|Original fan club cover|
Released in 2000
Messiah is an EP by industrial metal band Godflesh. The EP was originally recorded and mixed during 1994, and was released independently to members of the band's fan club on 5 December 2000 along with four remixes,which were created in 1995. After Justin Broadrick disbanded Godflesh, he reissued the material through Relapse Records on 1 April 2003.
An extended play record, often referred to as an EP, is a musical recording that contains more tracks than a single, but is usually unqualified as an album or LP. Contemporary EPs generally contain a minimum of three tracks and maximum of six tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of vinyl records other than 78 rpm standard play (SP) and LP, but it is now applied to mid-length CDs and downloads as well.
Industrial metal is the fusion of heavy metal music and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Prominent industrial metal acts include Ministry, Godflesh, KMFDM and Nine Inch Nails.
Godflesh are an English industrial metal band from Birmingham, England. The group formed in 1982 under the title Fall of Because but did not release any complete music until 1988 when Justin Broadrick and G. C. Green (bass) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's innovative sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental metal and extreme metal.
Messiah was recorded at the same time as Godflesh's 1994 studio album, Selfless ,but only saw limited release until being reassembled and repackaged in 2003 after the band's dissolution. Regarding the EP, Broadrick said:
Selfless is the third studio album by British industrial metal band Godflesh. It was released on 26 September 1994 in Europe and on 18 October 1994 through Earache and Columbia Records. Being the band's major-label debut, the record features a more conventional and rock-oriented sound compared to Godflesh's previous releases. It spawned two singles, "Xnoybis" and "Crush My Soul". The music video for the latter was directed by photographer Andres Serrano.
Basically, Messiah was something we recorded in, like, 1994. We recorded it around the time we did the album Selfless. And when we did Selfless—which was on Columbia in America—we did so much stuff at that time, so we had a glut of material and we wanted to be somewhat focused about it. We had this EP that we recorded at the same time, which was Messiah, and we just sat on the EP because Columbia wanted to do so much with the tracks on Selfless that we couldn’t really focus on this EP. And they seemed not to really understand the context anyway, for one reason or another.
Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese conglomerate Sony. It was founded in 1887, evolving from the American Graphophone Company, the successor to the Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1990, Columbia recordings were released outside North America under the name CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records.
Upon reviewing the shelved EP after touring in 1994, Broadrick and Green proved dissatisfied with the package. While going through the mixing process again in 1995 for the eventual 2000 fan club limited run, the development of the next studio album, Songs of Love and Hate (1996), took precedent, and Messiah was again forgotten. After Godflesh disbanded in 2002, Broadrick was asked by Relapse Records founder Matthew Jacobson, an apparent fan, to fully release the EP, which had become a sort of legendary collector's item.Wanting to refine and perfect the package, Broadrick agreed and the EP saw full physical and digital distribution in 2003.
Songs of Love and Hate is the fourth studio album by English industrial metal band Godflesh. Released on 20 August 1996 through Earache Records, it is the band's first album to feature live drums, played by drummer Bryan Mantia, and a more traditional heavy metal sound, generally lacking the experimental and mechanical elements of previous releases. The cover is a photograph of Cancer Alley, Louisiana.
Relapse Records is an American independent record label based in Upper Darby, Pennsylvania. It was founded by Matthew F. Jacobson in 1990. The label features many grindcore, death metal, and sludge metal artists.
Musically, Messiah is more experimental than most Godflesh releases. Hip hop beats are more common than industrial ones, and uncommon instruments, like a sitar, are employed.Jon Wiederhorn of Bandcamp called the EP a "hybrid of knock-out punch and dreamy-eyed dissonance." Broadrick's vocals are unusually melodic on some tracks, and heavy metal guitar is largely absent from the EP, with the focus instead placed on Green's distorted bass. Much like Godflesh's 1997 remix album Love and Hate in Dub and 1999 studio album Us and Them , Messiah incorporates drum and bass and dub aspects. About the EP's content, Broadrick said it "was mainly focused around the 'Messiah' track itself—that is really the most important thing. Not to discount the other tracks at all, but that, we felt, was a really focused track—we actually feel it’s one of the best Godflesh tracks out there, really."
