Christian Fennesz | |
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Background information | |
Birth name | Christian Fennesz |
Also known as | Fennesz |
Born | Austria | 25 December 1962
Origin | Neusiedl am See, Austria |
Genres | |
Instruments | |
Labels | |
Website | www |
Christian Fennesz (born 25 December 1962) is an Austrian producer and guitarist active in electronic music since the 1990s, often credited mononymously as Fennesz. His work utilizes guitar and laptop computers to blend melody with treated samples and glitch production. [2] He lives and works in Vienna, and currently records on the UK label Touch.
Fennesz first received widespread recognition for his 2001 album Endless Summer , released on the Austrian label Mego. He has collaborated with a number of artists, including Ryuichi Sakamoto, Jim O'Rourke, Ulver, David Sylvian, and King Midas Sound.
Fennesz was born and raised in Austria and studied music formally in art school. He started playing guitar around the age of 8 or 9. [4] He initially performed as a member of the Austrian experimental rock band Maische before signing to electronic music label Mego as a solo artist. The influence of techno led him to begin composing with a laptop. [5] In 1995 he released his first EP Instrument, which explored electro-acoustic and ambient stylings. [1]
In 1997, Fennesz released his debut full-length album Hotel Paral.lel, which saw him delve more explicitly into laptop production and early glitch aesthetics. [2] He followed with the 1998 single Plays, which contained near-unrecognizable covers of the Rolling Stones' "Paint It Black" and the Beach Boys' "Don't Talk (Put Your Head on My Shoulder)". [1] In the following years, he collaborated with a variety of artists, including Peter "Pita" Rehberg and Jim O'Rourke as part of Fenn O'Berg. [1] In 2001, he released his third studio album Endless Summer to widespread critical praise and recognition. [6] He collaborated with figures such as David Sylvian, Keith Rowe, eRikm, Ryuichi Sakamoto in the following years, and released the albums Venice (2004) and Black Sea (2007) to further critical praise. [1]
In 2009 Fennesz teamed up with Mark Linkous (Sparklehorse) to create In the Fishtank 15. The following year Fennesz released Szampler, [7] a cassette containing his sample collection on the Tapeworm label. This release was later remixed by Stefan Goldmann and released as Goldmann vs. Fennesz: Remiksz. [8] In 2011, he appeared on the live Ulver release The Norwegian National Opera , contributing guitar and effects to "Not Saved." In November 2013, Fennesz played the final holiday camp edition of the All Tomorrow's Parties festival in Camber Sands, England. [9] In 2014, he released the studio album Bécs. In 2015, he collaborated with UK group King Midas Sound on the album Editions 1. [1]
Since the 1990s, Fennesz has worked with the programming software Max/MSP and the free patch Ppooll, which he runs in conjunction with the workstation Logic 9. [10] In both studio and live settings, he routes his guitar through effects pedals (including a custom distortion box) and into his computer. [11] There, it is processed and combined with Ppooll software plugins and tools such as samplers, synthesizers, effects, and MIDI controllers. [10]
Ryuichi Sakamoto was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres.
Mego was an experimental electronic music independent record label based in Vienna, Austria. The label has been superseded by a new company, Editions Mego, which was set up both to keep Mego albums in print and to issue new albums, run by Peter Rehberg a.k.a. Pita.
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Fenn O'Berg was an improvisational computer music trio made up of members Christian Fennesz, Peter Rehberg and Jim O'Rourke. Their existence began with a surprise appearance at the Nickelsdorf Festival in 1997. This was followed by extensive international touring in 1998–99, bringing a live stage setup consisting solely of portable computing devices to venues which would not usually have booked such shows at that time.
Peter Rehberg, also known as Pita, was a British-Austrian composer of electronic audio works. He was the head of Editions Mego, which he founded in 2006 as a successor to Mego.
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Mark Van Hoen is an English electronic music artist. He has created music under his own name as well as Locust, and Autocreation. Pitchfork said, "Musically, Van Hoen belongs to a distinguished family tree. Originally influenced by the likes of Brian Eno and Tangerine Dream, and later presaging both Autechre's glitch and Boards of Canada's pastoral IDM, with his latest album Van Hoen would fit in just as well alongside White Rainbow or Atlas Sound on a current label like Kranky: He combines oceanic drone with pop lyricism, using technology as a catalyst."
Sala Santa Cecilia is the first collaborative release between Christian Fennesz and Ryuichi Sakamoto. It was recorded live on 28 November 2004 and released 5 July 2005 by Touch. Claudia Engelhart was responsible for recording this at the Auditorium della Parco Musica for the Romaeuropa Festival.
Endless Summer is an album by Austrian electronic music producer and guitarist Fennesz, released on 3 July 2001 by Mego. The title was derived from the 1960s surf documentary by Bruce Brown, and is also shared with a 1974 compilation album by the Beach Boys. The album features Fennesz's melodic guitar run through digital processing and glitch textures.
Shadows of the Sun is the seventh studio album by the Norwegian experimental electronica band Ulver. Produced by Ulver, the album was issued in October 2007 via Jester Records and The End Records. Officially announced on 13 July 2007, Shadows of the Sun received critical acclaim on release, and was described as "dark and tragic", with "soothing electronics and natural percussion". The album features contributions from Pamelia Kurstin on theremin, Mathias Eick on trumpet, and Austrian white noise musician Christian Fennesz adding electronics and helping Ulver to correspond with their vision on the final product.
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Async – Remodels is an album of "reconstructions" of tracks from Japanese producer Ryuichi Sakamoto's nineteenth solo studio album async (2017). The album includes eleven reworks by producers such as Jóhann Jóhannsson, Fennesz, Cornelius, Oneohtrix Point Never, Electric Youth, and Arca. Released in Japan in December 2017 by Commmons and in February 2018 in other countries by Milan Records, Async – Remodels garnered generally positive critical reviews and peaked at number 15 on the Billboard American Top Classical Albums chart.
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Media related to Fennesz at Wikimedia Commons