Marthe Keller | |
---|---|
Born | Basel, Switzerland | 28 January 1945
Occupation(s) | Actress, opera director |
Years active | 1964–present |
Partner | Philippe de Broca (1968–1972) |
Children | 1 |
Marthe Keller (born 28 January 1945) [1] is a Swiss actress. She is perhaps best known for her role in the film Marathon Man (1976), for which she was nominated for a Golden Globe Award.
Keller studied ballet as a child, but stopped after a skiing accident at age 16. She changed to acting, and worked in Berlin at the Schiller Theater and the Berliner Ensemble. [2]
Keller's earliest film appearances were in Funeral in Berlin (1966, in which she was not credited) and the German film Wilder Reiter GmbH (1967). She appeared in a series of French films in the 1970s, including Un Cave (1971), La Raison du Plus Fou (1973) and Toute Une Vie/And Now My Love (1974). Her most famous American film appearances are her Golden Globe-nominated performance as Dustin Hoffman's girlfriend in Marathon Man (1976) and her performance as a femme fatale Palestinian terrorist who leads an attack on the Super Bowl in Black Sunday (1977). Keller acted alongside Al Pacino in the 1977 romantic drama film Bobby Deerfield , based on Erich Maria Remarque's novel Heaven Has No Favorites, and subsequently the two were involved in a relationship. She also acted alongside William Holden in Billy Wilder's 1978 romantic drama Fedora.
After 1978, Keller did more work in European cinema than in Hollywood. Her later films include Dark Eyes (1987), with Marcello Mastroianni. [3]
In April 2016, she was announced as the president of the jury for the Un Certain Regard section of the 2016 Cannes Film Festival. [4]
In 2001, Keller appeared in an all-star Broadway adaptation of Abby Mann's play Judgment at Nuremberg , directed by John Tillinger, as Mrs. Bertholt, in the role played by Marlene Dietrich in the 1961 Stanley Kramer film version. [5] [6] She was nominated for a Tony Award as Best Featured Actress for this performance.
In addition to her work in film and theatre, Keller has developed a career in classical music as a speaker and opera director. She has performed the speaking role of Joan of Arc in Arthur Honegger's oratorio Jeanne d'Arc au bûcher on several occasions, with conductors such as Seiji Ozawa [7] [8] and Kurt Masur. [9] She has recorded the role for Deutsche Grammophon with Ozawa (DG 429 412-2). Keller has also recited the spoken part in Igor Stravinsky's Perséphone. [10] [11] She has performed classical music melodramas for speaker and piano in recital. [12] The Swiss composer Michael Jarrell wrote the melodrama Cassandre, after Christa Wolf's novel, for Keller, who performed in the world premiere in 1994.
Keller's first production as an opera director was Dialogues des Carmélites for Opéra national du Rhin in 1999. This production subsequently received a semi-staged performance in London that year. [13] She has also directed Lucia di Lammermoor for Washington National Opera and for Los Angeles Opera. [14] Her directorial debut at the Metropolitan Opera was in a 2004 production of Don Giovanni . [15] [16] [17]
Keller has one son, Alexandre (born 1972), [18] from her relationship with director Philippe de Broca. [19] She also dated director Claude Lelouch and actor Al Pacino. [20]
Year | Title | Author | Director | Notes |
---|---|---|---|---|
1970 | A Day in the Death of Joe Egg | Peter Nichols | Michel Fagadau | Théâtre de la Gaîté-Montparnasse |
