"Crush My Soul" | ||||
---|---|---|---|---|
Single by Godflesh | ||||
from the album Selfless | ||||
Released | 1995 | |||
Length | 36:52 | |||
Label | ||||
Songwriter(s) | Justin Broadrick [1] | |||
Producer(s) | ||||
Godflesh singles chronology | ||||
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Promotional cover | ||||
Audio sample | ||||
"Crush My Soul" is a song by English industrial metal band Godflesh,taken from the album Selfless (1994). It was released in 1995 by Earache Records on 12" vinyl and CD. [2] The single's two remixes were also included on the Selfless/Merciless compilation released on Earache Records in 1996.
Regarding the song "Crush My Soul",Godflesh frontman Justin Broadrick said:
"Like most of my lyrics, "Crush My Soul" started off personal and eventually became a worldview; sometimes my worldview also becomes personal. It addresses the human race and its ever-increasing lack of emotional response, the cold machines that we're becoming. It's a huge scream at people to quite simply feel, to look at themselves inside before judging others. This sometimes can seemingly only be achieved by the individual going through some emotional pain of some description, which is most certainly good for the soul. People need to be emotionally crushed to feel." [3]
Richard Fontenoy, a contributor to Rough Guide to Rock , stated in the book that "Godflesh's breakthrough into metal acceptance has a tendency towards mechanical, headbanging sameness, though the excellent 'Crush My Soul' is based around an asthmatically weaving sample loop." [4] Ned Raggett of AllMusic wrote, "Songs like 'Anything Is Mine' and 'Crush My Soul', the latter infused with a strange breathing rhythm loop, or so it sounds, capture this version of major-label Godflesh pretty well, both unpleasant enough to keep the wimps away and accessible enough to win over the more open-minded." [5] Ira A. Robbins of Trouser Press wrote, "the screaming 'Crush My Soul' demonstrate[s] an incipient sense of melody". [6] Writing for Billboard , Larry Flick praised the single, saying, "Many may misread the passionate plea as angst, but buried deep beneath the cold, isolationist shell is a core with purely positive intentions. Dig for it." [7]
On the "Ultramix" version of the song, The Wire wrote, "Even the rather ponderous industrial menace of Godflesh is transformed in their 'Ultramix' of 'Crush My Soul', although...it's too long." [8]
Originally, Broadrick wanted to recruit Swiss artist H. R. Giger to direct "Crush My Soul's" music video, but he proved too expensive. [9] [10] The video was ultimately directed by photographer Andres Serrano, who was known for his controversial 1987 photograph Piss Christ . The video, which was Serrano's debut music video, featured the band performing in the Angel Orensanz Synagogue interspersed with clips of cockfighting and religious iconography. [11] Performance artist Bob Flanagan was also featured in the video, portraying an upside down Christ figure hoisted up on a ceiling. [12] The video cost $75,000 to create. [13]
In an interview with SHOOT magazine, Serrano said, "I never set out to start any kind of controversy and I'm not foreseeing any kind of controversy with this video―it's not like we are out to prove anything." [11] Regardless, the video drew media attention for its transgressive content. It was subsequently rejected from being aired by MTV, [14] whose acquisitions group felt that "musically there wasn't a home for it at the current time." As a result of the rejection, Earache and Columbia Records changed their strategies into distributing the clip to regional video shows and to The Box , which aired content that MTV found objectionable. [12] Broadrick believed the video's lack of airplay was in part responsible for Columbia abruptly dropping Godflesh. [15]
Godflesh showed the video for "Crush My Soul" to Metallica's Kirk Hammett. According to Broadrick, Hammett loved the video. [16] Metallica later used art by Serrano for the cover of their 1996 album Load . Broadrick, disappointed by not being credited for discovering the artist, said this was no coincidence, and that no one in Metallica knew about Serrano before the "Crush My Soul" video. [16] [17] Later, Hammett praised Godflesh, calling them the heaviest band in the world [18] and citing them as his favorite band. [19]
All songs written by Justin Broadrick and G.C. Green.
No. | Title | Length |
---|---|---|
1. | "Crush My Soul" | 4:28 |
2. | "Crush My Soul" (Ultramix) | 14:58 |
3. | "Xnoybis" (Psychofuckdub) | 17:26 |
Total length: | 36:52 |
No. | Title | Length |
---|---|---|
1. | "Crush My Soul" | 4:27 |
2. | "Crush My Soul" (Remix) | 14:58 |
Total length: | 19:25 |
Notes
Godflesh
Additional personnel
Load is the sixth studio album by American heavy metal band Metallica, released on June 4, 1996, by Elektra Records in the United States and by Vertigo Records internationally. The album showed more of a hard rock side of Metallica than the band's typical thrash metal style, which alienated much of the band's fanbase. It also featured influences from genres such as Southern rock, blues rock, country rock, and alternative rock. Drummer Lars Ulrich said about Load's more exploratory nature, "This album and what we're doing with it – that, to me, is what Metallica are all about: exploring different things. The minute you stop exploring, then just sit down and fucking die." At 79 minutes, Load is Metallica's longest studio album.
