Author | Justine Ettler |
---|---|
Language | English |
Genre | Fiction, modern relationships |
Publisher | Picador Australia |
Publication date | 1995 |
Publication place | Australia |
Media type | paperback |
Pages | 387 |
ISBN | 9-780330356-70-1 |
The River Ophelia is an Australian novel by Justine Ettler first published by Picador in 1995. The story moves between first-person narrative to an unnamed observer. It was highly controversial in Australia upon its publication, with some prominent critics dismissing it as pornographic, though Ettler herself has strongly denied this. [1]
Since its initial publication, critics and scholars have read deeper meaning into the novel's plot and style, with some determining it as a post-modernism novel about domestic violence, nihilism in urban environments and toxic relationships, with absurdist or surreal features. The book was shortlisted for the 1995 Aurealis Awards for Excellence in Australian Speculative Fiction - Horror Division - Best Novel. [2]
The first edition cover published by Picador in 1995 features the tagline "an uncompromising love story" underneath the title, and while the novel does explore a no strings attached sexual relationship, Ettler has been adamant in stating that the novel was not about love (rather the misguided pursuit of it) nor was it intended to be erotic or romantic. [3] A reprinting in 2018 features a new cover image, implying the darker nature of the novel.
The novel concerns the pursuits of the protagonist Justine, a university student in inner-city Sydney, and her relationship with the destructive, abusive narcissist Sade, a well-paid journalist for a trashy rock magazine. The violent, depraved sociopathic Sade regularly uses Justine for his own sexual exploits, and as she recognises this, goes on her own destructive pursuit for sexual fulfilment. Other characters, such as Hamlet, Ophelia, Simone and Marcelle appear later in the story. They regularly consume hard drugs, and are absorbed in a heavy capitalist culture with fluid, occasionally sexually violent open relationships. The only character who ostensibly seems to pursue love, or a healthy monogamous relationship, is Justine. Sade regularly taunts Justine in a sadistic fashion, and sometimes parades his other women around in front of her. The sex is often clinical and kinky, rather than romantic or passionate.
As a response she often lashes out and engages in her own sadistic behaviour in an attempt to mimic or seek revenge on the sordid behaviour of her adversaries because she cannot seem to overcome them. Acting against the grain, slowly giving up on the pursuit of healthy love in an urban environment that rejects healthy love, Justine despairs and delves into hard drug use before eventually seeking a more permanent solution to her woes and oppressions.
I kept telling everybody The River Ophelia wasn't about sex, (or "the sex" wasn't about sex), it was about power. Not many people listened or heard, though. Only some readers.
Ettler's novel was published in 1995 by Picador. The cover features a naked woman, sprawled over a chair, with her head hanging between her knees. Ettler has been outspoken in her issue with this depiction: "To me the whole question of Justine's sexuality isn’t the central issue. Her sexual behaviour is a symptom masking what’s really going on at a deeper level, which is to do with power. If there is an issue in the novel to do with sex it's about sex addiction – which, incidentally, is on the rise due to the digital revolution, so The River Ophelia is more relevant than ever as more women are placed in the unhappy situation faced by Justine as the girlfriend of a sex addict. The whole nude cover thing irritated me from the start. It’s misleading. I had no control over the cover". When the novel was re-published in 2018, it was given a new front cover that is more true to the violent, sexually depraved nature of the novel.
The novel makes overt references to Brett Easton Ellis's American Psycho (1991), a work of similar tone and parody about empty consumerist culture and the emotionally absent sex lives of yuppies in Manhattan, much as The River Ophelia is about wealthy Sydneysiders with empty, drug-addled lives that are “successful” only at a surface level. [5] Some scholars have called The River Ophelia a feminist text. [6]
The River Ophelia received a divisive response from Australian critics. [7] It was reviewed in various prominent Australian newspapers, such as The Sydney Morning Herald , The Age and The Australian . Some praised it for its sardonic and satirical approach to the morally impoverished lives of privileged young white university students and yuppies in Sydney's upper-class suburbs, while others dismissed it as being too obscene, violent and sexually explicit. [6] Critic Don Anderson called the novel a "marriage between Helen Garner and the Marquis de Sade". [7]
Some critics have identified the novel as an example of grunge lit, a series of unrelated but thematically equal Australian novels dealing with disenfranchised and alienated urban life.
