Paul Haslinger | |
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Background information | |
Born | Linz, Upper Austria, Austria | 11 December 1962
Genres | Film score, video game score, electronic, ambient |
Occupation(s) | Composer, music producer |
Instrument(s) | Piano, keyboards, synthesizer, guitar |
Website | haslinger |
Paul Haslinger (born 11 December 1962) is an Austrian musician and composer. He lives and works in Los Angeles, California.
Haslinger was born and raised in Linz, Austria. He attended high school at Kollegium Aloisianum, a Jesuit school near Linz. After graduating, he decided to pursue music professionally and studied at both the Vienna’s Academy of Music and the University of Vienna. During this time he developed a career as a session player in Vienna and performed with local bands and artists.
In 1986, Haslinger joined the German electronic music group Tangerine Dream. During his 5 years with the group, he recorded a total of 15 albums, participated in 4 international tours, and collaborated on a number of soundtracks including Miracle Mile , Near Dark , Shy People and Miramar’s Canyon Dreams directed by Jan Nickman. The soundtrack for Canyon Dreams earned Haslinger his first Grammy nomination in 1991.
In 1991, Haslinger left Tangerine Dream and relocated to Los Angeles. At the time, he was signed to Private Music. While under contract, he worked on a joint project with Peter Baumann, called Blue Room (unreleased). In 1994 Haslinger released his first solo record, Future Primitive (Wildcat), followed by World Without Rules (1996, RGB) and Score (1999, RGB).
Through the 1990s, Haslinger collaborated on a number of projects with a variety of artists, among them: French Electronic band Lightwave, dark-ambient icon Brian Williams, aka Lustmord, singers Anna Homler & Nona Hendryx, as well as Jon Hassell. In 1998, Haslinger was asked to join the team around film composer Graeme Revell. He worked as a music programmer and arranger on films such as Chinese Box (1999), The Negotiator (1998), The Siege (1998), Pitch Black (2000), Blow (2001), and Lara Croft: Tomb Raider (2001). Haslinger has always favored a collaborative approach to film scoring, and has worked with many studio musicians and performers, such as Steve Tavaglione, George Doering, Greg Ellis, Diego Stocco, Charlie Campagna. In recent years he also started returning to some of his earlier work in experimental music, collaborating with Christian Fennesz and other artists related to British Avantgarde label Touch.
Haslinger’s first solo feature film credit came with Crazy/Beautiful , his second collaboration with director John Stockwell. They continued to work together on projects including Blue Crush , Into the Blue , Turistas , and In The Blood . Haslinger has provided scores to several indie and studio features including The Girl Next Door , Crank , Turistas , Shoot 'Em Up , Death Race , Takers , The Three Musketeers , and Mysteries of the Unseen World, among others.
In 2003, Haslinger scored his first film to open at number 1 at the U.S. box office, Underworld , directed by Len Wiseman. He returned to the popular franchise, scoring both Underworld: Rise of the Lycans and Underworld: Awakening . Haslinger’s most popular track, "Eternity and a Day," has been used repeatedly throughout the franchise, and the score to Underworld: Awakening received a 2012 BMI Film Music Award. Haslinger composed the music for Resident Evil: The Final Chapter, directed by Paul W.S. Anderson and in theaters in 2017. A Resident Evil Soundtrack will be released in conjunction with the film.
In November 2009, Haslinger was hired to compose a new score for The Wolfman , replacing Danny Elfman. [1] However, the studio reverted to Elfman's previously completed score a month before the film's release after finding Haslinger's electronic-based score unsuitable. [2]
Haslinger's first solo composer credit came in 2000 with the HBO Films television movie, Cheaters , which began his relationship with director John Stockwell. Taking a break from film scoring, he returned to television from 2005-2006 to score Showtime's Golden Globe-nominated series Sleeper Cell which resulted in Haslinger's first Primetime Emmy nomination for Outstanding Music Composition for a Miniseries, Movie, or a Special. In 2014, Haslinger was hired to score the AMC series Halt and Catch Fire . The show is set in the 1980s and has received much critical acclaim for its use of period-specific music. A Halt and Catch Fire soundtrack was released by Lakeshore Records in 2016. Expanding his work with AMC, in 2015 Haslinger was asked to write the music for AMC's spin-off series to The Walking Dead , entitled Fear the Walking Dead .
In 2005, Haslinger was approached by Ubisoft to score the video game Far Cry Instincts . Since then, he has scored a string of game releases, including Rainbow Six: Vegas , Wolverine , Need for Speed . Most recently he collaborated with Ben Frost on the score for the latest installment in the Rainbow Six series, entitled Siege .
