JK Flesh | |
---|---|
Background information | |
Origin | Birmingham, England, UK |
Genres | |
Years active | 2012–present |
Labels | Avalanche Recordings Electric Deluxe Hospital Productions Downwards Records |
Members | Justin Broadrick |
Website | Official website |
JK Flesh is a moniker of English musician Justin Broadrick employed for his solo work within electronic music. [1] Broadrick's usage of the title spans back to his work in the 1990s with Kevin Martin in Techno Animal, but he first released a solo studio album as JK Flesh in 2012. [2] Unlike Broadrick's most well-known projects, Godflesh and Jesu, his work as JK Flesh is electronic and (apart from Posthuman ) lacks metal riffs. [3] Over the years, the project has shifted into a more minimal and dub sound while retaining its industrial influences.
As JK Flesh, Broadrick has released four studio albums, five EPs, a split album with Prurient, and a number of remixes. [4]
In the early 1990s, Justin Broadrick became interested in producing hip hop and drum and bass music. [5] While this influence is felt in some of his more prominent releases, like in Godflesh's 1991 EP Slavestate and 1992 album Pure , [6] Broadrick fully explored these genres privately in a solo capacity or incorporated the work into his collaborative projects such as Techno Animal with Kevin Martin. A few of these experiments saw release within various compilation albums, others such as his short lived projects Tech-Level 2 and Youpho saw releases on British jungle label Hardleaders. Broadrick himself briefly ran a minimal techno label in the late 90s called Lo Fibre through which he released EPs of his projects Solaris B.C. with Diarmuid Dalton and The Sidewinder with Martin. [5] A portion of this material was rereleased compiled under the name The Lo Fibre Companion (1998) on Invisible Records. Broadrick and Dalton would later play together in Jesu and release three albums together as Council Estate Electronics, an analog synthesizer project inspired by Shard End where they grew up in. [7] [8]
In 2009 Broadrick compiled some of the JK Flesh tracks he created from 1997 to 1999 in an album named From Hell released under the title Krackhead, but it wasn't until 2012 that he fully embarked on the project. [9] In an interview, Broadrick estimated around 17,000 electronic tracks that had created between 1990 and 2012 and were sitting in his archives. [10] Regarding JK Flesh's inception, Broadrick said:
I felt in the late 2000s that I finally wished to pursue this solo, and the JK Flesh pseudonym seemed most fitting since this was my pseudonym in the projects Kevin Martin and I shared [...] It feels free for me to explore the heavier side of what I love about techno, grime/garage, drum and bass, etc. [5]
JK Flesh was also conceived as the antithesis of Broadrick's more melodically driven electronica project Pale Sketcher, with JK Flesh constituting "the angry, hateful, disenchanted side of [...] electronic beat-driven, bass-driven music". It is also an "electronic continuation" of Greymachine (his project with Aaron Turner from the band Isis), a "monolith of nasty, bloated sounding shit". [11]
As a project for Broadrick to fully explore niche areas of electronic and dub music, JK Flesh eschews many conventions that he and his listeners had become used to. The project's debut album, Posthuman (2012), still features heavily downtuned guitars, thick distortion, and a bleak mood–aspects all common in Broadrick's other music–but the beats are less industrial and more dance- and techno-oriented. [12] The heavy guitars ultimately weren't his "long term [...] vision for [the] project" though, [3] and were instead added based on the label's suggestion. [10]
JK Flesh's following releases ventured further into extreme distortion and drum and bass with the Nothing Is Free EP (2015) and the second album, Rise Above (2016). [13] The EPs Exit Stance (2017) and PI04 (2018) adopted a more purely techno sound. [14] Following another EP in 2018 titled Wasplike , [15] JK Flesh's third studio album, New Horizon , was released on 28 September 2018. [16]
Broadrick's electronic work was informed by the early rave parties he attended in the early 90s seeing Jeff Mills, Robert Hood, Plastikman and Aphex Twin as well as his friendship with fellow Brummie Karl O'Connor better known as Regis, the head of Downwards Records. [5] Broadrick also went on to call Dillinja his "favorite producer of filthy bass and cutting breakbeats, absolutely direct, textures unlike any, the ultimate DnB producer". [17] Broadrick has also credited Moritz von Oswald's dub techno projects Basic Channel and Maurizio as well as his record label Chain Reaction as a main influence on JK Flesh. [18]
JK Flesh's sound has also been compared to Andy Stott and Ancient Methods. [13]
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the original title O.P.D. but did not release any complete music until 1988 when Justin Broadrick and B. C. Green renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal.
Final is a project of English musician Justin Broadrick, creator of the band Godflesh, which he started when he was 13 years old. Unlike Godflesh, Final is primarily electronic in nature, taking on a space-like, dark ambient sound.
Justin Karl Michael Broadrick is an English musician, singer and songwriter. He is best known as the lead singer and a founding member of the band Godflesh, one of the first bands to combine elements of extreme metal and industrial music. Following Godflesh's initial breakup in 2002, Broadrick formed the band Jesu.