Ettler relocated to London in 1997 to escape the fallout caused by the novel in Australia. [8] She returned to Sydney in the 2000s, and in 2018 addressed The River Ophelia's impact: "I can finally set the record straight – The River Ophelia is a postmodern novel about domestic violence. I can also acknowledge the scholarship which has defended it". [9] She used the #MeToo movement and increasing awareness of sadomasochism and sexual abuse in mainstream media as encouraging signs that attention towards sexual mistreatment is finally being recognised publicly.
The novel was a best-seller in both Australia and New Zealand.[ citation needed ] The cover of the first edition was printed and stuck on poles in inner-city Sydney and Melbourne in 1995, while Ettler herself did numerous publicity, including morning talk shows and television as well as radio interviews. In the 1990s, The River Ophelia was added to the Higher School Certificate reading list in the Australian secondary education system. [3]
BDSM is a variety of often erotic practices or roleplaying involving bondage, discipline, dominance and submission, sadomasochism, and other related interpersonal dynamics. Given the wide range of practices, some of which may be engaged in by people who do not consider themselves to be practising BDSM, inclusion in the BDSM community or subculture often is said to depend on self-identification and shared experience.
The 120 Days of Sodom, or the School of Libertinage is an unfinished novel by the French writer and nobleman Donatien Alphonse François, Marquis de Sade, written in 1785 and published in 1904 after its manuscript was rediscovered. It describes the activities of four wealthy libertine Frenchmen who spend four months seeking the ultimate sexual gratification through orgies, sealing themselves in an inaccessible castle in the heart of the Black Forest with 12 accomplices, 20 designated victims and 10 servants. Four aging prostitutes relate stories of their most memorable clients whose sexual practices involved 600 "passions" including coprophilia, necrophilia, bestiality, incest, rape, and child sexual abuse. The stories inspire the libertines to engage in acts of increasing violence leading to the torture and murder of their victims, most of whom are adolescents and young women.
Sadism and masochism, known collectively as sadomasochism or S&M, is the derivation of pleasure from acts of respectively inflicting or receiving pain or humiliation. The term is named after the Marquis de Sade, a French author known for his violent and libertine works and lifestyle, and Leopold von Sacher-Masoch, an Austrian author who described masochistic tendencies in his works. Though sadomasochistic behaviours and desires do not necessarily need to be linked to sex, sadomasochism is also a definitive feature of consensual BDSM relationships.
The role of sadism and masochism in fiction has attracted serious scholarly attention. Anthony Storr has commented that the volume of sadomasochist pornography shows that sadomasochistic interest is widespread in Western society; John Kucich has noted the importance of masochism in late-19th-century British colonial fiction. This article presents appearances of sadomasochism in literature and works of fiction in the various media.
Helen Garner is an Australian novelist, short-story writer, screenwriter and journalist. Garner's first novel, Monkey Grip, published in 1977, immediately established her as an original voice on the Australian literary scene—it is now widely considered a classic. She has a reputation for incorporating and adapting her personal experiences in her fiction, something that has brought her widespread attention, particularly with her novels Monkey Grip and The Spare Room (2008).
The First Stone: Some questions about sex and power is a controversial non-fiction book by Helen Garner about a 1992 sexual harassment scandal at Ormond College, one of the residential colleges of the University of Melbourne, which the author had attended in the 1960s. It was first published in Australia in 1995 and later published in the United States in 1997.
Juliette is a novel written by the Marquis de Sade and published 1797–1801, accompanying de Sade's 1797 version of his novel Justine. While Justine, Juliette's sister, was a virtuous woman who consequently encountered nothing but despair and abuse, Juliette is an amoral nymphomaniac murderer who is successful and happy. The full title of the novel in the original French is L'Histoire de Juliette ou les Prospérités du vice, and the English title is "Juliette, or Vice Amply Rewarded". As many other of his works, Juliette follows a pattern of violently pornographic scenes followed by long treatises on a broad range of philosophical topics, including theology, morality, aesthetics, naturalism and also Sade's dark, fatalistic view of world metaphysics.
Justine, or The Misfortunes of Virtue is a 1791 novel by Donatien Alphonse François de Sade, better known as the Marquis de Sade. Justine is set just before the French Revolution in France and tells the story of a young girl who goes under the name of Thérèse. Her story is recounted to Madame de Lorsagne while defending herself for her crimes, en route to punishment and death. She explains the series of misfortunes that led to her present situation.
