Carcass are an English extreme metal band from Liverpool, formed in 1985. The band have gone through several line-up changes, leaving guitarist Bill Steer and bassist-vocalist Jeff Walker as the only constant members. They broke up in 1996,[2][3][4] but reformed in 2007 without original drummer Ken Owen, for health reasons.[5] To date, the band have released seven studio albums, two compilation albums, four EPs, two demo albums, one video album, and six music videos.
Carcass are regarded as among the pioneers of the grindcore and melodic death metal genres.[6][7] They are also described as one of the earliest and most important of the new generation of grindcore and death metal bands.[8] Their early work was also tagged as "splatter death metal",[9] and "hardgore"[10] on account of their morbid lyrics and gruesome album covers. Their fourth album, Heartwork (1993), is considered a landmark in the melodic death metal genre.[6] Carcass were also one of the few death metal acts to sign to a major label, with Columbia Records handling North American distribution for Heartwork, while the album was distributed worldwide by Earache who released all of the band's albums up to and including Swansong (1996).
Carcass were first formed as a school band by Bill Steer and Ken Owen that soon after disbanded.[11] Steer then joined the D-beat band Disattack with drummer Middie, Paul on bass and Pek on vocals.[12][13] After releasing a four track demo entitled A Bomb Drops ... in 1986,[14] the bass player left the band and was replaced by Jeff Walker, formerly guitarist and vocalist of the Electro Hippies. Vocalist Andrew Pek changed his name to Sanjiv after a visit to India.[12] At about the same time, Bill Steer joined Napalm Death (replacing Justin Broadrick) and recorded the second side of what became Napalm Death's first album, Scum. Walker also designed the cover art for Scum.
Disattack then changed its name to Carcass as the group changed musical direction. This led to a change in drummer and saw Ken Owen join the band.[15] In April 1987, they recorded the Flesh Ripping Sonic Torment demo, the only Carcass recording featuring vocalist Sanjiv, who left shortly after. Walker, Steer and Owen shared vocal duties for the debut album, which was done in only four days. Despite the primitive production values of Carcass's debut Reek of Putrefaction (1988), with which the band was very displeased,[16] it became a favourite of Radio 1 DJ John Peel.[17] Due to his interest, they were asked to participate in their first Peel Session in 1989, where they debuted new material for their second album. The Peel Session was released as an EP with the band members adopting pseudonyms: K. Grumegargler, J. Offalmangler, and W.G. Thorax Embalmer. Also that year, Steer and Walker appeared as members of Lister's fictional band Smeg and the Heads in an episode of Red Dwarf.[18]
Progress (1989–1993)
Bill Steer at Gods of Metal, Bologna, Italy (2008)
Symphonies of Sickness (1989), the second album, which contained a much improved production quality (courtesy of Colin Richardson), featured more death metal structures and longer songs with more slow passages.[19] The second half of the tour in support of Symphonies of Sickness saw the addition of second lead guitarist Michael Amott, whose previous work included Carnage. Amott was to become a permanent member, playing on the second Peel Session and contributing material towards their third album.
Necroticism – Descanting the Insalubrious (1991) showed even more intricate composition, further improved production and guitar solos.[19] Despite the addition of Amott to the ranks, Steer still handled all rhythm guitar duties, with Amott only contributing leads and one riff.[20] Carcass again supported the album with heavy touring, and were part of the Earache 'Gods of Grind' tour with Cathedral, Entombed and Confessor in both Europe and the United States. The Tools of the Trade EP was released in 1992 to coincide with the "Gods of Grind" tour.
Columbia (1993–1995)
Michael Amott at Gods of Metal, Bologna, Italy (2008)
The band's fourth album, Heartwork, was released in the UK in October 1993,[21] and did not have a US release until three months later.[22] It was considered a radical change by many fans,[23] which eliminated Steer's deeper vocals and the clinically gory lyrics. Again, Steer handled all rhythm guitar duties, this time due to Amott losing his passport in Israel (thus making him unable to return to England in time to record).[18] Song structures, whilst still containing musically complex parts, were simpler, in some cases using the verse/chorus/verse formula.
