Klaus Biesenbach

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Klaus Biesenbach
Klaus Biesenbach (cropped).jpg
Biesenbach in 2023
Born1966 (age 58–59)
Bergisch Gladbach, West Germany (now Germany)
Occupation(s)Curator, museum director
Employer Neue Nationalgalerie

Klaus Biesenbach (born 1966) [1] is a German-American curator and museum director. He is the Director of the Neue Nationalgalerie, [2] with Berggruen Museum and Scharf-Gerstenberg Collection, as well as the berlin modern [3] under construction.

Contents

Previously, Biesenbach had been serving as the director of The Museum of Contemporary Art, Los Angeles (MOCA), from 2018 to 2021. He is also a former Chief Curator at Large at The Museum of Modern Art in New York City [4] and former director of MoMA PS1. He is also the founding director of Kunst-Werke Institute for Contemporary Art (KW) in Berlin, [5] and the Berlin Biennale. [6]

Early life and education

Biesenbach was born in 1966 [1] in Bergisch Gladbach, West Germany and grew up in a rural setting in Kürten. [7] After graduating from high school, he completed a year of alternative civilian service [7] and volunteered at a kibbuz in Israel. [7]

From 1987, Biesenbach began studying medicine in Munich, on a scholarship provided by the German Academic Scholarship Foundation. [7] In the summer of 1989, he visited New York for the first time with the idea that he might transfer schools but instead completed an internship at Paper . [8] He moved to Berlin in the mid-1990s. [9]

Career

Kunst-Werke Institute for Contemporary Art

Biesenbach founded Kunst-Werke Institute for Contemporary Art (KW) [5] in Berlin in 1991, as well as the Berlin Biennale in 1996, and remains Founding Director of both entities. Under his artistic and executive directorship, KW and the Berlin Biennale were started as self-inventive initiatives and are now federally and state funded institutions. [10]

MoMA, and MOMA PS1

Biesenbach joined MoMA PS1 as a curator in 1996; the museum's director Alanna Heiss had hired him part-time while allowing him to maintain his directorship in Berlin. [1] Working with Heiss, he created the "Warm Up" outdoor summer series of live music and helped found the "Greater New York" exhibition series, which showcases emerging talent in the metropolitan area. [11] After P.S.1 merged with MoMA in 2000, Biesenbach became a liaison between the two. [12]

In 2004, Biesenbach was appointed as a curator in the MoMA's "Department of Film and Media". He was named Chief Curator of MoMA's newly formed Department of Media, in 2006; it was the first new curatorial department since photography, in 1940. [1] By 2009, it was subsequently broadened to the Department of Media and Performance Art to reflect the Museum's increased focus on collecting, preserving, and exhibiting performance art. [1] [13] As Chief Curator of the department, Biesenbach led a range of pioneering initiatives, including the launch of a new performance art exhibition series; an ongoing series of workshops for artists and curators; acquisitions of media and performance art; and the Museum's presentation in 2010 of a major retrospective of the work of Marina Abramović. [14]

In 2012, Biesenbach turned MoMA P.S. 1 into a temporary day shelter for displaced residents after Hurricane Sandy. He drafted an open letter to the then New York City Mayor, Michael R. Bloomberg and fellow New Yorkers that called for help in the Rockaways, where he had purchased a house in early 2012, [15] signed by celebrities including Lady Gaga, Madonna, James Franco, Gwyneth Paltrow and Patti Smith. [16]

In addition to his role at MoMA, Biesenbach served as member of the International Jury at the Venice Biennale (1997) and as co-curator of the Berlin Biennale (1998) and Shanghai Biennale (2002).

MOCA

In 2018, Biesenbach was appointed director of the Museum of Contemporary Art, Los Angeles. [11]

During his time as director, Biesenbach introduced free admission to the museum with a $10 million gift from Carolyn Clark Powers, [17] [18] founded the first Environmental Council at any American museum [19] and started the Performance Space Wonmi's Warehouse Programs [20] while commissioning Larry Bell's, Bill and Coo and Untitled by Barbara Kruger as public art projects. [21]

As director, Biesenbach diversified the collection and exhibition program by supporting exhibitions with artists like Xu Zhen, Jennifer Packer, Pipilotti Rist, Henry Taylor, Tala Madani, Judy Baca, Annika Yi, Garrett Bradley, Cao Fei, and Simone Forti.

