List of compositions by Richard Wagner

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This is a sortable list of compositions by Richard Wagner.

Contents

See also

Notes

  1. The numbers given for Richard Wagner's works are from the Wagner-Werk-Verzeichnis (WWV).
  2. Saffle, Saffle (2002). Richard Wagner: A Research and Information Guide (Second ed.). Routledge Music Bibliographies. p. 303. ISBN   978-0415998406.
  3. Millington, Barry (October 30, 1992). Wagner: Revised Edition. Princeton University Press. p. 280. ISBN   978-0691027227.
  4. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 Millington 2001.
  5. "Wolf's Thematic Index of the Works of the Great Composers".
  6. 1 2 3 4 Kirby 1997.
  7. "Wolf's Thematic Index of the Works of the Great Composers".
  8. Borchmeyer, Dieter (2003). Drama and the World of Richard Wagner. Princeton University Press. p. 45. ISBN   978-0691114972.

Sources

Related Research Articles

<span class="mw-page-title-main">Richard Wagner</span> German composer (1813–1883)

Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk, by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen.

<i>Der fliegende Holländer</i> Opera by Richard Wagner

Der fliegende Holländer, WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843.

In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works.

A leitmotif or Leitmotiv is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of idée fixe or motto-theme. The spelling leitmotif is an anglicization of the German Leitmotiv, literally meaning "leading motif", or "guiding motif". A musical motif has been defined as a "short musical idea ... melodic, harmonic, or rhythmic, or all three", a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "the smallest structural unit possessing thematic identity".

Werke ohne Opuszahl (WoO), also Kinsky–Halm Catalogue, is a German musical catalogue prepared in 1955 by Georg Kinsky and Hans Halm, listing all of the compositions of Ludwig van Beethoven that were not originally published with an opus number, or survived only as fragments. The work was originally titled in German Das Werk Beethovens: Thematisch-bibliographisches Verzeichnis seiner sämtlichen vollendeten Kompositionen.

<i>Rienzi</i> 1842 opera by Richard Wagner

Rienzi, der letzte der Tribunen is an 1842 opera by Richard Wagner in five acts, with the libretto written by the composer after Edward Bulwer-Lytton's novel of the same name (1835). The title is commonly shortened to Rienzi. Written between July 1838 and November 1840, it was first performed at the Königliches Hoftheater Dresden, on 20 October 1842, and was the composer's first success.

Symphony No. 103 in E major is the eleventh of the twelve London symphonies written by Joseph Haydn. This symphony is nicknamed The Drumroll after the long roll on the timpani with which it begins. It is from 1795, and his second-to-last symphony.

<i>Schubert Thematic Catalogue</i>

Schubert: Thematic Catalogue of all his Works in Chronological Order, also known as the Deutsch catalogue, is a numbered list of all compositions by Franz Schubert compiled by Otto Erich Deutsch. Since its first publication in 1951, Deutsch numbers are used for the unique identification of Schubert's compositions.

<i>Wesendonck Lieder</i>

Wesendonck Lieder, WWV 91, is the common name of a set of five songs for female voice and piano by Richard Wagner, Fünf Gedichte für eine Frauenstimme. He set five poems by Mathilde Wesendonck while he was working on his opera Tristan und Isolde. The songs, together with the Siegfried Idyll, are the two non-operatic works by Wagner most regularly performed.

WWV may refer to:

The Wagner-Werk-Verzeichnis, abbreviated WWV, is an index and musicological guide to the 113 musical compositions and works for the stage by Richard Wagner. It includes guidance on editions of the published works and explanations of historical performance practices. John Deathridge, Martin Geck, and Egon Voss compiled the catalogue.

The Symphony in C major, WWV 29, from 1832 is the only completed symphony of Richard Wagner.

Wieland der Schmied is a draft by Richard Wagner for an opera libretto based on the Germanic legend of Wayland Smith. It is listed in the Wagner-Werk-Verzeichnis as WWV82.

<span class="mw-page-title-main">Catalogues of Beethoven compositions</span>

The Catalogues of Beethoven compositions are all of the different ways in which the musical compositions by Ludwig van Beethoven have been organized by researchers into his music.

Leubald was an attempt by the youthful Richard Wagner to write a tragic drama in the Shakespearean genre. It occupied him during the years 1827-28 while he was at school, first in Dresden and later in Leipzig. The play combines elements of Hamlet, King Lear, Macbeth and Richard III, with influences from Goethe and Heinrich von Kleist. The critic Theodor Adorno has noted:

Leubald [and Wagner's other early writings] are all of a piece with those plays of which high-school pupils are wont to write in their exercise books the title, the Dramatis Personae, and the words 'Act I'.

<i>Die Sieger</i> Draft sketch for an opera by Richard Wagner

Die Sieger, is a draft sketch for an opera text by Richard Wagner.

This article gives an overview of various catalogues of classical compositions that have come into general use.

<i>Polonia</i> (Wagner)

Polonia is a concert overture written by Richard Wagner. Wagner completed Polonia in 1836, although it has been suggested that it may have been drafted as early as 1832.