Jerome Froese | |
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Also known as | TDJ Rome |
Born | Berlin, Germany | 24 November 1970
Origin | West Berlin, Germany |
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Website | jeromefroese |
Jerome Froese (born 24 November 1970 in Berlin, Germany) is a German musician who, in 1990, officially joined his father Edgar Froese in the band Tangerine Dream. He remained a member until 2006. Prior to his direct involvement in Tangerine Dream, Froese often appeared on the covers of the band's albums as a child, beginning with the 1973 release of Atem , when he was two years four months old at the time the album was released.
In 1982, Froese started playing guitar and keyboard. A few years later, in 1985, he began playing drums after he got a drumkit for Christmas. From here, Froese became proficient on both keyboards and guitar, leading up to his induction into Tangerine Dream. Froese's first guest appearance with the band was on their 1989 album, Lily on the Beach , playing guitar on "Radio City". His first official appearance was on Melrose (1990), appearing on tour with the band that same year.
Following the departure of Paul Haslinger, Tangerine Dream continued as a two-piece father-and-son band with various musicians guesting in the studio and in concert. The band stated on the record that their musical relationship was kept entirely separate from their family relationship, as witnessed by visitors to their studio seeing the two argue over a few notes. [1] During these years, Jerome became increasingly interested in experimental styles of electronica and dance music.
The fourth album in the Dream Mixes series, released in late 2003, had been created without any participation from his father. Jerome had also composed all but one track on each of the other Dream Mixes albums. In 2000, Froese began releasing a series of solo recordings aimed at DJs under the name of TDJ Rome. The three vinyl singles were collected and released together on CD in 2004.
His first solo credit as Jerome Froese came that same year, with the limited edition 1-track single, C8 H10 N4 O2 (named after the chemical formula of caffeine), a track which would later appear on his first full album, Neptunes. In 2005, Froese maintained this parallel solo career with the release of Radio Pluto, an EP that served as a precursor to his first full solo album Neptunes. It was during this time period that he defined the "guitartronica" sound of his solo works. [2]
In 2007, he released another EP, titled Precooked Munchies, which contained two teaser tracks from his upcoming second album, and some exclusive tracks as well. Later that year, his second full-length album Shiver Me Timbers was released, and because of an agreement between father and son, Jerome Froese's Moonpop label obtained the rights of over eighty Tangerine Dream titles, meaning that Jerome's and Edgar's works would be re-released separately. In late 2008, the title track from a new 3-track EP The Speed of Snow was released via the Moonpop website for free. [3]
Early 2009 saw many repackaged collections of Tangerine Dream material released by the Membran label. Two of these collections, Axiat and Vintage Vanguard, were released under the name of Tangerine Dream, though the albums contained only material by Jerome, with the latter including new material recorded at the end of 2008. Froese has also released DM 2.1, featuring selections from the first two Dream Mixes albums and one new track, and on a separate disc, a leftover from DM 4. At the end of 2009, it was announced that, although he had not been an active part of the band since 2006, he had recorded 8 new tracks for a Dream Mixes V, which was released in March 2010.
In August 2010, Froese released a 4-track EP titled Preventive Medicine which featured one track from his forthcoming third studio album, titled Far Side of the Face, which had been tentatively scheduled for release in 2011 but was pushed back. Johannes Schmoelling, another former member of Tangerine Dream, announced on his newsletter that he has collaborated with Froese on two of the new tracks. [4] In June 2011, a Froese live album titled Nightshade Family was released, featuring a full concert set list from the Neptunes tour.
Later in 2011, it was discovered that the collaboration between Froese and Schmoelling would extend beyond the new solo album. Froese's site Moonpop announced the formation of a new band, called Loom, which consisted of Froese, Schmoelling, and also a third member named Robert Waters (Robert Wässer in Germany). [5] The first EP released under the Loom name, 100 001, was released in October, with Froese contributing one new track. [6] At that same time, Froese released the new 2-track mini-EP Einzelkind under his own name. [7] Also in October 2011, Loom performed a concert, playing songs by Froese, Schmoelling, and by Tangerine Dream, from the eras in which those two were members of the band. The full concert was released in February 2012 under the title Scored. [8]
In June 2012, Froese released his third full-length album, Far Side of the Face, as well as a compilation called Cases of Recurrence, which features the EP tracks and rarities from the years 2005-2011.
Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese having been the only continuous member until his death in January 2015. The best-known lineup of the group was its mid-'70s trio of Froese, Christopher Franke, and Peter Baumann. In 1979, Johannes Schmoelling replaced Baumann. Since Froese's death in 2015, the group has been under the leadership of Thorsten Quaeschning. He is joined by violinist Hoshiko Yamane who joined in 2011, Ulrich Schnauss who joined in 2014 and Paul Frick who joined 9 June 2020.
Edgar Willmar Froese was a German musical artist and electronic music pioneer, best known for founding the electronic music group Tangerine Dream in 1967. Froese was the only continuous member of the group until his death. Although his solo and group recordings prior to 2003 name him as "Edgar Froese", his later solo albums bear the name "Edgar W. Froese".
Ricochet is the seventh major release and first live album by German electronic music group Tangerine Dream. It was released, on the Virgin label, in 1975. It consists of two side-long compositions mixed from studio recordings and the UK portion of their August–October 1975 European Tour. The sound of the album is similar to that of the group's other "Virgin Years" releases, relying heavily on synthesizers and sequencers to produce a dense, ambient soundscape, but is much more energetic than their previous works. Ricochet uses more percussion and electric guitar than its predecessors Phaedra and Rubycon, and borders on electronic rock. The main innovation on the album is the use of complex, multi-layered rhythms, foreshadowing the band's own direction in the 1980s and trance music and similar genres of electronic dance music.