During the COVID-19 pandemic in the United States, Biesenbach pivoted the museum programs online to virtual MOCA where he conducted twenty-five studio visits [22] with international artists that were distributed on the museum's website, social media, and YouTube. [23] In addition, he fundraised with artists' designed facemasks [24] by Yoko Ono, Catherine Opie, Pipilotti Rist, Mark Grotjahn, Barbara Kruger, Hank Willis Thomas, Virgil Abloh, Alex Israel and sold them internationally in collaboration with the Warhol Foundation, the Qatar Museums and the K11 Hongkong.

As part of a 2021 reorganization, Biesenbach was later named artistic director, with a mandate to focus on setting the artistic vision for the museum, overseeing exhibitions and collections. Shortly after, Johanna Burton was appointed as executive director. [25]

Neue Nationalgalerie

In September 2021, Biesenbach was appointed as new director of both the Neue Nationalgalerie with Berggruen Museum and Scharf-Gerstenberg Collection and the future Museum of the 20th Century. [26] [27] [28]

Climate activism and anti-materialism

Biesenbach is a prominent figure in climate activism within the art world, particularly through his work at major institutions like MOCA in Los Angeles and the Neue Nationalgalerie in Berlin. Biesenbach co-initiated the Environmental Council at MOCA, [29] marking it as the first sustainability-focused group within a U.S. art museum. His activism is rooted in integrating ecological and social issues into the fabric of museum programming, as seen in projects like the ecological festival EXPO 1 and post-Hurricane Sandy art initiatives. [30] His approach underscores the vital role museums play in addressing pressing global challenges, including the climate crisis, by fostering spaces for public engagement and protest. [31]

Biesenbach's lifestyle reflects his deep-rooted non-materialism and focus on the essentials. [32] He is known for living in minimalist spaces, [33] devoid of excess, where every object serves a purpose or holds personal meaning. His homes, whether in Los Angeles or New York, [34] are curated with a stark simplicity, emphasizing functionality [35] and the presence of art over material accumulation. Biesenbach's approach to living underscores his belief in the value of experiences and intellectual engagement over the pursuit of material possessions, aligning with his broader philosophy of intentional living and his dedication to the arts. [36]

Other activities

Recognition

Biesenbach is the recipient of the following awards and honorary degrees:

In addition, Biesenbach received the International Association of Art Critics (AICA) award for the exhibitions Marina Abramović: The Artist Is Present, Pipilotti Rist: Pour Your Body Out (7354 Cubic Meters), and Fassbinder: Berlin Alexanderplatz. He also received AICA awards for co-curating the exhibitions Kenneth Anger, 100 Years (version #2, ps1, nov 2009), and Roth Time: A Dieter Roth Retrospective and 100 Years (version #2 PS1, Nov 2009) at MoMA PS1 and MoMA QNS, as well as Kenneth Anger (2009) at MoMA PS1 and 100 Years (version #2 PS1, Nov 2009) at MoMA PS1 and MoMA QNS, as well as Kenneth Anger (2009) at MoMA PS1.

Personal life

Biesenbach lives in Berlin. He also owns land in Uckermark and Puerto Rico. [7] He has in the past lived with his friend, the artist Andrea Zittel, with whom he shared an apartment at KW in the 1990s and stayed in Joshua Tree in 2020. [40]

Exhibitions

Exhibitions organized and co-organized by Biesenbach at KW Institute for Contemporary Art