Hip hop or hip-hop, is a culture and art movement that was created by African Americans, Latino Americans and Caribbean Americans in the Bronx, New York City. The origin of the name is often disputed. It is also argued as to whether hip hop started in the South or West Bronx. While the term hip hop is often used to refer exclusively to hip hop music, hip hop is characterized by nine elements, of which only four elements are considered essential to understand hip hop musically. The main elements of hip hop consist of four main pillars. Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, coining the terms: "rapping", a rhythmic vocal rhyming style (orality); DJing, which is making music with record players and DJ mixers ; b-boying/b-girling/breakdancing (movement/dance); and graffiti. Other elements of hip hop subculture and arts movements beyond the main four are: hip hop culture and historical knowledge of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; street entrepreneurship; hip hop language; and hip hop fashion and style, among others. The fifth element, although debated, is commonly considered either street knowledge, hip hop fashion, or beatboxing.
Industrial music is a genre of music which draws on harsh, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, concentrations of artists and labels vital to the genre also emerged in America, namely in Chicago.
The sitar is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument flourished under the Mughals, and it is named after a Persian instrument called the setar. The sitar flourished in the 16th and 17th centuries and arrived at its present form in 18th-century India. It derives its distinctive timbre and resonance from sympathetic strings, bridge design, a long hollow neck and a gourd-shaped resonance chamber. In appearance, the sitar is similar to the tanpura, except that it has frets.
The original fan club version of Messiah was released on 5 December 2000 through Broadrick's own label, Avalanche Recordings, and was limited to 1,000 copies with different artwork than the final EP.This was the first release from Avalanche. On 1 April 2003, Messiah was distributed as a CD by Relapse Records, and on 5 February 2008, the EP was released as three 2xLP vinyl editions (one with unique artwork, one with clear records, one with white records, and all limited to 1,000 copies each).
Avalanche Recordings is an independent record label, founded by English musician Justin Broadrick in 1999. It is named after Broadrick's own recording studio, Avalanche Studios, and mainly releases Justin Broadrick's side projects.
Due to the convoluted and often limited nature of Messiah's releases, few publications reviewed the EP. Eduardo Rivadavia of AllMusic said that Messiah features "four intensely pulverizing cuts" that "easily qualify as vintage Godflesh."Chris Ayers of Exclaim! wrote, "ultimately, Messiah offers an unadulterated peek into Broadrick's mind before those albums were even ideas," speaking of Love and Hate in Dub and Us and Them. Paul Sinclair of The Skinny described the EP's title track as a "cult classic".
All songs written by Justin Broadrick and G.C. Green.
|Original 1994 EP|
|2.||"Wilderness of Mirrors"||5:56|
|2000/2003 bonus tracks|
|6.||"Wilderness of Mirrors" (Dub)||6:08|
Jesu are a British experimental band formed in 2003 by Justin Broadrick following the 2002 breakup of his band Godflesh. It is named after the last song on Hymns, the final album of Godflesh's initial run. Jesu's sound is heavily layered and textured, incorporating a diverse mix of influences. Broadrick himself has stated that "...it's very loosely speaking pop/rock/metal/electronica ... I'm intentionally writing what I consider to be coherent "pop" songs".
The Heart Ache EP is the first release by Jesu. Justin Broadrick wrote both tracks, played all of the instruments as well as mixed and produced the EP. It was originally released on 30 August 2004 by Dry Run Records; Avalanche Recordings released a 12" vinyl version in January 2008 also. The vinyl version is limited to 1500 copies.
Justin Karl Michael Broadrick is a British singer, songwriter, guitarist and drummer. He is best known as a founding member of the band Godflesh, one of the first bands to combine elements of extreme metal and industrial music. He was briefly in the English grindcore band Napalm Death when he was a teenager in the mid-1980s, writing and recording guitar for Side One of Napalm Death's debut album, Scum. Broadrick has also maintained a parallel career as a producer, producing records and remixes for groups such as Pantera, Isis, Mogwai and Hydra Head labelmates Pelican. Since 2012, he has been releasing hard techno music under the solo moniker JK Flesh. Broadrick has set up record labels such as HeadDirt, Avalanche Recordings, Post Mortem Productions, Lo Fibre and Heartache.
Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become.
Slavestate is an EP by industrial metal band Godflesh. It was released in July 1991 through Earache Records. The EP saw the band experimenting with more samples and electronic sounds than their predominantly industrial metal prior releases.
Pure is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, Pure is harsh and mechanical, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive.
Us and Them is the fifth studio album by English band Godflesh. It was released through Earache Records on 17 May 1999 in Europe and on 8 June 1999 in North America. As with Godflesh's 1997 remix album Love and Hate in Dub, Us and Them is influenced by breakbeats, drum and bass, oldschool jungle, trip hop and hip hop.
Hymns is the sixth studio album by English industrial metal band Godflesh. It was released on 23 October 2001 through Music for Nations and was the band's final album before breaking up in 2002. In 2010, Godflesh reformed and in 2014 released their comeback album A World Lit Only by Fire. Hymns had a troubled production and was intended to be distinct departure from Godflesh's intensely regimented industrial sound to something more traditionally hard rock. It was the band's second and final album to feature a live drummer rather than a drum machine.
Paul Neville is an underground experimental industrial metal guitarist and musician from Birmingham, England.
Godflesh is the debut extended play (EP) by English industrial metal band Godflesh. It was originally released in 1988 through Swordfish Records and later saw several reissues on Earache Records with two additional songs. An unexpected underground success, the eponymous EP made it onto the UK Indie Chart and peaked at position 20. Though not supported by any singles or music videos at the time, a fan-made video for "Avalanche Master Song" has since been made official by the band.
Merciless is an EP released by industrial metal band Godflesh in 1994 through Earache and Columbia. In 1996, the EP was reissued along with the Selfless (1994) album as the compilation Selfless/Merciless.
Love and Hate in Dub is remix album by industrial metal band Godflesh released on 24 June 1997 through Earache Records. The remixed songs are sourced from their 1996 album Songs of Love and Hate, and they adopt a more ambient, dub and drum and bass flavor.
The English industrial metal band Godflesh have released eight studio albums and six extended plays along with a number of singles, compilations and remix and live albums. The group formed in 1982 under the name Fall of Because, but they did not release any music until 1988 when Justin Broadrick and G. C. Green changed the project's name to Godflesh and recorded a self-titled debut EP. That EP, released through the independent label Swordfish, was met with underground success and has since been recognised as one of the first industrial metal releases, if not the first.
Streetcleaner: Live at Roadburn 2011 is the first live album from English industrial metal band Godflesh. The release was recorded on 14 April 2011 at the Roadburn Festival in Tilburg, Netherlands. Apart from being the group's debut live album, it was also the first time they played Streetcleaner in its entirety.
Nothing Is Free is the debut EP of JK Flesh, a pseudonym of English musician Justin Broadrick, and was self-released digitally by Avalanche Recordings on a pay what you want basis on 7 September 2015. It is Broadrick's third release under the JK Flesh title, following the debut studio album, Posthuman (2012), and a split album with Prurient, Worship Is the Cleansing of the Imagination (2012).
Post Self is the eighth studio album by English industrial metal band Godflesh. It was released on 17 November 2017 through frontman Justin Broadrick's own record label, Avalanche Recordings, and was the band's second album since reforming in 2010. The single "Post Self" was released for streaming on 31 October 2017, and a second track, "Be God", was released for streaming on 11 November 2017, six days in advance of the full release. Godflesh avoided interviews in the wake of Post Self, hoping to retain some of the album's purity and give listeners a chance to digest the music in a vacuum.
The Cliff is a 2015 EP by American post-metal band Pelican, released through Southern Lord Records on February 24, 2015. Despite Pelican being a predominantly instrumental band, three of the EP's four tracks feature vocals.