1979 | Three Sisters | Anton Chekhov | Lucian Pintilie | Théâtre de la Ville |
1982 | Emballage perdu | Vera Feyder | Nelly Borgeaud | Théâtre des Mathurins |
1983 | Exiles | James Joyce | Andreas Voutsinas | Théâtre Renaud-Barrault |
1983-86 | Jedermann | Hugo von Hofmannsthal | Ernst Haeussermann & Gernot Friedel | Salzburg Festival |
1984 | Betrayal | Harold Pinter | Sami Frey | Théâtre des Célestins |
1986 | Don Carlos | Friedrich Schiller | Michelle Marquais | Théâtre de la Ville |
1988 | Hamlet | William Shakespeare | Patrice Chéreau | Théâtre Nanterre-Amandiers |
1997 | Kinkali | Arnaud Bedouet | Philippe Adrien | Théâtre national de la Colline |
2001 | Judgment at Nuremberg | Abby Mann | John Tillinger | Broadway theatre |
2008 | The Stronger | August Strindberg | Wadsworth | Arclight Theatre |
2011 | Jan Karski (mon nom est une fiction) | Yannick Haenel | Arthur Nauzyciel | Festival d'Avignon |
Year | Title | Role | Director | Notes |
---|---|---|---|---|
1964 | The Trojan War Will Not Take Place | The Peace | Franz Josef Wild | TV film |
His and Hers | Jean | Franz Josef Wild (2) | TV film | |
1965 | Antiquitäten | Young Lady | Marran Gosov | Short |
Und nicht mehr Jessica | Jessica Lovell | Falk Harnack | TV film | |
Mariana Pineda | Wilm ten Haaf | TV film | ||
1966 | Funeral in Berlin | Brigit | Guy Hamilton | |
Kein Freibrief für Mord | Christine Foster | Karlheinz Bieber | TV film | |
Corinne und der Seebär | Corinne | Thomas Engel | TV film | |
1967 | Wilder Reiter GmbH | The nun | Franz-Josef Spieker | Nominated – German Film Award for Best Performance by an Actress in a Supporting Role |
Pfeiffer | Marthe | Marran Gosov (2) | Short | |
1969 | The Devil by the Tail | Amélie | Philippe de Broca | |
1970 | Les caprices de Marie | Marie Panneton | Philippe de Broca (2) | |
1972 | The Old Maid | Vicka | Jean-Pierre Blanc | |
Un cave | Catherine | Gilles Grangier | ||
P'pa je serai serrurier | The woman | Ulysse Laugier | Short | |
1973 | Elle court, elle court la banlieue | Marlène Réval | Gérard Pirès | |
La raison du plus fou | The hitchhiker | François Reichenbach | ||
La chute d'un corps | Marthe Renon | Michel Polac | ||
1974 | And Now My Love | Sarah & Rachel Stern | Claude Lelouch | |
Only the Wind Knows the Answer | Angela Delpierre | Alfred Vohrer | ||
1975 | Down the Ancient Staircase | Bianca | Mauro Bolognini | |
L'aigle à deux têtes | The Queen | Pierre Cavassilas | TV film | |
1976 | Marathon Man | Elsa Opel | John Schlesinger | Bambi Award for Best Actress – National Nominated – Golden Globe Award for Best Supporting Actress – Motion Picture |
Le guêpier | Melba | Roger Pigaut | ||
1977 | Black Sunday | Dahlia Iyad | John Frankenheimer | |
Bobby Deerfield | Lillian | Sydney Pollack | ||
1978 | Fedora | Fedora / Antonia | Billy Wilder | |
1980 | The Formula | Lisa Spangler | John G. Avildsen | |
1981 | The Amateur | Elisabeth | Charles Jarrott | Nominated – Genie Award for Best Performance by a Foreign Actress |
1983 | Der Platzanweiser | Peter Gehrig | ||
Jedermann | Buhlschaft | C. Rainer Ecke | TV film | |
1984 | Femmes de personne | Cecile | Christopher Frank | |
1985 | Red Kiss | Bronka | Véra Belmont | |
Joan Lui | Judy Johnson | Adriano Celentano | ||
1986 | Die Frau des Reporters | Esther | Heide Pils | TV film |
1987 | Dark Eyes | Tina | Nikita Mikhalkov | Nominated – David di Donatello for Best Supporting Actress |
The Hospice | Dominique Othenin-Girard | TV film | ||
1988 | La ruelle au clair de lune | Nelly | Édouard Molinaro | TV film |