Exhibitions organized and co-organized by Biesenbach at MoMA PS1

Exhibitions organized and co-organized by Biesenbach at MoMA

Exhibitions organized and co-organized by Biesenbach at Neue Nationalgalerie

Additional solo and group exhibitions organized and co-organized by Biesenbach

Publications

Selected digital content for MOCA

25 Virtual Studio Visits [22]

Season 1

  • Marina Abramović (June 2020)
  • Hank Willis Thomas (June 2020)
  • Elizabeth Peyton (May 2020)
  • Olafur Eliasson (May 2020)
  • Camille Henrot (March 2020)
  • Arthur Jafa (May 2020)
  • Katharina Grosse (May 2020)
  • Marilyn Minter (May 2020)
  • Nancy Rubens (May 2020)
  • Anicka Yi (April 2020)
  • Mark Grotjahn (April 2020)
  • Catherine Opie (April 2020)
  • Mary Weatherford (April 2020)
  • Shirin Neshat (April 2020)
  • Korakrit Arunanondchai (April 2020)

Season 2

  • Sarah Sze (March 2021)
  • Doris Salcedo (Feb. 2021)
  • Doug Aitken (Feb. 2021)
  • William Kentridge (Feb. 2021)
  • Simone Forti (Jan. 2021)
  • Mickalene Thomas (Dec. 2020)
  • Jeff Koons (unreleased) (Nov. 2020)
  • Tomás Saraceno (Oct. 2020)
  • Huma Bhabha (Oct. 2020)
  • Pipilotti Rist (Sep. 2020)

Selected publications

2024

  • Klaus Biesenbach and Bettina Funcke, Andy Warhol: Velvet Rage and Beauty. Berlin: Neue Nationalgalerie. [105] ISBN   978-3-7913-7765-0 [106]
  • Isa Genzken. 75/75, Berlin: Neue Nationalgalerie. [107]
  • Klaus Biesenbach, co-editor, Josephine Baker. Icon in Motion. Berlin: Neue Nationalgalerie. [108]

2021

  • Klaus Biesenbach, co-editor, 30 Years KW Berlin: A History, Berlin: Kunst-Werke. [109]

2019

  • Klaus Biesenbach and Bettina Funcke, MoMA PS1: A History. New York: Museum of Modern Art. ISBN 978-1-63345-069-1

2015

  • Klaus Biesenbach and Christophe Cherix, Yoko Ono: One Woman Show, 1960-1971. New York: Museum of Modern Art. ISBN 9780870709661
  • Klaus Biesenbach et al., Björk: Mid-Career Retrospective With New Commissioned Pieces for MoMA. New York: Museum of Modern Art. ISBN 9780870709609

2014

  • Klaus Biesenbach et al., 14 Rooms. Ostfildern: Hatje Cantz. ISBN 978-3-7757-3915-3

2013

  • Klaus Biesenbach et al., Christoph Schlingensief. London: Koenig Books. ISBN 3863354958

2010

  • Klaus Biesenbach, Neville Wakefield and Cornelia Butler: Greater New York 2010. New York: MoMA PS1, 2010. ISBN   978-0-9841776-2-2
  • Klaus Biesenbach, Agustin Perez Rubio, Beatrix Ruf and Ugo Rondinone: The Night of Lead: Ugo Rondinone. Edited by Beatrix Ruf, Osterlilden: Hatje Cantz, 2010. ISBN   978-3-7757-9006-2
  • Klaus Biesenbach and Mark Godfrey (Ed.): A Story of Deception: Francis Alÿs. New York: The Museum of Modern Art, 2009. ISBN   978-0-87070-790-2

2009

  • Klaus Biesenbach (Ed.): The Artist is Present: Marina Abramović. New York: The Museum of Modern Art, 2009. ISBN   978-0-87070-747-6
  • Klaus Biesenbach: Henry Darger. München/New York: Prestel, 2009. ISBN   978-3-7913-4210-8
  • Klaus Biesenbach, Michael Aupingen, Carolyn Christov-Bakargiev, Cornelia H. Butler, Judith B. Hecker and William Kentridge: Five Themes: William Kentridge. Edited by Mark Rosenthal, San Francisco Museum of Modern Art, 2009. ISBN   978-0-300-15048-3
  • Klaus Biesenbach, Kelly Taylor and Jonathan Horowitz: And/Or. Edited by Lionel Bovier, Zürich: JRP Ringer, 2009. ISBN   978-3-03764-018-0
  • Klaus Biesennbach (Ed.): Political, Minimal. Nürnberg: Verlag für moderne Kunst, 2009. ISBN   978-3-941185-07-4

