|Written by||Charles Wood|
|Directed by||Tony Palmer|
|Country of origin||UK|
|No. of seasons||1|
|No. of episodes||10|
|Production locations||Dublin, Ireland|
|Running time||466 minutes|
|Original release||December 1983|
Wagner is a 1983 television miniseries on the life of Richard Wagner with Richard Burton in the title role. It was directed by Tony Palmer and written by Charles Wood.The film was later released on DVD as a ten-part miniseries.
Other main roles were played by Vanessa Redgrave, Gemma Craven, Marthe Keller, Ronald Pickup, Miguel Herz-Kestranek and László Gálffi. Sir John Gielgud, Sir Ralph Richardson and Sir Laurence Olivier played ministers of Ludwig II of Bavaria.
The miniseries also include the Walton couple, the composer William Walton, typical friend of the director, and his wife Susan Walton, in the roles of the royal couple in real life Frederick Augustus II of Saxony and Maria Anna of Bavaria.
The music of Wagner was specially recorded for the film, and conducted by Sir Georg Solti.
Tony Palmer's original concept of Wagner was as a feature film. It lasted 7 hours 46 minutes, but it was later edited down to a 5-hour version in which some characters disappeared. Later the film was screened as a 10 episode mini-series on television clocking in at almost 9 hours. In 2011 it was re-released in a three-DVD set in its full original version as a feature film, in high definition and widescreen.It had earlier been released on videotape.
It was filmed in many authentic locations including King Ludwig II's castle of Neuschwanstein and Herrenchiemsee, and the Residenz in Munich, Germany. Other locations were in Hungary, Switzerland, Siena, Tuscany, Venice, Vienna and Dublin.
Palmer said of Burton's performance, "Even now – although there were criticisms – I can't think of anybody who could have brought it off better than he did."
The film received glowing reviews from leading European and music journals. However, in America, when a much truncated version just over 4 hours was shown on PBS, The New York Times described the show as "pretentious kitsch" and a "colossal disaster".
"Wagner can be mentioned alongside such exceptional film biographies as Gandhi , Reds and Abel Gance's Napoléon ... Wagner is one of the most beautifully photographed motion pictures in history."
"An absolute bulls-eye... wonderful... technically brilliant.. musically and filmically on the highest level... it will surely set out on a triumphant procession around the world."
"A monumental film... a complete work of art... truly visionary..."
"A remarkable event... hardly a minute too long... a British Film of glory... takes the screen by storm... a big spirited work"
Wagner was released on DVD as a ten-part miniseries. Despite the fact that the separate installments are billed as episodes, only the first episode has opening credits, and only the last episode has closing credits, with all other episodes beginning and ending with abrupt scene changes.
Opening in 1849, Richard Wagner is a respected composer living in Dresden where he works as royal court conductor for the King of Saxony. Although his wife, Minna, enjoys their life and status, Wagner is bored with his work for the ageing king and spends most of his time writing revolutionary pamphlets against the establishment and aristocracy. Eventually, the May Uprising breaks out in which Wagner becomes an important figure. When Saxon and Prussian troops crush the uprising, Wagner becomes a wanted man and is forced to flee to Zürich, Switzerland.
After refusing to join her husband for quite some time, Minna eventually agrees to move to Zürich to be reunited with Wagner. She manages to persuade Wagner to start conducting and composing again and urges him to travel to France. In Bordeaux, Wagner meets a wealthy Scottish emigree, Mrs. Taylor, who agrees to become a patron of his, although he has a brief affair with her married daughter. Upon traveling to Paris, Wagner is ordered to leave the city at once and return to Zürich. In Zürich he meets up with his good friend Franz Liszt, while also taking on a pupil, Karl Ritter, the son of another patron, Mrs. Ritter.
In the 1850s, Wagner's health deteriorates and he suffers from various illnesses. Mathilde Wesendonck, the wife of wealthy silk merchant Otto Wesendonck, becomes yet another one of his patrons and offers him the cottage on her estate as his residence. Once installed in the cottage, Wagner begins a passionate correspondence with Mathilde, which upsets both Mathilde's husband, Otto, and Wagner's wife, Minna, who seeks solace in increasing amounts of laudanum. Wagner, who starts composing Tristan und Isolde for Mathilde, is also visited by his good friend Hans von Bülow, and his new bride Cosima, Liszt's daughter. After a while, Minna works up the courage to confront Wagner and Mathilde about their correspondence.
