Multiple Maniacs | |
---|---|
Directed by | John Waters |
Written by | John Waters |
Produced by | John Waters |
Starring | |
Cinematography | John Waters |
Edited by | John Waters |
Music by | John Waters |
Production company | |
Distributed by | New Line Cinema |
Release date |
|
Running time | 96 minutes [2] |
Country | United States |
Language | English |
Budget | $5,000 |
Box office | $33,036 [3] |
Multiple Maniacs is a 1970 independent American black comedy film composed, shot, edited, written, produced, and directed by John Waters, as his second feature film and first "talkie". [4] It features several actors who were part of the Dreamland acting troupe for Waters' films, including Divine, Mary Vivian Pearce, David Lochary, Mink Stole, Edith Massey, George Figgs, and Cookie Mueller. The plot follows a traveling troupe of sideshow freaks who rob their unsuspecting audience members.
A major restoration received national exhibition in August 2016, after initially screening in June at the Provincetown Film Festival.
Lady Divine (Divine) is the owner and operator of The Cavalcade of Perversion, a free exhibit of various perversions and fetish acts and obscenities, such as the "Puke Eater". The show is free, but the various performers must persuade and even physically drag reluctant passersby to attend.
At the finale to every show, Lady Divine appears and robs the patrons at gunpoint. This arrangement seems successful to Mr. David (David Lochary), Lady Divine's lover, but Lady Divine becomes bored with the routine and decides to murder the patrons rather than merely robbing them. After escaping the murder scene, she comes home to Cookie (Cookie Mueller), her prostitute daughter, and her new boyfriend Steve (Paul Swift), a member of the Weather Underground.
Lady Divine receives a call from Edith (Edith Massey), proprietor of the local bar, who informs her that Mr. David had been at her bar with another woman (Mary Vivian Pearce). Lady Divine heads there to catch them, but is raped on the way by two glue-sniffers. Meanwhile, Mr. David and his new lover Bonnie, a woman who desperately wants to be part of the troupe, engage in sex acts at the home he shares with Lady Divine, during which Bonnie anally penetrates him with a dildo.
While Lady Divine contemplates her rape, the Infant of Prague (Michael Renner Jr.) appears and leads her to a church. Making her way uncertainly into the church, Lady Divine prays, but is then approached and seduced by a strange young woman named Mink (Mink Stole). They have a sexual encounter in the church pew, with Mink inserting a rosary in Divine's rectum while describing the Stations of the Cross.
Now lesbian lovers, Lady Divine and Mink go to Edith's bar with the intent to kill Mr. David and his mistress, but they are too late: David and Bonnie, who have by this time decided that they have to kill Lady Divine to protect themselves, have left.
Mr. David returns to Cookie's house, intent on killing Divine, but instead he finds Cookie and fellow Cavalcade performer Ricky (Rick Morrow) there. An argument ensues, and Bonnie accidentally kills Cookie. They tie up Ricky and hide Cookie's corpse just before Divine and Mink return. When Bonnie tries to shoot Lady Divine, Divine attacks and kills her with a knife. She then turns on Mr. David and eviscerates him as well, cannibalizing his internal organs, and becoming even more frenzied. Ricky suddenly surprises Mink, who shoots him. In a fit of anger, Divine accuses Mink of betrayal and stabs her. Divine becomes even more crazed upon finding her daughter Cookie's body hidden behind the couch.
Exhausted from the ordeal, Lady Divine collapses on a couch and is subsequently raped by a giant lobster. In the aftermath (mumbling "You're a maniac now, Divine"), she destroys a car, then wanders Baltimore trying to kill anyone she can. The National Guard appear, surround Lady Divine on the street, and shoot her, to the tune of "America the Beautiful".