2008

  • Klaus Biesenbach, Marina Abramović, Chrissie Iles and Kristine Stiles: Marina Abramović. New York: Phaidon, 2008. ISBN   978-0-7148-4802-0
  • Klaus Biesenbach, Daniel Birnbaum, Jenny Dirksen, Philipp Fürnkäs, Kaye Geipel and Ulrike Groos: Julia Stoschek Collection Number One: Destroy, she said. Osterfilden: Hatje Cantz, 2008. ISBN   978-3-7757-2231-5

2007

  • Klaus Biesenbach, Peter Eleey, Glenn Lowry and Doug Aitken: Sleepwalkers: Doug Aitken. New York: The Museum of Modern Art, 2007. ISBN   978-0-87070-045-3
  • Klaus Biesenbach: Rainer Werner Fassbinder: Berlin Alexanderplatz. Berlin: KW Institute for Contemporary Art, 2007. ISBN   978-3-8296-0253-2
  • Klaus Biesenbach, Georges Bataille and Susan Sontag: Into Me / Out of Me. Edited by Klaus Biesenbach, Ostfilden: Hatje Cantz 2007. ISBN   978-3-7757-2041-0
  • Klaus Biesenbach: In Bildern denken – Kunst, Medien und Ethik: Ist die Kunst den Medien noch gewachsen?. Regensburg: Lindinger + Schmid Kunstprojekte und Verlag, 2007. ISBN   978-3-929970-66-1

2006

  • Klaus Biesenbach (Ed.): Timeline: Douglas Gordon. New York: The Museum of Modern Art, 2006. ISBN   978-0-87070-390-4

2005

  • Klaus Biesenbach and Alanna Heiss (Ed.): Close-Ups: Katharina Sieverding. Berlin: KW Institute for Contemporary Art, 2005. ISBN   978-3-9804265-5-8
  • Klaus Biesenbach, Alanna Heiss and Anthony Huberman (Ed.): Animations. New York: P.S.1 Contemporary Art Center, 2003. ISBN   978-3-9804265-0-3
  • Klaus Biesenbach, Mary Lea Bandy and Laurence Kardish (Ed.): Motion Pictures: Andy Warhol. Berlin: KW Institute for Contemporary Art, 2005. ISBN   978-3-9804265-4-1
  • Klaus Biesenbach (Ed.): Greater New York 2005. New York: P.S.1 Contemporary Art Center 2005. ISBN   978-0-87070-987-6
  • Klaus Biesenbach and Matthew Monahan: Fragile Kingdom: Lara Schniger. Amsterdam: Artimo, 2005. ISBN   978-90-8546-001-5
  • Klaus Biesenbach, Vanessa Adler, Ellen Blumenstein and Felix Ensslin (Ed.): Zur Vorstellung des Terror: RAF. Göttingen: Steidl, 2005. ISBN   978-3-86521-102-6

2004

  • Klaus Biesenbach (Ed.): Disasters of War: Henry Darger. Berlin: KW Institute for Contemporary Art, 2004. ISBN   978-3-9804265-3-4
  • Klaus Biesenbach (Ed.): Die Zehn Gebote. Osterfilden: Hatje Cantz, 2004. ISBN   978-3-7757-1453-2

2003

  • Klaus Biesenbach and Alanna Heiss (Ed.): Video Acts. New York: P.S.1 Contemporary Art Center, 2003. ISBN   978-0-9704428-5-7
  • Klaus Biesenbach, Alanna Heiss and Anthony Huber (Ed.): Mexico City. New York: P.S.1 Contemporary Art Center, 2003. ISBN   978-0-9704428-4-0

2001

  • Klaus Biesenbach (Ed.): Loop - Alles auf Anfang. New York: Klaus Biesenbach for P.S. 1 / MoMA, 2001.
  • Klaus Biesenbach (Ed.): KW Magazine #02/01 Special Issue Mediarealities. Berlin: KW Institute for Contemporary Art, 2001.
  • Klaus Biesenbach (Ed.): KW Magazine #01/01. Berlin: KW Institute for Contemporary Art, 2001.