Wagner moves to Venice, Italy to finish Tristan und Isolde. When Karl Ritter informs him that Mrs Ritter is no longer able to provide Wagner with money, he ends their friendship and travels to Paris. In Paris, Wagner is ordered by the French emperor to stage a new version of his famous opera Tannhäuser . However, the show is a fiasco when riots break out during the performance to protest both Wagner's break with artistic conventions (a ballet in the first act, instead of the second) and the involvement of one of his patrons, the Austrian Princess Metternich.
After the failure in Paris, Wagner travels around Europe to Switzerland, Austria and Russia. He tries staging Tristan und Isolde in Vienna, but is unsuccessful. Meanwhile, Minna continues to plead with the Dresden court for amnesty for Richard, which is eventually granted. Wagner returns but is chased away when creditors come looking for him. Destitute, Wagner tries to hide but is eventually found by Pfistermeister, personal secretary to the King of Bavaria who is desperate to meet him.
In Munich, Wagner enjoys a prosperous time under the patronage of the young King of Bavaria. Most of his debts are settled and several of his operas are staged to great success. Meanwhile, Wagner has an affair with Cosima, wife of his good friend Hans von Bülow, much to the dismay of Cosima's father, Franz Liszt. Although Wagner and King Ludwig II have become close friends, the King's ministers and the people of Bavaria are weary of Wagner. Wagner eventually has a falling-out with the King when he asks Ludwig to pay for a portrait of Wagner which is painted as a gift to Ludwig himself.
One year later in 1865, Wagner must reconcile with the King and eventually does so. Their friendship grows even stronger while Ludwig's ministers are becoming increasingly suspicious of Wagner and his ever-increasing demands for money. The premiere of Tristan und Isolde has to be postponed when the lead actress falls ill but finally happens a few months later. Ludwig leaves the premiere before the end to travel into the night on board the royal train. When Bavaria faces external challenges and Wagner's lifestyle becomes too extravagant for the Bavarian people, Ludwig is finally forced to banish Wagner from his country. Meanwhile, Cosima gives birth to Wagner's daughter, while Minna dies alone, neglected by Wagner.
In 1866, Wagner moves to Lucerne with Cosima and her children. He is later joined by King Ludwig who wishes to abdicate in order to become Wagner's assistant. Wagner convinces him to return to Bavaria, where war with Prussia erupts. Hans von Bülow eventually also visits them in Lucerne, where Cosima asks him for a divorce, which he refuses. When Hans is overly tired by his work for Wagner, he leaves, and Wagner hires Hans Richter as his new assistant. They are visited by Friedrich Nietzsche. Cosima gives birth to Wagner's son.
In 1869, Wagner and Cosima are overjoyed by the birth of their son, Siegfried, while war between Prussia and France begins the following year. The war concludes with a quick victory for Prussia, which finally realises Wagner's lifelong dream of a fully united Germany. Wagner marries Cosima and is ordered by Ludwig to stage his opera Das Rheingold . When Wagner decides to postpone the opera, one day before the premiere, he and Ludwig have a falling-out. Wagner is denied access to the theatre and decides to build his own opera house in Bayreuth.
In the 1870s, construction on the opera house in Bayreuth begins and his epic Der Ring des Nibelungen can finally be premiered. The performance is attended by Ludwig who is slowly losing his mind, while living in his gigantic new castle Neuschwanstein. Wagner and Nietzsche have a falling-out over Wagner's lifestyle and ideas (including his rampant anti-semitism). Shortly before his death in 1883, the aged Wagner and Liszt reflect on Wagner's life: the people he has known, the events that occurred and the music he composed.
Wagner by A. C. H. Smith. In German and Italian (1983) ISBN 3-453-01837-0. English-language edition (2012) ISBN 978-1-85135-035-3. Now available also in English
For more details see "A. C. H. Smith, Wagner novelisation" . Retrieved 23 January 2013.
Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk, by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen.
Tristan und Isolde, WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "eine Handlung".
The Bayreuth Festival is a music festival held annually in Bayreuth, Germany, at which performances of operas by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle Der Ring des Nibelungen and Parsifal.
Cosima Wagner was the daughter of the Hungarian pianist and composer Franz Liszt and Franco-German romantic author Marie d'Agoult. She became the second wife of the German composer Richard Wagner, and with him founded the Bayreuth Festival as a showcase for his stage works; after his death she devoted the rest of her life to the promotion of his music and philosophy. Commentators have recognised Cosima as the principal inspiration for Wagner's later works, particularly Parsifal.
