused controversy by firing blanks from machine guns into the audience, [6] [8] a performance that the NME listed at number 4 in their "top 100 rock moments". [13]

Retro-bution, Vane's departure and subsequent albums

Extreme Noise Terror continued to tour throughout 1993 and 1994, and underwent further line-up changes; drummer Dickens left to join DIRT and was replaced by former member Pig Killer, Lee Barrett (founder of Candlelight Records and also member of Disgust) took over on bass, and Ali Firouzbakht joined on lead guitar. At the request of Digby Pearson, this line-up signed to Earache in June 1994 and recorded Retro-bution, essentially a compilation of re-recorded material from the band's earlier days, which was released in January 1995. The motivation behind this release was due to the band's dissatisfaction with their earlier recordings and saw ENT take a slightly more metal direction, including the addition of some guitar solos. [14] A short UK tour followed, followed by touring in Europe and the US and a further line-up change occurred with Pig Killer being replaced by former Cradle of Filth drummer William A. "Was" Sarginson. (After several years as a professional photographer, in 2013 Pig Killer joined The Featherz under the name Dazzle Monroe.) The line-up changes continued with the departure of founder member Phil Vane, who left to join Napalm Death in late 1996. [8] In an example of trading places, Napalm Death frontman Mark "Barney" Greenway agreed to join ENT during the recording of their next album, Damage 381.

The album, whose title comes from the BPM recorded on the title track, saw ENT moving further into death metal territory, reincorporating some of the blast beats and screamed vocals that had been missing from their previous two releases. [15] The album benefited from a production from noted metal producer Colin Richardson. At the same time Napalm Death were having a hard time getting the vocals that they wanted from Vane and asked Greenway to return, which he agreed to do, leaving ENT once again lacking a second vocalist. [15] Vane subsequently returned to the band in 1997.

Further line-up changes occurred in 1999, with Vane once again departing to be replaced by Adam Catchpole, Sarginson being replaced by Zac O'Neil, and former Cradle of Filth member Gian Pyres joining on lead guitar. [16] In 2001, the band signed to Candlelight and released their fourth full-length album, Being and Nothing . The band also played a fourth session for BBC Radio 1 in February 2001 [17] and continued to tour round Europe, including a slot on the main stage at Wacken Open Air in 2003. [18]

Recent activity

Ever struggling with line-up problems, Paul "Woody" Woodfield took over on lead guitar for studio and live duties in early 2001, whilst Stafford Glover took over on bass (from the departing Barrett, who left to concentrate on To-Mera) and Desecration's Ollie Jones was added to the line-up as permanent second guitarist. [19] In early 2006, Phil Vane once again returned to the band after living in Switzerland for six and a half years. [20] Zac O'Neil also left the band, to be replaced by Mic Hourihan (of Desecration and Tigertailz). In 2007, ENT toured the US with grindcore band Phobia and released a split recording with Driller Killer through French label Osmose. The following year the band released a split 7-inch with Trap Them (released on Deathwish Inc.) to coincide with their joint US West Coast Distortion tour, [8] [19] which culminated at the 2008 Los Angeles Murderfest. In amongst playing shows worldwide, including Indonesia, Russia, Hungary, Slovenia, Romania, Finland, Germany, Estonia and at the Obscene Extreme Festival in the Czech Republic, ENT recorded their next album, Law of Retaliation which was released in early 2009 by Osmose in Europe, MCR Company in Japan, and Deep Six Records in the US. Terrorizer described it as "a rabid, intense and gleeful return to explosive, hyper-speed hardcore punk insanity". [21] The band continued to tour with shows throughout 2009 in Europe and a third Japanese tour, this time with Slang. [16]

Though still fiercely political, in recent years the band has become more open-minded regarding some of their beliefs, especially concerning vegetarianism, and the use of drugs and alcohol. Jones commented:

I think now it's more acceptable not being vegetarian, being PC, admitting that you like having sex, because at one point with the likes of Profane Existence [anarchist punk fanzine] and Maximumrockandroll [legendary punk zine, infamous for scene policing[ clarification needed ]], and I hate to say it, but it felt like some sort of restrictive Nazi regime. You have to be like this to be crust. Which to me was the total opposite to what it should be. I stayed with my beliefs, but I didn't like being told what to do to fit in with the audience [...] But now, the progression is more to do with that the fact that everyone is doing what they want, whether it's drink, drugs, sex. So yes, it has progressed. [1]

On 17 February 2011, Phil Vane died in his sleep due to a cerebrovascular accident at the age of 46. [22] The band have continued to tour and release music with former Gorerotted and The Rotted frontman Ben McCrow, with the band dedicating their 2015 self-titled album to Vane's memory.

Members

Current
Former

Timeline

Extreme Noise Terror

Discography

Studio albums

Split albums

EPs

Live albums

Compilation albums

DVDs

Music videos

See also

Related Research Articles

Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.