1997

  • Klaus Biesenbach and Emma Dexter: Chapmanworld. London: ICA London, Berlin: KW Institute for Contemporary Art, 1997.
  • Klaus Biesenbach and Ulrike Grossarth: Reste vom Mehrwert: Ulrike Grossarth. Berlin: KW Institute for Contemporary Art, 1997.

1996

  • Klaus Biesenbach and Nicolas Schafhausen (Ed.): Nach Weimar. Osterfilden: Hatje Cantz, 1996.

1994

  • Klaus Biesenbach, Christine Hill and Barbara Steiner: Christine Hill. Berlin: Eigen+Art/ KW Institute for Contemporary Art, 1995.
  • Klaus Biesenbach and Harald Fricke (Ed.): Joseph Kosuth. Berlin Chronicle – A Temporary Media Monument for Walter Benjamin. Berlin: KW Institute for Contemporary Art, 1994.

1992

  • Klaus Biesenbach (Ed.): Berlin 37 Räume. Berlin: KW Institute for Contemporary Art, 1992.

Selected recent contributions

2018

  • Klaus Biesenbach, "We Had to Create Something New': Klaus Biesenbach on Inventing the Berlin Biennale," ARTNews, June 7, 2018 [110]
  • Klaus Biesenbach, "In Puerto Rico, Artists Rebuild and Reach Out," The New York Times, January 25, 2018 [111]

2016

  • "Klaus Biesenbach Recalls the Founding of KW in Berlin 25 Years Ago, a Moment of 'Radical Change and Freedom'," ARTNews, Nov. 25, 2016 [112]

Klaus Biesenbach has also contributed texts to exhibition catalogs as well as edited volumes, and he has published articles in art journals, including Art & Australia, Artforum International , and Flash Art International . He wrote the monthly column "Erdkunde" for the German art magazine Monopol.