Una vittoria | Luigi Perelli | TV film | ||
1989 | Seven Minutes | Mrs. Wagner | Klaus Maria Brandauer | |
1991 | Lapse of Memory | Linda Farmer | Patrick Dewolf | |
Young Catherine | Princess Johanna | Michael Anderson | TV film | |
1992 | Im Kreis der Iris | Marikka | Peter Patzak | TV film |
Turbulences | Hélène | Élisabeth Rappeneau | TV film | |
À deux pas du paradis | Eva Grundberg | Michel Vianey | TV film | |
1993 | Jeanne d'Arc au bûcher | Joan of Arc | Akio Jissoji | TV film |
Liberate mio figlio | Elena | Roberto Malenotti | TV film | |
1994 | My Friend Max | Catherine Mercier | Michel Brault | |
1995 | Sostiene Pereira | Mrs. Delgado | Roberto Faenza | |
Tödliches Geld | Beatrice Belmont | Detlef Rönfeldt | TV film | |
1997 | Women | Barbara | Luís Galvão Teles | |
K | Nora Winter | Alexandre Arcady | ||
Nuits blanches | Julia | Sophie Deflandre | ||
1998 | The School of Flesh | Madame Thorpe | Benoît Jacquot | |
1999 | Le derrière | Christina | Valérie Lemercier | |
2001 | Tout va bien c'est Noël ! | Jacqueline Bréaud | Laurent Dussaux | TV film |
2002 | Time of the Wolf | Rebecca McGregor | Rod Pridy | |
2003 | Par amour | Nicole Doucet | Alain Tasma | TV film Biarritz International Festival of Audiovisual – Best Actress Luchon International Film Festival – Best Actress |
2004 | Nightsongs | Mother | Romuald Karmakar | |
La nourrice | Madame Dumayet-Ponti | Renaud Bertrand | TV film | |
2005 | Fragile | Emma | Laurent Nègre | Swiss Film Award for Best Performance in a Supporting Role |
2007 | Chrysalis | Professor Brügen | Julien Leclercq | |
UV | The mother | Gilles Paquet-Brenner | ||
Dans l'ombre du maître | Maria | David Delrieux | TV film | |
Le lien | Eva | Denis Malleval | TV film | |
2008 | Cortex | Carole Rothmann | Nicolas Boukhrief | |
Bouquet final | Nickye | Michel Delgado | ||
2009 | Sous un autre jour | Iréne | Alain Tasma (2) | TV film |
2010 | Hereafter | Dr. Rousseau | Clint Eastwood | |
2011 | The Giants | Rosa | Bouli Lanners | |
My Best Enemy | Hannah Kaufmann | Wolfgang Murnberger | ||
Page Eight | Leona Chew | David Hare | TV film Nominated – Online Film & Television Association Award for Best Ensemble in a Motion Picture or Miniseries | |
La résidence | Léa | Laurent Jaoui | TV film | |
2012 | In a Rush | Mina | Louis-Do de Lencquesaing | |
2013 | The Mark of the Angels – Miserere | Laura Bernheim | Sylvain White | |
2014 | Homo Faber (Trois Femmes) | Hanna | Richard Dindo | |
La vie à l'envers | Nina | Anne Giafferi | TV film | |
2015 | Amnesia | Martha Sagell | Barbet Schroeder | |
2016 | After Love | Christine | Joachim Lafosse | |
2017 | The Witness | Judge D'Amici | Mitko Panov | |
Sources Vives | Irène Meyer | Bruno Bontzolakis | TV film | |
The Escape | Anna | Dominic Savage | ||
2018 | Dévoilées | Isabelle | Jacob Berger | TV film |
2019 | The Staggering Girl | Sofia | Luca Guadagnino | Short film |
2023 | Mars Express | Beryl (voice) | Jérémie Périn |
Year | Title | Role | Director | Notes |
---|---|---|---|---|
1971 | Arsène Lupin | Countess Natasha | Jean-Pierre Decourt | 3 episodes |
1972 | La demoiselle d'Avignon | Koba Lye-Lye | Michel Wyn | 6 episodes |
1982 | La certosa di Parma | Gina Sanseverina | Mauro Bolognini (2) | TV miniseries |
1983 | Wagner | Mathilde Wesendonck | Tony Palmer | TV miniseries |
1988 | Sueurs froides | Diane | Régis Wargnier | 1 episode |
1989 | The Nightmare Years | Tess Shirer | Anthony Page | TV miniseries |
1995 | Belle Époque | Antoinette | Gavin Millar | TV miniseries |
