Hank Willis Thomas | |
|---|---|
 Thomas in 2022 | |
| Born | 1976 (age 47–48) Plainfield, New Jersey, U.S. |
| Nationality | American |
| Alma mater | California College of the Arts (MFA/MA) Tisch School of the Arts (BFA) |
| Movement | Conceptual art |
| Spouse | Rujeko Hockley |
Hank Willis Thomas (born 1976) is an American conceptual artist. Based in Brooklyn, New York, he works primarily with themes related to identity, history, and popular culture. [1]
Hank Willis Thomas was born in 1976 in Plainfield, New Jersey to Hank Thomas, a jazz musician, and Deborah Willis, artist, photographer, curator and educator. [2] Thomas attended Duke Ellington School of the Arts as a Museum Studies student. [3]
Thomas holds a B.F.A. in Photography and Africana studies from New York University (1998) [4] and an M.A./M.F.A. in Photography and Visual Criticism from the California College of the Arts (2004). [4] In 2017, he received honorary doctorates from the Maryland Institute College of Art and the Institute for Doctoral Studies in the Visual Arts.
His work has been exhibited throughout the United States and abroad including the International Center of Photography, New York; Guggenheim Museum Bilbao, Spain; Musée du quai Branly, Paris; Hong Kong Arts Centre, Hong Kong, and the Witte de With Center for Contemporary Art, Netherlands. Thomas’ work is included in numerous public collections including the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Brooklyn Museum, New York; High Museum of Art, Atlanta, and the National Gallery of Art, Washington D.C. His collaborative projects include Question Bridge: Black Males, In Search Of The Truth (The Truth Booth), and For Freedoms, which was awarded the 2017 ICP Infinity Award for New Media and Online Platform. In 2012, Question Bridge: Black Males debuted at the Sundance Film Festival and was selected for the New Media Grant from the Tribeca Film Institute. Thomas is also the recipient of the Guggenheim Fellowship (2018), AGO Photography Prize (2017), Soros Equality Fellowship (2017), and is a member of the New York City Public Design Commission. Thomas is represented by Jack Shainman Gallery, New York; Ben Brown Fine Arts, London and Hong Kong; Goodman Gallery, South Africa; and Marauni Mercier, Belgium. Thomas lives and works in Brooklyn, NY.
Hank Willis Thomas' collaborative projects have been featured at the Sundance Film Festival and installed publicly at the Oakland International Airport, The Oakland Museum of California and the University of California, San Francisco.
Thomas explores the representation of the African-American male body in visual culture in his B(r)anded Series. [5] [6] Writing in The Guardian , critic Arwa Mahdawi observed: "Thomas's work 'unbrands' advertising: stripping away the commercial context, and leaving the exposed image to speak for itself." [7] His two screenprints of 2013, And I Can't Run and Blow the Man Down, express the erasure of past injustices to the black male body by printing photographs of humiliations or executions of black men on retro-reflective vinyl (commonly used for street signs), rendering them invisible except under flash photography. [8]
Thomas has a permanent installation at The National Memorial for Peace and Justice in Montgomery, Alabama. The piece, titled Rise Up, depicts a cement wall with statues of black heads and bodies emerging from the top of the wall whose arms are raised in surrender. The piece comments on the incidents of police violence and police brutality that are prevalent in current American society. [9]
In 2017, Thomas also unveiled his permanent public artwork Love Over Rules in San Francisco and All Power to All People in Opa Locka, Florida.
Thomas has acted as a visiting professor at CCA and in the MFA programs at Maryland Institute College of Art and ICP/Bard and has lectured at Yale University, Princeton University, the Birmingham Museum of Art, and the Musée du Quai Branly in Paris.
Thomas is the winner of the first ever Aperture West Book Prize for his monograph Pitch Blackness (November, 2008). His work has been featured in other publications including Reflections in Black (Norton, 2000), and the exhibitions along with accompanying publications 25 under 25: Up-and-Coming American Photographers (CDS, 2003), and 30 Americans (RFC, 2008). [10] Other major publications include Aperature's Hank Willis Thomas: All Things Being Equal... (2018), and Philadelphia Photo Arts Center (PPAC)'s The Philly Block Project (2017).
