Picture Music

Last updated
Picture Music
Picture Music Klaus Schulze Album.jpg
Studio album by
ReleasedJanuary 1975
Recorded1974
Genre Electronic music, space music
Length46:45 (original)
79:57 (reissue)
Label Brain
Producer Klaus Schulze
Klaus Schulze chronology
Blackdance
(1974)
Picture Music
(1975)
Timewind
(1975)
Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar half.svgStar empty.svgStar empty.svgStar empty.svg [1]

Picture Music is the fourth album of electronic music by German musician Klaus Schulze. It was recorded in late 1974 and released in January 1975 on Brain Records. In 2005 this was the second Schulze album reissued by Revisited Records. This is the only Klaus Schulze solo album in which he can be heard playing a drum kit. Prior to his solo career, he was the drummer for Ash Ra Tempel; on his later albums, drummer Harald Großkopf of Wallenstein frequently contributed. Like many of his albums, this one has one long track on each side.

Contents

Recording and release dates, and chronological order

Historically, Picture Music was incorrectly identified as Schulze's third album, allegedly preceding Blackdance (1974), based on an erroneous liner note stating it was recorded in 1973. His first five albums were displayed in correct order on the back cover of his next album, Timewind , but his tenth album X (1978) displayed the previous albums with Picture Music explicitly identified as the third, dated 1973, implying this was the release date as well. The same declaration was made on his twentieth album (not counting collaborations and records made under the name Richard Wahnfried), En=Trance (1988).

When preparing a detailed discography in the 1990s, Schulze's biographer and publicity manager Klaus D. Müller researched his personal diaries and discovered that the album did not go to press until early 1975. The album is now identified as a January 1975 release at Schulze's website, which Müller maintains. [2] Despite the album sounding somewhere between Blackdance and Timewind, Müller concluded at the time that the album was probably recorded before Blackdance, but released after. Later, Müller discovered that Schulze had not acquired an EMS VCS 3 synthesizer until mid 1974, so the album must have been recorded in the latter half of that year, after the recording of Blackdance. [3] Therefore, the official discography was revised again, and Picture Music is now regarded as Schulze's fourth album for both recording and release dates.

Cover art

Picture Music in its various editions, has more cover art designs than any other Klaus Schulze album, and another reason for confusion of release order of albums lies in the choice of original cover artist. The first cover was a painting of an abstract man and background by Jacques Wyrs. The previous album, Black Dance, featured a similar concept painted by Urs Amann, and in 1975, Schulze commissioned Amann to make new covers for all his previous albums, as well as his next, Timewind. The original Wyrs cover was taken as evidence that Picture Music must precede the era of the Amann covers sequence.

Schulze did commission an Amann cover for Picture Music as well (as pictured above, showing a man bound to a ceiling [4] ), probably after the first edition of the album was released, but Brain Records did not have a reason to pay the expense of having a new cover designed (unlike his first two albums, which were originally issued under other sub-labels of Metronome Records, Brain's parent company, and then reissued on Brain with new catalogue numbers, so new covers had to be designed anyway), and rejected it. But the Amann cover was used on a French edition on Isadora / Clementine Records (Isadora being the name on the cover, but Clementine was the name on the label).

More covers have also appeared. A 1970s release in Belgium on Ariola Records uses a cover portrait of Schulze, framed to match the cover of a later album, Moondawn . Brain Records issued a series of budget reissues around 1980, with new cover art designed "in house" to keep costs down by not paying royalties on cover art, and replaced the original Wyrs cover with a new design of a framed portrait of a child, balanced upright on one corner in a barren field. In 1985, Gramavision Records in the U.S. reissued Schulze's entire back catalogue with new covers showing printed circuit boards superimposed over photographs of landscapes (again, an anonymous "in house" design). The 2005 CD reissue with bonus track uses the Amann cover with his original back cover design that had never appeared before (the French album with that cover had used a blown-up detail from the front cover for the back), and also reproduced previous covers inside the CD booklet. [5] [6]

Track listing

All tracks composed by Klaus Schulze.

No.TitleNoteLength
1."Totem"on original release23:53
2."Mental Door"on original release23:02
3."C'est pas la même chose"reissue bonus track - alternate version/recording of "Totem"33:00

On the French LP edition on Clementine Records, side two plays first in error. "Mental Door" is the track with drums.

Personnel

Related Research Articles

Klaus Schulze

Klaus Schulze is a German electronic music pioneer, composer and musician. He also used the alias Richard Wahnfried. He was briefly a member of the Krautrock bands Tangerine Dream, Ash Ra Tempel, and The Cosmic Jokers before launching a solo career consisting of more than 60 albums released across five decades.

ARP Instruments Manufacturer of musical instruments

ARP Instruments, Inc. was an American manufacturer of electronic musical instruments, founded by Alan Robert Pearlman in 1969. It created a popular and commercially successful range of synthesizers throughout the 1970s before declaring bankruptcy in 1981. The company earned a reputation for producing excellent sounding, innovative instruments and was granted several patents for the technology it developed.

EMS VCS 3 Synthesizer model

The VCS 3 is a portable analog synthesiser with a flexible semi-modular voice architecture, introduced by Electronic Music Studios (London) Limited (EMS) in 1969.

EMS Synthi AKS

The EMS Synthi A, first available in May 1971, and then in March 1972 a version of it with a built-in keyboard and sequencer, the EMS Synthi AKS, is a portable modular analog synthesiser made by EMS of England. Most notable for its patch pin matrix, its functions and internal design are similar to the VCS 3 synthesiser, also made by EMS. EMS is still run by Robin Wood in Cornwall, and in addition to continuing to build and sell new units, the company repairs and refurbishes EMS equipment.