References

  1. 1 2 3 4 5 Erica Orden (December 26, 2009), Herr Zeitgeist New York Magazine .
  2. ↑ Hickley, Catherine (10 September 2021). "Klaus Biesenbach named director of Berlin's Neue Nationalgalerie". The Art Newspaper. Retrieved 17 June 2022.
  3. ↑ Berlin, Staatliche Museen zu. "Foundation Stone Laid for berlin modern at the Kulturforum". www.smb.museum. Retrieved 12 August 2024.
  4. ↑ "P.S.1 Contemporary Art Center: News: Klaus Biesenbach Appointed Director of P.S.1 Contemporary Art Center". Archived from the original on 29 October 2009.
  5. 1 2 "Veranstaltungen". KW Institute for Contemporary Art.
  6. ↑ "History - Berlin Biennale". blog.berlinbiennale.de. Archived from the original on 10 June 2016. Retrieved 14 April 2017.
  7. 1 2 3 4 5 Wegner, Jochen; Amend, Christoph (10 July 2025). "Interview-Podcast: 'Alles gesagt?': Klaus Biesenbach, was ist Kunst?" [Interview Podcast: 'Said Everything?' Klaus Biesenbach, what is art?]. Die Zeit (in German). Retrieved 13 July 2025.
  8. ↑ Erica Orden (26 December 2009), Herr Zeitgeist  New York .
  9. ↑ Dorit Marschall (April 9, 2008), Klaus Biesenbach: Beschleunigtes Leben Handelsblatt .
  10. ↑ "P.S.1 Contemporary Art Center: News: Klaus Biesenbach Appointed Director of P.S.1 Contemporary Art Center". Archived from the original on 29 October 2009.
  11. 1 2 Robin Pogrebin (July 31, 2018), MOCA Chooses MoMA PS1 Director to Lead Museum New York Times .
  12. ↑ Erica Orden (26 December 2009), Herr Zeitgeist  New York .
  13. ↑ Erica Orden (26 December 2009), Herr Zeitgeist  New York .
  14. ↑ Nicholas Boston, "MoMA Gets Biesenbached In Euro-Curator Stampede," The New York Observer, February 11, 2007.
  15. ↑ David Colman (2 May 2014), Shelter From the Storm T: The New York Times Style Magazine .
  16. ↑ Julia Chaplin (November 14, 2012), Curating a Relief Effort on the Beach New York Times .
  17. ↑ Robin Pogrebin (May 2, 2021), Amid Signs of Trouble, Can MOCA Find Its Footing? New York Times .
  18. ↑ "LA MOCA TO OFFER FREE ADMISSION STARTING JANUARY 11, 2020". Artforum. 20 November 2019.
  19. ↑ "Environmental Council". www.moca.org. Retrieved 9 November 2022.
  20. ↑ "LA MoCA to Launch Program Focused on Performance at Geffen Contemporary". www.artforum.com. 24 October 2019.
  21. ↑ "Barbara Kruger installs politically charged murals across Los Angeles". The Architect's Newspaper. 18 February 2020.
  22. 1 2 "Publications". Klaus Biesenbach. Archived from the original on 9 November 2022. Retrieved 9 November 2022.
  23. ↑ "Virtual MOCA". www.moca.org. Retrieved 9 November 2022.
  24. ↑ "MOCA Masks". MOCA Store. Retrieved 9 November 2022.
  25. ↑ Adam Nagourney (September 3, 2021), The Museum of Contemporary Art in Los Angeles Names a Co-Leader New York Times .
  26. ↑ Klaus Biesenbach is appointed as Director of Neue Nationalgalerie and the Museum of the 20th Century Archived 10 September 2021 at the Wayback Machine Prussian Cultural Heritage Foundation, press release of September 10, 2021.
  27. ↑ Adam Nagourney and Robin Pogrebin (September 10, 2021), Klaus Biesenbach Leaving Los Angeles Museum for Post in Berlin New York Times .
  28. ↑ Alex Greenberger (September 10, 2021), MOCA Los Angeles's Klaus Biesenbach Named Director of Berlin's Neue Nationalgalerie ARTnews .
  29. ↑ "Environmental Council". www.moca.org. Retrieved 15 August 2024.
  30. ↑ "Klaus Biesenbach on Museums in an Age of Crisis". cimam.org. 14 December 2022. Retrieved 15 August 2024.
  31. ↑ Article, Artnet News ShareShare This (7 December 2023). "Curator Klaus Biesenbach on Museums as Social Networks". Artnet News. Retrieved 15 August 2024.
