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The VCS 3 (or VCS3; an initialism for Voltage Controlled Studio, version #3) is a portable analog synthesizer with a flexible modular voice architecture introduced by Electronic Music Studios (EMS) in 1969. [# 1]
EMS released the product under various names. Logos printed at the console's front left (see photos) say "V.C.S. 3" on the most widely sold version; "The Putney (VCS 3)" on the earlier version; and "The Synthi (VCS 3) II" on the later version (Synthi VCS 3 II). [# 2]
The VCS 3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were designed largely by David Cockerell, and its distinctive appearance was the work of electronic composer Tristram Cary. It was one of the first portable commercially available synthesizers, in the sense that it was housed entirely in a small wooden case, unlike synths from American manufacturers such as Moog Music, ARP and Buchla, which had large cabinets and could take up entire rooms.
The VCS 3 cost just under £330 in 1969. Some people found it unsatisfactory as a melodic instrument due to its inherent tuning instability. [1] This arose from the instrument's reliance on the then current method of exponential conversion of voltage to oscillator frequency—an approach that other companies also implemented with fewer tuning issues. However, the VCS 3 was renowned as an extremely powerful generator of electronic effects and processor of external sounds for its cost.[ according to whom? ]
The first album recorded using only the VCS 3 was The Unusual Classical Synthesizer on Westminster Gold. [2]
The VCS 3 was popular among progressive rock bands, and was used on recordings by Franco Battiato, The Moody Blues, The Alan Parsons Project, Jean-Michel Jarre, Todd Rundgren, Hawkwind, Curved Air, Brian Eno (with Roxy Music and as a solo artist or collaborator), King Crimson, The Who, Gong, and Pink Floyd, and many others. The VCS 3-generated bass sound at the beginning of Pink Floyd's "Welcome to the Machine" forms the foundation of the song, with its other parts heard in response. Two VCS 3s and a Sequencer 256 were featured in the 1978 film 'The Shout'. [3]
The VCS 3 has three oscillators (the first two normal voltage-controlled oscillators; the third a low-frequency oscillator), a noise generator, two input amplifiers, a ring modulator, 24 dB/octave low-pass voltage-controlled filter,[ citation needed ] a trapezoid envelope generator, a joystick controller, a voltage-controlled spring reverb unit, and two stereo output amplifiers. Unlike most modular synthesiser systems, which used cables to link components, the VCS 3 uses a distinctive patchboard matrix where pins are inserted to connect its components.
Although the VCS 3 is often used for generating sound effects due to lack of a built-in keyboard, external keyboard controllers were available for melodic play. The DK1, produced in 1969, is an early velocity-sensitive monophonic keyboard for VCS 3 with an extra VCO and VCA. [# 3] In 1972 it was extended for duophonic play as DK2. [# 4] Also in 1972, the Synthi AKS was released, as well as a digital sequencer with a touch-sensitive flat keyboard, the KS sequencer, [# 5] and its mechanical keyboard version, DKS. [# 6]
The VCS 3's basic design was reused by EMS in many other of their own products,[ citation needed ] most notably the EMS Synthi 100 (1971), [# 7] the Synthi A (1971), [# 8] and AKS (1972, essentially a VCS 3 in a plastic briefcase). The AKS also has a sequencer built into the keyboard's lid. [# 9]
A former agent of EMS in the United States, Ionic Industries in Morristown, New Jersey, released a portable-keyboard VCS 3 clone in 1973. The Ionic Performer, whose circuitry is based on the VCS 3's, replaced the patchboard matrix with over 100 push-buttons, and added a built-in keyboard and effects units. [4]
The EMS Synthi A has the same electronics as the VCS 3, but was rehoused in a Spartanite briefcase. Instead of routing signals using patch cables, like Moog products, it uses a patch matrix with resistive pins. The 2700 ohm resistors soldered inside each pin vary in tolerance, indicated by different colours: red pins have 1% tolerance, white have 5%, and green pins are attenuating pins with a resistance of 68,000 ohms.
The later Synthi AKS incorporated an early digital 256 event KS (Keyboard Sequencer) sequencer in the lid, with input provided by a capacitance-sensitive Buchla-style keyboard.