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the original title O.P.D. but did not release any complete music until 1988 when Justin Broadrick and B. C. Green (bass) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal.
Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become.
Slavestate is the second EP by English industrial metal band Godflesh. It was released in July 1991 through Earache Records. The EP saw the band experimenting with more samples and electronic sounds than their predominantly industrial metal prior releases.
Pure is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, Pure is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim.
Selfless is the third studio album by English industrial metal band Godflesh. It was released on 26 September 1994 in Europe and on 18 October 1994 through Earache and Columbia Records. Being the band's major-label debut, the record features a more conventional and rock-oriented sound compared to Godflesh's previous releases. It spawned two singles, "Xnoybis" and "Crush My Soul". The music video for the latter was directed by photographer Andres Serrano.
Us and Them is the fifth studio album by English industrial metal band Godflesh. It was released through Earache Records on 17 May 1999 in Europe and on 8 June 1999 in North America. As with Godflesh's 1997 remix album Love and Hate in Dub, Us and Them is influenced by breakbeats, drum and bass, oldschool jungle, trip hop and hip hop.
Hymns is the sixth studio album by English industrial metal band Godflesh. It was released on 23 October 2001 through Music for Nations and was the band's final album before breaking up in 2002. In 2010, Godflesh reformed and in 2014 released their comeback album A World Lit Only by Fire. Hymns had a troubled production and was intended to be distinct departure from Godflesh's intensely regimented industrial sound to something more traditionally hard rock. It was the band's second and final album to feature a live drummer rather than a drum machine.
Godflesh is the debut EP by English industrial metal band Godflesh. It was originally released in 1988 through Swordfish Records and later saw several reissues on Earache Records with two additional songs. An unexpected underground success, the eponymous EP made it onto the UK Indie Chart and peaked at position 20. Though not supported by any singles or music videos at the time, a fan-made video for "Avalanche Master Song" has since been made official by the band.
"Slateman" is a song by English industrial metal band Godflesh. It was released as a 7-inch single in 1991 through Sub Pop and later reissued on Earache Records as a CD, a 7-inch and a 12-inch. In 1996, the single was repackaged alongside Cold World (1991) on one disc by Earache Records as the compilation Slateman/Cold World. Both "Slateman" and its b-side, "Wound '91", were appended to the end of most issues of Godflesh's 1991 EP Slavestate.
Merciless is the fourth EP by English industrial metal band Godflesh, released in 1994 through Earache and Columbia. In 1996, the EP was reissued along with the Selfless (1994) album as the compilation Selfless/Merciless.
Messiah is the fifth EP by English industrial metal band Godflesh. The EP was originally recorded and mixed during 1994, and was released independently to members of the band's fan club on 5 December 2000 along with four remixes, which were created in 1995. After Justin Broadrick disbanded Godflesh, he reissued the material through Relapse Records on 1 April 2003.
Love and Hate in Dub is first remix album by English industrial metal band Godflesh released on 24 June 1997 through Earache Records. The remixed songs are sourced from their 1996 album Songs of Love and Hate, and they adopt a more ambient, dub and drum and bass flavor.
In All Languages is the first compilation album by English industrial metal band Godflesh, released on 24 July 2001 through Earache Records. It is a double album, and a companion music video DVD was also released in 2001. In All Languages' first disc acts as a greatest hits collection spanning from Godflesh's 1988 self-titled EP to their 1999 studio album, Us and Them. The second disc compiles rare and unreleased tracks.
The English industrial metal band Godflesh have released eight studio albums and six extended plays along with a number of singles, compilations and remix and live albums. The group formed in 1982 under the name Fall of Because, but they did not release any music until 1988 when Justin Broadrick and B. C. Green changed the project's name to Godflesh and recorded a self-titled debut EP. That EP, released through the independent label Swordfish, was met with underground success and has since been recognised as one of the first industrial metal releases, if not the first.
Cold World is the third EP by English industrial metal band Godflesh, released in late 1991 through Relativity Records. It was recorded and mixed during September 1991 as part of the Pure (1992) sessions.
Streetcleaner: Live at Roadburn 2011 is the first live album by English industrial metal band Godflesh. The release was recorded on 14 April 2011 at the Roadburn Festival in Tilburg, Netherlands. Apart from being the group's debut live album, it was also the first time they played Streetcleaner in its entirety.
"Xnoybis" is a song by English industrial metal band Godflesh, taken from the album Selfless (1994). It was released in 1995 through Earache Records as a CD, and was also distributed as a promotional to radio stations.
"Mothra" is a song by English industrial metal band Godflesh. It was taken from their 1992 album Pure and saw release as a radio promo and music video in the same year. The track's title is derived from 1961 Japanese film of the same name by Ishirō Honda. Musically, "Mothra" is a grinding, mechanical song with shouted vocals and heavily distorted instruments.
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