Techno Animal was an electronic duo formed in 1990 in London, England by British musicians Justin Broadrick and Kevin Martin. The duo released six LPs beginning with their 1991 debut Ghosts. They blended dub production with dark, beat-oriented ambient music and paranoiac themes.
Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become.
Slavestate is the second EP by English industrial metal band Godflesh. It was released in July 1991 through Earache Records. The EP saw the band experimenting with more samples and electronic sounds than their predominantly industrial metal prior releases.
Selfless is the third studio album by English industrial metal band Godflesh. It was released on 26 September 1994 in Europe and on 18 October 1994 through Earache and Columbia Records. Being the band's major-label debut, the record features a more conventional and rock-oriented sound compared to Godflesh's previous releases. It spawned two singles, "Xnoybis" and "Crush My Soul". The music video for the latter was directed by photographer Andres Serrano.
Us and Them is the fifth studio album by English industrial metal band Godflesh. It was released through Earache Records on 17 May 1999 in Europe and on 8 June 1999 in North America. As with Godflesh's 1997 remix album Love and Hate in Dub, Us and Them is influenced by breakbeats, drum and bass, oldschool jungle, trip hop and hip hop.
Godflesh is the debut EP by English industrial metal band Godflesh. It was originally released in 1988 through Swordfish Records and later saw several reissues on Earache Records with two additional songs. An unexpected underground success, the eponymous EP made it onto the UK Indie Chart and peaked at position 20. Though not supported by any singles or music videos at the time, a fan-made video for "Avalanche Master Song" has since been made official by the band.
This is a partial discography of Justin Broadrick, a prolific English songwriter, guitarist, singer, producer and general multi-instrumentalist musician most known for being the leading force of the industrial metal band Godflesh. Broadrick is also recognized for his experimental project Jesu, his key contributions to the seminal grindcore album Scum (1987) by Napalm Death, and his strong presence in the electronic and industrial remix community.
Love and Hate in Dub is first remix album by English industrial metal band Godflesh released on 24 June 1997 through Earache Records. The remixed songs are sourced from their 1996 album Songs of Love and Hate, and they adopt a more ambient, dub and drum and bass flavor.
In All Languages is the first compilation album by English industrial metal band Godflesh, released on 24 July 2001 through Earache Records. It is a double album, and a companion music video DVD was also released in 2001. In All Languages' first disc acts as a greatest hits collection spanning from Godflesh's 1988 self-titled EP to their 1999 studio album, Us and Them. The second disc compiles rare and unreleased tracks.
Posthuman is the debut studio album by JK Flesh, a solo moniker of English musician Justin Broadrick, and was released on 7 May 2012 through 3BY3. Though Broadrick had been creating music under the title of JK Flesh since the early 1990s, Posthuman marked the first release of the project.
Nothing Is Free is the debut EP of JK Flesh, a pseudonym of English musician Justin Broadrick, and was self-released digitally by Avalanche Recordings on a pay what you want basis on 7 September 2015. It is Broadrick's third release under the JK Flesh title, following the debut studio album, Posthuman (2012), and a split album with Prurient, Worship Is the Cleansing of the Imagination (2012).
Rise Above is the second studio album by JK Flesh, a moniker of English musician Justin Broadrick, and was released digitally and on vinyl on 3 June 2016 through the label Electric Deluxe under the designation EDLX.048. It is Broadrick's fourth release under the JK Flesh title and continues the sparse, drum and bass style of Nothing Is Free, the EP released a year earlier.
Post Self is the eighth studio album by English industrial metal band Godflesh. It was released on 17 November 2017 through frontman Justin Broadrick's own record label, Avalanche Recordings, and was the band's second album since reforming in 2010. The single "Post Self" was released for streaming on 31 October 2017, and a second track, "Be God", was released for streaming on 11 November 2017, six days in advance of the full release. Godflesh avoided interviews in the wake of Post Self, hoping to retain some of the album's purity and give listeners a chance to digest the music in a vacuum.
Exit Stance is an EP by JK Flesh, a moniker of English musician Justin Broadrick, and was released on November 30, 2017 through Downwards Records as a digital download and as a vinyl. Described as more dance-oriented than the previous JK Flesh EP, Nothing Is Free, Exit Stance covers themes of "whiteout, transcendence and self-annihilation."
New Horizon is the third studio album by JK Flesh, a moniker of English musician Justin Broadrick. It was released digitally and on vinyl on 28 September 2018 through the label Electric Deluxe under the designation EDLX.058. The album was preceded by streams of the tracks "Different Species" and "External Transmission Stage" in June and August 2018 respectively.
Wasplike is the fifth EP by JK Flesh, a moniker of English musician Justin Broadrick, and was released on 15 June 2018. It was his first release on Manchester techno label Inner Surface Music. The EP was inspired by the drum and bass works of Dillinja, amongst others.
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