After the release of Heartwork, Carcass signed a worldwide deal with Columbia Records, who hoped for commercial success, even suggesting that Jeff Walker learn how to sing. Michael Amott left the band right after Heartwork was recorded, and was for a while replaced by Mike Hickey, who was later replaced by Carlo Regadas.
During the summer of 1994, Walker remixed the track "Inside Out" for a Die Krupps remix album, although the version stayed fairly true to the original with the exception of Owen's drum samples from Heartwork replacing the Die Krupps original, and additional mixing from Walker and Colin Richardson at Parr Street studios (where Heartwork was recorded).[24]
Carcass now set about writing songs for their major label debut. During the December 1994 UK tour Carcass showcased two songs from their current writing sessions – "Edge of Darkness" and "Firmhand", both showing a more straightforward song writing approach than on previous efforts.[according to whom?] Around this time, "Edge of Darkness" was recorded for the BBC Radio 1 Rock Show sessions – a session which could be found on later compilation albums.[which?]
By late 1994, 17 songs were ready, and the band set about using their $200,000 advance to record the album, again with Colin Richardson, at Rockfield studios in Monmouth, South Wales in early 1995. During the 6-week recording schedule, the record label began to withdraw support, stating that Carcass were not ready to record, and needed to write more songs. This advice was ignored, as was the suggestion to have Terry Date remix the album, and the band continued. At the time, Jeff Walker stated in an interview with the UK's Metal Hammer Magazine that the album was taking more of a classic rock approach, with drums, bass and twin guitars à la Thin Lizzy, in comparison to earlier "multi-layered guitar" productions. This has since been put down to Bill Steer's unwillingness to perform the time-consuming guitar layering (as once again Steer performed all rhythm guitar) through losing interest in the metal genre.
During the Swansong recording sessions, Carcass were asked to remix the Björk track "Isobel". This was not a remix as such but more of a re-recording with only Björk's vocals remaining. The track saw the light of day in March 1996 on Björk's "Hyperballad" single.
Demise (1996–2006)
Continuing record company problems with Columbia/Sony caused the album to be delayed from late summer 1995 to June 1996, in which time Carcass moved back to Earache Records, and broke up before even releasing Swansong. The move back to Earache was dubbed by Walker as "the second great rock and roll swindle"[25] as they had effectively been paid twice for the same album. Swansong featured twelve of the seventeen tracks put to tape during the recording sessions. Walker has since stated in interviews that all seventeen songs should have been included in a double album, and that some songs omitted from Swansong were actually stronger than some of Swansong's actual content. Carcass also remixed Killing Joke's "Democracy" (by re-recording the music, but keeping the original vocals), although this time Regadas performed all guitar duties, as it is thought Steer had quit the band by early 1996. The Carcass "Rooster Mix" was made available on Killing Joke's Democracy. Around the time of Swansong's release, Carcass informed the press that they were ending the band without even a farewell tour, but most fans had guessed this may be the case via the album title.
The album sold well, staying near the top of the Indie Rock Chart in the UK for several months, above bands such as Placebo, despite having no touring support from the band. It is rumoured that the band were offered several lucrative tours in 1995, such as supporting Iron Maiden on their "X-Factour 95" tour, which had the album been released as expected in 1995, could have improved the band's sales and longevity.
A posthumous compilation, Wake Up and Smell the... Carcass was released in October 1996 to collect together Carcass' rarer material, including unreleased material, songs only available on EPs and compilations, and live tracks. An accompanying video was released a few weeks after the Wake Up CD with little knowledge from the band or their management. The video, later released on DVD, featured five of the band's promotional videos, a show from the Grindcrusher 1989 tour (as a three piece) and a show from the 1992 Gods of Grind tour. Sound on the two live shows is poor, particularly the latter, which Walker has described as "unmixed".
