Bob Flanagan (performance artist)

Last updated • 4 min readFrom Wikipedia, The Free Encyclopedia
Bob Flanagan
Born(1952-12-26)December 26, 1952
DiedJanuary 4, 1996(1996-01-04) (aged 43)
Resting place Forest Lawn Memorial Park (Long Beach)
NationalityAmerican
Known for sadomasochism, performance art, cystic fibrosis activism
Notable workWhy, Visiting Hours, SICK
Spouse Sheree Rose (1989–1996)

Bob Flanagan (December 26, 1952 – January 4, 1996) was an American performance artist and writer known for his work on sadomasochism and living with cystic fibrosis.

Contents

Early life

Flanagan was born in New York City on December 26, 1952, and grew up in Costa Mesa, California, with his mother, Kathy; father, Robert; brothers John and Tim; and sister, Patricia. In childhood, Flanagan was diagnosed with cystic fibrosis. His sister, Patricia, died at age 21 of the same illness, which also claimed the life of his second sister, who died soon after birth. At age 14, in 1967, Flanagan was named the first poster child for the North Orange County chapter of the National Cystic Fibrosis Research Foundation. [1]

Flanagan graduated from Costa Mesa High School, [2] and studied literature at California State University, Long Beach and the University of California, Irvine.[ when? ] He moved to Los Angeles in 1976. [3]

Career

Flanagan began reading his poems around Southern California in the mid-1970s, and was part of the poetry community at Beyond Baroque Literary Arts Center. He published his first book, The Kid is the Man, with Bombshelter Press in 1978. [4]

Flanagan met Sheree Rose in 1980, [5] and collaborated closely with her for the rest of his life. Through the 1980s, Flanagan and Rose focused on BDSM community education and organizing, and were founding members of the Los Angeles chapter of the Society of Janus. Their work in performance art began with the 1989 piece Nailed, presented in conjunction with the release of the RE/Search publication Modern Primitives . [6] In Nailed, Flanagan nailed his penis and scrotum to a board while singing "If I Had a Hammer." [7]

Visiting Hours, first shown at the Santa Monica Museum of Art in 1992, combined text, video, and live performance, and explored the convergence of illness and SM. It was Flanagan's most widely toured museum exhibition. In the center of the gallery, Flanagan lay in a hospital bed and interacted with museum visitors for the duration of the exhibit. [8] According to curator Laura Trippi, "The installation is designed like a crazy stage set of a children's residential hospital, replete with a torture chamber lurking amidst the institutional cheer." [9]

In 1996, Flanagan received the Steve Maidhof Award for National or International Work from the National Leather Association International. [10]

Music videos

Flanagan being tortured in the almost universally banned Nine Inch Nails music video for "Happiness in Slavery". Happiness in Slavery video.jpg
Flanagan being tortured in the almost universally banned Nine Inch Nails music video for "Happiness in Slavery".

Flanagan is featured in the widely banned music video for the song "Happiness in Slavery" by Nine Inch Nails. In the video, a nude Flanagan is bound to a mechanical torture device which pierces his flesh, pulls on his nipples and penis with pincers, crushes his genitals with a paddle, and ultimately kills him. Apart from his onscreen "death", all of the acts inflicted on Flanagan in the video are unsimulated.

In 1993, Flanagan appeared in the video for the Danzig song "It's Coming Down". In the uncensored version of the video (near the ending), Flanagan pierces his upper and lower lips together and then he hammers a nail through the head of his penis before bleeding on the lens of the camera recording him.

Flanagan also had a small role in Godflesh's "Crush My Soul" video, as an upside-down suspended Christ, hoisted on to the ceiling of a church by Sheree Rose.

Death

On January 4, 1996, Flanagan died from complications due to cystic fibrosis at 43. [3] He was survived by his wife and close artistic collaborator Sheree Rose. [11] His body now lies in the chapel of Forest Lawn Cemetery. [12]

The final years of Flanagan's life, including his death, are the subject of the Kirby Dick documentary SICK: The Life & Death of Bob Flanagan, Supermasochist . Flanagan's participation in the film was contingent upon his death being part of the completed project. [13]

Selected works

Partial bibliography

Related Research Articles

<span class="mw-page-title-main">Cystic fibrosis</span> Genetic disorder affecting mostly the lungs

Cystic fibrosis (CF) is a genetic disorder inherited in an autosomal recessive manner that impairs the normal clearance of mucus from the lungs, which facilitates the colonization and infection of the lungs by bacteria, notably Staphylococcus aureus. CF is a rare genetic disorder that affects mostly the lungs, but also the pancreas, liver, kidneys, and intestine. The hallmark feature of CF is the accumulation of thick mucus in different organs. Long-term issues include difficulty breathing and coughing up mucus as a result of frequent lung infections. Other signs and symptoms may include sinus infections, poor growth, fatty stool, clubbing of the fingers and toes, and infertility in most males. Different people may have different degrees of symptoms.