Waters has said he was influenced by Herschell Gordon Lewis's Two Thousand Maniacs! (1964) when writing the film, and the title Multiple Maniacs is a direct reference. [5] The idea for "Lobstora"—the giant lobster that rapes Divine towards the end of the film—was derived from a combination of influences: Salvador Dalí; Jack Smith; a postcard for Provincetown, Massachusetts, that featured a lobster in the sky overlooking a beach; and taking LSD and cannabis. [6] [7]
Filming took place in Baltimore, Maryland. [5] The scene in which Divine cannibalizes Mr. David's innards was accomplished using a cow's heart that Waters had purchased from a butcher two days prior and refrigerated. [8] Lobstora was played by Vince Peranio and Peranio's brother in a papier-mâché costume. [6]
This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic.(October 2024) |
Waters, in a 2016 interview regarding the re-release of the film, quoted as saying "There was such a war going on then between the hippies and the straight world; and straight didn’t mean heterosexual... it meant you didn’t smoke pot or you didn’t think the revolution was going to happen." [8] Multiple Maniacs has often been described as a camp movie. Guy Schaffer, a lecturer at Rensselaer Polytechnic Institute, describes camp aesthetics in queer cinema as a way of reappropriating and revaluing "trash" whilst still broadcasting the trashiness of what it glamorizes. [9] The perceived trash in this case is not only the visual aesthetics but the main characters which are depicted as criminals, sodomites, cannibals, etc, the trash of society. This is evident as in the Cavalcade of Perversion, where "puke eaters" and "actual queers kissing" are part of the same spectacle and elicit the same guttural reactions from the "straight" audience. These depictions of filth reflect the sentiment social deviants such as queers might feel in reaction to society's treatment of deviants. "By forging a radical form of glamour based on a revaluation of trash and low culture, these performances refuse to value authenticity over artifice, beauty over ugliness, truth over trash." [10]
At the end of the film, after being raped and beaten, Divine proclaims, "I'm a maniac! A maniac that cannot be cured! O Divine, I am Di-vine!" [11] Although she might have been merely proclaiming her name, it is no accident that Divine was the chosen name of a character that seems to embody degeneracy itself. Divine draws power in these stories from the misfortune she faces, as every crime committed (against her or by her) pushes her further from society, prompting her to radicalize her behavior in retribution, which paradoxically grants her a sense of freedom from societal restraints. Multiple Maniacs is the intrinsic depiction of the perceived "free queer" in the 70s when the film was made—a sideshow attraction, a criminal, a junkie—yet it is also an intrinsic satire.
John Waters has been described as the "Pope of Trash," a reference to the role that religious imagery plays throughout his films. In Multiple Maniacs, Divine is part of a dysfunctional heterosexual relationship. After being assaulted once more, she awakens to the Infant of Prague by her side. The child leads her to a church where she has her first homosexual encounter: a "rosary job" performed by Mink Stole's character. The sex scene is intercut with reenactments of the crucifixion. In a 2016 interview, Waters noted that the Catholic church is the only enemy he has left and that religion is so inherently anti-sex that it's easy to sexualize it. [12] Moreover, he describes that rosaries and other religious symbols were popular in counterculture movements during the era, such as goth. The scene itself was inspired by a rosary that Mink Stole wore off-camera. [12] Though Waters has stated that he does not believe in God, he acknowledges the comfort that belief in a higher power can bring. He references David Baddiel, a Jewish comedian, who said, "I am moved by Jewish survival…I am moved by it comically, when, before every dinner that marks every Jewish festival, some guest says, 'They tried to kill us, they failed, let’s eat.'" [13]
Multiple Maniacs had its world premiere at the First Unitarian Church in Baltimore on April 10, 1970. [1] Waters later recalled that he toured the film throughout the United States, showing it at small arthouse theaters and other venues which often required a deposit to screen features. [14] The film also showed internationally, with screenings in England in early 1971. [15] In 2024, Waters recalled an incident where the Ontario Censor Board burnt a print of Multiple Maniacs that he sent for review. [16]
Upon the film's debut in 1970, The Baltimore Sun 's Lou Cedrone wrote: "Multiple Maniacs is very smelly, save for a moment here and there when the Waters humor is apparent. And humor he has. It's just a shame he has chosen to ignore that for the brutality which is not, as he and his audiences may think, a gas." [17] In 1981, Geoffrey Himes, also of The Baltimore Sun, referred to the film as "thoroughly disgusting" yet "also quite funny at times." [18]
The film holds a 100% rating on Rotten Tomatoes, Waters' highest-rated film on the site. [19]
A new restoration of Multiple Maniacs by American art house film distribution company Janus Films and video distribution company The Criterion Collection was previewed June 17, 2016 at the Provincetown Film Festival, and national exhibition began August 5, 2016 at the IFC Center in New York City. [20] [21]
The Criterion Collection released the restored print on Blu-ray and DVD on March 21, 2017, featuring a commentary track by Waters among other newly produced special features. [22] This release marked the first time the film had been available on a home format in 30 years, since its original VHS release by Cinema Group in 1987.[ citation needed ]
Multiple Maniacs grossed $33,036 in North America. [3]
Harris Glenn Milstead, better known by the stage name Divine, was an American actor, singer and drag queen. Closely associated with independent filmmaker John Waters, Divine was a character actor, usually performing female roles in cinematic and theatrical productions and adopted a female drag persona for his music career.
Pink Flamingos is a 1972 American black comedy film by John Waters. It is part of what Waters has labelled the "Trash Trilogy", which also includes Female Trouble (1974) and Desperate Living (1977). The film stars the countercultural drag queen Divine as a criminal living under the name of Babs Johnson, who is proud to be "the filthiest person alive". While living in a trailer with her mother Edie, son Crackers, and companion Cotton, Divine is confronted by the Marbles, a pair of criminals envious of her reputation who try to outdo her in filth. The characters engage in several grotesque, bizarre, and explicitly crude situations, and upon the film's re-release in 1997 it was rated NC-17 by the MPAA "for a wide range of perversions in explicit detail". It was filmed in the vicinity of Baltimore, Maryland, where Waters and most of the cast and crew grew up.