Year | Title | Notes |
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1994 | Pointman | Television film |
2000 | Cheaters | Television film |
2005–2006 | Sleeper Cell | |
2012 | Seal Team Six: The Raid on Osama Bin Laden | Television film |
2015–2017 | Fear the Walking Dead | |
2014–2017 | Halt and Catch Fire | |
2020 | Paradise Lost | |
2021 | The Irregulars |
Year | Title |
---|---|
2005 | Far Cry Instincts |
2006 | Far Cry Instincts: Evolution |
Rainbow Six: Vegas | |
2008 | Rainbow Six: Vegas 2 |
Need For Speed: Undercover | |
2009 | X-Men Origins: Wolverine |
2015 | Rainbow Six Siege |
Year | Title | Label | |
---|---|---|---|
Coma Virus | |||
1997 | Hidden | Side Effects | |
Solo | |||
1994 | Future Primitive | Wildcat Recording Corporation | |
1996 | World Without Rules | RGB | |
1999 | Score | RGB/Hearts of Space Records | |
2020 | Exit Ghost | Artificial Instinct | |
2021 | Exit Ghost II | ||
Daniel Robert Elfman is an American film composer, singer, songwriter, and musician. He came to prominence as the lead vocalist and primary songwriter for the new wave band Oingo Boingo in the early 1980s. Since scoring his first studio film in 1985, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall.
Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese the only constant member until his death in January 2015. The best-known lineup of the group was its mid-1970s trio of Froese, Christopher Franke, and Peter Baumann. In 1979, Johannes Schmoelling replaced Baumann until his own departure in 1985. This lineup was notable for composing many movie soundtracks. Since Froese's death in 2015, the group has been under the leadership of Thorsten Quaeschning. Quaeschning is Froese's chosen successor and is currently the longest-serving band member, having joined in 2005. Quaeschning is currently joined by violinist Hoshiko Yamane who joined in 2011 and Paul Frick who joined in 2020. Prior to this Quaeschning and Yamane performed with Ulrich Schnauss from 2014 to 2020. Schnauss only played two shows with Froese in November 2014 before Froese's passing.
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Christopher Franke is a German musician and composer. From 1971 to 1987, he was a member of the electronic group Tangerine Dream. Initially a drummer with The Agitation, later renamed Agitation Free, his primary focus eventually shifted to keyboards and synthesizers as the group moved away from its psychedelic rock origins. While he was not the first musician to use an analog sequencer, he was probably the first to turn it into a live performance instrument, thus laying the rhythmic foundation for classic Tangerine Dream pieces and indeed for the whole Berlin school sound.
Miracle Mile is a 1988 American apocalyptic thriller film written and directed by Steve De Jarnatt. The film stars Anthony Edwards and Mare Winningham. Its plot depicts the panic surrounding a supposed doomsday brought on by a sudden outbreak of war and its oncoming nuclear holocaust, taking place in a single day and mostly in real-time. The title is named after the Miracle Mile neighborhood of Los Angeles where most of the events take place.
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Shy People is a 1987 American drama film directed by Andrei Konchalovsky, from a script by Konchalovsky, Marjorie David and Gérard Brach. It stars Barbara Hershey, Jill Clayburgh, and Martha Plimpton, and features music by the German electronic music group Tangerine Dream. The film is about the culture clash that takes place between Diana, a Manhattan writer, her wayward teenage daughter Grace, and their long-distant relatives in the bayous of Louisiana.
Ralf Wadephul, born 1958 in Berlin, is a German keyboardist/composer who collaborated with Tangerine Dream in the late 1980s on their first "Melrose Years" album Optical Race (1988). While all the material on this album was composed by Froese and Haslinger prior to him joining the band, Wadephul did contribute the track "Sun Gate", a romantic ballad type number that features an Edgar Froese guitar solo. He also performed with the band on their North American tour later that year. Ralf left the band shortly afterwards following the birth of his son Julian Wadephul. The 2006 Tangerine Dream release "Blue Dawn" consists of material composed by Froese and Wadephul during that same tour in 1988, albeit of a studio nature. Ralf continues to keep busy as a musician and sound engineer to this day.
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Destination Berlin is the thirty-eighth major release and thirteenth soundtrack album by Tangerine Dream. It is the soundtrack to the 1989 360° movie Destination Berlin. The movie was shown at the premier of the Imagine 360 theater in West Berlin.
Batman: Original Motion Picture Score is the score album for the 1989 film Batman, composed by Danny Elfman. According to the Batman DVD Special Edition, Elfman said that producer Jon Peters was not sure about him as a composer until director Tim Burton made him play the main titles. Elfman admitted he was stunned when Peters announced that the score would be released on its own album. The score was widely acclaimed by the press and in many contemporary reviews is cited as the highlight of the film.
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The Wolfman (Original Motion Picture Soundtrack) is the score album to the 2010 film of the same name directed by Joe Johnston, which is a remake on the 1941 film The Wolf Man. The film initially had an original score composed by Danny Elfman, before it was rejected and Elfman eventually replaced by Australian musician Paul Haslinger. The studio then reverted back to Elfman's initial score composed for the film after they felt Haslinger's electronic score did not suit the film's setting and tone.