"Post Self" | ||||
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Single by Godflesh | ||||
from the album Post Self | ||||
Released | 31 October 2017 | |||
Recorded | 2017 | |||
Studio | Justin Broadrick's home studio in Wales | |||
Genre | ||||
Length | 4:28 | |||
Label | Avalanche | |||
Songwriter(s) | Justin Broadrick [1] | |||
Producer(s) | Justin Broadrick | |||
Godflesh singles chronology | ||||
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Audio sample | ||||
"Post Self" is a song by English industrial metal band Godflesh, taken from their 2017 album of the same name. It was released ahead of Post Self on 31 October 2017 through frontman Justin Broadrick's own label, Avalanche Recordings, as a digital download. [2] [3]
"Post Self", the introductory and title track of Godflesh's eighth studio album, is one of only a few songs on the release to feature a traditional metal riff. [4] Structurally, "Post Self" can be seen as a microcosm of its host album; [5] just as Post Self begins with three metal-oriented tracks, [6] "Post Self" the song's first half is dominated by aggressive guitar and guttural vocals, and just as Post Self becomes more somber and experimental in its latter stages, [7] so too does the song. [5] Peter Helman of Stereogum described the song as "crushing", [8] and Zoe Camp of Revolver called it "relentless". [9] Noisey's Phil Witmer highlighted the song's distortion, hip hop-inspired percussion, screaming, low-tuned guitar and overall grinding sound as "a great primer" for the band. [10] Some critics labeled the song as post-punk. [11] [9]
"Post Self" was well-received by critics. AllMusic writer Paul Simpson called the main riff "instantly striking." [4] Vince Neilstein, cofounder of MetalSucks magazine, said that "Despite the press copy's claim that Post Self will be 'less metal,' this track still goes really fucking hard." [12] Denise Falzon of Exclaim! wrote that "Post Self" "contain[s] those instantly recognizable pulsating beats and crushing sludgy heaviness, while Broadrick's distinct vocals are as powerful as ever." [13] Also writing for Exclaim!, Brock Thiessen praised the song, saying, "[it] is a crushing sonic assault, loading on thick, damaged layers of industrial-minded sludge. It's right in line with what you'd expect from Godflesh, and that's definitely not a bad thing." [14]
No. | Title | Length |
---|---|---|
1. | "Post Self" | 4:28 |
Credits adapted from "Post Self" liner notes [3]
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the original title O.P.D. but did not release any complete music until 1988 when Justin Broadrick and B. C. Green renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal.
Justin Karl Michael Broadrick is an English musician, singer and songwriter. He is best known as the lead singer and a founding member of the band Godflesh, one of the first bands to combine elements of extreme metal and industrial music. Following Godflesh's initial breakup in 2002, Broadrick formed the band Jesu.
Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become.
Pure is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, Pure is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim.
Ben George Christian Green, also known professionally as G. C. Green and B. C. Green, is an English musician, best known as the co-founder and bass guitarist of the industrial metal band Godflesh.
Hymns is the sixth studio album by English industrial metal band Godflesh. It was released on 23 October 2001 through Music for Nations and was the band's final album before breaking up in 2002. In 2010, Godflesh reformed and in 2014 released their comeback album A World Lit Only by Fire. Hymns had a troubled production and was intended to be distinct departure from Godflesh's intensely regimented industrial sound to something more traditionally hard rock. It was the band's second and final album to feature a live drummer rather than a drum machine.
Godflesh is the debut EP by English industrial metal band Godflesh. It was originally released in 1988 through Swordfish Records and later saw several reissues on Earache Records with two additional songs. An unexpected underground success, the eponymous EP made it onto the UK Indie Chart and peaked at position 20. Though not supported by any singles or music videos at the time, a fan-made video for "Avalanche Master Song" has since been made official by the band.
"Slateman" is a song by English industrial metal band Godflesh. It was released as a 7-inch single in 1991 through Sub Pop and later reissued on Earache Records as a CD, a 7-inch and a 12-inch. In 1996, the single was repackaged alongside Cold World (1991) on one disc by Earache Records as the compilation Slateman/Cold World. Both "Slateman" and its b-side, "Wound '91", were appended to the end of most issues of Godflesh's 1991 EP Slavestate.