<span class="mw-page-title-main">Napalm Death</span> English grindcore band

Napalm Death are an English extreme metal band formed in Meriden, West Midlands in 1981. None of the band's original members have been in the group since 1986. But since Utopia Banished (1992), the lineup of bassist Shane Embury, guitarist Mitch Harris, drummer Danny Herrera and lead vocalist Mark "Barney" Greenway has remained consistent through most of the band's career. From 1989 to 2004, Napalm Death were a five-piece band after they added Jesse Pintado as the replacement of one-time guitarist Bill Steer. Following Pintado's departure, the band reverted to a four-piece.

The Black Room is a never-completed album by The Justified Ancients of Mu Mu, intended to be the follow-up to their KLF album The White Room.

<i>Scum</i> (Napalm Death album) 1987 studio album by Napalm Death

Scum is the debut studio album by English grindcore band Napalm Death, released on 1 July 1987 by Earache Records. The two sides of the record were recorded by two different lineups in sessions separated by about a year; the only musician in both incarnations was drummer Mick Harris. The two sides are very different, and the two taken together serve to bridge stylistic elements of heavy metal and punk rock. While the songs on the A-side are influenced heavily by hardcore punk and anarcho-punk, the vocals and lower-tuned electric guitars on the B-side anticipate subsequent developments in extreme metal. Loudwire put it in the list of the best 10 metal albums of 1987.

<span class="mw-page-title-main">Crust punk</span> Music genre

Crust punk is a form of music influenced by English punk rock and extreme metal. The style, which evolved in the early 1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo.

<span class="mw-page-title-main">Thrashcore</span> Fast-tempo subgenre of hardcore punk

Thrashcore is a fast-tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, often using blast beats. Songs can be very brief, and thrashcore is in many ways a less dissonant, less metallic forerunner of grindcore. The genre is sometimes associated with the skateboarder subculture.

<span class="mw-page-title-main">Discharge (band)</span> English punk band

Discharge are an English hardcore punk band formed in 1977 in Stoke-on-Trent, England. The band is known for influencing several sub-genres of extreme music and their songs have been covered by some of the biggest names in heavy metal and other genres. The musical sub-genre of D-beat is named after Discharge and the band's distinctive drumbeat.

<span class="mw-page-title-main">D-beat</span> Genre of hardcore punk

D-beat is a style of hardcore punk, developed in the early 1980s by imitators of Discharge, after whom the genre is named, as well as a drum beat characteristic of this subgenre. D-beat is known for its "grinding, distorted and brutally political" sound. Discharge may have themselves inherited the beat from Motörhead and the Buzzcocks. D-beat is closely associated with crust punk, which is a heavier, more complex variation. The style was particularly popular in Sweden, and developed there by groups such as Crude SS, Anti Cimex, Mob 47, and Driller Killer. Other D-beat groups include Doom and the Varukers from the UK; Disclose from Japan; Crucifix and Final Conflict from the U.S.; Ratos de Porão from Brazil; and MG15 from Spain. While the style initially developed in the early 1980s, a number of new groups working within the subgenre emerged in the mid-1990s. These include the Swedish groups Wolfbrigade, Totalitär, Avskum, Skitsystem, and Disfear.

Earache Records is a British independent record label, music publisher and management company founded by Digby Pearson in 1985, based in Nottingham, England, with offices in London and New York. The label helped to pioneer extreme metal by releasing early grindcore and death metal records between the late 1980s and mid-1990s. Its roster has since diversified into more mainstream guitar music, working with bands such as Rival Sons, the Temperance Movement, Blackberry Smoke, Scarlet Rebels and the White Buffalo. The company also hosted the 'Earache Express' stage at Glastonbury Festival in 2017 and 'The Earache Factory' at Boomtown 2018. The label's logo is a homage to Thrasher magazine, as Pearson was a skateboard culture enthusiast.

Michael John Harris is an English musician from Birmingham. He was the drummer for Napalm Death between 1985 and 1991, and is credited for coining the term "grindcore". After Napalm Death, Harris joined Painkiller with John Zorn and Bill Laswell. Since the mid-1990s, Harris has worked primarily in electronic and ambient music, his main projects being Scorn and Lull. He has also collaborated with musicians including James Plotkin and Extreme Noise Terror. According to AllMusic, Harris's "genre-spanning activities have done much to jar the minds, expectations, and record collections of audiences previously kept aggressively opposed."

<span class="mw-page-title-main">Lee Dorrian</span> British singer (born 1968)

Lee Dorrian is an English singer, best known as a former member of grindcore band Napalm Death and later frontman of doom metal band Cathedral.

Sore Throat were a British crust punk band formed in Huddersfield, England, in 1987. They are known for being one of the earliest exponents of the grindcore subgenre known as "noisecore", as well as for launching the careers of several prominent members of the British heavy metal community.

<span class="mw-page-title-main">3 a.m. Eternal</span> 1989 single by the KLF

"3 a.m. Eternal" is a song by British acid house group the KLF, taken from their fourth and final studio album, The White Room (1991). Numerous versions of the song were released as singles between 1989 and 1992. In January 1991, an acid house pop version of the song became an international top ten hit single, reaching number-one on the UK Singles Chart, number two on the UK Dance Singles Chart and number five on the US Billboard Hot 100, and leading to the KLF becoming the internationally biggest-selling singles band of 1991.

