The Evil Dead is a 1981 American independent supernatural horror film written and directed by Sam Raimi. The film stars Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker, and Theresa Tilly as five college students vacationing in an isolated cabin in the woods, where they find an audio tape that, when played, releases a legion of demons and spirits. Four members of the group suffer from demonic possession, forcing the fifth member, Ash Williams (Campbell), to survive an onslaught of increasingly gory mayhem.
A snuff film, snuff movie, or snuff video is a theoretical type of film, produced for profit or financial gain, that shows, or purports to show, scenes of actual homicide. The victims are supposedly typically lured to their murders by false pretenses and their murder is then filmed and the video depicting it is sold to buyers.
Video nasty is a colloquial term popularised by the National Viewers' and Listeners' Association (NVALA) in the United Kingdom to refer to a number of films, typically low-budget horror or exploitation films, distributed on video cassette that were criticised for their violent content by the press, social commentators, and various religious organisations in the early 1980s. These video releases were not brought before the British Board of Film Classification (BBFC) due to a loophole in film classification laws that allowed videos to bypass the review process. The resulting uncensored video releases led to public debate concerning the availability of these films to children due to the unregulated nature of the market.
Mallrats is a 1995 American buddy comedy film written and directed by Kevin Smith and starring Jason Lee, Jeremy London, Shannen Doherty, Claire Forlani, Priscilla Barnes and Michael Rooker. It is the second film in the View Askewniverse following 1994's Clerks.
Snuff is a 1976 splatter film directed by Michael Findlay and Horacio Fredriksson. Originally an exploitation film loosely based on the 1969 murders committed by the Manson Family, it is most notorious for being falsely marketed as if it were an actual snuff film. The controversy about the film was deliberately manufactured to attract publicity: it prompted an investigation by the New York County District Attorney, who determined that the murder shown in the film was fake. This picture contributed to the urban legend of snuff films, although the concept did not originate with it.
Faces of Death is a 1978 American mondo horror film written and directed by John Alan Schwartz, credited under the pseudonyms "Conan Le Cilaire" and "Alan Black" respectively.
Cannibal Holocaust is a 1980 Italian cannibal film directed by Ruggero Deodato and written by Gianfranco Clerici. It stars Robert Kerman as Harold Monroe, an anthropologist who leads a rescue team into the Amazon rainforest to locate a crew of filmmakers that have gone missing while filming a documentary on local cannibal tribes.
Nekromantik is a 1987 West German horror exploitation film co-written and directed by Jörg Buttgereit. It is known to be frequently controversial, banned in a number of countries, and has become a cult film over the years due to its transgressive subject matter and audacious imagery.
Zombi 2 is a 1979 English-language Italian zombie film directed by Lucio Fulci. It was adapted from an original screenplay by Dardano Sacchetti to serve as a sequel to George A. Romero's Dawn of the Dead (1978), which was released in Italy under the title Zombi. It stars Tisa Farrow, Ian McCulloch, and Richard Johnson, and features a score by frequent Fulci collaborator Fabio Frizzi. Frizzi's score has been released independently of the film, and he has performed it live on tour.
Mondo film is a subgenre of exploitive documentary films. Many mondo films are made in a way to resemble a pseudo-documentary and usually depicting sensational topics, scenes, or situations. Common traits of mondo films include portrayals of foreign cultures, an emphasis on taboo subjects such as death and sex, and staged sequences presented as genuine documentary footage. Over time, the films have placed increasing emphasis on footage of the dead and dying.
Ultime grida dalla savana, also known as by its English title Savage Man Savage Beast, is a 1975 Italian mondo documentary film co-produced, co-written, co-edited and co-directed by Antonio Climati and Mario Morra. Filmed all around the world, its central theme focuses on hunting and the interaction between man and animal. Like many mondo films, the filmmakers claim to document real, bizarre and violent behavior and customs, although some scenes were actually staged. It is narrated by the Italian actor and popular dubber Giuseppe Rinaldi and the text was written by Italian novelist Alberto Moravia.
Last House on Dead End Street, originally released as The Fun House, is a 1977 American exploitation horror film written, produced, and directed by Roger Watkins, under the pseudonym Victor Janos. The plot follows a disgruntled ex-convict who takes revenge on society by kidnapping four acquaintances and filming their murders in an abandoned building.
Emmanuelle 5 is a 1987 English-language French film directed by Walerian Borowczyk. It is a sequel to 1984's Emmanuelle 4 and the fifth installment in the film series of the same name. It was followed by a sequel, Emmanuelle 6, released in 1988.
Killing for Culture: An Illustrated History of Death Film from Mondo to Snuff (1994) is the first book in the Creation Cinema series and deals with death in film and media.
On January 18, 1993, Maritza Martin Munoz, a 33-year-old Cuban-American woman, was shot to death by her 34-year-old ex-husband, Emilio Nuñez, at Our Lady Queen of Heaven Cemetery in North Lauderdale, Florida. Nuñez had been interviewed by Ocurrió Así television reporter Ingrid Cruz, who accompanied him when he visited his daughter's grave. While the crew was filming Nuñez at the cemetery, Martin arrived for her own visit, at which time Cruz confronted Martin, who was sitting silently in her vehicle, insisting that Martin answer her questions. Martin and Nuñez's 15-year-old daughter, Yoandra, had committed suicide in November 1992 following their discovery of her being 13 weeks pregnant, and Nuñez had blamed the incident on Martin. Nuñez believed that their daughter had been abused by her stepfather and murdered or driven to suicide by her mother. Both theories were rejected by investigators. Yoandra had been raised by Martin; Nuñez was prevented from contact with her.
Dolce e selvaggio is a 1983 Italian mondo film directed by Antonio Climati and Mario Morra. The title "Sweet and Savage" refers to the juxtaposition of pleasant 'sweet' and violent 'savage' imagery within the film. It is narrated by the producer and long-time Mondo film director Franco Prosperi.
Video Violence, also known as Video Violence... When Renting is Not Enough, is a 1987 American horror film directed by Gary Cohen and starring Gary Schwartz and Chick Kaplan. The film was shot entirely on a VHS camcorder.
Mondo Cane is a 1962 Italian mondo documentary film and directed by the trio of Gualtiero Jacopetti, Paolo Cavara, and Franco E. Prosperi, with narration by Stefano Sibaldi. The film consists of a series of travelogue scenes that provide glimpses into cultural practices around the world with the intention to shock or surprise Western film audiences. These scenes are presented with little continuity, as they are intended as a kaleidoscopic display of shocking content rather than presenting a structured argument. Despite its claims of genuine documentation, certain scenes are either staged or creatively manipulated to enhance this effect.
A Night to Dismember is a 1983 American slasher horror film, produced and directed by Doris Wishman. The film stars pornographic actress Samantha Fox as a psychotic young woman, recently released from a psychiatric institution, who is driven to kill by an ancestral curse. It was the first and only foray into the horror genre for Wishman, who mainly directed and produced sexploitation films.
Orozco the Embalmer is a 2001 Spanish-language Japanese-Colombian mondo film directed by Kiyotaka Tsurisaki. It follows a Colombian embalmer named Froilan Orozco Duarte, who is shown living in El Cartucho, an impoverished and crime-ridden area of Bogotá, Colombia, where the homicide rate is high and corpses can be seen on the streets.