Force Majeure is the twelfth major release and the ninth studio album by the German group Tangerine Dream. It was originally issued on transparent vinyl. Following Stratosfear, the album developed Tangerine Dream's further evolution toward the more melodic sound they would adopt in the 1980s, with a heavier presence of guitars, drums and distinct musical suites in the tradition of progressive rock, rather than the band's 1970s output of Berlin School.
Tangram is the thirteenth major release and tenth studio album by the electronic music group Tangerine Dream. It became their fifth biggest selling album, reaching #36 in the British Top 40, and spending 5 weeks on the chart.
Encore: Tangerine Dream Live is the tenth major release and second live album by the German group Tangerine Dream. It is mostly assembled from various recordings from the band's very successful 1977 U.S. tour.
The electronic music group Tangerine Dream has released more than one hundred albums, singles, EPs and compilations since the group was formed in 1967.
Logos Live is the eighteenth major release and fourth live album by Tangerine Dream. It was released in December 1982. It is a live album from the concert at the Dominion Theatre in London, England. Much like Tangram with short movements connected by atmospheric segues, Logos captured a period of Tangerine Dream's evolution from experimental to melodic, documented also by their soundtrack to the motion picture Risky Business a year later.
Pergamon (1986), originally simply released as Tangerine Dream (1980) with two parts, is the fourteenth major release and third live album by Tangerine Dream. It is a selection from the two live concerts held on 31 January 1980 at the Palast der Republik in East Berlin. The second of the two original concerts is available as Tangerine Tree Volume 17: East Berlin 1980. The original title Quichotte is a reference to Don Quixote, a film version of which was being screened in a nearby cinema as one of the concerts was performed, while the retitle is a reference to the Pergamon Museum located in East Berlin near the Palast der Republik.
Poland - The Warsaw Concert is the twenty-fourth major release and fifth live album by Tangerine Dream. It spent one week on the UK Albums Chart at number 90.
220 Volt Live is the forty-eighth release and seventh live album by Tangerine Dream. It was recorded live in the USA in 1992. It would be the last live album to feature new compositions until Inferno (2002). This may be considered some of the band's most rock oriented music so far, with guitarist Zlatko Perica's playing being a more prominent element. Re-issued in 1999 and then again in 2009 on Membran. It was nominated for Best New Age Album at the 1994 Grammy Awards.
Johannes Schmoelling is a German musician and keyboard artist. He was a member of the prolific electronic music group Tangerine Dream from 1979 to 1985.
Plays Tangerine Dream is the ninety-sixth release and second compilation by the German electronic music group Tangerine Dream. It features re-recordings and remixes by several present and past members of the band.
Rockoon is the forty-fourth major release and twenty-first studio album released by Tangerine Dream. The album was started in March 1991 and completed January 1992, making it the longest production ever in the band's history until the release of Quantum Gate in 2017. The album was nominated in the US for the "Best New Age Album 1992" Grammy and reached the Top Ten in Billboard New Age charts and the Top Twenty in Billboard Jazz charts.
Turn of the Tides is the forty-ninth release and twenty-second major studio album by the band Tangerine Dream. It is the first studio album to feature saxophone player Linda Spa and guitarist Zlatko Perica performing as full-time members. It was nominated for Best New Age Album at the 1995 Grammys.
Tangerine Dream bootleg recordings are performances by Tangerine Dream that have attained some level of public circulation without being available as a legal release. The term most often refers to audio recordings, but also includes video performances. Bootleg recordings arise from a multitude of sources, including covertly copied live concerts, studio outtakes, broadcast performances. Some bootlegs have included material from official releases.
Mars Polaris — Deep Space Highway To Red Rocks Pavilion, is the sixty-seventh release and twenty-fifth major studio album by electronic group Tangerine Dream. It was originally released in 1999, and re-released in 2009. All the tracks appeared on their live album Rocking Mars, which was released in 2005 with 4 extra tracks. It was recorded at Stadthalle in Osnabrück.
Goblins' Club is the fifty-fourth release and twenty-fourth main studio album by Tangerine Dream. Although sonically a counterweight to The Dream Mixes, it is usually considered the first album in the Millennium/TDI Years era due to the switch from Miramar, despite TDI not yet being the band's label. An Australian version lacked the track "Elf June and the Midnight Patrol," co-written by Linda Spa, replacing it with "Fort Worth Runway One" by Edgar Froese. A 2004 re-release included both, but edited the final two tracks to fit on the disc. Goblins' Club marks the final appearance of Linda Spa as a regular group member until returning for Jeanne d'Arc (2005)
Sohoman is the sixty-fifth release and tenth live album by Tangerine Dream. Remixed and released in 1999, it is sourced from the first set of the 22 February 1982 concert at the Regent Theatre in Sydney Australia. When compared to fan recordings, Sohoman was heavily edited in the studio. It is the first in the Tangerine Dream Classics Edition series, preceding Soundmill Navigator and Antique Dreams.
Antique Dreams is the seventieth release and first compilation album by Tangerine Dream. Compiled and remixed in 2000, and recorded between 1971 and 1988, it is the third and last of the Tangerine Dream Classics Edition series, following Sohoman and Soundmill Navigator. The album features live, studio and remix elements.