Thomas' first comprehensive survey Hank Willis Thomas: All Things Being Equal... opened at the Portland Art Museum in fall 2019 and will travel to additional U.S. museums in 2020. The exhibition will highlight Thomas' devotion to reframing perspectives on difficult issues central to American history and the representation of race and the politics of visual culture. [11]
In January 2023, his sculpture "The Embrace" was unveiled in the 1965 Freedom Plaza on the Common in Boston, Massachusetts. The 20 foot high bronze sculpture honors Martin Luther King Jr. and Coretta Scott King and depicts their arms embracing. The artwork was inspired by a black and white photo of the couple sharing an embrace after Martin Luther King, Jr. won the Nobel Peace Prize. [12]
Founded in 2016 along with artist Eric Gottesman, Michelle Woo, and Wyatt Gallery, [13] For Freedoms is an anti-partisan platform for creative civic engagement, discourse, and direct action. The name was inspired by American artist Norman Rockwell's paintings of Franklin D. Roosevelt's Four Freedoms (1941)—freedom of speech, freedom of worship, freedom from want, and freedom from fear. Through exhibitions, installations, and public programs, the organization is established to deepen public discussions on civic issues and core values, and to advocate for equality, dialogue, and civic participation.
In 2018, For Freedoms launched the 50 State Initiative, the largest creative collaboration in U.S. history. In the fall of 2018, For Freedoms launched a major billboard campaign in every state, including Washington, D.C., and Puerto Rico. The campaign included over 150 contemporary artists, including Marilyn Minter, Rashid Johnson, Guerrilla Girls, and Theaster Gates, among others.
In October 2018, For Freedoms also launched a photo campaign entitled Four Freedoms . In collaboration with photographers Emily Shur and Wyatt Gallery, Thomas and For Freedoms transformed Norman Rockwell's depictions of President Franklin Delano Roosevelt's 1941 address to Congress, which articulated FDR's vision of the four basic human freedoms. [14] Thomas wrote that "The image haunted me because of the world we live in. I wanted to imagine what it would look like today." [14] Through dozens of iterations of Rockwell's original four paintings, the 82 images in the campaign attempted to reflect the immeasurable diversity of American identities today. Celebrities such as Rosario Dawson, Dolores Huerta, Gina Belafonte, Van Jones, Jesse Williams, Robert A. Nakamura and Karen L. Ishizuka, Kiran Gandhi, Michael Ealy, Saul Williams, Rodney Barnette, and others were included in the reinterpretations. The new version of the images were widely shared on social media and Instagram, including by celebrities such as Alicia Keys and Jada Pinkett-Smith. [15]
Together with American academic, cultural critic and activist Baz Dreisinger, Thomas and Dreisinger's organization, Incarceration Nations Network, have collaborated to create the traveling exhibition and installation, The Writing On The Wall (TWOTW), constructed from over 2,000 pages of writing and art by incarcerated and formerly incarcerated people across the world. [16] TWOTW was first displayed on New York City's High Line in November, 2019, and throughout the COVID-19 pandemic the collaborators have adapted the content to be projected onto city buildings and landscapes, including jails and courthouses – first in New York, then in Washington, D.C., and Ohio. The installation's first international showing was in Mexico City in late June. [17]
The Cause Collective is a team of artists, designers and ethnographers creating innovative art in the public realm. Their projects explore and enliven public spaces by creating a dynamic conversation between issues, sites and the public audience. By exploring ideas that affect and shape society, the collective seeks to add the "public" back into public space and art.
The Long March is a 27 monitor installation commissioned by the recently renovated Birmingham Shuttlesworth International Airport. The installation incorporates depictions of movement, migration and marching from different eras in Alabama history, for instance, the Civil War, the Children's March, the Selma Marches, football marching bands, the railroad, and migrations to the “Magic City.” The long row of monitors (the long march) track to the center of the wall and meld into a kaleidoscope. The kaleidoscope is tiled in the shape of a Camellia—the Alabama state flower. The Camellia, in this instance, is a repository of past and present motion that represents the flowering that grows out of movement. The kaleidoscopic mixes and melds the long march footage creating new emergent patterns, forms and colors. The travelers who will encounter the piece will be able to envision themselves as part of this mosaic that is symbolized through Alabama's relationship to ‘the march’ as a form of historical progression.
Thomas is working on the long-term and global public art project In Search of the Truth (The Truth Booth). Also known as "The Truth Booth" it is in collaboration with Ryan Alexiev, Jim Ricks, and Will Sylvester, all members of Cause Collective, a team of artists, designers, and ethnographers creating innovative art in the public realm. [18] [19] The New York Times writes: "The “Truth Booth,” [is] a roving, inflatable creation by a group of artists calling itself the Cause Collective. The booth, in the shape of a cartoon word bubble with “TRUTH” in bold letters on its side, serves as a video confessional. Visitors are asked to sit inside and finish the politically and metaphysically loaded sentence that begins, “The truth is ...”". [20] To date, the project has travelled Ireland, Afghanistan, South Africa, Australia, the United States, and Mexico. It embarked on a world tour at the Galway Arts Festival, Ireland in 2011. It debuted in the US during the LOOK3 Festival of the Photograph in Charlottesville, Virginia in June 2012.
