The Tribeca Film Institute (TFI) is a non-profit arts organization based in New York City, founded in 2001 by Robert De Niro, Jane Rosenthal and Craig Hatkoff following the September 11 attacks as a means to revitalize the arts community in lower Manhattan. TFI launched its first program in 2002, the Tribeca Film Festival. [1]
In 2003, the founders spun off the Tribeca Film Festival from TFI into a new for-profit entertainment company they established: Tribeca Enterprises. [2] TFI then shifted focus to emerging filmmakers, launching several funding and mentorship programs over the next 17 years. [3]
In September 2020, TFI paused its programming in the wake of the COVID-19 pandemic. Less than 10 staff members were laid off, while the rest of TFI's staff were placed at Tribeca Enterprises. [4]
In July 2021, TFI announced the launch of STAR, the Storefront Arts Recovery Initiative. The program is intended to foster collaboration between property owners and artists to allow storefronts left vacant due to the COVID-19 pandemic to transform through art. [5]
Timeline of TFI programming: [6]
TFI launched the Tribeca Film Festival, which spun off into Tribeca Enterprises the following year.
TFI partnered with the Alfred P. Sloan Foundation to launch the TFI Sloan Filmmaker Fund, its first funding and mentorship program for emerging filmmakers.
TFI launched Tribeca All Access, a film program for creators who experience inequality based on factors such as race, gender, class, sexuality, age, ethnicity, citizenship, and/or ability.
TFI launched Our City, My Story, a competition for films by New York City students, celebrating the work of the city's youth filmmakers.
TFI launched the TFI Screening Series as a media literacy program that provided New York City youth, educators, and community partners with free access to relevant programming and discussions.
TFI launched the Gucci Tribeca Documentary Fund, its first annual fund focused on documentaries that tackle social issues around the world.
TFI branded the annual networking event for Tribeca All Access at the Tribeca Film Festival as the TFI Network. It provided an opportunity for filmmakers to meet with industry representatives.
TFI launched Tribeca Film Fellows, a year-round fellowship program for young filmmakers from historically underserved communities.
TFI expanded the TFI Screening Series to include a program at Otisville Correctional Facility in Upstate New York in partnership with John Jay College of Criminal Justice and the New York State Department of Corrections and Community Supervision. TFI also created its Interactive Department to embrace new ways of storytelling emerging through technologies such as virtual reality.
TFI launched the TFI/ESPN Future Filmmaker Prize for emerging filmmakers whose perspectives and backgrounds have been historically underrepresented on both sides of the camera. TFI also launched the Camden/TFI Filmmaker Retreat in partnership with the Camden International Film Festival, which granted documentary filmmakers a retreat in Maine for a series of mentoring sessions.
TFI launched IF/Then Shorts, which awards project funding and mentorship to storytellers creating short documentary films that reflect one's community and perspective.
TFI launched the Emergency Artist Support Fund to provide financial assistance to artists who lost work due to the COVID-19 pandemic.
TFI launched STAR, the Storefront Arts Recovery Initiative, to foster collaboration between property owners and artists to allow storefronts left vacant due to the COVID-19 pandemic to transform through art. [7]
TFI worked with the City of New York Department of Education (DOE) on the filmmaking component of their Summer Arts Institute. [8] TFI also partnered with the DOE to develop the Blueprint for the Teaching and Learning of the Moving Image, a curriculum guide for the study of film, television, and animation from grades K – 12 that sets a citywide standard for teaching media arts. [9]
TFI ran multiple youth programs in New York City, including Tribeca Teaches: Films in Motion, [10] an in-school and after-school filmmaking residency; the Tribeca Youth Screening Series, which aimed to integrate film into the classroom curricula; Tribeca Film Fellows, [11] which brought NYC high-school students behind-the-scenes of the Tribeca Film Festival; the Summer Arts Institute; and Our City, My Story, [11] an annual showcase of youth-made films.
The Tribeca Film Institute Board of Directors [12] is composed of Robert De Niro, Co-chair, Jane Rosenthal, Co-chair, Alberta Arthurs, Vice Chair, Serena Altschul, Martin Edelman, Eli Evans, Craig Hatkoff, Lisa Hsia, Jennifer Maguire Isham, Sheila Nevins, Norman Pearlstine, Sam Pollard, Laurie Racine, Scott Rechler, John G. Roche, Martin Scorsese, Judy Tabb, Jonathan Tisch, Todd Wagner, and Jeffrey Wright.
The Tribeca Festival is an annual film festival organized by Tribeca Productions. It takes place each spring in New York City, showcasing a diverse selection of film, episodic, talks, music, games, art, and immersive programming. The festival was founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in 2002 to spur the economic and cultural revitalization of Lower Manhattan following the September 11, 2001, attacks on the World Trade Center. Until 2020, the festival was known as the Tribeca Film Festival.
