Timewind | ||||
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Studio album by | ||||
Released | August 1975 | |||
Recorded | March, June 1975 | |||
Genre | Electronic music, space music, Berlin School | |||
Length | 59:13 (original) 115:27 (reissue) | |||
Label | Brain, Virgin | |||
Producer | Klaus Schulze | |||
Klaus Schulze chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Timewind is the fifth album by Klaus Schulze. It was originally released in 1975, and in 2006 was the twenty-second Schulze album reissued by Revisited Records. It is Schulze's first solo album to use a sequencer.
For many years this was his only work available in the United States and was therefore rated higher by American listeners than 1977's Mirage or X of the following year. It was awarded the Grand Prix du Disque (Grand Prize for Records) of L'Académie Charles Cros.
Evolving slowly but deliberately over the course of each album side, Timewind has been deemed an electronic version of an Indian raga. It resembles in many ways a longer variation of the third track from Tangerine Dream's 1974 album Phaedra, "Movements of a Visionary," but it remains a transitional work somewhere between the Krautrock of Schulze's earlier output and the Berlin School character of his following efforts. The intention of Timewind was to invoke a timeless state in the listener.[ citation needed ][ original research? ]
Both track titles are references to the nineteenth-century composer Richard Wagner. Bayreuth is the Bavarian town where Wagner had an opera house built for the first performance of his massive Ring Cycle. Wahnfried is the name of Wagner's home in Bayreuth in the grounds of which he was buried in 1883. It is also a pen-name used by Schulze himself.
"Bayreuth Return" was recorded on two-track equipment in one take, and is essentially "live in the studio". Its rhythmic basis is a single analog sequencer pattern, transposed and manipulated in real time. (The manipulation primarily consists of changing the 'return' point of the sequence.) String synthesizer chords, improvised melodies, and complex sound effects are the remaining ingredients. "Wahnfried 1883", in contrast, is a slow piece that was composed and multitracked. Its main building blocks are layers of slow, shimmering pads and lines. The kaleidoscopic key changes without obvious 'home key' (the piece remains consonant throughout) may be seen as a musical nod to Wagner: also, a leitmotif appears[ clarification needed ]. An excerpt of the graphic performance score appears on the inside sleeve of the original vinyl version. The reissue bonus track "Echoes of Time" is a longer alternate take of "Bayreuth Return".
All tracks composed by Klaus Schulze.
No. | Title | Note | Length |
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1. | "Bayreuth Return" | on original release | 30:32 |
2. | "Wahnfried 1883" | on original release | 28:38 |
No. | Title | Note | Length |
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1. | "Echoes of Time" | reissue bonus track | 38:42 |
2. | "Solar Wind" | reissue bonus track | 12:35 |
3. | "Windy Times" | reissue bonus track (from Contemporary Works I) | 4:57 |
Klaus Schulze was a German electronic music pioneer, composer and musician. He also used the alias Richard Wahnfried and was a member of the Krautrock bands Tangerine Dream, Ash Ra Tempel, and the Cosmic Jokers before launching a solo career consisting of more than 60 albums released across six decades.
ARP Instruments, Inc. was a Lexington, Massachusetts manufacturer of electronic musical instruments, founded by Alan Robert Pearlman in 1969. It created a popular and commercially successful range of synthesizers throughout the 1970s before declaring bankruptcy in 1981. The company earned a reputation for producing excellent sounding, innovative instruments and was granted several patents for the technology it developed.
X is the tenth album by Klaus Schulze. It was originally released in 1978, and in 2005 was the fifth Schulze album reissued by Revisited Records.
Moondawn is the sixth album by Klaus Schulze. It was originally released in 1976, and in 2005 was the thirteenth Schulze album reissued by Revisited Records. Moondawn is Schulze's first album that was performed in a full Berlin School style.
Trancefer is the fourteenth album by Klaus Schulze. It was originally released in 1981, and in 2006 was the twenty-third Schulze album reissued by Revisited Records. With the original total running time of 37 minutes and 23 seconds, it was the shortest album in Schulze's canon until the 2006 reissue doubled its running time.
Encore: Tangerine Dream Live is the tenth major release and second live album by the German group Tangerine Dream. It is mostly assembled from various recordings from the band's very successful 1977 U.S. tour.
Cyborg is the second album by Klaus Schulze. It was originally released in 1973, and in 2006 was the nineteenth Schulze album reissued by Revisited Records.