Perhaps its most prominent use is in the introduction to The Alan Parsons Project's I Robot. (1977). VCS 3 synthesisers were also used alongside a traditional chamber music ensemble for the soundtrack to the BBC's Life On Earth nature documentary series, composed by Edward Williams. [5]
Along with Klaus Schulze and Tangerine Dream, other frequent users of the instrument include Cabaret Voltaire, Tim Blake & Miquette Giraudy of Gong, Richard Pinhas of Heldon, Merzbow, Thomas Lehn, Cor Fuhler and Alva Noto.
The original VCS No.1 was a hand-built rack-mount unit with two oscillators, one filter and one envelope, designed by Cockerell before the formation of EMS. When a benefactor, Don Banks, asked Zinovieff for a synthesiser, Zinovieff and Cockerell decided to work together on an instrument that was small and portable but powerful and flexible.
A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds, in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers, while others include sampling capability in addition to digital synthesis.
A music sequencer is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio and automation data for digital audio workstations (DAWs) and plug-ins.
Oxygène is the third studio album by French electronic musician and composer Jean-Michel Jarre. It was first released in France in December 1976 by Disques Motors, and distributed internationally in 1977 by Polydor Records. Jarre recorded the album in a makeshift studio that he set up in his apartment in Paris, using a variety of analog and digital synthesizers, and other electronic instruments and effects.
Modular synthesizers are synthesizers composed of separate modules for different functions. The modules can be connected together by the user to create a patch. The outputs from the modules may include audio signals, analog control voltages, or digital signals for logic or timing conditions. Typical modules are voltage-controlled oscillators, voltage-controlled filters, voltage-controlled amplifiers and envelope generators.
In electronics, ring modulation is a signal processing function, an implementation of frequency mixing, in which two signals are combined to yield an output signal. One signal, called the carrier, is typically a sine wave or another simple waveform; the other signal is typically more complicated and is called the input or the modulator signal. A ring modulator is an electronic device for ring modulation. A ring modulator may be used in music synthesizers and as an effects unit.
The Roland MC-8 MicroComposer by the Roland Corporation was introduced in early 1977 at a list price of US$4,795. It was one of the earliest stand-alone microprocessor-driven CV/Gate music sequencers, following EMS Sequencer 256 in 1971 and New England Digital's ABLE computer (microprocessor) in 1975. Roland called the MC-8 a "computer music composer" and it was considered revolutionary at the time, introducing features such as a keypad to enter note information and 16 kilobytes of random access memory which allowed a maximum sequence length of 5200 notes, a huge step forward from the 8-16 step sequencers at the time. It also allowed the user to allocate multiple pitch CVs to a single Gate channel, creating polyphonic parts within the overall sequence. Due to the high price, only 200 units were sold worldwide, but it represented a huge leap forward in music technology.
Tristram Ogilvie Cary, OAM, was a pioneering English-Australian composer. He was also active as a teacher and music critic.
Electronic Music Studios (EMS) is a synthesizer company formed in Putney, London in 1969 by Peter Zinovieff, Tristram Cary and David Cockerell. It is now based in Ladock, Cornwall.
The EMS Synthi 100 was a large analogue/digital hybrid synthesizer made by Electronic Music Studios, London, originally as a custom order from Radio Belgrade for what was to be the Radio Belgrade Electronic Studio, largely thanks to contact between composer Paul Pignon, then living in Belgrade, and Peter Zinovieff. The synthesiser was designed by David Cockerell and documented in detail in 1971. The cost at that time was £6,500. The last unit built by EMS was number 30. Afterwards, one final unit was built by Datanomics, who bought assets from EMS when the company folded in 1979. The redesigned unit was sold to Gabinete de Música Electroacústica, Cuenca, Spain.
The EMS Synthi A and the EMS Synthi AKS are portable modular analog synthesisers made by EMS of England. The Synthi A model debuted in May 1971, and then Synthi AKS model appeared in March 1972 a with a built-in keyboard and sequencer. The EMS Synthi models are notable for its patch pin matrix, its functions and internal design are similar to the VCS 3 synthesiser, also made by EMS. EMS is still run by Robin Wood in Cornwall, and in addition to continuing to build and sell new units, the company repairs and refurbishes EMS equipment.