<i>Geometry of Love</i> 2003 studio album by Jean-Michel Jarre

Geometry of Love is the fifteenth studio album by French electronic musician and composer Jean-Michel Jarre, released by Warner Music in October 2003.

<i>Sessions 2000</i> 2002 studio album by Jean-Michel Jarre

Sessions 2000 is the fourteenth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus and distributed by Sony Music in 2002. It was released in the U.S. in early 2003.

<i>Rubycon</i> (album) 1975 studio album by Tangerine Dream

Rubycon is the sixth major release and sixth studio album by German electronic music group Tangerine Dream. It was released in 1975. It is widely regarded as one of their best albums. Rubycon further develops the Berlin School sequencer-based sound they ushered in with the title track from Phaedra.

Paul Lavon Davis was an American singer and songwriter, best known for his radio hits and solo career which started worldwide in 1970. His career encompassed soul, country, and pop. His most successful songs are 1977's "I Go Crazy", a No. 7 pop hit which once held the record for the longest chart run on the Billboard Hot 100, and 1982's "'65 Love Affair", which at No. 6 is his highest-charting single. Another pop hit, "Cool Night", was also released in 1982. In the mid-1980s, he also had two country No. 1 hits as a guest vocalist on songs by Marie Osmond and Tanya Tucker.

Crumar

Crumar was an Italian electronic musical instrument manufacturer established by Mario Crucianelli in the late 1960s, which manufactured synthesizers and keyboards during the '70s and '80s. Its name stands for "CRUcianelli and MARchetti", the names of Crucianelli and business partner Marchetti. The company appears to have grown out of the Crucianelli accordion company and also continued to manufacture accordions under both names.

Tontos Expanding Head Band

Tonto's Expanding Head Band was a British-American electronic music duo consisting of Malcolm Cecil and Robert Margouleff. Despite releasing only two albums in the early 1970s, the duo were influential because of their session and production work for other musicians and extensive commercial advertising work.

Ash Ra Tempel was a German krautrock group active from 1970 to 1976, Manuel Göttsching's first prominent musical output. Ash Ra Tempel featured revolving members. Göttsching retired the use of the Ash Ra Tempel name after he became the sole remaining member. His first solo album Inventions for Electric Guitar was the last album to bear the Ash Ra Tempel name. Göttsching later used the name Ashra for his solo output as an homage to his former group. Ashra eventually evolved into a full band and continued along with Göttsching until 1998.

<i>Timewind</i> 1975 studio album by Klaus Schulze

Timewind is the fifth album by Klaus Schulze. It was originally released in 1975, and in 2006 was the twenty-second Schulze album reissued by Revisited Records. It is Schulze's first solo album to use a sequencer.

<i>Moondawn</i> 1976 studio album by Klaus Schulze

Moondawn is the sixth album by Klaus Schulze. It was originally released in 1976, and in 2005 was the thirteenth Schulze album reissued by Revisited Records. Moondawn is Schulze's first album that was performed in a full Berlin School style.

<i>Deserted Palace</i> 1973 studio album by Jean-Michel Jarre

Deserted Palace is the first studio album by French electronic musician and composer Jean-Michel Jarre, released on Sam Fox Records in 1973. It is Jarre's very first full-length album release under his own name, released four years before his breakthrough album Oxygène. It was an album of library music, intended for use in television programmes, adverts, films, and so forth. It has not been subsequently re-released, although it is widely available as a bootleg. On 30 May 2011, several tracks from this album were officially released on the Essentials & Rarities compilation album.

<i>Cyborg</i> (Klaus Schulze album) 1973 studio album by Klaus Schulze

Cyborg is the second album by Klaus Schulze. It was originally released in 1973, and in 2006 was the nineteenth Schulze album reissued by Revisited Records.

<i>Blackdance</i> 1974 studio album by Klaus Schulze

Blackdance is the third album by Klaus Schulze. It was originally released in 1974, and in 2007 was the twenty-fifth Schulze album reissued by Revisited Records. For the first time Schulze uses "real" synthesizers and a singer. "Voices of Syn" features Ernst Walter Siemon on vocals. Due to packaging and print errors on later releases, Blackdance was considered Schulze's fourth album for decades, until Klaus D. Müller, Schulze's biographer and publicity manager, discovered from searching through his personal diaries that Picture Music, thought to be the third album, was recorded after Blackdance. Despite this, the reissue labels Blackdance as Schulze's fourth album.

<i>Dreams</i> (Klaus Schulze album) 1986 studio album by Klaus Schulze

Dreams is the nineteenth album by Klaus Schulze. It was released in 1986, and in 2005 was the third Schulze album reissued by Revisited Records. The reissue bonus track was released early 2004 in Hambühren as a limited promo CD Ion.

Analog sequencer

An analog sequencer is a music sequencer constructed from analog (analogue) electronics, invented in the first half of the 20th century.

Brain Records

Brain was a Hamburg-based record label prominent in the 1970s releasing several important Krautrock records by bands such as Neu!, Cluster and Guru Guru. Many of its more prominent records are currently being reissued on CD by Repertoire Records.

Urs Amann was a Swiss surrealist painter. He is mostly known as the painter of the cover art for several Klaus Schulze records, all in a style reminiscent of Salvador Dalí. He also illustrated the covers of many books, including some by his brother, Jürg Amann. Urs Amann liked to qualify his work as "meta-realistic painting".

References