2007 | La prophétie d'Avignon | Dona Flores | David Delrieux (2) | TV miniseries |
2008 | Le sanglot des anges | Eléonore | Jacques Otmezguine | TV miniseries |
2018 | The Romanoffs | Anushka | Matthew Weiner | Episode: "The Violet Hour" |
2019 | Marie Antoinette | Pete Travis | TV series |
Renée Lynn Fleming is an American soprano, known for performances in opera, concerts, recordings, theater, film, and at major public occasions. A recipient of the National Medal of Arts, Fleming has been nominated for 18 Grammy Awards and has won five times. In June 2023, the John F. Kennedy Center for the Performing Arts announced that Fleming would be one of the five artists recognized at the 2023 Kennedy Center Honors, which she received in December 2023. Other notable honors won by Fleming have included the Crystal Award from the World Economic Forum in Davos, the Chevalier de la Légion d'Honneur from the French government, Germany's Cross of the Order of Merit, Sweden's Polar Music Prize and honorary membership in England's Royal Academy of Music. Unusual among artists whose careers began in opera, Fleming has achieved name recognition beyond the classical music world. In May, 2023, Fleming was appointed by the World Health Organization as a Goodwill Ambassador for Arts and Health. On April 9, 2024, Penguin Random House published Fleming's anthology Music and Mind: Harnessing the Arts for Health and Wellness, a collection of essays about the health benefits of music and the arts, by scientists from leading research institutions, practitioners, educators, arts leaders, musicians, artists and writers.
Dialogues des Carmélites, FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. Poulenc wrote the libretto for his second opera after the work of the same name by Georges Bernanos. This is a fictionalized version of the story of the Martyrs of Compiègne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation.
Jeanne d'Arc au bûcher is a mystère lyrique, or sung mystery play, by Paul Claudel with music by Arthur Honegger. Commissioned by Ida Rubinstein, it was written in 1935, premiered in 1938 and published in 1947 after rounds of minor revisions that extended into 1944. Claudel narrates Joan of Arc's last minutes of life with flashbacks to her trial and younger days. His poème of eleven scenes and a prologue is the work's backbone, with key scenes spoken, but the music, particularly the choral writing, is generally considered its strength, despite Honegger's avowal that he had merely put his services “at the disposal of” the poet. Claudel's frame gave Honegger a space between Heaven and Earth, past and present, for mixing styles and using musical tools — monody, harmony and counterpoint — to build sculpted blocks of sound. One detail of his score is its part for ondes martenot, an early electronic instrument played at the premiere by its inventor Maurice Martenot. The mystère lyrique lasts about 75 minutes.
The Trial of Joan of Arc is a 1962 French historical drama film written and directed by Robert Bresson. Florence Delay stars as Joan of Arc, a French military leader, who is undergoing a trial on the charge of heresy in 1431, during the Hundred Years' War.
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Fedora is a 1978 German-French drama film directed by Billy Wilder and starring William Holden and Marthe Keller. The screenplay by Wilder and I.A.L. Diamond is based on Tom Tryon's novella in the collection Crowned Heads.
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