Atheist is an American death metal band from Florida, founded in 1987 by the vocalist and rhythm guitarist Kelly Shaefer, lead guitarist Rand Burkey, bassist Roger Patterson and drummer Steve Flynn. The band is known for its highly technical playing style, and its 1991 album Unquestionable Presence is regarded as a landmark of the technical death metal genre. After disbanding in 1994, the group reformed in 2006 and has since released one studio album and a live DVD.
Slaughter of the Soul is the fourth studio album by Swedish melodic death metal band At the Gates, released on 14 November 1995 by Earache Records. It was their last album before their eleven-year breakup from 1996 to 2007. Slaughter of the Soul is considered a landmark in melodic death metal and played a major role in popularizing the Gothenburg scene, alongside The Jester Race by In Flames and The Gallery by Dark Tranquillity. The album was recorded and mixed in Studio Fredman, early 1995.
Unquestionable Presence is the second album by the death metal band Atheist. It was released in 1991 and added a new sound by using jazz-like harmonies, subtle Latin rhythms and unusual time signatures.
Elements is the third studio album released by American technical death metal band Atheist. It was released on August 30, 1993 by Music for Nations in Europe and by Metal Blade Records in the US. Elements was reissued by Relapse Records in 2005 and was digitally remastered with the addition of six bonus tracks.
Leprosy is the second studio album by American death metal band Death, released on November 16, 1988, by Combat Records. The album is notable in its different tone and quality from the band's 1987 debut, it is the first example of Scott Burns' work heard on many of the death metal and grindcore albums of that era. The cover is featured in Metal: A Headbanger's Journey. It is the first album to feature drummer Bill Andrews and the only one to feature guitarist Rick Rozz.
Human is the fourth studio album by American death metal band Death, released on October 22, 1991, by Relativity Records. The album marked the beginning of a major stylistic change for Death, being more technically complex and progressive than the band's previous efforts. The lyrics are more introspective when compared to the gore-based lyrics of Scream Bloody Gore and Leprosy or the social commentary on Spiritual Healing. This new style would continue to evolve on all following Death albums. This is the only album to feature Cynic members Paul Masvidal on guitars and Sean Reinert on drums, both 20 at the time, and the first to feature bassist Steve DiGiorgio.
Coal Chamber is the debut album by American nu metal band Coal Chamber. It was released on February 11, 1997, by Roadrunner Records and contains the single "Loco". The special edition of the album contains the bonus tracks "Headstones and the Walking Dead", "Big Truck ", "Pig (Demo)", "Sway (Demo)", "Unspoiled (Demo)", and "Loco (Demo)". The DVD features two of the band's concerts, a live video of "Loco", and the music video of "Loco".
Ancient Dreams is the third album of Swedish doom metal band Candlemass, released in 1988 and reissued in 2001 by Powerline Records with a bonus CD. The cover art of the album is a painting made by Thomas Cole, second in his series, "The Voyage of Life", entitled "Youth". Ancient Dreams was the first Candlemass album to chart in the US, debuting at No. 174 on the Billboard 200 album chart.
War and Pain is the debut studio album from Canadian heavy metal band Voivod, released on August 10, 1984 through Metal Blade Records. According to a 1986 TV interview with the band, it sold over 40,000 copies within 2 years of its release.
Take as Needed for Pain is the second studio album by American sludge metal band Eyehategod, released on November 22, 1993. It was reissued in 2006 as part of Century Media's 20th Anniversary series of reissues, with six bonus tracks, taken from rare 7-inch records and splits.
IT'SNAZ is a double live album by the Scottish hard rock band Nazareth, released in September 1981.
Hymns is the sixth studio album by English industrial metal band Godflesh. It was released on 23 October 2001 through Music for Nations and was the band's final album before breaking up in 2002. In 2010, Godflesh reformed and in 2014 released their comeback album A World Lit Only by Fire. Hymns had a troubled production and was intended to be distinct departure from Godflesh's intensely regimented industrial sound to something more traditionally hard rock. It was the band's second and final album to feature a live drummer rather than a drum machine.
Roger Patterson was an American bass player known for his work in the Florida technical death metal band Atheist. His playing style is characterized by its speed and complexity. Alex Webster, bassist with Cannibal Corpse, has acknowledged Patterson as "a big influence", describing his playing on the album Piece of Time as "phenomenal".
Awaken the Guardian is the third studio album by American progressive metal band Fates Warning, released in 1986 through Metal Blade Records. The album was the band and their label's first to enter the U.S. Billboard 200, reaching No. 191 and remaining on the chart for four weeks. It is also the first Fates Warning album to feature guitarist Frank Aresti and the last with original singer John Arch, who was replaced by Ray Alder on their subsequent 1988 album No Exit.
Souls at Zero is the third studio album by the American avant-garde metal band Neurosis. It was released in 1992 by the Alternative Tentacles record label. It was reissued in 1999 with bonus tracks on the band's own Neurot Recordings label. On February 15, 2010, the album was reissued on CD and digitally with new artwork by Neurot. On February 14, 2012, a fully remastered version was released on vinyl by Relapse Records. The album was deducted into Decibel Magazine's Hall of Fame in August of 2016.
Temple of Blood is an American Christian metal band based out of Huntsville, Alabama. Musically, they are influenced by the thrash metal music of bands like Annihilator and Megadeth and the traditional heavy metal music by bands such as Iron Maiden and Judas Priest. The band's name is derived from 1 Corinthians 6:19 and according to the band's vocalist: "the idea of our bodies being temples of flesh and blood to God".
Rock the World is the third studio album by Canadian heavy metal band Kick Axe. The album was released at the end of 1986 in the format of vinyl and cassette album on Epic Records, distributed through CBS in the band's native Canada.
Lament for the Weary is Christian thrash metal band Seventh Angel's second studio album, released in 1992 on Music for Nations. The album saw the band incorporating doom metal elements to thrash. The album garnered generous reviews from British music press at the time. Lament for the Weary is a concept album about a man who suffered abuse during childhood and struggles with depression and suicidal thoughts in adulthood. On his deathbed, the man gets his childhood faith back and is not afraid to die anymore.
Jupiter is the fourth studio album by the American technical death metal band Atheist. It is their first studio album in 17 years since the release of Elements in 1993.
Florida death metal is a regional scene and stylistic subdivision of death metal. Some of the most significantly pioneering and best-selling death metal acts emerged in Florida, especially in the Tampa Bay area. As a result, Tampa is unofficially known by many death metal fans as the "capital of death metal." The scene coalesced in the mid-1980s through early 1990s around the output of bands such as Death, Nasty Savage, Deicide, Monstrosity, Morbid Angel, Atheist, Obituary, and others. The producer Scott Burns and the studio Morrisound Recording were also instrumental in developing and popularizing the Florida scene. Some bands which originated outside of Florida, such as Malevolent Creation and Cannibal Corpse, relocated to the state in order to participate in this burgeoning scene. The Florida bands featured a more technical approach to the evolving death metal sound, a style which spread beyond the confines of the state, and some were instrumental in creating the progressive death metal subgenre. The death metal genre as a whole, including the Florida scene, declined in popularity in the second half of the 1990s, but many bands within the Florida scene persisted and the scene resurged in popularity in subsequent decades.