<span class="mw-page-title-main">Marina Abramović</span> Serbian performance artist

Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.

Since the beginning of Dadaism in the Cabaret Voltaire, Zürich in 1916, many artists have experimented with extreme performance art as a critique of contemporary consumer culture. Some have used bodily fluids such as blood, faeces and urine. Other times they perform self-mutilation. Simulated (artificial) blood has also been used. In the 1960s and 1970s extreme performance was elevated to a movement with the Viennese actionists. In recent times there has been a resurgence in extreme performance as a response to the increasing alienation some artists feel in the face of today's technological advances.

<span class="mw-page-title-main">Cock and ball torture</span> Form of sexual play

Cock and ball torture (CBT) is a sexual activity involving the application of pain or constriction to the male genitals. This may involve directly painful activities, such as genital piercing, wax play, genital spanking, squeezing, ball-busting, genital flogging, urethral play, tickle torture, erotic electrostimulation, kneeing, or kicking. The recipient of such activities may receive direct physical pleasure via masochism, emotional pleasure through erotic humiliation, or knowledge that the play is pleasing to a sadistic dominant. Many of these practices carry significant health risks.

<span class="mw-page-title-main">Mike Kelley (artist)</span> American artist

Michael Kelley was an American artist whose work involved found objects, textile banners, drawings, assemblage, collage, performance, photography, sound and video. He also worked on curatorial projects; collaborated with many other artists and musicians; and left a formidable body of critical and creative writing. He often worked collaboratively and had produced projects with artists Paul McCarthy, Tony Oursler, and John Miller. Writing in The New York Times, in 2012, Holland Cotter described the artist as "one of the most influential American artists of the past quarter century and a pungent commentator on American class, popular culture and youthful rebellion."

<i>Sick: The Life and Death of Bob Flanagan, Supermasochist</i> 1997 film by Kirby Dick

Sick: The Life and Death of Bob Flanagan, Supermasochist is a 1997 documentary film directed by Kirby Dick about Bob Flanagan, a Los Angeles writer, poet, performance artist, comic, and BDSM celebrity, who had and later died of cystic fibrosis. The film premiered at the 1997 Sundance Film Festival, where it was awarded a Special Jury Prize.

<span class="mw-page-title-main">Vertex Pharmaceuticals</span> American pharmaceutical company

Vertex Pharmaceuticals Incorporated is an American biopharmaceutical company based in Boston, Massachusetts. It was one of the first biotech firms to use an explicit strategy of rational drug design rather than combinatorial chemistry. It maintains headquarters in Boston, Massachusetts, and three research facilities, in San Diego, California, and Milton Park, Oxfordshire, England.

The 23rd Los Angeles Film Critics Association Awards, honoring the best in film for 1997, were voted on in December 1997.

Dody Jane Dorn is an American film and sound editor. She is best known for working with director Christopher Nolan on several films including Memento (2000), for which she was nominated for an Academy Award.

<span class="mw-page-title-main">Michael Smith (performance artist)</span> American artist (born 1951)

Michael Smith is an American artist known for his performance, video and installation works. He emerged in the mid-1970s at a time when performance and narrative-based art was beginning to claim space in contemporary art. Included among the Pictures Generation artists, he also appropriated pop culture, using television conventions rather than tropes from static media. Since 1979, much of Smith's work has centered on an Everyman character, "Mike," that he has portrayed in various domestic, entrepreneurial and artistic endeavors. Writers have described his videos and immersive installations as "poker-faced parodies" that sit on the edge between art and entertainment, examining ideas, cultural shifts and absurdities involving the American dream, consumerism, the art world, and aging. Village Voice critic Jerry Saltz called Smith "a consummate explorer of the land of the loser … limning a fine line between reality and satire [in] a genre sometimes called installation verité."

<span class="mw-page-title-main">BDSM in culture and media</span> Stories, books and media about bondage

BDSM is a frequent theme in culture and media, including in books, films, video games, television, music, magazines, public performances and online media.

<span class="mw-page-title-main">Sexuality and disability</span>

Sexuality and disability is a topic regarding the sexual behavior and practices of people with disabilities. Like the general population, these individuals exhibit a wide range of sexual desires and adopt diverse methods of expressing their sexuality. It is a widespread concern, however, that many people with disabilities do not receive comprehensive sex education, which could otherwise positively contribute to their sexual lives. This stems from the idea that people with disabilities are asexual in nature and are not sexually active. Although some people with disabilities identify as asexual, generalizing this label to all such individuals is a misconception. Many people with disabilities lack rights and privileges that would enable them to have intimacy and relationships. When it comes to sexuality and disability there is a sexual discourse that surrounds it. The intersection of sexuality and disability is often associated with victimization, abuse, and purity, although having a disability does not change someone's sexuality, nor does it change their desire to express it.

