Scorn | |
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Background information | |
Origin | Birmingham, England |
Genres | Post-industrial, illbient, dub, ambient, experimental, industrial metal (early) |
Years active | 1991–1997, 2000–2011, 2019–2022 |
Labels |
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Past members |
Scorn is an English electronic music project. The group was formed in the early 1990s as a project of former Napalm Death members Mick Harris and Nic Bullen. Bullen left the group in 1995, and the project continued on an essentially solo project for Harris until 1997 when it was stopped. Scorn was relaunched in 2000 until the end of 2011. Harris restarted the project in 2019, but stopped it again in late 2022.
Scorn was formed in 1991 in Birmingham by drummer Mick Harris and vocalist/bassist Nic Bullen, former members of the grindcore band Napalm Death. [1] Upon Bullen's departure in April 1995, Harris remained the only member of the project. [1] Scorn has often been associated with industrial and experimental music, particularly with their Earache Records-era output between 1991 until 1994. Since the departure of Bullen in 1995, much of the output has been minimalist beats with an emphasis on very deep bass lines, often resembling dub and trip hop in structure. [2] [1]
Justin Broadrick (also a former Napalm Death member) provided guitar for the first LP, Vae Solis . The EP Lick Forever Dog was formed of remixes from the album. Evanescence featured James Plotkin on guitar and was followed by the remix album Ellipsis which featured reworkings by Autechre, Coil, Bill Laswell, Meat Beat Manifesto and Robin Rimbaud. [2] Harris parted ways with Earache after the Logghi Barogghi release, both sides having been unhappy with how the project was being handled.[ citation needed ]
Many fans of his drumming were confused by the contrast in musical style between Napalm Death and Scorn, but Harris saw it as a natural progression, telling Decibel in 2012: "For the ideas that I had, I needed to make that move. Some people think that it was a crazy move, just as grind was maybe starting to go places, do something, but I've always been an experimenter, still am; I’m someone who just loves sound." [3]
Having left Earache Records, the project kept pushing the heavy bass sound, subtly changing with each release. [1] The downtempo sound gained Harris an underground following and he was seen as an early originator of dubstep. [4] In May 1997, Harris decided to end the project in order to finish relations with KK Records, after they refused to fund a collaboration EP with Bill Laswell as mixing engineer and a rapper Kalil. [5] After pursuing other projects, Harris returned with two critically acclaimed Scorn albums on Hymen Records, Greetings from Birmingham and Plan B . [6] [7] Scorn then released a one track live mix called List of Takers in 2004 on Vivo Records. [8]
Scorn returned in 2007 with Stealth on Ad Noiseam with the CD version released on Kurt Gluck's Ohm Resistance label. Scorn then released 12" records on Combat Records and Record Label Records in 2008. [9] Another full-length album entitled Refuse; Start Fires, again was released on Ohm Resistance in 2010. This album also marked the first time since Bullen left the project that Harris has worked full-on with another musician (excluding the unreleased EP with rapper Kalil from 1997 and a track Scorn did with David Knight on the "Rise|Converge" compilation in 2000), drummer Yan Treasey. On the heels of this full-length, Harris returned with the "Yozza" EP in 2011, again with Treasey.[ citation needed ]
In November 2011, Harris stated the Scorn project was "put to bed". [10]
On 17 January 2019, the Ohm Resistance label announced that Scorn was back and would release an EP in early 2019, with an album to follow. [11] The EP of four new tracks, was called Feather. The full-length album, Cafe Mor, was released in November and featured a collaboration with Jason Williamson of Sleaford Mods. Daniele Antezza of Dadub mastered the album. [12] Harris intended to tour in 2020 with a new Akai MPC liveset but was forced to cancel due to the COVID-19 pandemic. [13] He then released a studio album, The Only Place in 2021, with one track featuring a collaboration with Kool Keith. [14] In June 2022 Mick Harris teased new upcoming Scorn album with guitars by Justin Broadrick plus contributions from Shane Embury. [15] But in August 2023 Mick Harris posted an update that "Scorn is dead" again since late 2022 and "it was a bad mistake bringing it back after I stopped it in 2012". [16] So the last Scorn performance was in October 2022 at Kirkgate Centre, Shipley, England. In his Instagram post from December 19, 2023 Mick confirmed that "Scorn is dead long dead". [17]
Grindcore is an extreme fusion genre of thrash metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups such as England's Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.
