Peter Baumann | |
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Background information | |
Born | Berlin, Germany | 29 January 1953
Genres | Electronic |
Occupations |
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Instrument(s) | Keyboards, organ |
Labels | Virgin/EMI, Portrait, Arista, Private Music |
Peter Baumann (born 29 January 1953) is a German musician. He formed the core line-up of the pioneering German electronic group Tangerine Dream with Edgar Froese and Christopher Franke in 1971. Baumann composed his first solo album in 1976, while still touring with the band, and embarked on a solo career in 1977. He founded the record label Private Music. Since the early 2000s, Baumann has devoted his time to studying and promoting initiatives in science and philosophy that shed light on the human condition.
Peter Baumann was born in Berlin, Germany, in 1953, his father a composer, his mother an actress. When he was eight, the Berlin Wall was built, and Baumann entered the American/German Community School in Berlin, where he learned English and was first exposed to American culture. At age 14, Peter joined a cover band and performed at G.I. clubs. Then, in 1971, at age 18, he met Christopher Franke, and ended up joining Tangerine Dream as a replacement for their former organist Steve Schroyder.
Two years later, Tangerine Dream signed with Virgin Records and their first album on the label, Phaedra , became a Top 10 seller on the Melody Maker charts. As a result of this and other recording successes, Tangerine Dream toured the world for eight years. They also made successful forays into film scoring.
Baumann had temporarily left Tangerine Dream twice, first in 1973 (returning in time for Franke & Froese to shelf their current work on Green Desert and the three to start anew on what was to become Phaedra), and again in 1975, leaving Michael Hoenig as a temporary substitute for an Australian tour. His departure in 1977, shortly after the completion of the band's first U.S. tour, was final and led to a brief solo career.
During the 1980s, he founded a record label, Private Music, specializing in instrumental music in a style popularly referred to as new-age. Artists signed to the label included Yanni, Patrick O'Hearn, Jerry Goodman, Suzanne Ciani, and former bandmates Tangerine Dream. In 1996, the label was sold to Windham Hill Records' parent company, BMG, who continue to distribute some of the back catalogue of its more successful artists.
Following his music career, Peter Baumann moved to San Francisco, where in 2009 he founded the Baumann Foundation: a think-tank that explores the experience of being human in the context of cognitive science, evolutionary theory and philosophy. The foundation pursues its fundamental mission, to foster greater clarity about the human condition, by organizing initiatives that facilitate scientific research and promote discussions between scientists, contemplatives, and the public. [1] The Baumann Foundation's main initiative is Beinghuman.org, a social website designed to spark a global conversation about how current developments in fields like behavioral economics, cognitive neuroscience, evolutionary psychology, genetics, anthropology, and philosophy can help people make sense of their experiences. [2]
In 2012 the foundation sponsored Being Human 2012, an interdisciplinary conference held in San Francisco’s Palace of Fine Arts that brought together neuroscientists, philosophers, evolutionary theorists and meditation experts to hold a public dialogue about the nature of humanity. [3]
Baumann is the co-author, with Michael W. Taft, of the 2011 book Ego: The Fall of the Twin Towers and the Rise of an Enlightened Humanity. The book draws on new research in neuroscience, evolutionary biology, and other scientific fields to examine the origin and history of the human ego and the evolutionary implications of the September 11 attacks. [4]
Baumann has been married to Alison Baumann since 1983, and has three children. He is the director of several real estate and natural resource companies. In addition to creating the Baumann Foundation, he is on the board of directors of the California Institute of Integral Studies and is a fellow of the Mind and Life Institute. [5]
Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese the only constant member until his death in January 2015. The best-known lineup of the group was its mid-1970s trio of Froese, Christopher Franke, and Peter Baumann. In 1979, Johannes Schmoelling replaced Baumann until his own departure in 1985. This lineup was notable for composing many movie soundtracks. Since Froese's death in 2015, the group has been under the leadership of Thorsten Quaeschning. Quaeschning is Froese's chosen successor and is currently the longest-serving band member, having joined in 2005. Quaeschning is currently joined by violinist Hoshiko Yamane who joined in 2011 and Paul Frick who joined in 2020. Prior to this Quaeschning and Yamane performed with Ulrich Schnauss from 2014 to 2020. Schnauss only played two shows with Froese in November 2014 before Froese's passing.
Christopher Franke is a German musician and composer. From 1971 to 1987, he was a member of the electronic group Tangerine Dream. Initially a drummer with The Agitation, later renamed Agitation Free, his primary focus eventually shifted to keyboards and synthesizers as the group moved away from its psychedelic rock origins. While he was not the first musician to use an analog sequencer, he was probably the first to turn it into a live performance instrument, thus laying the rhythmic foundation for classic Tangerine Dream pieces and indeed for the whole Berlin school sound.
Zeit is the third studio album by German electronic music group Tangerine Dream. A double LP, it was released in August 1972, being the first release featuring Peter Baumann, who joined then-current members Christopher Franke and Edgar Froese. Zeit is subtitled Largo in Four Movements.