Throughout this long-term project the video footage is compiled and edited into a video artwork. To expand and engage with audiences, the movements of "The Truth Booth" and sample responses are tracked, edited, and categorized on a website. Ultimately, the goal of this project is to try to capture as many definitions, confessions and thoughts on The Truth as possible, creating a diverse ‘portrait’ of people across the globe. It was first supported by the Arts Council of Ireland, and the San Francisco Foundation.
In collaboration with artists Chris Johnson, Bayeté Ross Smith and Kamal Sinclair, Question Bridge: Black Males is a platform for black men of all ages and backgrounds to ask and candidly respond to questions that are rarely discussed in public. Through video mediated question and answer exchange, diverse members of this “demographic” bridge economic, political, geographic, and generational divisions. The Question Bridge campaign seeks to represent and redefine Black male identity in America. Additional collaborators include Jesse Williams, Delroy Lindo, and Dr. Deborah Willis.
From September 14 to November 10, 2017, Monument Lab began a citywide public art exhibition throughout ten Philadelphia squares and parks in collaboration with the Mural Arts Program. Hank Willis Thomas installed a sculpture entitled, “All Power to all people” which consisted of an afro pick standing eight feet tall near Philadelphia city hall.
In 2018, Thomas was accused of plagiarism by South African photographer Graeme Williams. [21] A photograph that Williams took in 1990 of black children in the foreground and white policemen in the background was modified by Thomas, removing colour from the background. The photograph was exhibited at the Johannesburg Art Fair, with an asking price of US$36000, without attribution or mention of Williams. Thomas defended himself saying that what he had done was "akin to sampling, remixing".
In a separate case, South African photographer, Peter Magubane, who has photo-documented life in South Africa for six decades, discovered that Thomas had also altered one of his photos, similarly putting "a white fade over the background", without seeking permission from Magubane. Thomas defended his actions, saying that asking permission to use the photograph was a form of censorship. Magubane responded that Thomas' actions were arrogant, shameful and disrespectful. [22] [23]
The Embrace , sculpture meant to honor Martin Luther King Jr. and his wife Coretta Scott King sparked mixed reactions. The large scale, bronze "sculpture is based on a photograph showing the Kings hugging after Martin Luther King Jr. received the Nobel Peace Prize in 1964." [24] However, many viewers have focused on the rear approach, which drew some unintended comparisons, namely that it looks phallic. This further sparked jokes and even accusations that it's a waste of money and offensive. A cousin of Coretta Scott King, Seneca Scott, also criticized the sculpture for not including her face. However, it was funded by private donations and meant to inspire change, and Scott admitted his initial anger stemmed from grief and a misunderstanding. [25] [26]
2018
2017
2007
Listed in reverse chronological order.
 | This section of a biography of a living person does not include any references or sources .(April 2018) |
 | This biographical article is written like a résumé .(October 2018) |
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Thomas's mother, Deborah Willis, is an art photographer and an NYU professor. His father, also Hank Thomas, is a jazz musician, film producer, physicist, and a member of the Black Panther Party. [37] Thomas is married to Rujeko Hockley, assistant curator at the Whitney Museum of American Art. [38] [37]
Born in 1976, Thomas was amazed that less than ten years before he was born people were still fighting to affirm their humanity. [39] Inspired by the 1968 Memphis Sanitation Workers's slogan "I am a man", Thomas became interested in exploring how many different ways that phrase could be read. [39] Thomas's work focuses on framing and context. [39] He explores ideas about how history and culture are framed, who does the framing, and how this affects our interpretation of reality. [39] In his work he focuses on speaking about popular culture and does so by using a variety of different mediums. [39] He specifically likes to use photography because of the way you can edit a photograph, which can be a way of retelling history. [39]
Thomas has also stated that the artist Kerry James Marshall was a big influence on him and his work. [40]
Renee Cox is a Jamaican-American artist, photographer, lecturer, political activist and curator. Her work is considered part of the feminist art movement in the United States. Among the best known of her provocative works are Queen Nanny of the Maroons, Raje and Yo Mama's Last Supper, which exemplify her Black Feminist politics. In addition, her work has provoked conversations at the intersections of cultural work, activism, gender, and African Studies. As a specialist in film and digital portraiture, Cox uses light, form, digital technology, and her own signature style to capture the identities and beauty within her subjects and herself.