Blackdance is the third album by Klaus Schulze. It was originally released in 1974, and in 2007 was the twenty-fifth Schulze album reissued by Revisited Records. For the first time Schulze uses "real" synthesizers and a singer. "Voices of Syn" features Ernst Walter Siemon on vocals. Due to packaging and print errors on later releases, Blackdance was considered Schulze's fourth album for decades, until Klaus D. Müller, Schulze's biographer and publicity manager, discovered from searching through his personal diaries that Picture Music, thought to be the third album, was recorded after Blackdance. Despite this, the reissue labels Blackdance as Schulze's fourth album.
Picture Music is the fourth album of electronic music by German musician Klaus Schulze. It was recorded in late 1974 and released in January 1975 on Brain Records. In 2005 this was the second Schulze album reissued by Revisited Records. This is the only Klaus Schulze solo album in which he can be heard playing a drum kit. Prior to his solo career, he was the drummer for Ash Ra Tempel; on his later albums, drummer Harald Großkopf of Wallenstein frequently contributed. Like many of his albums, this one has one long track on each side.
Audentity is the fifteenth album by Klaus Schulze. It was originally released in 1983, and in 2005 was the eleventh Schulze album reissued by Revisited Records. The reissue of Audentity is one of two instances of a Klaus Schulze reissue featuring a track order changed from that of the original release.
...Live... is the twelfth album by Klaus Schulze. It was originally released in 1980, and in 2007 was the twenty-sixth Schulze album reissued by Revisited Records. The album contains recordings from concerts in Berlin in 1976, and Amsterdam and Paris in 1979. The CD version of "Sense" has been extended from the original LP and now includes a lengthy introduction which did not feature in the original release. "Dymagic" includes a vocal performance by Arthur Brown, similar to the one found on Dune, the last studio album before the tour.
Dig It is the thirteenth album by Klaus Schulze. It was originally released in 1980, and in 2005 was the sixth Schulze album reissued by Revisited Records. It is Schulze's first fully digital recording. The 2005 reissue includes a bonus DVD with the video recording of the 1980 performance at Ars Electronica, which was previously released as audio on The Ultimate Edition (2000).
Dziękuję Poland Live '83 is the sixteenth album by Klaus Schulze. It was originally released in 1983, and in 2006 was the seventeenth Schulze album reissued by Revisited Records. "Katowice" is essentially a live version of "Spielglocken" from Audentity. "Lodz" is essentially a live version of "Ludwig II von Bayern" from X. "Dzien dobry!" is an alternate take of "Katowice"/"Spielglocken".
Dreams is the nineteenth album by Klaus Schulze. It was released in 1986, and in 2005 was the third Schulze album reissued by Revisited Records. The reissue bonus track was released early 2004 in Hambühren as a limited promo CD Ion.
Das Wagner Desaster Live is the thirtieth album by Klaus Schulze. It was originally released in 1994, and in 2005 was the fifteenth Schulze album reissued by Revisited Records. The reissue of Das Wagner Desaster Live is one of two examples of a Klaus Schulze reissue that changes the original order of the tracks. Das Wagner Desaster Live was released after Schulze's Silver Edition 10-disc CD box set, technically making this album his fortieth.
An analog sequencer is a music sequencer constructed from analog (analogue) electronics, invented in the first half of the 20th century.
Contemporary Works I is a limited-edition 10-disc CD box set released by Klaus Schulze in 2000 containing new studio material. The CDs are in cardboard sleeves and housed in a wooden box. Two years later Schulze released Contemporary Works II. Six of the discs have been reissued in 2005–2007 as part of the overall reissue program of Schulze back catalog by Revisited Records. Three more have been reissued in 2016–2018 by the label MiG.
Time Actor is the first album by Klaus Schulze released under the name of Richard Wahnfried. It was originally released in 1979, and was not reissued by Revisited Records as part of the overall reissue program of Schulze albums. A reissue was released in July 2011 by Esoteric Records.
Tonwelle is the second album by Klaus Schulze released under the name of Richard Wahnfried. It was originally released in 1981, and was not reissued by Revisited Records as part of the overall reissue program of Schulze albums. A two-disc reissue was released in January 2012 by MIG Music, featuring different speeds from the original recording.
Trance Appeal is the sixth album by Klaus Schulze under the alias Richard Wahnfried, released in 1996.