BDSM in culture and media

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On stage BDSM show during a performance from Umbra et Imago at Wave Gotik Treffen music and arts global festival in Germany, 2014 2014 WGT 261 Umbra Et Imago.jpg
On stage BDSM show during a performance from Umbra et Imago at Wave Gotik Treffen music and arts global festival in Germany, 2014

BDSM (i.e., bondage and discipline, dominance and submission, sadism and masochism) is a frequent theme in culture and media, including in books, films, television, music, magazines, public performances and online media.


Newspapers and magazines

During the last decades, a wide variety of periodical publications have been published dealing with BDSM. Besides small independent publishing companies, organized groups were active in this field. Many have stopped publishing or transferred operations to the Internet. The German-language Schlagzeilen magazine started in 1988 as the group's internal newspaper and is an important BDSM publication in German-speaking countries today.

Recent events and figures related to BDSM have been repeatedly spotlighted in the media. In 2002, The Washington Post'' ran an article which said that Jack McGeorge, a munitions analyst for the UNMOVIC, was also a leader in the Washington, DC BDSM community. Following this, several commentators compared his BDSM activities repeatedly with the torture techniques used by Saddam Hussein. Others compared today's discrimination of BDSM practitioners with the situation of homosexuals in the past.[ citation needed ]

In Germany EMMA , a well-known feminist magazine, published by Alice Schwarzer, continued its PorNO campaign against hatred towards women and violent pornography aiming to ban pornography in Germany. In it, Schwarzer states, among other things, that sadomasochistic practices are generally to be equated with violence against women. Her judgment on female sadomasochism ("Female masochism is collaboration!") has often been criticized for implying a state of war between genders. [1] EMMA magazine criticized Helmut Newton, accusing him of "pornografization of fashion photography", and criticized his "therein unrestrainedly realized sadomasochistic obsessions". [2]

BDSM support groups and publications have repeatedly criticized biased media coverage of BDSM. [3]


Georges Topfer illustration on a Jean de Virgans book (1922), representing a bound woman's flogging in Ancient Rome. Jean de Virgan - Flogged over bench.jpg
Georges Topfer illustration on a Jean de Virgans book (1922), representing a bound woman's flogging in Ancient Rome.

Sadomasochism is a perennial theme in literature and has inspired several classics like The Story of O by Anne Desclos (under the pseudonym Pauline Réage), Venus in Furs by Leopold von Sacher-Masoch, and the comics created by Eric Stanton. A literary curiosity concerning sadomasochism is Martha's letter to Leopold Bloom in Ulysses by James Joyce. The novel Nine and a Half Weeks: A Memoir of a Love Affair published in 1978 by Ingeborg Day (under the pseudonym Elizabeth McNeill) was the basis of the Hollywood movie 9½ Weeks . Justine Ettler's The River Ophelia (1995) details the empty, sometimes violent sex lives of university students and yuppies with surreal overtones.

Well-known author Anne Rice published under the pseudonym A. N. Roquelaure three installments of her Sleeping Beauty Trilogy (The Claiming of Sleeping Beauty, 1983), Beauty's Punishment (1984) and Beauty's Release (1985) with explicit BDSM themes.

A nine-volume book series published in July 2006 under the title Bild-Erotik-Bibliothek by Bild-Zeitung, Germany's leading Tabloid and the best-selling newspaper in Europe, in cooperation with Random House gives a clear indication of the commercial potential of the topic. Out of nine installments, three books had a well-defined emphasis on sadomasochism, specifically BDSM. Besides Exit to Eden, also written by Anne Rice under the pseudonym Anne Rampling, it also further featured the sadomasochist classic Story of O. and the explicit novel Topping from Below by Laura Reese.

While it cannot be denied that some authors of SM-literature, including de Sade and Sacher-Masoch, showed a propensity to the sexuality they described, one must differentiate between real sexual activity and the fantasies described in literature. It would be an absurd demand of the literature's authenticity that the author have to practice what they are describing. Diary notes, interviews and the description of experience remain a fictionalization of the described events. While sadomasochistic rituals enacted as theatrical staging might show fetish characteristics, the fetish is not literature. BDSM literature also does not embrace a specific philosophy or morality; instead it represents it, as any other kind of literature aspects of the particular Zeitgeist of its era. [4]

Alfred Kinsey stated in his 1953 nonfiction book Sexual Behavior in the Human Female that 12% of females and 22% of males reported having an erotic response to a sadomasochistic story. [5] In that book erotic responses to being bitten were given as: [5]

Erotic responsesBy femalesBy males
Definite and/or frequent26%26%
Some response29%24%
Number of cases2,200567

The Fifty Shades trilogy is a series of very popular erotic romance novels by E. L. James which involve BDSM; however, the novels have been criticized for their inaccurate and harmful depiction of BDSM. [6] [7]


In the last decades, publishing houses and imprints specializing in BDSM fiction and nonfiction have been founded in many Western countries, including Circlet Press, Daedalus Publishing, Greenery Press and Nexus Books, an imprint of Virgin Books.

