Papo Colo | |
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Born | Francisco Colón Quintero August 12, 1946 Puerta de Tierra, San Juan, Puerto Rico |
Notable work | Superman 51 (1977) Against the Current (1983) |
Awards | The Franklin Furnace FUND for Performance Art (1987) Guggenheim Fellowship (1991) National Endowment for the Arts (1991) |
Papo Colo (b. August 12, 1946) is a Puerto Rican transdisciplinary artist whose practice spans performance, visual art, and cultural activism. Best known for his groundbreaking performance works and for cofounding the influential New York alternative art space Exit Art, Colo has shaped critical dialogues on identity, politics, and the environment for more than five decades. He lives and works between New York City and the El Yunque rainforest in Puerto Rico.
At the age of 18, Papo Colo left his native Puerto Rico to begin working as a merchant marine, marking the start of a life shaped by movement, migration, and transoceanic experience. After returning to the island in 1971, he falsified a diploma from the University of Puerto Rico as his first conceptual art piece. [1] In New York he studied under the tutelage of the poet Nicanor Parra at Columbia University. His interest in pre-Columbian and Latin American cultures led him to travel across Mexico for a year. From 1973 through 1980 he lived and worked between New York City and Barcelona. During these years he did a series of performances involving physical endurance with political undertones. He is best known for Superman 51, which consisted of the artist running with 51 blocks tied to his back on the West Side Highway until exhaustion. His father, Francisco Colón Garcia, [2] [3] was a boxing champion and his exposure to the glorification of the body through boxing was influential to his work.
In 1982, Papo Colo with Jeanette Ingberman, founded Exit Art, [4] [5] an internationally known cultural center in New York City. In 1992 he founded the Trickster Theater, an experimental multilingual and multicultural theater company. [6] [7] The company served as an integral part of Exit Art's discourse and was held on the lower level of its facilities. In 2005 he wrote and directed Mplay, a theater piece created solely for the web. He has won numerous awards including The New York Times Best Inaugural Show by an Alternative Art Space for his exhibition Exit Biennial: Reconstruction [8] Additionally, REACTIONS, an international response to 9/11 conceived by Papo Colo, was acquired by The Library of Congress for its permanent collection [9] Jeanette Ingberman died August 24, 2011, from complications of leukemia.
In addition to serving as the curator and cultural producer of Exit Art, Papo Colo has organized over 100 exhibitions, often taking on the roles of both exhibition and graphic designer. Papo Colo's work has been widely exhibited at institutions, including The Clocktower, NY (2013); Galeria de la Raza, San Francisco (2009); El Museo del Barrio, NY (2008); National Gallery of Puerto Rico, PR (2007); Grey Art Gallery (2006); Art in General (2006); RISD Museum, Providence (2005); Barnes Foundation, PA (2017); and The Bass Museum of Art, Miami Beach (2001).
In 2009, MoMA PS1 [10] presented a retrospective of his early work, curated by Klaus Biesenbach. The exhibition coincided with The Cleaner, a new performance staged in New York’s Chelsea neighborhood, and culminated in Procesión Migración, a public performance reflecting on the ongoing migration of Puerto Ricans to the U.S. mainland.
Colo is currently developing Pangea Art Republic, a new alternative art space situated in the El Yunque Rainforest of Puerto Rico.
In 1991 Colo received a Guggenheim Fellowship, an award that is bestowed upon individuals who have demonstrated distinguished accomplishment in the past and potential for future achievement.
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