Owen, Walker, and Regadas continued with the band Blackstar, accompanied by former Cathedral bassist Mark Griffiths, using the second Swansong advance from Earache to fund the recording. Blackstar, later Blackstar Rising, became defunct after drummer Owen suffered a severe cerebral hemorrhage. Amott went on to found hard rock band Spiritual Beggars and successful Swedish melodic death metal band Arch Enemy. In the biggest musical departure, Steer formed Firebird, a Clapton-esque rock band.
Reformation (2007–2012)
In June 2006, in an interview with Walker, he discussed the possibility of reforming Carcass, but mentioned that it was unlikely that Owen would participate, since he could not replicate his former drumming proficiency due to the effects of the cerebral hemorrhage he suffered in 1999.[26] In September 2007, Michael Amott announced that he was rehearsing with Bill Steer, Jeff Walker and Daniel Erlandsson (replacing Ken Owen) in secret to rehearse old Carcass songs for a possible reunion tour. The original plans were to play at several festivals during the summer, but they could not meet the deadlines.[27]
In October 2007, Carcass were confirmed to play at German heavy metal festival Wacken Open Air and Finland's Tuska Open Air Metal Festival in 2008.[28] Carcass later embarked on a reunion tour, beginning on 6 June 2008 at the Sweden Rock Festival in Norje, Sweden. Carcass also played at Hellfest Summer Open Air, Metalcamp and several other festivals. The band toured Australia and New Zealand in 2008, and then in North America during September and October 2008, followed by the band's first South American tour, playing in Colombia, Chile, Argentina and Brazil. On 15 November 2008, Carcass headlined the Danish Metal Awards held in Amager Bio, Copenhagen, Denmark. Steer also presented the award for Best Danish Debut Album, which went to SCAMP for Mirror Faced Mentality. Carcass surprised the audience by bringing Ken Owen to the stage where he gave a brief drum solo to show how far he had come in recovering from his illness. Carcass performed an exclusive UK show at the Damnation Festival in Leeds. It was the first time Carcass had played in England in 14 years.
Carcass re-released their entire back catalogue with bonus material during 2008 on Earache Records.[29] When asked if the band were planning on writing and recording a new album, Steer replied:
I would be very surprised if that would really happen. But never say never, I'm always the last one who needs to be convinced. Michael and Jeff are much more busy with those things than I am. I'm also not very much involved in the planning of all the festivals which are scheduled. At this moment, I barely know in which countries we're all going to play.
Carcass continued to play live in 2009, with a North American tour completed in March 2009. Carcass also headlined the Bloodstock Open Air in Derbyshire, England in August 2009. In August 2010, Carcass headlined Vagos Open Air in Vagos, Portugal,[31] and Jalometalli Metal Music Festival held in Oulu, Finland.[32] At Hellfest 2010, they performed the Necroticism album in its entirety.[33] In 2012, Amott and Erlandsson left Carcass to focus on Arch Enemy.[34]
Surgical Steel (2012–2019)
Carcass performing in 2015
Steer and Walker started talking about recording a new album after the reunion shows were done. They wrote some songs to see how they would turn out. According to Steer, "If it sounded like Carcass to us, we were going to proceed. We also said if it didn't feel right, we'd just drop it".[35] Carcass recorded a new album in 2012, titled Surgical Steel.[34]Daniel Wilding (drummer of Bristol-based deathgrind band Trigger the Bloodshed) performs drums on Surgical Steel.[36] The original drummer, Ken Owen, was also brought in to record some backing vocals on the album.[37] Ben Ash (guitarist of Pig Iron, Desolation, and Liquefied Skeleton) joined the band in March 2013 on guitars.[38]
On 26 March 2013 Carcass performed for the first time with their new lineup at the Camden Underworld in London, where they played for three nights.[39] Carcass also performed at the Chilean music festival Metalfest in April 2013,[40] and the Maryland Deathfest XI music festival in May 2013.[41]
