Electronic Meditation | ||||
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![]() 1970 LP album cover | ||||
Studio album by | ||||
Released | June 1970 | |||
Recorded | October 1969 | |||
Genre | ||||
Length | 36:37 | |||
Label | Ohr | |||
Producer | Tangerine Dream | |||
Tangerine Dream chronology | ||||
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Electronic Meditation is the debut album by German electronic music group Tangerine Dream. It was released in June 1970 by record label Ohr.
The album was recorded in a rented factory in Berlin in October 1969, using just a two-track Revox tape recorder. [3]
The first five albums released by Ohr Records, including Electronic Meditation, featured sleeves by Reinhard Hippen, all with dismembered baby doll parts as a central aspect of the imagery. The original LP had a balloon inserted in the cover; the 2004 Japan CD release is a copy of the original LP cover and includes the balloon. [4]
Electronic Meditation is the only Tangerine Dream album to feature the line-up of Edgar Froese, Klaus Schulze and Conrad Schnitzler. Two other musicians, organist Jimmy Jackson and flautist Thomas Keyserling, also performed on the album although they were uncredited in the original release. [4] [1] Schulze left the band before Electronic Meditation was released, and Schnitzler followed him shortly after. [1]
Its style is a unique form of free jazz, electronic art music, and instrumental rock; or as Sound on Sound magazine described it, "free electronic rock". [3] Its instrumentation ranges from conventional instruments such as the guitar, organ, drums, and cello to various custom-made electronic devices implemented by Edgar Froese and found sounds such as broken glass, burning parchment, and dried peas being shaken in a sieve. The backwards vocals at the end of side B are of Edgar Froese reading from the back of a ferry ticket from Dover to Calais. [3]
Dominique Leone of Pitchfork described the songs "Cold Smoke" and "Journey Through A Burning Brain" as sonically related to the characteristic sound of Conrad Schnitzler and Klaus Schulze, "than anything TD became famous for". The song "Journey Through A Burning Brain", in particular, reminded Leone about the music from Schnitzler's Kluster records, with "unidentified sound effects and a hard-line approach to free improvisation". The next are considerably gentler than Electronic Meditation. [1]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Classic Rock | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 7.6/10 [1] |
In its retrospective review, AllMusic wrote: "The album is not without its flaws, but it's strong in many ways and shows abundant promise". [2] Stephen Dalton in his review for Classic Rock described the album as "more an historically interesting cult curio than essential Krautrock milestone"; however, he added that "from sketchy but seminal basement tapes like these, an entire cosmos of sound was mapped." [5]
Music journalist Rob Young described the album as "landmark, [..] a gas-giant of a record, votive and solemn in mood, cosmic in scale, yet built of recognisable materials: mellotrons, analogue rumbles and amplified flute. Somewhere between improvised music, contemporary classical and the future direction of progressive rock." [6]
All tracks are written by Edgar Froese, Klaus Schulze and Conrad Schnitzler.
No. | Title | Length |
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1. | "Genesis" | 5:57 |
2. | "Journey Through a Burning Brain" | 12:26 |
No. | Title | Length |
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3. | "Cold Smoke" | 10:38 |
4. | "Ashes to Ashes" | 4:06 |
5. | "Resurrection" | 3:27 |