Howard Fried is an American conceptual artist who became known in the 1970s for his pioneering work in video art, performance art, and installation art.

Eva Markvoort was a woman from New Westminster, British Columbia, Canada who died from cystic fibrosis at the age of 25. She blogged about her life, family and experiences, including undergoing a lung transplant and her subsequent transplant rejection, in her blog "65_Redroses," which is also the name of a documentary film about her, 65 Redroses.

The 13th Independent Spirit Awards, honoring the best in independent filmmaking for 1997, were announced on March 21, 1998. It was hosted by John Turturro.

Sheree Rose is an American photographer and performance artist. She is best known for her collaborative work with performance artist Bob Flanagan, and her photography documenting a wide range of Los Angeles subcultures, especially in relation to BDSM and body modification.

<span class="mw-page-title-main">Jeanelle Mastema</span> Mexican American experimental body and performance artist

Jeanelle Mastema is a Mexican American experimental body and performance artist from Boyle Heights, California. Mastema incorporates ritual into her work through play piercing, hook suspensions, live magick and sacred objects. She performs internationally, solo and in groups, often acting as a medium for group intentions or a symbolic altar for channeling energy. Through performance, Mastema enters into a meditative head space to disconnect from mundane consciousness. Her major influences include: Butoh, Kenneth Anger, Surrealism, Psychedelic Art, the Viena Actionists, Kembra Pfaher, Leonora Carrington and Alejandro Jodorowsky. She also works as the West Coast sales manager for an adult novelty toy store. She also worked at the Pleasure Chest for many years and is featured in a film called, Thank You Come Again, based on working there.

Martin O’Brien is a contemporary artist who lives and works in London, U.K.

References

  1. McRuer, Robert (2006). Crip Theory: Cultural Signs of Queerness and Disability. New York: NYU Press. p. 187. ISBN   9780814761090.
  2. Curtis, Cathy (May 12, 1993). "Flanagan Finds Depicting Pain Is a Pleasure : Art: Survivor of cystic fibrosis and his lover give a 'toned-down' presentation of masochistic works at Rancho Santiago College in Santa Ana". Los Angeles Times. Retrieved January 7, 2018.
  3. 1 2 Smith, Roberta (6 January 1996). "Bob Flanagan, 43, Performer Who Fashioned Art From His Pain". New York Times. Retrieved 26 July 2016.
  4. Mohr, Bill (January 4, 2016). "Bob Flanagan – On the 20th anniversary of his death" . Retrieved January 7, 2018.
  5. "Sheree Rose". New World Writing. 6 January 2011. Retrieved 7 January 2018.
  6. Takemoto, Tina (2009). "Love is still possible in this junky world: Conversation with Sheree Rose about her life with Bob Flanagan". Women & Performance: A Journal of Feminist Theory. 19: 95–111. doi:10.1080/07407700802655588. S2CID   192240498.
  7. 1 2 Sandahl, Carrie (2000). "Bob Flanagan: Taking It Like a Man". Journal of Dramatic Theory and Criticism: 97–105.
  8. Reynolds, Dawn (2007). "Disability and BDSM: Bob Flanagan and the case for sexual rights". Sexuality Research and Social Policy. 4: 40–52. doi:10.1525/srsp.2007.4.1.40. S2CID   144664964.
  9. "Exhibitions: Visiting Hours: An Installation by Bob Flanagan in collaboration with Sheree Rose" . Retrieved January 7, 2018.
  10. "List of winners". NLA International. 2019-03-14. Archived from the original on 2020-01-03. Retrieved 2020-05-08.
  11. Levy, Emanuel (8 February 1997). "Review: 'Sick: The Life and Death of Bob Flanagan, Supermasochist'". Variety.
  12. Kauffman, Linda S. (January 1998). "Sadomedicine: Bob Flanagan's 'Visiting Hours' and Last Rites". Performance Research. 3 (3): 33–40. doi:10.1080/13528165.1998.10871624. ISSN   1352-8165.
  13. SICK: The Life & Death of Bob Flanagan, Supermasochist DVD Commentary Track
  14. "Visiting Hours: An Installation by Bob Flanagan in collaboration with Sheree Rose". The New Museum Digital Archive. Retrieved 26 July 2016.
  15. Flanagan, Bob; Rose, Sheree; Rugoff, Ralph (1995). "Visiting Hours". Grand Street (53): 65–73. doi:10.2307/25007885. ISSN   0734-5496. JSTOR   25007885.
  16. 1 2 3 4 Flanagan, Bob (1993). Bob Flanagan: Supermasochist. San Francisco, CA: Re/Search.
  17. "Bob Flanagan - Pain Journal". vv.arts.ucla.edu. Retrieved 2016-03-04.