David Crawford Lochary was an American actor, one of the regular "Dreamlander" actors in early films of the controversial "trash" film director John Waters. He starred in such films as Pink Flamingos, Female Trouble, and Multiple Maniacs, in which he typically played exotically-dressed, sophisticated perverts. Lochary co-wrote The Diane Linkletter Story with Divine, and worked as an uncredited hair and makeup artist on many of Waters' films. Lochary met Divine at beauty school and used to style his wigs and makeup for parties. Divine later commented that he had "never even heard the word 'drag' before David."
John Samuel Waters Jr. is an American filmmaker, writer, actor, and artist. He rose to fame in the early 1970s for his transgressive cult films, including Multiple Maniacs (1970), Pink Flamingos (1972) and Female Trouble (1974). Waters wrote and directed the comedy film Hairspray (1988), which was later adapted into a hit Broadway musical and a 2007 musical film. Other films he has written and directed include Desperate Living (1977), Polyester (1981), Cry-Baby (1990), Serial Mom (1994), Pecker (1998), and Cecil B. Demented (2000). His films contain elements of post-modern comedy and surrealism.
Edith Massey was an American actress and singer. Massey was best known for her appearances in a series of movies by director John Waters. She was one of the Dreamlanders, Waters's stable of regular cast and crew members.
Polyester is a 1981 American comedy film directed, produced, and written by John Waters, and starring Divine, Tab Hunter, Edith Massey, and Mink Stole. It satirizes the melodramatic genre of women's pictures, particularly those directed by Douglas Sirk, whose work directly influenced this film. The film is also a satire of suburban life in the early 1980s, involving topics such as divorce, abortion, adultery, alcoholism, racial stereotypes, foot fetishism, and the religious right.
Female Trouble is a 1974 American independent dark comedy film written, produced and directed by John Waters. It stars Divine, David Lochary, Mary Vivian Pearce, Mink Stole, and Edith Massey, and follows delinquent high school student Dawn Davenport, who runs away from home, gets pregnant while hitchhiking, and embarks upon a life of crime.
Desperate Living is a 1977 American black comedy film directed, produced, and written by John Waters. The film stars Liz Renay, Mink Stole, Susan Lowe, Edith Massey, Mary Vivian Pearce, and Jean Hill.
Dorothy Karen "Cookie" Mueller was an American actress, writer, and Dreamlander who starred in many of filmmaker John Waters' early films, including Multiple Maniacs, Pink Flamingos, Female Trouble, and Desperate Living.
Mary Vivian Pearce is an American actress. She has worked primarily in the films of John Waters.
Roman Candles is a 1966 short film directed by John Waters and starring Divine, Mary Vivian Pearce, David Lochary, Mink Stole, and Maelcum Soul.
Mondo Trasho is a 1969 American 16mm mondo black comedy film by John Waters. The film stars Divine, Mary Vivian Pearce, David Lochary and Mink Stole. It contains very little dialogue, the story being told mostly through musical cues.
The Diane Linkletter Story is a 1970 16mm short film by American filmmaker John Waters starring Divine, Mary Vivian Pearce, and David Lochary.
Nancy Paine Stoll, known professionally as Mink Stole, is an American actress from Baltimore, Maryland. She began her career working for director John Waters, and has appeared in all of his feature films to date. Her extensive work with Waters has made her one of the Dreamlanders, Waters' ensemble of regular cast and crew members.
Dreamlanders are the cast and crew of regulars whom John Waters has used in his films. The term comes from the name of Waters' production company, Dreamland Productions.
Divine Trash is a 1998 American documentary film directed by Steve Yeager about the life and work of filmmaker John Waters, and the making of the 1972 film Pink Flamingos, which is written and directed by Waters and stars Divine.
In Bad Taste is a 2000 documentary film from Steve Yeager following the cinematic career of American filmmaker John Waters, and includes interviews with Waters and his ensemble cast, known as the Dreamlanders.
Love Letter to Edie is a 1975 American short documentary by Robert Maier. The film is about actress Edith Massey who starred in many John Waters films such as Desperate Living, Pink Flamingos, Multiple Maniacs, and Female Trouble. The film follows Edith Massey around her Baltimore thrift store, and includes fantasy sequences and stories about her past.
Vincent Peranio is a retired American production designer, art director, set designer, and actor.
I Am Divine is a 2013 American documentary film produced and directed by Jeffrey Schwarz of the Los Angeles-based production company Automat Pictures. The documentary focuses on the American actor, singer, and drag performer Divine, born Harris Glenn Milstead, a lifelong friend and collaborator of filmmaker John Waters.