Sideshow

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In North America, a sideshow is an extra, secondary production associated with a circus, carnival, fair, or other such attraction.

Contents

Types

Painting on sideshow truck, firebreather, Florida, 1966 Old sideshow ad, firebreathing man.JPG
Painting on sideshow truck, firebreather, Florida, 1966
Elly del Sarto, a sideshow performer, in c. 1910 Elly del Sarto.jpg
Elly del Sarto, a sideshow performer, in c. 1910

There are four main types of classic sideshow attractions:

Early history and acts

By the 1830s, "outside shows" began to be established alongside travelling circuses. [4] :9 Initially, the circuses distanced themselves from the sideshows, but in 1850, a relationship was established between them. [4] :9

"Working acts" often exhibited a number of stunts that could be counted on to draw crowds. These stunts used little-known methods and offered the elements of danger and excitement. Such acts included fire eating, sword swallowing, knife throwing, body piercing, lying on a bed of nails, walking up a ladder of sharp swords, and more. The renewed attention to these feats has prompted a new round of oversimplified or inaccurate explanations, leading some inexperienced people to attempt them without adequate training often resulting in injury and sometimes even death.[ citation needed ]

Decline and revival

Decaying sideshow advertisement, Florida, 1966 Side Show gorilla poster, Florida, 1960s.JPG
Decaying sideshow advertisement, Florida, 1966

Interest in sideshows declined as television made it easy (and free) to see the world's most exotic attractions. Moreover, viewing "human oddities" became distasteful as the public conscience changed, and many localities passed laws forbidding the exhibition of freaks. [5] The performers often protested (to no avail) that they had no objection to the sideshow, especially since it provided not only a good income for them, but in many cases it provided their only possible job.[ citation needed ] The sideshow seemed destined for oblivion, until only a few exemplars of the ten-in-one remained. In modern times, sideshow performers are often individual professionals or groups. A greater number of "Single O" attractions still tour carnivals.

In the 1940s, Ward Hall began the World of Wonders Amazement Show, which is still running today. It is the oldest carnival sideshow organization in America and is currently owned and run by Thomas Breen. [6] In 1970, John Strong Jr (son of John Strong of The John Strong 3 Ring Tented Circus) [7] began a 47-year continuous run of traveling sideshow, The Strong Sideshow. Several acts and artifacts toured over the years such as the 5-legged dog, Chupacabra, a 2-headed cow, and a mummy. John Jr. performed all the live acts himself for several years including sword swallowing, fire eating, bed of nails blade box and electric chair. [8] After living the lifestyle for a lifetime, The Strong Sideshow is now in residency at "The Sideshow Museum", in Uranus, Missouri.

In the early 1990s, Jim Rose developed a modern sideshow called "the Jim Rose Circus", reinventing the sideshow with two types of acts that would attract modern audiences and stay within legal bounds. The show featured acts reviving traditional sideshow stunts and carrying some of them to extremes, and "fringe" artists (often exhibiting extreme body modification) performing bizarre or masochistic acts like eating insects, lifting weights by means of hooks inserted in their body piercings, or stapling currency to their forehead. The show drew audiences at venues unknown to old-time sideshows, like rock clubs and the 1992 Lollapalooza festival. The Jim Rose Circus held its last known performance in 2013 at The London Burlesque Festival. The impact of the Jim Rose Circus on pop culture inspired a new wave of performers. There are now more sideshow performers than at any other time in the genre's history. At the same time in Canada, Scott McClelland, grandson of itinerant showman N.P. Lewchuk, formed Carnival Diablo, a show that performs frequently to this day. The success of these shows sparked a growing number of performers to revive the traditional sideshow arts, taught by sideshow veterans, and many now perform in spot engagements from rock clubs and comedy clubs to corporate events.

"Sideshows by the Seashore", sponsored by Coney Island USA in Brooklyn, NY has performed since 1983, and tours under the name "Coney Island Circus Sideshow". Circus historian and collector Ken Harck ran the Brothers Grim Sideshow, which toured with the OzzFest music festival in the summer of 2006 and 2007. Sideshow celebrity and multiple world record breaker Chayne Hultgren 'The Space Cowboy' owns Australia's largest traveling oddity museum 'The Mutant Barnyard' and along with his partner Zoe Ellis 'AKA: Zoe L'amore' they run 'Sideshow Wonderland', one of the world's most successful sideshows described as a modern high energy human oddity exhibit or freakshow cabaret.

The Robin Marks Foundation [9] is a nonprofit organization to elevate the image of sideshow, offer job opportunities for professionals, and continued education as well as to aid in educating the public about what it is to be part of the sideshow. The Southern Sideshow Hootenanny is another nonprofit organization dedicated to celebrating and fostering growth within the sideshow industry. [10] Both have come about because of a revival in the art form and offer several benefits for members and patrons.

See also

Related Research Articles

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Clarence Chesterfield Howerton, also known as Major Mite, was an American circus performer who starred in the sideshow for over 25 years, 20 of which were with the Ringling Bros. and Barnum & Bailey Circus. He was 2 ft 4 in (0.71 m) tall and performed with several groups from the early 1920s through the late 1940s, billed as the smallest man in the world. His small physique was often contrasted alongside larger circus sideshow acts, such as the juvenile obese and the excessively tall.

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References

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Sources