In May 2013 Carcass signed with Nuclear Blast.[42] In Japan they signed a deal with Trooper Entertainment for the release of the new album.[43] Carcass released Surgical Steel on 13 September 2013 in Europe, 16 September in the UK, and 17 September in North America.[44] Overall the album received positive reviews. Surgical Steel earned a Top 50 position on the US Billboard 200 charts.[45] After releasing Surgical Steel, Carcass headlined Damnation Festival in Leeds before embarking on the Defenders of the Faith Tour with Amon Amarth and Hell, which ran throughout Europe and the UK in November and December 2013.[46] Carcass performed at 70000 Tons of Metal in January 2014[47] and headlined the Agglutination Festival on 23 August that year.[48]
In a June 2014 interview with Metal Underground, Walker was asked if Carcass were going to make a follow-up to Surgical Steel. He replied, "Ultimately, as long as we feel we got somewhere to go then we would create new material. We are not just going to do it just for the sake of it. We have to feel inspired. All I can say is I do see somewhere where we can take Carcass if we choose to do another album and personally I do want to do another album. I'm not completely satisfied with any album we've made so far. I don't think we've made the classic Carcass album, that's the way I feel."[49]
Carcass released an EP titled Surgical Remission/Surplus Steel in November 2014. The EP is a collection of unreleased tracks recorded during the Surgical Steel sessions and it is released on physical and digital formats. "Well, let's call this tying up loose ends," commented Walker. "We thought we'd make all the tracks available from the Surgical Steel album session on an EP… just in case you bought the jewel case version, didn't buy the digipak, didn't buy the Japanese import, or maybe you never bought the Decibel magazine issue with the flexi disc? Well, here you go; ALL the songs on one disc along with a previously unreleased track. Even Trevor Strnad's arm makes a guest appearance! Enjoy."[50]
Carcass continued touring. They played at Download Festival in Castle Donington 13 June 2015. Reviewing their concert, James Weaver wrote: "Carcass have proved, not only that they can play any spectrum of rock festivals, but that they still remain as one of the greats in the extreme metal genre."[51] Carcass also headlined the "Deathcrusher 2015" tour alongside Napalm Death, Obituary, Voivod and Herod. The tour run in Europe October–November 2015.[52] During the "Deathcrusher 2015" tour Bill Steer rejoined his former band Napalm Death on some dates to perform the classic Napalm Death song "Deceiver".[53][54] Along with Testament, Carcass supported Slayer on their Repentless tour, which took place in February and March 2016.[55]
In a statement released in early March 2018, Ben Ash announced he had left Carcass. Tom Draper (Pounder, ex-Angel Witch), a UK native based in California, made his first live appearance with the band at the Netherlands Deathfest on 2 March 2018 and his second appearance during the Decibel Metal and Beer Fest in Philadelphia on 1 April 2018.[56] They also opened for Slayer on selected dates of their final world tour, including ForceFest in Mexico in October 2018,[57][58] and Hellfest in France in June 2019.[59]
Torn Arteries (2019–present)
On 13 December 2019, Carcass released their first song in six years, "Under the Scalpel Blade", on digital outlets. This track was also made available to deluxe Decibel magazine subscribers.[60]
On 23 February 2020, Carcass announced on their Facebook page that their seventh studio album would be released on 7 August.[61] A week-and-a-half later, guitarist Bill Steer revealed Torn Arteries as the title of the album, which is a reference to a demo tape recorded by Ken Owen when he was a teenager.[62] On 2 April 2020, Carcass announced that the release of the album had been delayed, due to the COVID-19 pandemic, stating: "Well there's no way our new album is gonna get released in August now, what with the pandemic, CD & vinyl manufacturers have closed and label distribution has been put on hold for the foreseeable future. There's more pressing things to be concerned with right now, correct? Bunker down, look after yourselves, let's see the next few months through and we'll get the album released as soon as there's some kind of return to 'normality'."[63]Decibel magazine later reported that the release of Torn Arteries had been postponed to 2021.[64]
