Extreme cinema (or hardcore horror and extreme horror [1] [2] ) is a subgenre used for films distinguished by its use of excessive sex and violence, and depiction of extreme acts such as mutilation and torture. The rising popularity of Asian films in the 21st century has contributed to the growth of extreme cinema, although extreme cinema is still considered to be a horror film-based genre. [3] Being a relatively recent genre, extreme cinema is controversial and widely unaccepted by the mainstream media. [4] Extreme cinema films target a specific and small audience group. [5]
The history of extreme cinema can be traced back to censorship of art films and advertising tactics for classical exploitation films to Anglophone markets alongside later liberal representations of sex in the first half of the 20th century onwards. [6]
The name "extreme cinema" originated from a "line of Asian films that share a combination of sensational features, such as extreme violence, horror and shocking plots". [7] Extreme cinema can be rooted as "Asian Extreme", the term for Japanese and other Asian films used to its excessive nature. Early examples of Asian Extreme such as Ring (1998) and Battle Royale (2000). [8]
Extreme cinema is highly criticized and debated by film critics and the general public. There have been debates over the hypersexualization that makes these films a threat to the 'mainstream' community standards. [132]
There has also been criticism over the increasing use of violence in modern-day films. Ever since the emergence of slasher-gore films in the 1970s, the rising popularity of extreme cinema has contributed to the casual violence in popular media. [133] Some criticize the easy exposure and unintended targeting of adolescents by extreme cinema films. [134]
Both Freaks and Pink Flamingos are inducted into the National Film Registry. [135] Requiem for a Dream and Oldboy were named on the BBC's 100 Greatest Films of the 21st Century. [136] The behind-the-scenes look at Cannibal Holocaust was the subject of a Season 2 episode of the documentary series Cursed Films . [137] [138]
A snuff film, snuff movie, or snuff video is a theoretical type of film, produced for profit or financial gain, that shows, or purports to show, scenes of actual homicide. The victims are supposedly typically lured to their murders by false pretenses and their murder is then filmed and the video depicting it is sold to buyers.
Cannibal Holocaust is a 1980 Italian cannibal film directed by Ruggero Deodato and written by Gianfranco Clerici. It stars Robert Kerman as Harold Monroe, an anthropologist who leads a rescue team into the Amazon rainforest to locate a crew of filmmakers that have gone missing while filming a documentary on local cannibal tribes.
A splatter film is a subgenre of horror films that deliberately focuses on graphic portrayals of gore and graphic violence. These films, usually through the use of special effects, display a fascination with the vulnerability of the human body and the theatricality of its mutilation. The term "splatter cinema" was coined by George A. Romero to describe his film Dawn of the Dead, though Dawn of the Dead is generally considered by critics to have higher aspirations, such as social commentary, than to be simply exploitative for its own sake.
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following.
Ruggero Deodato was an Italian film director, screenwriter, and actor.
Cannibal films, alternatively known as the cannibal genre or the cannibal boom, are a subgenre of horror films made predominantly by Italian filmmakers during the 1970s and 1980s. This subgenre is a collection of graphically violent movies that usually depict cannibalism by primitive, Stone Age natives deep within the Asian or South American rainforests. While cannibalism is the uniting feature of these films, the general emphasis focuses on various forms of shocking, realistic and graphic violence, typically including torture, rape and genuine cruelty to animals. This subject matter was often used as the main advertising draw of cannibal films in combination with exaggerated or sensational claims regarding the films' reputations.
Aftermath is a 1994 Spanish horror short film written and directed by Nacho Cerdà. It stars Pep Tosar, Jordi Tarrida, Ángel Tarris, and Xevi Collellmir. The film contains no spoken dialogue, and follows an unnamed morgue worker, played by Tosar, as he mutilates and has sex with the dead body of a woman named Marta. It is the middle installment in a thematic trilogy of short films by Cerdà, being preceded by The Awakening in 1991 and proceeded by Genesis in 1998.
Zombie Holocaust is a 1980 Italian horror film directed by Marino Girolami. The film is about a team of scientists who follow a trail of corpses in New York to a remote Indonesian island where they meet a mad doctor who performs experiments on both the living and dead in his laboratory. The team face both zombies and cannibals in an attempt to stop the doctor. The film was re-edited and released theatrically in the United States in 1982 under the title Doctor Butcher M.D.
Martyrs is a 2008 French-language psychological horror film written and directed by Pascal Laugier, and starring Mylène Jampanoï, Morjana Alaoui, and Catherine Bégin. It follows a young woman's quest to seek revenge against individuals who abducted and tortured her as a child, and her friend, also a victim of abuse.
New French Extremity describes a range of French transgressive films made at the turn of the 21st century that sparked controversy, and provoked significant debate and discussion. They were notable for including graphic images of violence, especially sexual violence and rape, as well as explicit sexual imagery.
August Underground is a 2001 American exploitation horror film directed by Fred Vogel, who co-wrote it with Allen Peters. The film stars Vogel as a serial killer named Peter, who kidnaps and kills several innocent people, while his unnamed accomplice, played by Peters, films and documents the murders.
Maniac is a 2012 psychological slasher film directed by Franck Khalfoun, written by Alexandre Aja and Grégory Levasseur, and starring Elijah Wood and Nora Arnezeder. It is a remake of the 1980 film of the same name, and follows the violent exploits of a brutal serial killer.
Terror Trap, is a 2010 American horror film. It was written and directed by Dan Garcia. Filming took place in Louisiana. The film stars David James Elliott, Michael Madsen and Jeff Fahey. Movie tagline is "Once you check in, there's no escape...". The film is similar to the 2008 film, Vacancy which also features a couple being terrorized by a motel's owner and his employees while being recorded.
Cannibalism is a 2002 pornographic horror film written and directed by Lizzy Borden.
The Mason Brothers is a 2017 American crime drama film written, directed by and starring Keith Sutliff. It also stars Brandon Sean Pearson, Matthew Webb, Tim Park, Julien Cesario, and Carlotta Montanari.
Body horror, or biological horror, is a subgenre of horror fiction that intentionally showcases grotesque or psychologically disturbing violations of the human body or of another creature. These violations may manifest through aberrant sex, mutations, mutilation, zombification, gratuitous violence, disease, or unnatural movements of the body. Body horror was a description originally applied to an emerging subgenre of North American horror films, but has roots in early Gothic literature and has expanded to include other media.
Nightmare Cinema is a 2018 American horror anthology film featuring work by directors Alejandro Brugués, Joe Dante, Mick Garris, Ryūhei Kitamura, and David Slade.
Hall, also stylized as HALL, is a 2020 Canadian mystery horror film that was directed by Francesco Giannini.
Mario Cerrito is an American filmmaker, writer and producer most closely associated with the horror genre. He is best known for his film trilogy, Human Hibachi, Human Hibachi 2: Feast in The Forest and Human Hibachi: The Beginning. Each film won a Best Film award at the New Jersey Horror Con and Film Festival in Atlantic City and were released by Troma Entertainment.
Butcher Boys is a 2012 American horror cannibal film written and produced by Kim Henkel, who co-created 1974's The Texas Chain Saw Massacre with Tobe Hooper. The film was directed by Duane Graves and Justin Meeks. It was originally titled Boneboys.