  32. ↑ "Klaus Haus". W Magazine. 1 January 2009. Retrieved 15 August 2024.
  33. ↑ Kurutz, Steven (4 April 2017). "Klaus Biesenbach's Very Empty Nest in Manhattan". The New York Times. ISSN   0362-4331 . Retrieved 15 August 2024.
  34. ↑ Green, Penelope (26 January 2012). "No Room for Mistakes". The New York Times. ISSN   0362-4331 . Retrieved 15 August 2024.
  35. ↑ "At Home with the L.A. MOCA Director Klaus Biesenbach (and His Pet Goose, Cupcakes)". W Magazine. 20 February 2024. Retrieved 15 August 2024.
  36. ↑ "Klaus Biesenbach". Apartamento Magazine. Retrieved 15 August 2024.
  37. ↑ Board of Trustees American Academy in Berlin.
  38. ↑ Team: Advisory Board Berlin Biennale.
  39. ↑ Board KW Institute for Contemporary Art.
  40. ↑ Jori Finkel (April 22, 2021), Inside Klaus Biesenbach's Unique Los Angeles Home W
  41. ↑ Art In Ruins Archived 22 September 2021 at the Wayback Machine , auf archiv.steirischerherbst.at
  42. ↑ KW Institute for Contemporary Art, auf berlin.de
  43. ↑ Joseph Kosuth Berliner Chronik, 1994, auf kw-berlin.de
  44. ↑ Gunda Förster, auf gunda-foerster.de
  45. ↑ Dan Graham Glass Pavillion realized by Johanne Nalbach 1999, auf www.cafe-bravo.de
  46. ↑ Mick O`Shea Your Industry, My World/My Industry, Your World, auf kw-berlin.de
  47. ↑ Erik Steinbrecher Couch-Park, auf kw-berlin.de
  48. ↑ Generation Z, auf moma.org
  49. ↑ Hard Light, auf moma.org
  50. ↑ 100 Years, auf moma.org
  51. ↑ Feng Mengbo, auf moma.org
  52. ↑ Jeremy Shaw: Best Minds, auf moma.org
  53. ↑ Ryan Trecartin: Any Ever, auf moma.org
  54. ↑ Ferhat Özgür: I Can Sing, auf moma.org
  55. ↑ Cyprien Gaillard: The Crystal World, auf moma.org
  56. ↑ Zero Tolerance, auf moma.org, retrieved 18 August 2021.
  57. ↑ Björk's Stonemilker by Andrew Thomas Huang, auf moma.org, retrieved 18 August 2021.
  58. ↑ Wael Shawky: Cabaret Crusades, auf moma.org, retrieved 18 August 2021.
  59. ↑ Cao Fei, auf moma.org, retrieved 18 August 2021.
  60. ↑ Stanya Kahn: Stand in the Stream, auf moma.org, retrieved 18 August 2021.
  61. ↑ Alvaro Barrington, auf moma.org, retrieved 18 August 2021.
  62. ↑ Michael E. Smith, auf moma.org, retrieved 18 August 2021.
  63. ↑ Land: Zhang Huan and Li Binyuan, auf moma.org, retrieved 18 August 2021.
  64. ↑ Reza Abdoh, auf moma.org, retrieved 18 August 2021.
  65. ↑ Walter Price, auf moma.org, retrieved 18 August 2021.
  66. ↑ Elle Pérez Diablo, auf moma.org, retrieved 18 August 2021.
  67. ↑ Rockaway! 2018 Narcissus Garden by Yayoi Kusama, auf moma.org, retrieved 18 August 2021.
  68. ↑ Douglas Gordon: Timeline, auf moma.org
  69. ↑ "MoMA.org | Interactives | Exhibitions | 2007 | Doug Aitken: sleepwalkers | Flash". www.moma.org. Retrieved 25 December 2024.
  70. ↑ "日帰りバスツアーでマイナスイオン".
  71. ↑ "Uncluttered". The New Yorker . 21 April 2008.
  72. ↑ Rosenberg, Karen (21 November 2008). "Tiptoe by the Tulips (Or Stretch by the Apples)". The New York Times.
  73. ↑ "Exhibitions". www.moma.org.
  74. ↑ William Kentridge: Five Themes, auf moma.org
  75. ↑ Abramović: The Artist Is Present, auf moma.org
  76. ↑ "Andy Warhol: Motion Pictures | MoMA".
  77. ↑ "Francis Alÿs: A Story of Deception | MoMA".
  78. ↑ "Kraftwerk – Retrospective 1 2 3 4 5 6 7 8 | MoMA".
  79. ↑ "MoMA PS1: Antony and the Johnsons: Swanlights with Symphony Orchestra , commissioned by The Museum of Modern Art and performed at Radio City Music Hall : Thursday, January 26, 2012". momaps1.org. Archived from the original on 24 March 2019. Retrieved 25 December 2024.
