Love and Hate in Dub | ||||
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Remix album by | ||||
Released | 24 June 1997 | |||
Recorded | December 1996 – March 1997 | |||
Studio | Avalanche Studios | |||
Genre | ||||
Length | 71:08 | |||
Label | Earache | |||
Producer | J. K. Broadrick, G. C. Green | |||
Godflesh chronology | ||||
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Vinyl cover | ||||
Released in 2007 |
Love and Hate in Dub is remix album by industrial metal band Godflesh released on 24 June 1997 through Earache Records. The remixed songs are sourced from their 1996 album Songs of Love and Hate , and they adopt a more ambient, dub and drum and bass flavor. [1]
Originally, Godflesh frontman Justin Broadrick wanted to get hip hop's top producers to remix the tracks for Love and Hate in Dub (which was tentatively titled Songs of Love and Hate in Dub [2] ). [3] This ultimately proved too expensive. As a result and unlike most remix albums, all tracks on Love and Hate in Dub were made and reworked in-house, done by Godflesh's two members, Broadrick and G. C. Green. [4] Broadrick saw Love and Hate in Dub as a sort of response to Songs of Love and Hate , which he found "flat" in comparison. [5] Regarding the remix album, Broadrick said:
"A lot of that spite and shit from Columbia deal and everything really came into play on Songs of Love and Hate. I think that Love and Hate in Dub is a better record than Songs of Love and Hate [...] Just for our own amusement, we were fucking around with the mixes, we were seeing how far we could go with different mixes, and it seemed really attractive. I remember saying to G.C. Green that we should do something with this, and I love remix culture anyway, but there's a lot of tokenism with dance remixes that's quite horrible. That's why we do it ourselves because we have a vision of what we want to achieve, instead of having to draft in other people to give us a vision." [5]
According to Broadrick, the overall fan consensus was that Love and Hate in Dub was a step up from its source studio album, which reviewed lukewarm reviews upon release in 1996. The album begins with a KRS-One sample that, according to Broadrick, confused metal fans. [3]
On 4 October 1997, Godflesh performed at The Garage, London in an unusual configuration and with an unusual set list. [6] Instead of playing guitar, Broadrick was stationed at a mixing desk (something that he would further explore more than a decade later with his JK Flesh project). [7] Green played bass for most of the show, but, near the end, he joined Broadrick behind the desk. [7] Steve Hough was brought in to play guitar, and Diarmuid Dalton, a frequent collaborator with Broadrick, operated a Moog synthesizer. [7] It was at this one-off show that Love and Hate in Dub was performed. [6]
Review scores | |
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Source | Rating |
AllMusic | [1] |
On 24 June 1997, Love and Hate in Dub was released as a Digipak CD through Earache Records. In 2007, Kreation Records reissued the remix album on vinyl with tracks 4, 10, and 12 cut. In a positive review of Love and Hate in Dub, AllMusic writer Sean Cooper said, "The result is a more lithe, slithery redivision of Godflesh's metallic murk, some tracks echoing with deep, bassy drones, others pummeling away with odd rhythmic timbres and quasi-jungular patterns." [1]
Year | Publication | Country | Accolade | Rank | |
---|---|---|---|---|---|
1997 | Terrorizer | United Kingdom | "Albums of the Year" | 15 | [8] |
"*" denotes an unordered list. |
All songs written and remixed by Justin Broadrick and G. C. Green.
No. | Title | Length |
---|---|---|
1. | "Circle of Shit" (To the Point Dub) | 4:49 |
2. | "Wake" (Break Mix) | 5:23 |
3. | "Almost Heaven" (Closer Mix) | 5:42 |
4. | "Gift from Heaven" (Breakbeat) | 5:55 |
5. | "Frail" (Now Broken) | 5:18 |
6. | "Sterile Prophet" (Version) | 4:42 |
7. | "Almost Heaven" (Helldub) | 5:49 |
8. | "Kingdom Come" (Version) | 5:52 |
9. | "Time, Death and Wastefulness" (Dub) | 7:16 |
10. | "Sterile Prophet" (In Dub) | 5:03 |
11. | "Domain" | 5:04 |
12. | "Gift from Heaven" (Heavenly) | 10:11 |
Total length: | 71:08 |
No. | Title | Length |
---|---|---|
1. | "Circle of Shit" (To the Point Dub) | 4:49 |
2. | "Wake" (Break Mix) | 5:23 |
3. | "Almost Heaven" (Closer Mix) | 5:42 |
4. | "Frail" (Now Broken) | 5:18 |
5. | "Sterile Prophet" (Version) | 4:42 |
6. | "Almost Heaven" (Helldub) | 5:49 |
No. | Title | Length |
---|---|---|
1. | "Kingdom Come" (Version) | 5:52 |
2. | "Time, Death and Wastefulness" (Dub) | 7:16 |
3. | "Domain" | 5:04 |
Total length: | 49:59 |
Credits adapted from CD liner notes. [9]
Godflesh
Additional personnel
Godflesh are an English industrial metal band from Birmingham, England. The group formed in 1982 under the title Fall of Because but did not release any complete music until 1988 when Justin Broadrick and G. C. Green (bass) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's innovative sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal.