On 21 August 2020, Carcass announced that, with Torn Arteries still on hold, they would release a four-song EP called Despicable on 30 October. The new EP includes the previously released digital single "Under the Scalpel Blade". Walker commented: "Well, the COVID situation has put the release of the new Carcass album on the backburner for the time being. Given that we said there'd be new music in August, we thought it would be cool to have a stop-gap release and let you hear some of the tracks that never quite made the cut. Don't say we never give you anything. Enjoy."[65]
On 18 June 2021, "Kelly's Meat Emporium" was released as the lead single from Torn Arteries; on the same day, it was announced that the album would be released on 17 September 2021, just eight years following the release of its predecessor Surgical Steel.[66][67] In order to promote the album, Carcass embarked on their North American spring 2022 headlining tour, first in six years, with support from Immolation and Creeping Death.[68] They also supported Arch Enemy and Behemoth on their co-headlining European tour in the fall of 2022,[69] and later supported Amon Amarth on their Great Heathen Army North American tour.[70] Touring in support of Torn Arteries continued within the next two years, including a North American tour in the spring of 2023 with Sacred Reich, Municipal Waste and Creeping Death,[71] and upcoming tours of Japan and Australia in early 2024, a tour of the latter country will include support from The Black Dahlia Murder.[72] The band will also support Hatebreed on their 30th anniversary celebration tour in the fall of 2024.[73]
When asked in March 2024 if Carcass have started working on their next album yet, Steer said, "Not at the moment. I mean, as far as the eye can see, we've just got tours, dates, festivals. That would pretty much take us up towards the end of the year. And then beyond that, yeah, this is something that would just have to be kind of, in some way, discussed between the various bandmembers, because we had a similar situation after we released Surgical Steel. We got deep into touring, and after a couple of years, I think one or two of us thought, 'Well, maybe now we should start gradually working on some new material,' but then you discover not everybody's on the same page. So you go back and do another year or two of touring, and then before you know it, half a decade's gone. So I'm kind of hoping we don't mimic that situation too closely, because five years is a hell of a lot of time [between albums]. But, yeah, we've got to be at a point where everyone wants to record. So, if and when that time comes around, great. But it doesn't feel like it's particularly close right now."[74]
Otrebor of black metal band Botanist cites Carcass' use of medical dictionary terms in lyrics and song titles as a precedent for its lyrics and song titles from plant and insect dictionaries.[77] The late Trevor Strnad, who served as the vocalist for The Black Dahlia Murder until his death in 2022, had cited on many occasions that he was primarily influenced by Carcass in vocalizing technique.
In the Red Dwarf episode "Timeslides", Steer and Walker appeared as members of Lister's childhood band, Smeg and the Heads.[85]
During the Friends' episode "The One with the Cheap Wedding Dress", Megan and Phoebe talks about Carcass. Megan told Monica that her fiancé wants them to play at their wedding.[86]
Napalm Death are an English grindcore band formed in Meriden, West Midlands in 1981. None of the band's original members have been in the group since 1986, but since Utopia Banished (1992), the lineup of bassist Shane Embury, guitarist Mitch Harris, drummer Danny Herrera and lead vocalist Mark "Barney" Greenway has remained consistent through most of the band's career. From 1989 to 2004, Napalm Death were a five-piece band after they added Jesse Pintado and Mitch Harris as replacements for guitarist Bill Steer. Following Pintado's departure, the band reverted to a four-piece.
Swansong is the fifth studio album by English extreme metal band Carcass. It was released on 10 June 1996 in the UK by Earache Records. It is the only Carcass album to feature guitarist Carlo Regadas. This album was intended to be their major label debut, having been signed by Columbia Records following the success of Heartwork, but disputes with that record company caused them to return to Earache. The album was re-released on 21 July 2008, as a dualdisc including the fifth part of The Pathologist's Report. It was the band's last studio release for over 17 years, until the release of Surgical Steel in 2013, and the last to feature founding member Ken Owen on drums, although he contributed backing vocals to Surgical Steel.