Optimum Wound Profile were an industrial metal band from Ipswich, England, active between the years 1991-1996. Combining elements of metal, crust punk, and sampling/programming technologies they released three albums and toured across Europe.

Electro Hippies were an English thrashcore band formed in St Helens/Wigan, England, in 1985.

<span class="mw-page-title-main">Trap Them</span> American hardcore punk band

Trap Them was an American hardcore punk band formed in Salem, New Hampshire in 2001. They released five studio albums and five EPs, including a split EP with Extreme Noise Terror.

Patareni are a hardcore punk, noise, and grindcore band from Zagreb, Croatia, formed in 1983. Owing to their formation at such an early date, they are considered to be one of the earliest grindcore bands.

<span class="mw-page-title-main">Nails (band)</span> American hardcore punk band

Nails is an American hardcore punk band from Oxnard, California. The group was formed in 2009 by frontman Todd Jones, formerly the guitarist of Terror, along with bassist John Gianelli and drummer Taylor Young of Disgrace. They released their debut EP Obscene Humanity in 2009, followed by the studio albums Unsilent Death (2010), Abandon All Life (2013) and You Will Never Be One of Us (2016), and a split EP with Full of Hell. Nails have achieved widespread notoriety and critical acclaim for their savage and intense sound.

<span class="mw-page-title-main">Hardcore punk in the United Kingdom</span> Genre of music in the UK

Hardcore punk in the United Kingdom began in the late 1970s and early 1980s with the second wave of punk rock in the country. The scene produced many successful and influential hardcore punk bands throughout the 1980s such as Discharge, GBH and the Exploited and led to the pioneering of genres such as grindcore, street punk, crust punk and D-beat.

References

  1. 1 2 3 4 5 Bonniwell, Alex (2009). In Grind We Crust, Terrorizer 181, pp. 46–51.
  2. Extreme Noise Terror biography @ Allmusic
  3. 1 2 3 Mudrian, Albert (2004). Choosing Death: The Improbable History of Death Metal & Grindcore , pp. 30–31, Feral House, ISBN   1-932595-04-X.
  4. 1 2 Peel, John (2004). Introduction to Choosing Death: The Improbable History of Death Metal and Grindcore, p. 17.
  5. "BBC - Radio 1 - Keeping It Peel - 10/11/1987 Extreme Noise Terror". Bbc.co.uk. Retrieved 3 June 2017.
  6. 1 2 3 4 Larkin, Colin (1999). The Virgin Encyclopedia of Heavy Rock, p. 155, Virgin Books, ISBN   0-7535-0257-7.
  7. "BBC - Radio 1 - Keeping It Peel - 01/05/1988 Extreme Noise Terror". Bbc.co.uk. Retrieved 3 June 2017.
  8. 1 2 3 4 5 6 Extreme Noise Terror biography @ Rockdetector Archived 12 May 2009 at the Wayback Machine
  9. Hoare, James. Grindcore Special. Essential Albums|Europe, Terrorizer 180, February 2009, p. 54.
  10. "BBC - Radio 1 - Keeping It Peel - 06/02/1990 Extreme Noise Terror". Bbc.co.uk. Retrieved 3 June 2017.
  11. 1 2 McIver, Joel (2000). Extreme Metal, p. 80, Omnibus Press, ISBN   0-7119-8040-3.
  12. Kelly, D. "Welcome to the Sheep Seats", New Musical Express , 29 February 1992 (link Archived 19 May 2006 at the Wayback Machine )
  13. "NME.COM'S TOP 100 ROCK MOMENTS OF ALL TIME - NME". NME . 15 January 2001. Retrieved 3 June 2017.
  14. "Archived copy". Archived from the original on 26 October 2009. Retrieved 27 April 2009.{{cite web}}: CS1 maint: archived copy as title (link)
  15. 1 2 "Chronicles of Chaos - Extreme Music Webzine - Metal Reviews and Interviews". Chroniclesofchaos.com. Retrieved 3 June 2017.
  16. 1 2 "ENT/Dwarves Split, by Extreme Noise Terror". Extreme Noise Terror. Retrieved 3 June 2017.
  17. "BBC - Radio 1 - Keeping It Peel - 28/02/2001 Extreme Noise Terror". Bbc.co.uk. Retrieved 3 June 2017.
  18. "W:O:A - Wacken Open Air : Intro". Wacken.com. Archived from the original on 24 April 2009. Retrieved 3 June 2017.
  19. 1 2 "Extreme Noise Terror (Official) - Listen and Stream Free Music, Albums, New Releases, Photos, Videos". Myspace. Retrieved 3 June 2017.
  20. "World Wide Freedom" . Retrieved 3 June 2017.
  21. Ellis, Graham (January 2009). Terrorizer 179, p. 69. Review of Law of Retaliation.
  22. "EXTREME NOISE TERROR Vocalist PHIL VANE Dead at 46". Blabbermouth.net . Roadrunner Records. 23 February 2011. Archived from the original on 26 February 2011.
  23. "Retro-Bution - Extreme Noise Terror | Songs, Reviews, Credits". AllMusic .

Further reading