Specialist books

In November 1981, Samois published Coming to Power: Writing and graphics on Lesbian S/M , which reached a worldwide audience the following year when it was reprinted by Alyson Publications. The book combined short stories with basic explanations and safety tips about BDSM practices. It is considered the first introductory books on the subject worldwide. Its concept was internationally adopted by many publications in the following decades.

Other than specialized books with strong emphasis on the practice, there is a growing number of scientific publications and books that discuss BDSM philosophy and culture:


Since the beginning of the 1990s, BDSM imagery has been regularly used within the framework of large marketing campaigns in continental Europe. Widely known examples in Germany are billboards of the cigarette brands Camel and West, showing a camel dressed in "typical" leather outfit, respectively a dominatrix with a whip. While West had to withdraw the ad due to "offense against morality", BDSM motifs were utilized in the following years on a regular basis. [8] In March 2007 the Swedish clothing company H&M promoted the sale of a collection compiled by Madonna with television commercials in Germany. [9] The commercials showed the artist, who has been repeatedly criticized for the use of sadomasochistic subjects in the past, as a dominant lifestyle-icon teaching a lesson to an "inappropriately" dressed female pupil under the cracking of a crop, redesigning her outfit while making fashion statements like "Don't think it – you need to know it".

In Canada, Mini presented the winter package 2005/2005 of the Mini-Cooper in the form of an interactive BDSM-session in which the user, supported by a dominatrix, can test different kinds of spanking tools on the automobile in order to get the optional equipment explained. [10] Their slogan was "Dominate winter".

In the U.S., Anheuser-Busch has repeatedly sponsored the fetish-lifestyle Folsom Street Fair in San Francisco. [11] Diesel jeans ran several sadomasochistic-themed advertisements in various fashion magazines.


The Velvet Underground song "Venus in Furs" (from The Velvet Underground & Nico ) is based on a book by Masoch of the same title; the name of the band itself comes from a book about paraphilias (including BDSM) in the United States.

Eurythmics "Sweet Dreams (Are Made of This)" may be the most well-known popular song with BDSM connotations, primarily due to the music video.

Adam Lambert's "For Your Entertainment", Puddle of Mudd's "Control", and Madonna's "Erotica" are explicitly from the dominant's point of view - as is "Baby Let's Play Rough" by the country-western vampire singer Unknown Hinson, whereas Nedra Johnson's "Alligator Food" and Lady Gaga's "Teeth" are written from the perspective of the submissive.

Jace Everett's "Bad Things" (the theme song of the TV series True Blood ) alludes to BDSM.

The German punk band Die Ärzte recorded the song "Sweet, Sweet Gwendoline" that introduced the BDSM-related character Sweet Gwendoline to a large part of the population that otherwise had no contact to the BDSM subculture. German gothic rock band Umbra et Imago, famous amongst the fetish goth scene, also recorded a song entitled "Sweet Gwendoline".

Industrial music in general likely has the most BDSM themes, as well as being one of the biggest influences on Rivethead fashion. Rammstein is one of those industrial bands, as their song "Ich Tu Dir Weh (I hurt you)" is about BDSM. Depeche Mode are known for their BDSM undertones, "Master and Servant" being a well-known example.

Rihanna (wearing white) performs S&M while chained during the Loud Tour in 2011. Her dominatrix (wearing black) is sitting in the background. Rihanna, LOUD Tour, Oakland 1.jpg
Rihanna (wearing white) performs S&M while chained during the Loud Tour in 2011. Her dominatrix (wearing black) is sitting in the background.
Womanizer Miami.jpg
Circus Boston.jpg
Britney Spears acting as a dominatrix while performing on Womanizer song (left), and on Circus song (right), in The Circus Tour.

Other famous songs with BDSM themes include:

In 2010, Christina Aguilera released her Bionic album which contains the single "Not Myself Tonight". The controversial, high-concept video for the single is rife with aggressive BDSM imagery. Aguilera is seen as a bound and gagged slave as well as a latex-clad dominatrix with a riding crop and a group of look-alike slave girls.

