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"F.O.D. (Fuck of Death)" | |
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Song by Slaughter | |
from the album Strappado | |
Released | 1987 |
Recorded | February 9, 1986; Future Sound, Toronto, Canada |
Length | 3:54 |
Label | Diabolic Force, Fringe |
Songwriter(s) | Dave Hewson, Terry Sadler, Ron Sumners |
Producer(s) | Brian Tailor |
"F.O.D. (Fuck of Death)" is a song by Canadian extreme metal band Slaughter. [1] [2] Written by bandmembers Dave Hewson, Terry Sadler and Ron Sumners and produced by Brian Tailor, the song was included in the band's 1987 debut album, Strappado, released in 1987 via Diabolic Force and Fringe Records.
The song bears the same title as the band's 2004 live album, Fuck of Death.
"F.O.D. (Fuck of Death)" | ||||
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Single by Godflesh | ||||
Released | September 3, 2013 | |||
Recorded | July 2013, Avalanche Studios | |||
Length | 4:01 | |||
Label | Decibel Flexi Series | |||
Songwriter(s) | Dave Hewson, Terry Sadler, Ron Sumners | |||
Producer(s) | Justin Broadrick, Godflesh | |||
Godflesh singles chronology | ||||
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Audio sample | ||||
"F.O.D. (Fuck of Death)" was covered by English industrial metal band Godflesh, after its reunion in 2010. It was released as a limited edition flexi disc promotional single on November 3, 2013, as a part of Decibel Magazine 's Flexi Series. The release was the band's first new material in 12 years, since Hymns (2001). [2] [3] [4] [5] The song was also released on SoundCloud for streaming. [6]
Many copies of the flexi disc were accidentally destroyed by the printer during the insertion process. Subsequently, all of the subscribers of the magazine were mailed a new copy of the disc. [3]
On the band's decision to cover the song, Justin Broadrick spoke in a MetalSucks interview:
"It's a song both Ben and I have loved for years and years, ever since that album came out. What I loved about Slaughter at the time was their Celtic Frost worship. I loved Celtic Frost, and most who have taken their influence; for example, I also love Obituary! But we always thought 'F.O.D' was SO Godflesh in some weird sort of way. It's brutal and minimal without any showy display." [7]
Gregory Adams of Exclaim! described the cover as "plenty grimy, with detuned six-strings unfurling layer upon layer of ooze onto the arrangement." He also commented, "The drum machine beat crawls along at an unnatural pace, up until the double kick comes in, while gargled vocals figure prominently throughout as well." [8] Kez Whelan of Terrorizer also described it as a "crushing cover", while stating that the song was "performed here in that trademark Godflesh style, complete with merciless drum machine pounding, G.C. Green's churning bass lines and Justin Broadrick's unbelivably [ sic ] heavy guitar tone." [2]
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the original title O.P.D. but did not release any complete music until 1988 when Justin Broadrick and B. C. Green (bass) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal.
Agoraphobic Nosebleed is an American grindcore band. Its line-up has changed often over the years, with guitarist and drum programmer Scott Hull being the only continuous member. The current line-up includes vocalist Jay Randall, and Richard Johnson of Enemy Soil and Drugs of Faith, along with John Jarvis of Pig Destroyer and Fulgora on bass guitar.
Jesu are a British experimental metal band formed in 2003 by Justin Broadrick following the breakup of his band Godflesh. It shares its name with the last song on Hymns, the final album of Godflesh's initial run. Jesu's sound is heavily layered and textured, incorporating a diverse mix of influences. Broadrick himself has stated that "...it's very loosely speaking pop/rock/metal/electronica ... I'm intentionally writing what I consider to be coherent 'pop' songs".
Justin Karl Michael Broadrick is an English musician, singer and songwriter. He is best known as the lead singer and a founding member of the band Godflesh, one of the first bands to combine elements of extreme metal and industrial music. Following Godflesh's initial breakup in 2002, Broadrick formed the band Jesu.
Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become.
Pure is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, Pure is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim.
Ben George Christian Green, also known professionally as G. C. Green and B. C. Green, is an English musician, best known as the co-founder and bass guitarist of the industrial metal band Godflesh.
