This article needs additional citations for verification .(June 2015) |
Richard Wagner Festspielhaus | |
---|---|
General information | |
Location | Bayreuth, Bavaria, Germany |
Coordinates | 49°57′36″N11°34′47″E / 49.96000°N 11.57972°E |
Groundbreaking | 1872 |
Opened | 1876 |
Design and construction | |
Architect(s) | after Gottfried Semper |
The Bayreuth Festspielhaus or Bayreuth Festival Theatre [1] (German: Bayreuther Festspielhaus, pronounced [baɪˈʁɔʏtɐˈfɛstʃpiːlˌhaʊs] ) is an opera house north of Bayreuth, Germany, built by the 19th-century German composer Richard Wagner and dedicated solely to the performance of his stage works. It is the venue for the annual Bayreuth Festival, for which it was specifically conceived and built. Its official name is Richard-Wagner-Festspielhaus. It is the home of the Bayreuth Festival Orchestra.
Wagner adapted the design of the Festspielhaus from an unrealised project by Gottfried Semper for an opera house in Munich, without the architect's permission, and supervised its construction. Ludwig II of Bavaria provided the primary funding for the construction. The foundation stone was laid on 22 May 1872, Wagner's 59th birthday. The building was first opened for the premiere of the complete four-opera cycle of Der Ring des Nibelungen (The Ring of the Nibelung), from 13 to 17 August 1876. [2]
Only the entry façade exhibits the typical late-19th-century ornamentation, while the remainder of the exterior is modest and shows mostly undecorated bricks. The interior is mainly wood and has a reverberation time of 1.55 seconds. [3] The Festspielhaus is one of the largest free-standing timber structures ever erected. Unlike the traditional opera house design with several tiers of seating in a horseshoe shaped auditorium, the Festspielhaus's seats are arranged in a single steeply-shaped wedge, with galleries or boxes along the back wall only. This is also known as continental seating. Many contemporary movie theaters have adopted this style of seating, which gives every seat an equal and uninterrupted view of the stage. The capacity of the Festspielhaus is 1,925 and it has a volume of 10,000 cubic metres. [3]
The Festspielhaus features a double proscenium, which gives the audience the illusion that the stage is further away than it actually is. The double proscenium and the recessed orchestra pit create – in Wagner's term – a "mystic gulf" between the audience and the stage. This gives a dreamlike character to performances, and provides a physical reinforcement of the mythic content of most of Wagner's operas. The architecture of Festpielhaus accomplished many of Wagner's goals and ideals for the performances of his operas including an improvement on the sound, feel, and overall look of the production.
The Festpielhaus was originally planned to open in 1873, but by that time Wagner had barely raised enough money to put up the walls of his theatre. He began to raise money by traveling and putting on concerts in various cities and countries throughout Europe. There are, however, some documents concerning the donation and aid (900 thaler) to Wagner for that matter by the Sultan Abdülaziz of the Ottoman Empire. [4] Even after Ludwig began funding the project, Wagner had to continue putting on concerts to keep the building project financially afloat. The tours were very taxing on Wagner's health and would eventually be a key element to his death later on in 1883.
A significant feature of the Festspielhaus is its unusual orchestra pit. It is recessed under the stage and covered by a hood, so that the orchestra is completely invisible to the audience. This feature was a central preoccupation for Wagner, since it made the audience concentrate on the drama onstage, rather than the distracting motion of the conductor and musicians. The design also corrected the balance of volume between singers and orchestra, creating ideal acoustics for Wagner's operas, which are the only operas performed at the Festspielhaus. However, this arrangement has also made it the most challenging to conduct in, even for the world's best conductors. Not only is the crowded pit enveloped in darkness, but the acoustic reverberation makes it difficult to synchronise the orchestra with the singers. Conductors must therefore retrain themselves to ignore cues from singers.
The orchestra layout deployed at Bayreuth is unusual in three ways:
The Festspielhaus remains the venue of the annual Bayreuth Festival, during which Wagner's later operas, such as the Ring cycle and Parsifal , are given on a repertory basis.
In early 2012, Katharina Wagner mentioned the need for repairs to the building, with mention specifically of roof leaks and crumbling of the red brick facade. [5] In 2014, funding for restoration was announced at a level of approximately €30 million, primarily from public funding shared between Germany and the state of Bavaria, [6] with the German national government and the Bavarian state government holding majority shares. [7]
Repairs were completed on 26 July 2015 and the building is fully restored. [8]
Der Ring des Nibelungen, WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the Nibelungenlied. The composer termed the cycle a "Bühnenfestspiel", structured in three days preceded by a Vorabend. It is often referred to as the Ring cycle, Wagner's Ring, or simply The Ring.
Das Rheingold, WWV 86A, is the first of the four epic music dramas that constitute Richard Wagner's Der Ring des Nibelungen. It premiered as a single opera at the National Theatre of Munich on 22 September 1869, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 13 August 1876.
Die Walküre, WWV 86B, is the second of the four epic music dramas that constitute Richard Wagner's Der Ring des Nibelungen. It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 14 August 1876.
The Bayreuth Festival is a music festival held annually in Bayreuth, Germany, at which performances of stage works by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle Der Ring des Nibelungen and Parsifal.