Also released in 2010, rock band Thirty Seconds to Mars's music video for "Hurricane", directed by Jared Leto under his pseudonym Bartholomew Cubbins, includes elements of bondage and discipline, dominance and submission. Though initially banned from most networks due to violence and heavy sexual content, the video received three nominations at the 2011 MTV Video Music Awards for Best Cinematography, Best Direction and Best Editing.


Bettie Page Klaw 3.jpg
Lady, Strapped and Ready.jpg
Bettie Page, the first famous bondage model, in the 1950s (left). A woman at Folsom Street Fair, wearing a strap-on dildo and having a tattoo of Bettie Page in bondage (right).

Comic book drawings: John Willie with Adventures of Sweet Gwendoline (published as a serial in Robert Harrison's mainstream girlie magazine Wink from June 1947 to February 1950 and later in several other magazines over the years), Guido Crepax with Histoire d'O (1975)


Indian actress Gul Panag wearing a T-shirt having an image and slogan related to being a dominatrix & petplay. Gul Panag, cast of 'Fatso' arrives to sell tickets at PVR, Juhu (6) (cropped).jpg
Indian actress Gul Panag wearing a T-shirt having an image and slogan related to being a dominatrix & petplay.

See also: Fetish fashion

Malcolm McLaren and Vivienne Westwood created several restrictive BDSM-inspired clothing items of punk fashion for the 1970s punk subculture; in particular bondage trousers, which connect the wearer's legs with straps.

A table in Larry Townsend's The Leatherman's Handbook II (the 1983 second edition; the 1972 first edition did not include this list) which is generally considered authoritative states that a black handkerchief is a symbol for sadomasochism and a grey handkerchief is a symbol for bondage in the handkerchief code, which is employed usually among gay male casual-sex seekers or BDSM practitioners in the United States, Canada, Australia, and Europe. Wearing the handkerchief on the left indicates the top, dominant, or active partner; right the bottom, submissive, or passive partner. However, negotiation with a prospective partner remains important because, as Townsend noted, people may wear hankies of any color "only because the idea of the hankie turns them on" or "may not even know what it means". [13]



Movies and television

While BDSM activity appeared initially quasi-"subliminally" in some movies, in the 1960s and 1970s there were film adaptations of famous works of BDSM literature including Venus in Furs (1969) and the Story of O (1975).

In the 1960s and 1970s Spanish director Jess Franco developed several movies that were typical examples of the exploitation-genres' approach, often based on the works of the Marquis de Sade and censored in many countries worldwide.

With the release of the 1986 film 9½ Weeks , the topic of BDSM was transferred to broader audiences with high impact and notable commercial success. Since the late 1990s movies like Preaching to the Perverted (1997), a movie generally considered a reaction to Operation Spanner, and Secretary (2002) started to increasingly reconcile financial demands with authenticity.

From the 1990s to the early 2000s, mainstream media representation of alternative sexualities, including BDSM, increased dramatically. First noted in 1983, [17] this trend shows no signs of abating today.

With the development of documentary productions such as SICK: The Life and Death of Bob Flanagan, Supermasochist (1997), Bound for Pleasure (2002), Wir leben ... SM! (2004), Graphic Sexual Horror (2009) and KinK (2013), an increasingly broader approach to the subject matter is developing, targeting wider audiences.

During the last four decades, the spectrum of productions has been greatly enlarged, showing the topic has arrived in mainstream movies:

Besides these mainstream movies, there is a huge market for underground sadomasochistic direct-to-DVD and Internet-download films. The majority of these have no explicit sexual content, but a few are also pornographic films. [19] These videos fall into specific fetish categories such as bondage, corporal punishment (domestic and school spanking), pony play (animal role-playing) and dungeon-based BDSM centered on the master/slave dynamic. The porn industry has responded to this growing trend by creating a number of sex films with an S&M theme. The most noteworthy are the award-winning The Fashionistas (2002) and its 2003 sequel, The Fashionistas II.

In recent years, movies like 9½ Weeks (1986), Tokyo Decadence (1992), and Secretary (2002) have been shown, sometimes edited, on television in several countries. In 2001, the Canadian documentary KinK became the first television series on the topic worldwide.