Slaughter was a Canadian death metal band. They formed in Toronto, Ontario, Canada in 1984 playing thrash metal and briefly featured Chuck Schuldiner on guitar in 1986. Originally, they released two demos and two full albums. Slaughter was disbanded from 1989 to 1995 but returned in 1996 to record a cover of Celtic Frost's "Dethroned Emperor" for a tribute album called In Memory of Celtic Frost. In 2001, they re-released "Strappado" under the Nuclear Blast label.
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Us and Them is the fifth studio album by English industrial metal band Godflesh. It was released through Earache Records on 17 May 1999 in Europe and on 8 June 1999 in North America. As with Godflesh's 1997 remix album Love and Hate in Dub, Us and Them is influenced by breakbeats, drum and bass, oldschool jungle, trip hop and hip hop.
Hymns is the sixth studio album by English industrial metal band Godflesh. It was released on 23 October 2001 through Music for Nations and was the band's final album before breaking up in 2002. In 2010, Godflesh reformed and in 2014 released their comeback album A World Lit Only by Fire. Hymns had a troubled production and was intended to be distinct departure from Godflesh's intensely regimented industrial sound to something more traditionally hard rock. It was the band's second and final album to feature a live drummer rather than a drum machine.
Godflesh is the debut EP by English industrial metal band Godflesh. It was originally released in 1988 through Swordfish Records and later saw several reissues on Earache Records with two additional songs. An unexpected underground success, the eponymous EP made it onto the UK Indie Chart and peaked at position 20. Though not supported by any singles or music videos at the time, a fan-made video for "Avalanche Master Song" has since been made official by the band.
The English industrial metal band Godflesh have released eight studio albums and six extended plays along with a number of singles, compilations and remix and live albums. The group formed in 1982 under the name Fall of Because, but they did not release any music until 1988 when Justin Broadrick and B. C. Green changed the project's name to Godflesh and recorded a self-titled debut EP. That EP, released through the independent label Swordfish, was met with underground success and has since been recognised as one of the first industrial metal releases, if not the first.
Decline & Fall is the sixth EP by English industrial metal band Godflesh. It was released on 2 June 2014 through frontman Justin Broadrick's own record label, Avalanche Recordings. The EP is the second release by Godflesh since Hymns (2001), following the 2013 single "F.O.D. ". It precedes the group's seventh studio album, A World Lit Only by Fire (2014), and the two were recorded in the same sessions.
A World Lit Only by Fire is the seventh studio album by English industrial metal band Godflesh. It was released on 7 October 2014 through frontman Justin Broadrick's own label, Avalanche Recordings, and was the band's first full-length album since 2001's Hymns. It was preceded by the digital singles "New Dark Ages" in August 2014 and "Imperator" in September 2014, and it was followed by several international tours.
Post Self is the eighth studio album by English industrial metal band Godflesh. It was released on 17 November 2017 through frontman Justin Broadrick's own record label, Avalanche Recordings, and was the band's second album since reforming in 2010. The single "Post Self" was released for streaming on 31 October 2017, and a second track, "Be God", was released for streaming on 11 November 2017, six days in advance of the full release. Godflesh avoided interviews in the wake of Post Self, hoping to retain some of the album's purity and give listeners a chance to digest the music in a vacuum.
Loopflesh/Fleshloop is a split EP between English industrial metal band Godflesh and English rock band Loop. On side A of the 7-inch vinyl, Loop covers the song "Like Rats" by Godflesh, and on side B, Godflesh covers the song "Straight to Your Heart" by Loop. The palindrome "Rats Live On No Evil Star" appears etched into both sides of the record. Only a thousand copies were pressed.
"Ringer" is a song by English industrial metal band Godflesh. It was taken from their 2014 extended play Decline & Fall. The song was released ahead of the EP on 21 May 2014 through frontman Justin Broadrick's own label, Avalanche Recordings, as a digital download. "Ringer" was the first original material released by Godflesh since their dissolution in 2002, and it was praised by critics as an ideal return for the band.
"Mothra" is a song by English industrial metal band Godflesh. It was taken from their 1992 album Pure and saw release as a radio promo and music video in the same year. The track's title is derived from 1961 Japanese film of the same name by Ishirō Honda. Musically, "Mothra" is a grinding, mechanical song with shouted vocals and heavily distorted instruments.