Atem is the fourth studio album by German electronic music group Tangerine Dream. It was released in March 1973 by record label Ohr.
Phaedra is the fifth studio album by German electronic music group Tangerine Dream. It was recorded during November 1973 at The Manor in Shipton-on-Cherwell, England and released on 20 February 1974 through Virgin Records. This is the first Tangerine Dream album to feature their now classic sequencer-driven sound, which is considered to have greatly influenced the Berlin School genre.
Ricochet is the seventh major release and first live album by the German electronic music group Tangerine Dream. It was released, on the Virgin label, in 1975. It consists of two side-long compositions mixed from studio recordings and the UK portion of their August–October 1975 European Tour. The sound of the album is similar to that of the group's other "Virgin Years" releases, relying heavily on synthesizers and sequencers to produce a dense, ambient soundscape, but is much more energetic than their previous works. Ricochet uses more percussion and electric guitar than its predecessors Phaedra and Rubycon, and borders on electronic rock. The main innovation on the album is the use of complex, multi-layered rhythms, foreshadowing the band's own direction in the 1980s and trance music and similar genres of electronic dance music.
Rubycon is the sixth studio album by German electronic music group Tangerine Dream. It was released in 1975 on the Virgin label. It is widely regarded as one of their best albums. Rubycon further develops the Berlin School sequencer-based sound they ushered in with the title track from Phaedra.
Stratosfear is the seventh studio album by the German group Tangerine Dream.
Tangram is the thirteenth major release and tenth studio album by the electronic music group Tangerine Dream. It became their fifth biggest selling album, reaching #36 in the British Top 40, and spending 5 weeks on the chart.
Jerome Froese is a German musician who, in 1990, officially joined his father Edgar Froese in the band Tangerine Dream. He remained a member until 2006. Prior to his direct involvement in Tangerine Dream, Froese often appeared on the covers of the band's albums as a child, beginning with the 1973 release of Atem, when he was two years four months old at the time the album was released.
Encore: Tangerine Dream Live is the tenth major release and second live album by the German group Tangerine Dream. It is mostly assembled from various recordings from the band's very successful 1977 U.S. tour.
The electronic music group Tangerine Dream has released more than three hundred albums, singles, EPs and compilations since the group was formed in 1967.
Paul Haslinger is an Austrian musician and composer. He lives and works in Los Angeles, California.
Optical Race is the thirty-fifth major release and eighteenth studio album by Tangerine Dream. Optical Race is the inaugural album of the Melrose Years era, as it is the first appearance of the band on the Private Music label, founded by former Tangerine Dream member Peter Baumann. It was their first album without Christopher Franke since 1971's Alpha Centauri and the band's first to be programmed largely with a computer, an Atari ST using Steinberg/Jones software. The sleeve of the 12" release and the first release on CD and Compact Cassette features a die-cut outer sleeve with a multicolored inner sleeve.
Green Desert is the twenty-seventh major release and the fifteenth studio album by electronic artists Tangerine Dream. The music was recorded in Berlin in 1973, during a period when Peter Baumann had temporarily left Germany to tour Nepal and India. Though unreleased at the time, it landed Tangerine Dream a record deal when Virgin heard the tapes. A remixed version of the music was released in 1986.
Livemiles is the thirty-fourth major release and sixth live album by Tangerine Dream. It is the last album with Chris Franke. The first half of the album purports to be a recording of the June 8, 1986 concert in Albuquerque, New Mexico, USA, and the second half of the album from a concert in West Berlin on August 1, 1987, Germany. In reality none of the album was recorded live, instead all created in the studio, as contract filler for their label Jive Electro.
Melrose is the thirty-ninth major release and twentieth studio album by Tangerine Dream. This album was released in 1990 on the Private Music label founded by former Tangerine Dream member Peter Baumann. The album further developed the instrumental pop style known from the previous two Private Music albums, Optical Race and Lily on the Beach. Edgar Froese's son, Jerome, for the first time appears on a Tangerine Dream album as a full-time member. This was Paul Haslinger's last album with Tangerine Dream.
Johannes Schmoelling is a German musician and keyboard artist. He was a member of the prolific electronic music group Tangerine Dream from 1979 to 1985.
Canyon Dreams is the fortieth major release and it was released as the fourteenth soundtrack album by German band Tangerine Dream. It was recorded in 1986 and released in 1991 on compact disc and compact cassette formats. The music was written as a sound accompaniment for an eponymous scenic video film about the Grand Canyon by Jan Nickman, released by the record label Miramar in 1987 on VHS, Betamax and LaserDisc. The album's tracks are divided into various episodes and related to the titles of the cuts.
Tangerine Dream bootleg recordings are performances by Tangerine Dream that have attained some level of public circulation without being available as a legal release. The term most often refers to audio recordings, but also includes video performances. Bootleg recordings arise from a multitude of sources, including covertly copied live concerts, studio outtakes, broadcast performances. Some bootlegs have included material from official releases.