Klaus Schulze was a German electronic music pioneer, composer and musician. He also used the alias Richard Wahnfried and was a member of the Krautrock bands Tangerine Dream, Ash Ra Tempel, and the Cosmic Jokers before launching a solo career consisting of more than 60 albums released across six decades.
X is the tenth album by Klaus Schulze. It was originally released in 1978, and in 2005 was the fifth Schulze album reissued by Revisited Records.
Timewind is the fifth album by Klaus Schulze. It was originally released in 1975, and in 2006 was the twenty-second Schulze album reissued by Revisited Records. It is Schulze's first solo album to use a sequencer.
Moondawn is the sixth album by Klaus Schulze. It was originally released in 1976, and in 2005 was the thirteenth Schulze album reissued by Revisited Records. Moondawn is Schulze's first album that was performed in a full Berlin School style, as well as his first to feature contributions from drummer Harald Grosskopf.
Irrlicht is the first album by Klaus Schulze. Originally released in 1972, in 2006 it was the sixteenth Schulze album reissued by Revisited Records as part of a series of Schulze album reissues. Recorded without synthesizers, Irrlicht's set of "early organ drone experiments" is "not exactly the music for which KS got famous".
Cyborg is the second album by Klaus Schulze. It was originally released in 1973, and in 2006 was the nineteenth Schulze album reissued by Revisited Records.
Picture Music is the fourth album of electronic music by German musician Klaus Schulze. It was recorded in late 1974 and released in January 1975 on Brain Records. In 2005 this was the second Schulze album reissued by Revisited Records. This is the only Klaus Schulze solo album in which he can be heard playing a drum kit. Prior to his solo career, he was the drummer for Ash Ra Tempel; on his later albums, drummer Harald Großkopf of Wallenstein frequently contributed. Like many of his albums, this one has one long track on each side.
Audentity is the fifteenth album by Klaus Schulze. It was originally released in 1983, and in 2005 was the eleventh Schulze album reissued by Revisited Records. The reissue of Audentity is one of two instances of a Klaus Schulze reissue featuring a track order changed from that of the original release.
Inter*Face is the eighteenth album by Klaus Schulze. It was originally released in 1985, and in 2006 was the twentieth Schulze album reissued by Revisited Records. The two bonus tracks on the reissue were both previously released on Schulze's 25-disc CD box set Jubilee Edition (1997), which was later included on the 50-disc CD box set The Ultimate Edition (2000). However, a shorter version of "Nichtarische Arie" was included.
Dreams is the nineteenth album by Klaus Schulze. It was released in 1986, and in 2005 was the third Schulze album reissued by Revisited Records. The reissue bonus track was released early 2004 in Hambühren as a limited promo CD Ion.
Le Moulin de Daudet is the twenty-seventh album by Klaus Schulze. It was originally released in 1994, and in 2005 was the fourth Schulze album reissued by Revisited Records. Le Moulin de Daudet was released after Schulze's Silver Edition 10-disc CD box set, technically making this album his thirty-seventh. It is the soundtrack to the film of the same name. The reissue bonus track is an excerpt from the previously released limited promo CD Ion (2004).
Totentag is an electronic opera and the twenty-ninth album by Klaus Schulze. It was originally released in 1994; its libretto is inspired by the last days of the expressionist poet Georg Trakl. This is the seventh and last of the early-1990s Klaus Schulze albums not to be reissued by Revisited Records. Totentag was released after Schulze's Silver Edition 10-disc CD box set, technically making this album his thirty-ninth.
Das Wagner Desaster Live is the thirtieth album by Klaus Schulze. It was originally released in 1994, and in 2005 was the fifteenth Schulze album reissued by Revisited Records. The reissue of Das Wagner Desaster Live is one of two examples of a Klaus Schulze reissue that changes the original order of the tracks. Das Wagner Desaster Live was released after Schulze's Silver Edition 10-disc CD box set, technically making this album his fortieth.
In Blue is the thirty-first album by Klaus Schulze. It was originally released in 1995, and in 2005 was the eighth Schulze album reissued by Revisited Records. In Blue was released after Schulze's Silver Edition 10-disc CD box set, technically making this album his forty-first.
Are You Sequenced? is the thirty-second album by Klaus Schulze. It was originally released in 1996, and in 2006 was the eighteenth Schulze album reissued by Revisited Records. Are You Sequenced? was released after Schulze's Silver Edition and Historic Edition 10-disc CD box sets, technically making this album his fifty-second.
Dosburg Online is the thirty-third album by Klaus Schulze. It was originally released in 1997, and in 2006 was the twenty-first Schulze album reissued by Revisited Records. Dosburg Online was released after Schulze's Silver Edition and Historic Edition 10-disc CD box sets, as well as Jubilee Edition 25-disc CD box set, technically making this album his seventy-eighth. This is the second of two reissues not to feature a bonus track.
Live @ KlangArt is the thirty-fourth album by Klaus Schulze. It was originally released in 2001 as two separate CDs, and in 2008 was the twenty-ninth and last Schulze album reissued by Revisited Records as a single album. Live @ KlangArt was released after Schulze's Silver Edition and Historic Edition 10-disc CD box sets, as well as Jubilee Edition 25-disc CD box set and Contemporary Works I 10-disc CD box set, technically making this album his eighty-ninth.
Contemporary Works II is a limited edition 5-disc CD box set released by Klaus Schulze in 2002 containing new studio material. This set was released two years after Contemporary Works I. One of the discs has been reissued in 2008 as part of the overall reissue program of Schulze back catalog by Revisited Records, the remaining four were released by MIG Music between 2016 and 2019. The first 333 copies of this set contained a bonus sixth disc.
La Vie Electronique is a series of multi-disc CD releases by Klaus Schulze, reissuing material from his limited edition 50-disc CD box set The Ultimate Edition (2000), which itself collected the previously released limited edition multi-disc box sets Silver Edition, Historic Edition, and Jubilee Edition, along with an additional 5 discs. The series began in 2009 with a plan to release all the music from The Ultimate Edition in chronological order. Four volumes were released in 2009, and four more were released in 2010. The next two volumes were released in 2011, with the next two following in 2012. The thirteenth volume was released in 2013, and the fourteenth and fifteenth volumes in 2014. The sixteenth and final volume, containing five CDs rather than the usual three, was released on May 29, 2015.
The Ultimate Edition is a limited edition 50-disc CD box set released by Klaus Schulze in 2000 collecting his previous limited edition multi-disc box sets Silver Edition, Historic Edition, and Jubilee Edition, which contain unreleased archival recordings in addition to new studio material. A further five discs were added for this release. Several discs were altered and restructured from their original versions: discs 7 and 8 were extended by five minutes; discs 11, 13, 14, and 22 were slightly remastered; and discs 41 and 42 were restructured. Two tracks from Jubilee Edition were omitted. The discs are divided into five boxes of ten discs, housed in individual cardboard sleeves. Between 2009 and 2015, tracks from this set were reissued as La Vie Electronique, a series of multi-disc CD sets releasing all the material of The Ultimate Edition in chronological order.
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