Other examples of BDSM in television and film are:

See also

Related Research Articles

BDSM erotic practices involving domination and sadomasochism

BDSM is a variety of often erotic practices or roleplaying involving bondage, discipline, dominance and submission, sadomasochism, and other related interpersonal dynamics. Given the wide range of practices, some of which may be engaged in by people who do not consider themselves to be practising BDSM, inclusion in the BDSM community or subculture often is said to depend on self-identification and shared experience.

Dominatrix A woman who takes the dominant role in BDSM activities

A dominatrix is a woman who takes the dominant role in BDSM activities. A dominatrix might be of any sexual orientation, but her orientation does not necessarily limit the genders of her submissive partners. The role of a dominatrix may not even involve physical pain toward the submissive; her domination can be verbal, involving humiliating tasks, or servitude. A dominatrix is typically a paid professional (pro-domme) as the term dominatrix is little-used within the non-professional BDSM scene.

Masochism is the practice of seeking pain because it is pleasurable, named for Leopold von Sacher-Masoch from Lviv.

Bondage pornography

Bondage pornography is the depiction of sexual bondage or other BDSM activities using photographs, stories, movies or drawings. Though often described as pornography, the genre involves the presentation of bondage fetishism or BDSM scenarios and does not necessarily involve the commonly understood pornographic styles. In fact, the genre is primarily interested with the presentation of a bondage scene and less with depictions of sexuality, such as nudity or sex scenes, which may be viewed as a distraction from the aesthetics and eroticism of the sex scenario itself.

Bondage (BDSM) Consensual sexual binding or restraining

Bondage, in the BDSM subculture, is the practice of consensually tying, binding, or restraining a partner for erotic, aesthetic, or somatosensory stimulation. A partner may be physically restrained in a variety of ways, including the use of rope, cuffs, bondage tape, or self-adhering bandage.


Ageplay or age play is a form of roleplaying in which an individual acts or treats another as if they were a different age. Ageplay is roleplaying between adults, and involves consent from all parties. Ageplay is not necessarily sexual. Portraying any age can be the goal of ageplay, from babies to a child to the elderly. Usually this involves someone pretending to be younger than they actually are, but more rarely can involve assuming an older role.

Male dominance (BDSM)

Male dominance, or maledom, refers to BDSM activities where the dominant partner is male.

Sadomasochism Giving or receiving of pleasure from acts involving the receipt or infliction of pain or humiliation

Sadomasochism is the giving and receiving of pleasure from acts involving the receipt or infliction of pain or humiliation. Practitioners of sadomasochism may seek sexual gratification from their acts. While the terms sadist and masochist refer respectively to one who enjoys giving and receiving pain, practitioners of sadomasochism may switch between activity and passivity.

Sadist refers to:

Female submission

Female submission or femsub is an activity or relationship in which a woman consents to submit to the direction of a sexual partner or allows her body to be used sexually by or for the sexual pleasure of her partner. The expression is often associated with BDSM, when the woman voluntarily and consensually submits to such activity. Submission usually involves a degree of trust by the woman in her partner. The dominant partner is usually a man, but can also be another woman, or there can be multiple dominant partners simultaneously. The submissive woman may derive sexual pleasure or emotional gratification from relinquishing control to a trusted dominant partner.

Outline of BDSM Overview of and topical guide to BDSM

The following outline is provided as an overview of and topical guide to BDSM:

Glossary of BDSM Wikipedia glossary

This glossary of BDSM terms defines terms commonly used in the BDSM community.

Dominance and submission Erotic roleplay involving the submission of one person to another

Dominance and submission is a set of behaviours, customs, and rituals involving the submission of one person to another in an erotic episode or lifestyle. It is a subset of BDSM. This form of sexual contact and pleasure has been shown to please a minority of people.

Male submission

Male submission or malesub is a situation in BDSM and other sexual activities in which the submissive partner is male. A woman who dominates a male submissive is referred to as a dominant, domme or dominatrix. Sexual activity between a male submissive and a dominatrix is referred to as femdom. A 2015 study indicates that 46.6% of men who are active in BDSM expressed a preference for a submissive role, 24% consider themselves to be switches and 29.5% prefer the dominant role.

Top, bottom, switch (BDSM) Roles in BDSM practices

The terms top, bottom, and switch are used to describe roles for the duration of a sometimes-sexual act, or may be used more broadly as a psychological, social, and sexual identity, as well as indicating one's usual preference. The terms top, bottom, and switch are also used in BDSM, with slightly different meanings. In both contexts, the terms top and bottom refer to dominant or submissive, or active and passive roles, not to who is physically on top in a particular sexual act. The older term "versatile" is sometimes used instead of "switch".