The Academy of Music, also known as American Academy of Music, is a concert hall and opera house located at 240 S. Broad Street in Philadelphia, Pennsylvania. Despite its name, the Academy has never contained a music school. It is located between Locust and Manning Streets in the Avenue of the Arts area of Center City.
Dame Gwyneth Jones is a Welsh dramatic soprano, widely regarded as one of the greatest Wagnerian sopranos in the second half of the 20th century.
The Salzburg Easter Festival is a classical music and opera festival held every year over the extended week before Easter in Salzburg, Austria since 1967.
The Margravial Opera House is a Baroque opera house in the town of Bayreuth, Germany. Built between 1745 and 1750, it is one of Europe's few surviving theatres of the period and has been extensively restored. On 30 June 2012, the opera house was added to the UNESCO World Heritage List because of its exceptional Baroque architecture.
The Bayreuth canon consists of those operas by the German composer Richard Wagner (1813–1883) that have been performed at the Bayreuth Festival. The festival, which is dedicated to the staging of these works, was founded by Wagner in 1876 in the Bavarian town of Bayreuth, and has continued under the directorship of his family since his death. Although it was not originally held annually, it has taken place in July and August every year since the 75th anniversary season in 1951. Its venue is the Bayreuth Festspielhaus, which was built for the first festival. Attendance at the festival is often thought of as a pilgrimage made by Wagner aficionados.
Longborough Festival Opera is an opera festival which presents a season of high quality opera each June and July in the English Cotswolds village of Longborough in north Gloucestershire. It began in 1991 as Banks Fee Opera by presenting concerts, and moved forward with operas presented by a travelling company. This was followed by converting a barn into an opera house. Audiences grew rapidly in the 1990s and, during the last decade, a focus on Wagner's operas led to three complete Ring Cycles being performed in 2013. The present chairman of the festival is Andrew Mosely, the music director Anthony Negus and the artistic director is Polly Graham.
Fritz Hübner was a German operatic bass. Active from the late 1950s through the 1980s, he was particularly known for his performances in operas by Richard Wagner.
The four operas of Richard Wagner's cycle Der Ring des Nibelungen together take about 15 hours, which makes for several records, tapes, or CDs, and much studio time. For this reason, many full Ring recordings are the result of "unofficial" recording of live performances, particularly from the Bayreuth Festival where new productions are often broadcast by German radio. Live recordings, especially those in monaural, may have very variable sound but often preserve the excitement of a performance better than a studio recording.
Sebastian Weigle is a German conductor and horn player. He is currently principal conductor of the Yomiuri Nippon Symphony Orchestra.
The Jahrhundertring was the production of Richard Wagner's Ring cycle, Der Ring des Nibelungen, at the Bayreuth Festival in 1976, celebrating the centenary of both the festival and the first performance of the complete cycle. The festival was directed by Wolfgang Wagner and the production was created by the French team of conductor Pierre Boulez, stage director Patrice Chéreau, stage designer Richard Peduzzi, costume designer Jacques Schmidt and lighting designer André Diot. The cycle was shown first in 1976, then in the following years until 1980. It was filmed for television in 1979 and 1980. While the first performance caused "a near-riot" for its brash modernity, the staging established a standard, termed Regietheater, for later productions.
Jutta Hanna Edith Hering-Winckler is a German lawyer and patron of music. Since 1977, she has been head of a law firm in Minden as a lawyer and notary. Since 1999, she has been president of the Richard Wagner Society in Minden. She received awards for her civic engagement as the driving force of the Wagner project at the Stadttheater Minden, particularly Der Ring in Minden, which brought her hometown to international recognition.
Der Ring in Minden was a project to stage Richard Wagner's cycle Der Ring des Nibelungen at the Stadttheater Minden, beginning in 2015 with Das Rheingold, followed by the other parts in the succeeding years, and culminating with the complete cycle performed twice in 2019. The stage director was Gerd Heinz, and Frank Beermann conducted the Nordwestdeutsche Philharmonie, playing on the stage of the small theatre. The singers acted in front of the orchestra, making an intimate approach to the dramatic situations possible. The project received international recognition and was compared favourably to the Bayreuth Festival.
Ursula Boese was a German operatic contralto. A member of the Hamburg State Opera from 1960 to 1993, she pursued an international career. She appeared as Stravinsky's Iocaste at the San Francisco Opera in the presence of the composer, as Wagner's Fricka in Wieland Wagner's last production of the Ring Cycle at the Bayreuth Festival, and as Verdi's Ulrica alongside Luciano Pavarotti.
Frank Philipp Schlößmann is a German scenic designer focused on operas who has worked at major opera houses and festivals internationally. He staged Janáček's Jenůfa at the Metropolitan Opera, Wagner's Der Ring des Nibelungen at both the Bayreuth Festival and Der Ring in Minden, and the world premiere of Heinz Holliger's Lunea at the Opernhaus Zürich.
The Bayreuth premiere cast of Parsifal lists the contributors to the new productions of Richard Wagner's inaugural stage play Parsifal, including the premiere, which took place on 26 July 1882 at the Bayreuth Festival.