Heartwork is the fourth studio album by English extreme metal band Carcass. The album was released in the UK by Earache Records on 18 October 1993, and in the United States on 11 January 1994 by Columbia Records, making it the band's only major label release. Heartwork has been described as the band's "breakthrough" and "mid-period masterpiece", as well as a landmark album in melodic death metal. The album was recorded at Parr Street Studios, Liverpool from 18 May – 21 June 1993.
Necroticism – Descanting the Insalubrious is the third album by British extreme metal band Carcass. It was released on 30 October 1991 through Earache Records. This album is the first to feature guitarist Michael Amott and marked the first time Carcass had recorded as a four-piece. Many of the tracks describe economical ways to dispose of dead bodies. Necroticism continues the move towards a predominant death metal sound which was started in Symphonies of Sickness, featuring songs with longer sections and complex structures, more akin to the then-burgeoning technical death metal subgenre.
Arch Enemy is a Swedish melodic death metal band, originally a supergroup from Halmstad, formed in 1995. Its members were in bands such as Carcass, Armageddon, Carnage, Mercyful Fate, Spiritual Beggars, The Agonist, Nevermore, and Eucharist. It was founded by Carcass guitarist Michael Amott along with Johan Liiva, who were both originally from the death metal band Carnage. The band has released eleven studio albums, three live albums, three video albums and four EPs. The band was originally fronted by Johan Liiva, who was replaced by German vocalist Angela Gossow in 2000. Gossow left the band in March 2014 to become the group's manager and was replaced by Canadian vocalist Alissa White-Gluz.
Michael Amott is a Swedish guitarist, founding member of the metal bands Arch Enemy, Spiritual Beggars and Carnage, as well as a former member of Carcass. He is the older brother of Christopher Amott.
Terrorizer is an American grindcore band from Los Angeles, California. It was originally formed in 1985 as Unknown Death by vocalist Oscar Garcia and guitarist Jesse Pintado. They would rename themselves Terrorizer after recruiting drummer Pete Sandoval, who remains the band's sole constant member throughout their discography, in 1986. The band's current lineup consists of Sandoval, bassist David Vincent, vocalist Brian Werner and guitarist Richie Brown. They are currently signed to Earache Records.
William Geoffrey Steer is a British guitarist and co-founder of the extreme metal band Carcass. He is considered a pioneer and an essential contributor to grindcore and death metal due to his involvement in Napalm Death and Carcass, two of the most important bands of those genres. Presently he plays with Gentlemans Pistols, the reactivated Carcass and appeared as a live second guitarist for Angel Witch from 2011 to 2015.
Earache Records is a British independent record label, music publisher and management company founded by Digby Pearson in 1985, based in Nottingham, England, with offices in London and New York. The label helped to pioneer extreme metal by releasing early grindcore and death metal records between the late 1980s and mid-1990s. Its roster has since diversified into more mainstream guitar music, working with bands such as Rival Sons, the Temperance Movement, Blackberry Smoke, Scarlet Rebels and the White Buffalo. The company also hosted the 'Earache Express' stage at Glastonbury Festival in 2017 and 'The Earache Factory' at Boomtown 2018. The label's logo is a homage to Thrasher magazine, as Pearson was a skateboard culture enthusiast.
Kenneth Malcolm Owen is an English drummer. He was born in Billinge and grew up in Gayton, Merseyside. He is best known as one of the founding members of extreme metal band Carcass, for which he also handled some of the vocals. After the band broke up in 1995, he started Blackstar, along with two other Carcass members.