  80. ↑ Björk, auf moma.org
  81. ↑ "Yoko Ono: One Woman Show, 1960–1971 | MoMA".
  82. ↑ "Nan Goldin: The Ballad of Sexual Dependency | MoMA".
  83. ↑ "Teiji Furuhashi: Lovers | MoMA".
  84. ↑ Unfinished Conversations: New Work from the Collection, auf moma.org
  85. ↑ The Modern Window Firelei Báez, auf moma.org
  86. ↑ Berlin, Staatliche Museen zu. "Our Space to Help: Fundraiser at the Neue Nationalgalerie". www.smb.museum. Retrieved 8 January 2023.
  87. ↑ Berlin, Staatliche Museen zu. "Anne Teresa De Keersmaeker | Rosas. Dark Red". www.smb.museum (in German). Retrieved 8 January 2023.
  88. ↑ Berlin, Staatliche Museen zu. "Performance "254'". www.smb.museum (in German). Retrieved 8 January 2023.
  89. ↑ "Barbara Kruger: Bitte lachen / Please cry". berlin.de (in German). Retrieved 8 January 2023.
  90. ↑ Redaktion, CQS- (26 July 2022). "Sound in the Garden - Neue Nationalgalerie | DEEDS NEWS". DEEDS.NEWS. Retrieved 8 January 2023.
  91. ↑ "A Day in Greenery: A New Perspective on the Kulturforum". www.preussischer-kulturbesitz.de. Retrieved 8 January 2023.
  92. ↑ Berlin, Staatliche Museen zu. "Simone Forti". www.smb.museum (in German). Retrieved 8 January 2023.
  93. ↑ "Allora & Calzadilla: Stop, Repair, Prepare: Variations on "Ode to Joy" for a Prepared Piano - Announcements - e-flux". www.e-flux.com. Retrieved 8 January 2023.
  94. ↑ Berlin, Staatliche Museen zu. "The "Sound in the Garden" Concert Series Begins on 13 July 2023". www.smb.museum. Retrieved 12 August 2024.
  95. ↑ "REFERENCE FESTIVAL: TRANSITION". iHeartBerlin.de. Retrieved 12 August 2024.
  96. ↑ LaBarge, Emily (30 January 2024). "Josephine Baker, Still Moving". The New York Times. ISSN   0362-4331 . Retrieved 13 August 2024.
  97. ↑ Berlin, Staatliche Museen zu. "Museum Berggruen presents Performance "Sebastian" by Miles Greenberg". www.smb.museum. Retrieved 12 August 2024.
  98. ↑ l.lautenschläger, rolf (12 March 1992). "Keine halbtote Lebendigkeit". Die Tageszeitung: taz (in German). p. 24. ISSN   0931-9085 . Retrieved 9 November 2022.
  99. ↑ Castellanos, Ilia (12 January 2021). ""Mauer im Kopf", Veranstaltungsreihe" (in German). Retrieved 9 November 2022.
  100. ↑ 11 Rooms – Group Show, auf manchesterartgallery.org
  101. ↑ 12 Rooms Live Art / Group Show 17 – 26 August 2012, auf museum-folkwang.de
  102. ↑ PROJECT 27 13 ROOMS, auf kaldorartprojects.org.au
  103. ↑ 14 Rooms, auf e-flux.com
  104. ↑ 15 Rooms, auf thelongmuseum.org
  105. ↑ "Andy Warhol". Prestel Publishing. Retrieved 12 August 2024.
  106. ↑ Warhol, Andy (2024). Biesenbach, Klaus (ed.). Andy Warhol - Velvet rage and beauty: Neue Nationalgalerie, June 9 - October 6, 2024. Nationalgalerie. Munich London New York: Prestel. ISBN   978-3-7913-7765-0.
  107. ↑ "Isa Genzken. 75/75 — After 8 Books". www.after8books.com. Retrieved 13 August 2024.
  108. ↑ "Josephine Baker: Icon in Motion — After 8 Books". after8books.com. Retrieved 13 August 2024.
  109. ↑ "30 Jahre KW in Bildern". KW Institute for Contemporary Art (in German).
  110. ↑ Biesenbach, Klaus (7 June 2018). "'We Had to Create Something New': Klaus Biesenbach on Inventing the Berlin Biennale". ARTnews.com.
  111. ↑ Biesenbach, Klaus; Gregory, Christopher; Mclaughlin, Ariana (25 January 2018). "In Puerto Rico, Artists Rebuild and Reach Out". The New York Times.
  112. ↑ Biesenbach, Klaus (25 November 2016). "Klaus Biesenbach Recalls the Founding of KW in Berlin 25 Years ago, a Moment of 'Radical Change and Freedom'". ARTnews.com.
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