Justin Karl Michael Broadrick is an English singer, songwriter, guitarist and drummer. He is best known as a founding member of the band Godflesh, one of the first bands to combine elements of extreme metal and industrial music. He was briefly in the English grindcore band Napalm Death when he was a teenager in the mid-1980s, writing and recording guitar for Side One of Napalm Death's debut album, Scum. Broadrick has also maintained a parallel career as a producer, producing records and remixes for groups such as Pantera, Isis, Mogwai and Hydra Head labelmates Pelican. Since 2012, he has been releasing hard techno music under the solo moniker JK Flesh. Broadrick has set up record labels such as HeadDirt, Avalanche Recordings, Post Mortem Productions, Lo Fibre and Heartache.
Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become.
Slavestate is an EP by industrial metal band Godflesh. It was released in July 1991 through Earache Records. The EP saw the band experimenting with more samples and electronic sounds than their predominantly industrial metal prior releases.
Pure is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, Pure is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim.
Songs of Love and Hate is the fourth studio album by English industrial metal band Godflesh. Released on 20 August 1996 through Earache Records, it is the band's first album to feature live drums, played by drummer Bryan Mantia, and a more traditional heavy metal sound, generally lacking the experimental and mechanical elements of previous releases. The cover is a photograph of Cancer Alley, Louisiana.
Us and Them is the fifth studio album by English band Godflesh. It was released through Earache Records on 17 May 1999 in Europe and on 8 June 1999 in North America. As with Godflesh's 1997 remix album Love and Hate in Dub, Us and Them is influenced by breakbeats, drum and bass, oldschool jungle, trip hop and hip hop.
Hymns is the sixth studio album by English industrial metal band Godflesh. It was released on 23 October 2001 through Music for Nations and was the band's final album before breaking up in 2002. In 2010, Godflesh reformed and in 2014 released their comeback album A World Lit Only by Fire. Hymns had a troubled production and was intended to be distinct departure from Godflesh's intensely regimented industrial sound to something more traditionally hard rock. It was the band's second and final album to feature a live drummer rather than a drum machine.
Godflesh is the debut extended play (EP) by English industrial metal band Godflesh. It was originally released in 1988 through Swordfish Records and later saw several reissues on Earache Records with two additional songs. An unexpected underground success, the eponymous EP made it onto the UK Indie Chart and peaked at position 20. Though not supported by any singles or music videos at the time, a fan-made video for "Avalanche Master Song" has since been made official by the band.
Merciless is an EP released by industrial metal band Godflesh in 1994 through Earache and Columbia. In 1996, the EP was reissued along with the Selfless (1994) album as the compilation Selfless/Merciless.
"Crush My Soul" is a song by industrial metal band Godflesh, taken from the album Selfless (1994). It was released in 1995 by Earache Records on 12" vinyl and CD. The single's two remixes were also included on the Selfless/Merciless compilation released on Earache Records in 1996.
Messiah is an EP by industrial metal band Godflesh. The EP was originally recorded and mixed during 1994, and was released independently to members of the band's fan club on 5 December 2000 along with four remixes, which were created in 1995. After Justin Broadrick disbanded Godflesh, he reissued the material through Relapse Records on 1 April 2003.
In All Languages is a compilation album by British industrial metal band Godflesh, released on 24 July 2001 through Earache Records. It is a double album, and a companion music video DVD was also released in 2001. In All Languages' first disc acts as a greatest hits collection spanning from Godflesh's 1988 self-titled EP to their 1999 studio album, Us and Them. The second disc compiles rare and unreleased tracks.
The English industrial metal band Godflesh have released eight studio albums and six extended plays along with a number of singles, compilations and remix and live albums. The group formed in 1982 under the name Fall of Because, but they did not release any music until 1988 when Justin Broadrick and G. C. Green changed the project's name to Godflesh and recorded a self-titled debut EP. That EP, released through the independent label Swordfish, was met with underground success and has since been recognised as one of the first industrial metal releases, if not the first.
A World Lit Only by Fire is the seventh studio album by English industrial metal band Godflesh. It was released on 7 October 2014 through frontman Justin Broadrick's own label, Avalanche Recordings, and was the band's first full-length album since 2001's Hymns. It was preceded by the digital singles "New Dark Ages" in August 2014 and "Imperator" in September 2014, and it was followed by several international tours.
"Xnoybis" is a song by the industrial metal band Godflesh, taken from the album Selfless (1994). It was released in 1995 through Earache Records as a CD, and was also distributed as a promotional to radio stations.
Life Is Easy is a compilation album by Birmingham-based industrial metal group Fall of Because, compiling songs recorded in 1986 and 1987 before the band became Godflesh. Released on 24 August 1999 through Alleysweeper and distributed by Martin Atkins' label Invisible Records, Life Is Easy contains many songs that went on to be rerecorded and turned into Godflesh tracks.
"Ringer" is a song by industrial metal band Godflesh. It was taken from their 2014 extended play Decline & Fall. The song was released ahead of the EP on 21 May 2014 through frontman Justin Broadrick's own label, Avalanche Recordings, as a digital download. "Ringer" was the first original material released by Godflesh since their dissolution in 2002, and it was praised by critics as an ideal return for the band.
"Mothra" is a song by the English industrial metal band Godflesh. It was taken from their 1992 album Pure and saw release as a radio promo and music video in the same year. The track's title is derived from 1961 Japanese film of the same name by Ishirō Honda. Musically, "Mothra" is a grinding, mechanical song with shouted vocals and heavily distorted instruments.