Jeffrey Walker is an English musician, best known for his work with death metal band Carcass for which he is also the main lyricist. Before Carcass, he played in the hardcore punk band Electro Hippies. After the initial demise of Carcass, he went on to form hard rock band Blackstar with two former Carcass bandmates, and joined American grindcore band, Brujeria. Loudwire placed him at number 22 on their list of Top 25 Extreme Metal Vocalists.
Stigmata is the second studio album by Swedish melodic death metal band Arch Enemy. The album was Arch Enemy's first to see worldwide release, in Europe and North America on Century Media Records, and in Japan again on Toy's Factory records. Stigmata features session drummer Peter Wildoer, who had also appeared in Christopher Amott's solo project Armageddon on the 1997 album Crossing the Rubicon, shortly before the recording of the album. The album was reissued on 25 May 2009, featuring a new layout, packaging, and bonus tracks. Stigmata not only contains a title track, but a track named after their previous album as well. The Sri Lankan metal band Stigmata named themselves after this album. The album was reissued again on 28 April 2023 in various formats, along with a visualiser for “Bridge of Destiny”.
Evile are an English thrash metal band from Huddersfield, formed in 2004. They have experienced numerous line-up changes over the years, with drummer Ben Carter being the only member of the original line-up to have stayed consistently. The current line-up consists of Carter, lead guitarist and vocalist Ol Drake, bassist Joel Graham, and rhythm guitarist Adam Smith, who replaced Drake's older brother Matt in 2020.
Christopher Amott is a Swedish guitarist, younger brother of Michael Amott and founding member of the metal bands Arch Enemy and Armageddon. He is most recently the former guitarist for Dark Tranquillity.
Symphonies of Sickness is the second album by British extreme metal band Carcass. It was released through Earache Records on 4 December 1989.
Tools of the Trade is an EP by British extreme metal band Carcass. It was released through Earache Records on 23 June 1992.
This Is Menace was a British metalcore supergroup formed in 2004. Metal Hammer has called the band "the most underrated metal supergroup of the 2000s".
Surgical Steel is the sixth full-length album by British extreme metal band Carcass. The album was released on 13 September 2013 in Europe, 16 September in the UK, and 17 September in North America, via Nuclear Blast. Surgical Steel is Carcass' first studio album since Swansong (1996), and their first to feature Dan Wilding as the replacement of original drummer Ken Owen, although the latter does provide backing vocals on the album. This was also the band's first album since Symphonies of Sickness (1989) to be recorded as a three-piece, and their first one to reach the Top 50 in UK album charts.
Surgical Remission/Surplus Steel is an EP by British extreme metal band Carcass. The EP consists of songs recorded during the sessions for previous album Surgical Steel and was released on 11 November 2014 through Nuclear Blast.
Torn Arteries is the seventh studio album by English extreme metal band Carcass. It was released on 17 September 2021. Named after a demo tape recorded by former Carcass drummer Ken Owen during his teenage years, this is the band's first album in eight years after its predecessor Surgical Steel (2013). It also marked the first time since 1993's Heartwork that Carcass had recorded more than one album with the same lineup – with bassist/vocalist Jeff Walker, guitarist Bill Steer and drummer Daniel Wilding, and the first to not feature Owen in any capacity. Torn Arteries was initially scheduled to be released on 7 August 2020, but the COVID-19 pandemic caused the album to be delayed for over a year.
References
↑ Unger, Matthew (2016). Sound, Symbol, Sociality: The Aesthetic Experience of Extreme Metal Music. London, UK: Palgrave Macmillan. p.23.
1 2 Carcass - The Pathologist's Report documentary
1 2 J. Purcell, Natalie (5 May 2003). McFarland (ed.). Death Metal Music: The Passion and Politics of a Subculture. McFarland. pp.21–22. ISBN0-7864-1585-1. Retrieved 18 December 2011. Carcass' following album, Symphonies of Sickness, featured slower and catchier songs, and showed the band's movement into the Death Metal genre. The next album, Necroticism: Descanting the Insalubrious, was pure Death Metal with intricate dynamics, complex structured songs, and refined guitar solos.
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