Jane Rosenthal is an American film producer. She is co-founder, CEO, and executive chair of Tribeca Enterprises, a media company that encompasses Tribeca Productions, the Tribeca Film Festival, Tribeca Studios, and non-profit offshoot the Tribeca Film Institute. She and Robert De Niro founded the Tribeca Film Festival in the aftermath of the September 11 attacks to help revitalize downtown Manhattan.
Tribeca Productions is an American film and television production company co-founded in 1989 by actor Robert De Niro and producer Jane Rosenthal in the lower Manhattan neighborhood of Tribeca, which is where the company got its name.
Craig M. Hatkoff is an American real estate investor from New York City. Along with his now ex-wife Jane Rosenthal, and Robert De Niro, he co-founded the Tribeca Film Festival and the Tribeca Film Institute in 2002. The three were recipients of the inaugural September 11 National Museum and Memorial Foundation "Notes of Hope Award" for Distinction in Rebuilding in September 2008.
Tiffany Shlain is an American filmmaker, artist, and author. Described by the public radio program On Being as "an internet pioneer", Shlain is the co-founder of the Webby Awards and the founder of the International Academy of Digital Arts and Sciences.
The Camden International Film Festival, stylized as CIFF, is an annual documentary film festival based in Camden, Rockport, and Rockland, Maine, in the United States that takes place mid-September.
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Doha Film Institute (DFI) is a nonprofit cultural organisation established in 2010 by Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani to support the growth of the Qatari film community and to provide funding and international networking opportunities to creators. DFI hosts two major film festivals, Ajyal Film Festival and Qumra, each year. Since its inception, DFI has financially supported more than 600 projects from development through post-production.
Joe Brewster is an American psychiatrist and filmmaker who directs and produces fiction films, documentaries and new media focused on the experiences of communities of color.
Michèle Stephenson is a Haitian filmmaker and former human rights attorney.
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Pond5 is a New York–based online marketplace for royalty-free media. The company licenses stock footage, stock music, stock photography, sound effects, Adobe After Effects templates, and 3D models. Pond5 claims to have the world's largest collection of stock footage, and that they host more than 38 million clips as of September 2023.
Isidore Bethel is a French-American filmmaker who was among Filmmaker's "25 New Faces of Independent Film" in 2020 and DOC NYC's "40 Under 40" in 2023. The films he edits, directs, and produces use filmmaking to make sense of overwhelming experiences and touch on recurrent themes of displacement, sexuality, aging, trauma, grief, therapy, and art-making. His first feature film as director, Liam, premiered at the Boston LGBT Film Festival in 2018 and received the Jury Prize in the Documentary section of the Paris LGBTQ+ Film Festival. His second film, Acts of Love, which French actor Francis Leplay co-directed, premiered at Hot Docs, received the Tacoma Film Festival's Best Feature Award, and appeared on MovieWeb's list of the top LGBTQ+ films of 2021.
Nikyatu Jusu is an American independent writer, director, producer, editor and assistant professor in film and video at George Mason University. Jusu's works center on the complexities of Black female characters and in particular, displaced, immigrant women in the United States. Her work includes African Booty Scratcher (2007), Flowers (2015), Suicide By Sunlight (2019), and Nanny, which received the Grand Jury Prize at the 2022 Sundance Film Festival. She has endorsed the use of Generative artificial intelligence in filmmaking and uses the technology in her work.
Cinema in Qatar is a relatively young industry that evolved as part of the country’s plans to develop different local sectors with the aim of accumulating international recognition and status. Many major steps were taken to implement a long-term plan to develop the infrastructure as well as giving opportunities to local talents to have a platform that establishes their presence within the film industry with the support of the Doha Film Institute, and their various grants, workshops and festivals. The Qatar National Vision 2030 has three major pillars to development: human, social economic and environmental; this vision provides frameworks that enable the development of different elements within Qatar and its society; one of which is the high importance put on developing and cultivating artistic talents to represent and define Qatar on a global scale. Another important element in developing the movie industry is the influence and vision of Sheikha Al Mayassa who founded Doha Film Institution; the establishment of film as a mode of storytelling was imperative because it serves the purpose of granting Qatar a global presence through the talents that are supported and cultivated because of her initiative. The film industry plays a role in amplifying the Qatari national identity alongside the identity of the Arab world as a whole.
Belly of the Beast is a 2020 documentary film by Erika Cohn about the illegal sterilization practices in the Central California Women’s Facility and other female penitentiaries. Made over a period of seven years, the 82-minute movie documents the fight of one inmate and her lawyer against the Department of Corrections.
Erika Cohn is an American movie director and producer. Cohn is a Emmy and Peabody recipient. She is also the founder of the Idle Wild Films, Inc. Company.
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