Les Chants Magnétiques is the fifth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus on 20 May 1981. The album reached number six in the United Kingdom, number 98 in the United States and number 76 in Australia.
Geometry of Love is the fifteenth studio album by French electronic musician and composer Jean-Michel Jarre, released by Warner Music in October 2003.
Sessions 2000 is the fourteenth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus and distributed by Sony Music in 2002. On January 7, 2003 was released in US. Sessions 2000 featured Francis Rimbert, and was recorded at Croissy studio and later mixed at Square Prod studio by Joachim Garraud. The album reached the 140th position in French charts.
Peter Zinovieff was a British composer, musician and inventor. In the late 1960s, his company, Electronic Music Studios (EMS), made the VCS3, a synthesizer used by many early progressive rock bands such as Pink Floyd and White Noise, and Krautrock groups as well as more pop-orientated artists, including Todd Rundgren and David Bowie. In later life, he worked primarily as a composer of electronic music.
Zorch, who formed in 1973, were an early English totally electronic band, pioneering integrated performances of synthesizers and lightshow. Originally a four-piece, by 1975 Zorch were performing as a duo: Basil Brooks and Gwyo Zepix played three monophonic EMS analogue synthesizers, but were augmented by Silver (dance) and a full-on psychedelic light show, provided by John Andrews under the name of 'Acidica'. At times reminiscent of Tim Blake as well as Tonto's Expanding Head Band, their repetitive melodies, extended improvisation and thumping sequenced bass created a unique musical style that anticipated techno and trance. In the days before polyphonic synthesizers and personal computers, they filled out the sound using two reel-to-reel tape machines as a delay line.
"On the Run" is the third track from English rock band Pink Floyd's 1973 album, The Dark Side of the Moon. It is an instrumental piece performed on an EMS synthesizer. It deals with the pressures of travel, specifically air travel, which according to Richard Wright, would often bring fear of death.
Keio Line is a collaborative studio album by the French electronic rock guitarist Richard Pinhas and the Japanese noise musician Merzbow. The album was released in September 2008, on double CD by Cuneiform Records in the US and on triple LP by Dirter Promotions in the UK. It is the first of several collaborations between Pinhas and Merzbow.
"Tonite" is a song by American rock band LCD Soundsystem. It was released as the second single from their fourth studio album, American Dream (2017), on August 16, 2017, through DFA Records and Columbia Records. A music video for the song was also premiered on the same day. The song peaked at number 191 in France and number 33 on the Billboard Dance/Electronic Songs chart. At the 60th Annual Grammy Awards, the song won the award for Best Dance Recording, making it the band's first Grammy win.
Forever Alien is the third studio album by British space rock band Spectrum, a project led by Peter Kember under the pseudonym Sonic Boom. It was released in August 1997 by Space Age Records. After the band's preceding EP Songs for Owsley (1996) moved them away from guitar-oriented music and towards electronic music, Forever Alien furthered this approach considerably, as Kember aimed to create a predominately electronic album that sounded organic and analogue in style. The record is dominated by vintage analogue synthesizers, including the EMS VCS 3 and EMS Synthi AKS. Kember had become fascinated by the synths as he felt they presented him with more musical possibilities than guitars.
David Cockerell is an electronics engineer and designer. He started his career in the synthesizer world when Peter Zinovieff hired him to work for his EMS company in Putney in 1966, where he designed classic EMS synthesizers such as the Synthi VCS3, Synthi AKS and Synthi 100. In 1974 he worked for Electro-Harmonix in New York, where he first designed guitar pedals like the Small Stone phaser and Electric Mistress flanger. Still working for Electro-Harmonix, in 1980, Cockerell designed one of the first digital delay pedals with looping capabilities, the Instant Replay, followed by the 2 Second Digital Delay in 1981 and the 16 Second Digital Delay in 1982. This led him later to work at Akai, where he was involved in the design of samplers like the S612, S900, S1000, and the famous MPC60.
EMS VCS 3, my first synth ever, still working and present on each of my albums as a ritual.
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