Catherine Sue Opie is an American fine-art photographer and educator. She lives and works in Los Angeles, as a professor of photography at University of California at Los Angeles.
Roy Rudolph DeCarava was an American artist. DeCarava received early critical acclaim for his photography, initially engaging and imaging the lives of African Americans and jazz musicians in the communities where he lived and worked. Over a career that spanned nearly six decades, DeCarava came to be known as a founder in the field of black and white fine art photography, advocating for an approach to the medium based on the core value of an individual, subjective creative sensibility, which was separate and distinct from the "social documentary" style of many predecessors.
Raymond Saunders is an American artist known for his multimedia paintings which often have sociopolitical undertones, and which incorporate assemblage, drawing, collage and found text. Saunders is also recognized for his installation, sculpture, and curatorial work.
Linda Connor is an American photographer living in San Francisco, California. She is known for her landscape photography.
Carrie Mae Weems is an American artist working in text, fabric, audio, digital images and installation video, and is best known for her photography. She achieved prominence through her early 1990s photographic project The Kitchen Table Series. Her photographs, films and videos focus on serious issues facing African Americans today, including racism, sexism, politics and personal identity.
Thomas Joshua Cooper is an American photographer. He is considered among the premier contemporary landscape photographers.
Deborah Willis is a contemporary African-American artist, photographer, curator of photography, photographic historian, author, and educator. Among her awards and honors, she is a 2000 MacArthur Fellow. She is currently Professor and Chair of the Department of Photography and Imaging at Tisch School of the Arts of New York University.
Heather T. Hart is an American visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
Bayeté Ross Smith is a contemporary African American multi-media artist, film maker and educator. He currently lives and works in Harlem. He is represented by Guido Maus, beta pictoris gallery / Maus Contemporary in Birmingham, AL.
Deana Lawson (1979) is an American artist, educator, and photographer based in Brooklyn, New York. Her work is primarily concerned with intimacy, family, spirituality, sexuality, and Black aesthetics.
Lisa Dent Gallery was a contemporary art gallery located in San Francisco, California.
For Freedoms is an artist-run platform for civic engagement, discourse, and direct action for artists in the United States. Co-founded by Hank Willis Thomas, Eric Gottesman, Michelle Woo, and Wyatt Gallery in 2016, For Freedoms has partnered with US-based institutions and artists for activations including town halls, exhibitions and installations, public programs, billboard campaigns, and artist residencies. In June 2018, For Freedoms launched the 50 State Initiative, described as the "largest-ever public art project in the US".
Yashua Klos is an American visual artist best known for his innovative large-scale collage works which address issues of identity, race, memory and community.
Jim Ricks is an American–born Irish conceptual artist, writer, and curator. He has exhibited throughout Ireland and internationally, including a number of public art projects.
Deborah Dancy, also known as Deborah Muirhead, is an American painter of large-scale abstractions in oil; she is also a printmaker and mixed media artist. Her work is also known to encompass digital photography. In 1981, she began to teach at the University of Connecticut, Storrs, where she taught painting for thirty-five years until her retirement in 2017. She has received awards such as a John Simon Guggenheim Foundation Fellowship, Women’s Studio Workshop Studio Residency Grant, and a YADDO fellowship.
Delphine Diallo or Delphine Diaw Diallo is a French-Senegalese photographer. She was originally based in Saint-Louis, Senegal, but now works in New York City.
Kris Graves is an American photographer who primarily works in portraiture and landscape photography. He is based in New York and London, and his work has been published and exhibited internationally. Graves's photographs evoke the sense of time, change, and memories as well as address social issues to raise awareness. Graves founded and directs Kris Graves Projects, a publisher of art books.
Roland Charles was an African-American photographer and gallerist, best known for co-founding The Black Photographers of California and its associated exhibition space, the Black Gallery, in Los Angeles, among the first institutions by and for black photographers.
Chris Johnson is an American fine art photographer, educator, author, curator, video and installation artist working primarily with themes related to personal history, chance operations and social justice. He is a professor of photography at the California College of the Arts. His photographic work has been shown in a solo exhibition at Monterey Museum of Art. Johnson's video work in collaboration with the Question Bridge team has been exhibited at Oakland Museum of California, Brooklyn Museum and Portland Art Museum.
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