"Crush My Soul" is a song by English industrial metal band Godflesh, taken from the album Selfless (1994). It was released in 1995 by Earache Records on 12" vinyl and CD. The single's two remixes were also included on the Selfless/Merciless compilation released on Earache Records in 1996.
Messiah is the fifth EP by English industrial metal band Godflesh. The EP was originally recorded and mixed during 1994, and was released independently to members of the band's fan club on 5 December 2000 along with four remixes, which were created in 1995. After Justin Broadrick disbanded Godflesh, he reissued the material through Relapse Records on 1 April 2003.
In All Languages is the first compilation album by English industrial metal band Godflesh, released on 24 July 2001 through Earache Records. It is a double album, and a companion music video DVD was also released in 2001. In All Languages' first disc acts as a greatest hits collection spanning from Godflesh's 1988 self-titled EP to their 1999 studio album, Us and Them. The second disc compiles rare and unreleased tracks.
The English industrial metal band Godflesh have released eight studio albums and six extended plays along with a number of singles, compilations and remix and live albums. The group formed in 1982 under the name Fall of Because, but they did not release any music until 1988 when Justin Broadrick and B. C. Green changed the project's name to Godflesh and recorded a self-titled debut EP. That EP, released through the independent label Swordfish, was met with underground success and has since been recognised as one of the first industrial metal releases, if not the first.
Decline & Fall is the sixth EP by English industrial metal band Godflesh. It was released on 2 June 2014 through frontman Justin Broadrick's own record label, Avalanche Recordings. The EP is the second release by Godflesh since Hymns (2001), following the 2013 single "F.O.D. ". It precedes the group's seventh studio album, A World Lit Only by Fire (2014), and the two were recorded in the same sessions.
A World Lit Only by Fire is the seventh studio album by English industrial metal band Godflesh. It was released on 7 October 2014 through frontman Justin Broadrick's own label, Avalanche Recordings, and was the band's first full-length album since 2001's Hymns. It was preceded by the digital singles "New Dark Ages" in August 2014 and "Imperator" in September 2014, and it was followed by several international tours.
Nothing Is Free is the debut EP of JK Flesh, a pseudonym of English musician Justin Broadrick, and was self-released digitally by Avalanche Recordings on a pay what you want basis on 7 September 2015. It is Broadrick's third release under the JK Flesh title, following the debut studio album, Posthuman (2012), and a split album with Prurient, Worship Is the Cleansing of the Imagination (2012).
Post Self is the eighth studio album by English industrial metal band Godflesh. It was released on 17 November 2017 through frontman Justin Broadrick's own record label, Avalanche Recordings, and was the band's second album since reforming in 2010. The single "Post Self" was released for streaming on 31 October 2017, and a second track, "Be God", was released for streaming on 11 November 2017, six days in advance of the full release. Godflesh avoided interviews in the wake of Post Self, hoping to retain some of the album's purity and give listeners a chance to digest the music in a vacuum.
"Leagues Beneath" is a single by the American stoner doom band Sleep. The song was released for free digitally on May 23, 2018 through Adult Swim's 2017 singles series, marking Sleep's second entry following 2014's "The Clarity". "Leagues Beneath" was released a month after the band's 2018 return album, The Sciences, which marked Sleep's first full-length studio release in twenty years. Later in 2018, "Leagues Beneath" was released on etched vinyl through Third Man Records.
"Ringer" is a song by English industrial metal band Godflesh. It was taken from their 2014 extended play Decline & Fall. The song was released ahead of the EP on 21 May 2014 through frontman Justin Broadrick's own label, Avalanche Recordings, as a digital download. "Ringer" was the first original material released by Godflesh since their dissolution in 2002, and it was praised by critics as an ideal return for the band.
"Mothra" is a song by English industrial metal band Godflesh. It was taken from their 1992 album Pure and saw release as a radio promo and music video in the same year. The track's title is derived from 1961 Japanese film of the same name by Ishirō Honda. Musically, "Mothra" is a grinding, mechanical song with shouted vocals and heavily distorted instruments.
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