Feminist views on BDSM vary widely from acceptance to rejection. BDSM refers to bondage and discipline, dominance and submission, and Sado-Masochism. In order to evaluate its perception, two polarizing frameworks are compared. Some feminists, such as Gayle Rubin and Patrick Califia, perceive BDSM as a valid form of expression of female sexuality, while other feminists, such as Andrea Dworkin and Susan Griffin, have stated that they regard BDSM as a form of woman-hating violence. Some lesbian feminists practice BDSM and regard it as part of their sexual identity.

Index of BDSM articles

This is an index of BDSM articles. BDSM is a variety of erotic practices involving dominance and submission, role-playing, restraint, and other interpersonal dynamics. Given the wide range of practices, some of which may be engaged in by people who do not consider themselves as practicing BDSM, inclusion in the BDSM community or subculture is usually dependent on self-identification and shared experience. Interest in BDSM can range from one-time experimentation to a lifestyle.

Sexual sadism disorder is the condition of experiencing sexual arousal in response to the extreme pain, suffering or humiliation of others. Several other terms have been used to describe the condition, and the condition may overlap with other conditions that involve inflicting pain. It is distinct from situations in which consenting individuals use mild or simulated pain or humiliation for sexual excitement. The words sadism and sadist are derived from Marquis de Sade.


  1. "Weiblicher Masochismus ist Kollaboration!" from EMMA Heft 2, 1991
  2. An extensive analysis of the magazine and Schwarzer campaigns is available at Papiertiger#Emma Archived 2006-04-30 at the Wayback Machine (German)
  3. Manuela Münchow, Bundesvereinigung Sadomasochismus: Stellungnahme zum Grünbuch "Gleichstellung sowie Bekämpfung von Diskriminierungen in einer erweiterten Europäischen Union" der Kommission der Europäischen Gemeinschaften (Brüssel, den 28.05.2004 KOM(2004) 379)", 31.08.2004 (German), and the detailed chronology Der Papiertiger: Presse ("media coverage") in the Encyclopedia of Sadomasochism Archived 2007-04-10 at the Wayback Machine (German/English)
  4. compare Arne Hoffmann: In Leder gebunden. Der Sadomasochismus in der Weltliteratur, Ubooks 2007, ISBN   3-86608-078-6 (German)
  5. 1 2 Sexual Behavior in the Human Female, pp. 677-678
  6. Velvet, Lady (14 February 2015). "'Fifty Shades of Grey': A Dominatrix's View (Guest Column)". Hollywood Reporter. Retrieved 27 February 2015.
  7. "'Fifty Shades Of Grey' Isn't A Movie About BDSM, And That's A Problem". 16 February 2015. Retrieved 27 February 2015.
  8. vgl. Roland Seim, Josef Spiegel (Hrsg.): "Ab 18" - zensiert, diskutiert, unterschlagen. Beispiele aus der Kulturgeschichte der Bundesrepublik Deutschland, Telos Verlag, Münster 2002, ISBN   3-933060-01-X, S.109 (German).
  9. compare H&M: Mode made by Madonna, available under, 15.02.2007 (German) and Die gezähmte Madonna, available under (German)
  10. see Archived 2008-02-20 at the Wayback Machine
  11. Heather Cassell: LGBT advocates offer mixed reaction to Miller, Coors merger, online under EDGE Boston
  12. "Bruno Zach's 'Riding Crop Girl' hits World Record $150,602 at Bonhams art auction". Retrieved 12 Aug 2017.
  13. Townsend, Larry (1983). The Leatherman's Handbook II. New York: Modernismo Publications. p. 26. ISBN   0-89237-010-6.
  14. ""Exploring Myths of a Sexual Subculture" by Bob Keyes". Archived from the original on 2012-03-04. Retrieved 2012-03-08.
  15. Der Standard, edición del 3 September 2006
  16. BILD-Zeitung, Berlín, 15 March 1998
  17. Falk, G.; Weinberg, T.S. (1983). Sadomasochism and Popular Western Culture. Amherst, NY: NY Prometheus Books. pp. 137–144.
  18. "Dominatrix: A History". Toro Magazine. 22 September 2009. Retrieved 15 March 2017.
  19. for further details see Linda Williams: Power, Pleasure and Perversion: Sadomasochistic Film Pornography, Representations, Nr. 27 (Summer), 1989, P. 37-65, University of California Press