Napalm Death are an English grindcore band formed in Meriden, West Midlands in 1981. None of the band's original members have been in the group since 1986, but since Utopia Banished (1992), the lineup of bassist Shane Embury, guitarist Mitch Harris, drummer Danny Herrera and lead vocalist Mark "Barney" Greenway has remained consistent through most of the band's career. From 1989 to 2004, Napalm Death were a five-piece band after they added Jesse Pintado and Mitch Harris as replacements for guitarist Bill Steer. Following Pintado's departure, the band reverted to a four-piece.
Scum is the debut studio album by English grindcore band Napalm Death, released on 1 July 1987 by Earache Records. The two sides of the record were recorded by two different lineups in sessions separated by about a year; the only musician in both incarnations was drummer Mick Harris. The two sides are very different, and the two taken together serve to bridge stylistic elements of heavy metal and punk rock. While the songs on the A-side are influenced heavily by hardcore punk and anarcho-punk, the vocals and lower-tuned electric guitars on the B-side anticipate subsequent developments in extreme metal. Loudwire put it in the list of the best 10 metal albums of 1987.
Final is a project of English musician Justin Broadrick, creator of the band Godflesh, which he started when he was 13 years old. Unlike Godflesh, Final is primarily electronic in nature, taking on a space-like, dark ambient sound.
Michael John Harris is an English musician from Birmingham. He was the drummer for Napalm Death between 1985 and 1991, and is credited for coining the term "grindcore". After Napalm Death, Harris joined Painkiller with John Zorn and Bill Laswell. Since the mid-1990s, Harris has worked primarily in electronic and ambient music, his main projects being Scorn and Lull. He has also collaborated with musicians including James Plotkin and Extreme Noise Terror. According to AllMusic, Harris's "genre-spanning activities have done much to jar the minds, expectations, and record collections of audiences previously kept aggressively opposed."
Justin Karl Michael Broadrick is an English musician, singer and songwriter. He is best known as the lead singer and a founding member of the band Godflesh, one of the first bands to combine elements of extreme metal and industrial music. Following Godflesh's initial breakup in 2002, Broadrick formed the band Jesu.
Painkiller is an avant-garde jazz and grindcore band that formed in 1991. Later albums incorporated elements of ambient and dub.
Nicholas Bullen is an English musician and a founding member of the grindcore band Napalm Death.
Utopia Banished is the fourth studio album by the British grindcore band Napalm Death. It was released in 1992 by Earache Records. It is the first album featuring Danny Herrera on drums following the departure of Mick Harris. Metal Hammer ranked it as one of the 20 best metal albums of 1992.
Noise for Music's Sake is a double-disc compilation by British band Napalm Death. It was released on 8 July 2003 on Earache Records. This album is a retrospective of the band's entire career. The first disc is a best-of compilation; the second disc contains rarities. The booklet includes 20 pages with interviews of band members Shane Embury and Mark "Barney" Greenway. It also includes a guide to all the songs from the second disc, and a complete "Family Tree" detailing every person who was ever in the band.
Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become.
Pure is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, Pure is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim.
Paul Neville is an underground experimental guitarist and musician from Birmingham, England.
Vae Solis is the debut album by Scorn, originally released in 1992 on Earache in the UK, and Relativity in the United States. It features the same musician lineup as Side A of Napalm Death's Scum.
Colossus is the second album by Scorn, released in 1993 on Earache Records. It possesses elements of industrial and experimental music.
Evanescence is the third album by Scorn, originally released in 1994 on Earache Records. It was remastered along with its remix album and released as a two disc set in 2009. Evanescence is often associated with industrial and experimental music. Nic Bullen left Scorn in 1995 and the band continued on as an essentially solo project for Mick Harris.
Ellipsis is a remix album by Scorn, originally released in 1995 on Earache Records. It was remastered along with Evanescence and released as a two disc set in 2009.
Life Is Easy is the first compilation album by English industrial metal band Fall of Because, compiling songs recorded in 1986 and 1987 before the band became Godflesh. Released on 24 August 1999 through Alleysweeper and distributed by Martin Atkins' label Invisible Records, Life Is Easy contains many songs that went on to be rerecorded and turned into Godflesh tracks.
The Only Place is an album by Scorn, released in 2021 by Ohm Resistance. Mick Harris commented "The album was made with the only place in mind where I can let go of all the hatred, anger, and darkness that are what fuel Scorn".