Hans Guido Freiherr von Bülow was a German conductor, virtuoso pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner and Johannes Brahms. Alongside Carl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian virtuoso pianist, conductor and composer Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughter Cosima, who later left him for Wagner. Noted for his interpretation of the works of Ludwig van Beethoven, he was one of the earliest European musicians to tour the United States.
Ludwig is a 1973 biographical film directed by Italian director Luchino Visconti about the life and death of King Ludwig II of Bavaria. Helmut Berger stars as Ludwig, and Romy Schneider reprises her role as Empress Elisabeth of Austria. Additionally, Trevor Howard and Silvana Mangano appear in prominent supporting roles as the composer Richard Wagner and his eventual wife Cosima von Bulow Wagner.
Wesendonck Lieder, WWV 91, is the common name of a set of five songs for female voice and piano by Richard Wagner, Fünf Gedichte für eine Frauenstimme. He set five poems by Mathilde Wesendonck while he was working on his opera Tristan und Isolde. The songs, together with the Siegfried Idyll, are the two non-operatic works by Wagner most regularly performed.
Heinrich Porges was a Czech-Austrian choirmaster, music critic and writer of Jewish descent.
Ludwig Schnorr von Carolsfeld was a German Heldentenor and the creator of the role of Tristan in Richard Wagner's opera Tristan und Isolde. His career was curtailed by a serious illness which killed him at the age of 29, after only four performances in the role of Tristan.
The composition of the operatic tetralogy The Ring of the Nibelung occupied Richard Wagner for more than a quarter of a century. Conceived around 1848, the work was not finished until 1874, less than two years before the entire cycle was given its premiere at Bayreuth. Most of this time was devoted to the composition of the music, the text having been largely completed in about four years.
Magic Fire is a 1955 American biographical film about the life of composer Richard Wagner, released by Republic Pictures.
The family of the composer Richard Wagner:
Agnes Mathilde Wesendonck was a German poet and author. The words of five of her verses were the basis of her friend Richard Wagner's Wesendonck Lieder. He may have been her paramour.
Wahnfried was the name given by Richard Wagner to his villa in Bayreuth. The name is a German compound of Wahn and Fried(e).
"Music of the Future" is the title of an essay by Richard Wagner, first published in French translation in 1860 as "La musique de l'avenir" and published in the original German in 1861. It was intended to introduce the librettos of Wagner's operas to a French audience at the time when he was hoping to launch in Paris a production of Tannhäuser, and sets out a number of his desiderata for true opera, including the need for 'endless melody'. Wagner deliberately put the title in quotation marks to distance himself from the term; Zukunftsmusik had already been adopted, both by Wagner's enemies, in the 1850s, often as a deliberate misunderstanding of the ideas set out in Wagner's 1849 essay, The Artwork of the Future, and by his supporters, notably Franz Liszt. Wagner's essay seeks to explain why the term is inadequate, or inappropriate, for his approach.
Christine Wilhelmine "Minna" Planer was a German actress and the first wife of composer Richard Wagner, to whom she was married for 30 years, although for the last 10 years they often lived apart. At an early age, she had an illegitimate daughter with a Royal Saxon Army officer, whom she raised as her own sister. After a stormy courtship, which involved infidelities on both sides, she married Richard Wagner in 1836.
Wahnfried is a 1986 West German-French drama film directed by Peter Patzak about the life of Richard Wagner. It was screened out of competition at the 1987 Cannes Film Festival.
Wendelin Weißheimer was a German composer, conductor, essayist, teacher, and writer on music. He studied with Franz Liszt and was in close contact with Richard Wagner, Hans von Bülow, Peter Cornelius, Louise Otto-Peters, Ferdinand Lassalle, August Bebel and many other notable musicians of his time.
Eva Maria Chamberlain was the daughter of Richard Wagner and Cosima Wagner, and the wife of Houston Stewart Chamberlain. When she was born, her mother was still married to Hans von Bülow. Through her mother, she was also a granddaughter of Franz Liszt. With her siblings Isolde and Siegfried, Eva was brought up by a house teacher.
Isolde Josefa Ludovika Beidler was the first child of the composer Richard Wagner and his wife, who is generally known as Cosima Wagner. Isolde herself married the Swiss-born conductor Franz Beidler (1872-1930) and was the mother of author Franz Wilhelm Beidler (1901-1981), celebrated at his birth as "Richard Wagner's first grandchild".