Survival Research Laboratories (SRL) is an American performance art group that pioneered the genre of large-scale machine performance. Founded in 1978 by Mark Pauline, the group is known in particular for their performances where custom-built machines, often robotic, compete to destroy each other. The performances, described by one critic as "noisy, violent and destructive", are noted for the visual and aural cacophony created by the often dangerous interactions of the machinery.
Max Vernon Mathews was an American pioneer of computer music.
Monochrom is an international art-technology-philosophy group, publishing house and film production company. It was founded in 1993, and defines itself as "an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science and political activism". Its main office is located at Museumsquartier/Vienna.
An entertainment robot is, as the name indicates, a robot that is not made for utilitarian use, as in production or domestic services, but for the sole subjective pleasure of the human. It serves, usually the owner or his housemates, guests or clients. Robotics technologies are applied in many areas of culture and entertainment.
Z'EV was an American poet, percussionist, and sound artist. After studying various world music traditions at CalArts, he began creating his own percussion sounds out of industrial materials for a variety of record labels. He is regarded as a pioneer of industrial music.
Kenneth Yigael Goldberg is an American artist, writer, inventor, and researcher in the field of robotics and automation. He is professor and chair of the industrial engineering and operations research department at the University of California, Berkeley, and holds the William S. Floyd Jr. Distinguished Chair in Engineering at Berkeley, with joint appointments in Electrical Engineering and Computer Sciences (EECS), Art Practice, and the School of Information. Goldberg also holds an appointment in the Department of Radiation Oncology at the University of California, San Francisco.
Jane McGonigal is an American author, game designer, and researcher. McGonigal is known for her game Jane the Concussion Slayer and her role as Director of Game Research and Development at Institute for the Future.
Target Video is a San Francisco-based studio, founded by artist Joe Rees, collaborating with Jackie Sharp, Jill Hoffman, Sam Edwards and others. The studio archived early art performance, punk and hardcore bands on video and film. Performers such as the Sex Pistols, the Dead Kennedys, The Screamers, The Cramps, William S. Burroughs, The Clash, the Avengers, Mark Pauline, Survival Research Labs, The Go-Go's, John Cooper Clarke, Bauhaus, X, The Dils, Johanna Went, Talking Heads, Black Flag, Flipper, D.O.A and Crucifix were recorded in the late 1970s to the early 1980s. In addition, videos often included interviews with members of the bands.
Robotic art is any artwork that employs some form of robotic or automated technology. There are many branches of robotic art, one of which is robotic installation art, a type of installation art that is programmed to respond to viewer interactions, by means of computers, sensors and actuators. The future behavior of such installations can therefore be altered by input from either the artist or the participant, which differentiates these artworks from other types of kinetic art.
Eric Paulos is an American computer scientist, artist, and inventor, best known for his early work on internet robotic teleoperation and is considered a founder of the field of Urban Computing, coining the term "urban computing" in 2004. His current work is in the areas of emancipation fabrication, cosmetic computing, citizen science, New Making Renaissance, Critical Making, Robotics, DIY Biology, DIY culture, Micro-volunteering, and the cultural critique of such technologies through New Media strategies.
Christian Ristow is an American robotic artist. He is known for his robotic performance art under the name Robochrist Industries, his animatronics work in film and television, and his large-scale interactive sculptures.
Roboexotica is an annual festival and conference where scientists, researchers, computer experts and artists from all over the world build cocktail robots and discuss technological innovation, futurology and science fiction. Roboexotica is also an ironic attempt to criticize techno-triumphalism and to dissect technological hypes.
Do-it-yourself biology is a biotechnological social movement in which individuals, communities, and small organizations study biology and life science using the same methods as traditional research institutions. DIY biology is primarily undertaken by individuals with limited research training from academia or corporations, who then mentor and oversee other DIY biologists with little or no formal training. This may be done as a hobby, as a not-for-profit endeavor for community learning and open-science innovation, or for profit, to start a business.
GX Jupitter-Larsen is an artist, based in Hollywood, California, who has been active in a number of underground art scenes since the late 1970s. Jupitter-Larsen has been involved in punk rock, mail art, cassette culture, the noise music scene, and zine culture. During the 1990s he was the sound designer for the performances of Mark Pauline's Survival Research Laboratories. He is the founder and sole permanent member of the noise act The Haters, who have performed all over the world, and appeared on over 300 CD and record releases.
Gray Area Foundation for the Arts, Inc. is a 501(c)3 non-profit organization supporting art and technology for social good in San Francisco, California. Gray Area hosts exhibitions and music events, software and electronics classes, a media lab, and resident-artist program. Gray Area Foundation for the Arts’ stated purpose is to bring “together the best creative coders, data artists, designers, and makers to create experiments that build social consciousness through digital culture.”
Squid Labs was an American independent research and development company founded by a group of four MIT graduates. In 2004, Colin Bulthaup, Dan Goldwater, Saul Griffith, and Eric Wilhelm moved from the East Coast to California to found the company known as Squid Labs. During its years of existence from 2004 to 2007, Squid Labs added three more members to its team: Geo Homsy, Corwin Hardham and Ryan McKinley. Working out of a warehouse in Emeryville, the group adopted the slogan "We're not a think tank, we're a do tank." and created a handful of patents and inventions including an electronically sensed rope, portable pull-cord generators, and a machine that could manufacture eyeglasses of any prescriptions at extremely low cost. Squid Labs was also the birthplace for many companies still running today, such as Makani Power and Howtoons. Although the company no longer exists, Squid Lab's co-founder, Saul Griffith created a similar company in San Francisco named Otherlab.
Elle Mehrmand is a new media performance artist and musician. Mehrmand's work combines the body and electronics. Her performance art work has been presented at museums, galleries and art festivals throughout the Americas. She is a member of the band Assembly of Mazes.
Richard Charles Boulanger is a composer, author, and electronic musician. He is a key figure in the development of the audio programming language Csound, and is associated with computer music pioneers Max Mathews and Barry Vercoe.
Sougwen Chung (鍾愫君) is a Chinese-born, Canadian-raised artist residing in London. Chung's artistic practices are based on performance, drawing, still image, sculpture, and installation. Chung's work investigates mark-made-by-machine and mark-made-by-hand for understanding the encounter of computers and humans.
Kal Spelletich is an American contemporary artist. A pioneer of San Francisco's machine art scene, he hand builds complex machines and robots. Current work, in 2018, includes building functional artificial robotic organs as a residence of the Stochastic Labs in Berkeley California. Through a collaboration with audience members who volunteer to control or operate his sculptures, Spelletich's work explores the interface of robots and humans. Early work frequently incorporated fire and "extremely dangerous" situations, to examine the boundaries of fear, control and exhilaration. By the late 1990s Spelletich started incorporating sensors in his sculptures to engage with questions about technology, spirituality, and play.