Mary Gaitskill is an American novelist, essayist, and short story writer. Her work has appeared in The New Yorker, Harper's Magazine, Esquire, The Best American Short Stories, and The O. Henry Prize Stories. Her books include the short story collection Bad Behavior (1988) and Veronica (2005), which was nominated for both the National Book Award for Fiction and the National Book Critics Circle Award for Fiction.
Emily Maguire is an Australian novelist and journalist.
There have been many and varied references to the Marquis de Sade in popular culture, including fictional works, biographies and more minor references. The namesake of the psychological and subcultural term sadism, his name is used variously to evoke sexual violence, licentiousness and freedom of speech. In modern culture his works are simultaneously viewed as masterful analyses of how power and economics work, and as erotica. Sade's sexually explicit works were a medium for the articulation of the corrupt and hypocritical values of the elite in his society, which caused him to become imprisoned. He thus became a symbol of the artist's struggle with the censor. Sade's use of pornographic devices to create provocative works that subvert the prevailing moral values of his time inspired many other artists in a variety of media. The cruelties depicted in his works gave rise to the concept of sadism. Sade's works have to this day been kept alive by artists and intellectuals because they espouse a philosophy of extreme individualism that became reality in the economic liberalism of the following centuries.
BDSM is a frequent theme in culture and media, including in books, films, television, music, magazines, public performances and online media.
Marquis de Sade: Justine is a 1969 erotic period drama film directed by Jesús Franco, written and produced by Harry Alan Towers, and based on the 1791 novel Justine by the Marquis de Sade. It stars Romina Power as the title character, with Maria Rohm, Klaus Kinski, Akim Tamiroff, Harald Leipnitz, Rosemary Dexter, Horst Frank, Sylva Koscina and Mercedes McCambridge.
Monkey Grip is a 1977 novel by Australian writer Helen Garner, her first published book. Set in Melbourne, the novel follows single-mother Nora as she narrates her increasingly tumultuous relationship with a heroin addict, juxtaposed with her raising a daughter while living in bohemian share houses.
Donatien Alphonse François, Marquis de Sade was a French writer, libertine, political activist and nobleman best known for his libertine novels and imprisonment for sex crimes, blasphemy and pornography. His works include novels, short stories, plays, dialogues, and political tracts. Some of these were published under his own name during his lifetime, but most appeared anonymously or posthumously.
Grunge lit is an Australian literary genre usually applied to fictional or semi-autobiographical writing concerned with dissatisfied and disenfranchised young people living in suburban or inner-city surroundings, or in "in-between" spaces that fall into neither category. It was typically written by "new, young authors" who examined "gritty, dirty, real existences", of lower-income young people, whose egocentric or narcissistic lives revolve around a nihilistic or "slacker" pursuit of casual sex, recreational drug use and alcohol, which are used to escape boredom. The marginalized characters are able to stay in these "in-between" settings and deal with their "abject bodies". Grunge lit has been described as both a sub-set of dirty realism and an offshoot of Generation X literature. The term "grunge" is a reference to the US rock music genre of grunge.
The Sadeian Woman and the Ideology of Pornography is the American title of a 1978 non-fiction book by Angela Carter, an English writer who primarily wrote fiction novels. British publication was delayed until 1979, when the book appeared as The Sadeian Woman: An Exercise in Cultural History.
Justine is the debut novel of Scottish author Alice Thompson. Published in 1996 by Canongate Books it was the joint winner of the James Tait Black Memorial Prize that year.
Justine Ettler is an Australian author who is best known for her 1995 novel, The River Ophelia, which was shortlisted for the 1995 Aurealis Awards for Excellence in Australian Speculative Fiction - Horror Division - Best Novel. She is a seminal figure in Australian "grunge fiction" or "dirty realism" literature of the mid-1990s and was labelled 'The Empress of Grunge'. Her second published novel is Marilyn's Almost Terminal New York Adventure (1996) but technically it is her first novel as she wrote Marilyn's Almost Terminal New York Adventure novel before she wrote The River Ophelia. She has also worked as a literary reviewer for newspapers such as The Observer, The Sydney Morning Herald, a teacher, and academic.
Love & Virtue is a 2021 novel by the Australian author Diana Reid. Love & Virtue is Reid's debut novel and was first published by Ultimo Press on 29 September 2021. The book became a bestseller in Australia, selling over 50,000 copies in Australia since its release. It has received acclaim for its portrayal of campus sexual assault.