Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin.
Entertainment is a form of activity that holds the attention and interest of an audience or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention.
In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated.
The waltz, meaning "to roll or revolve", is a ballroom and folk dance, normally in 3/4 time, performed primarily in closed position.
The Irish Folk Dance is a form of lively folk dance in compound metre, as well as the accompanying dance tune. It is most associated with Irish music and dance. It first gained popularity in 16th-century Ireland and parts of Great Britain and was quickly adopted on mainland Europe where it eventually became the final movement of the mature Baroque dance suite. Today it is most associated with Irish dance music, Scottish country dance and the Métis people in Canada. Jigs were originally in duple compound metre,, but have been adapted to a variety of time signatures, by which they are often classified into groups, including light jigs, slip jigs, single jigs, double jigs, and treble jigs.
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from October 28, 1923, through June 28, 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927.
Contortion is a performance art in which performers called contortionists showcase their skills of extreme physical flexibility. Contortion acts often accompany acrobatics, circus acts, street performers and other live performing arts. Contortion acts are typically performed in front of a live audience. An act will showcase one or more artists performing a choreographed set of moves or poses, often to music, which require extreme flexibility. The physical flexibility required to perform such acts greatly exceeds that of the general population. It is the dramatic feats of seemingly inhuman flexibility that captivate audiences.
Contact improvisation is a form of improvised dancing that has been developing internationally since 1972. It involves the exploration of one's body in relationship to others by using the fundamentals of sharing weight, touch, and movement awareness.
Dance improvisation is the process of spontaneously creating movement. Development of movement material is facilitated through a variety of creative explorations including body mapping through levels, shape and dynamics schema.
In ballet, a pas de deux[pɑ d(ə) dø] is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The pas de deux is characteristic of classical ballet and can be found in many well-known ballets, including Sleeping Beauty, Swan Lake, and Giselle. It is most often performed by a male and a female though there are exceptions, such as in the film White Nights, in which a pas de deux is performed by Mikhail Baryshnikov and Gregory Hines.
Blues dancing is a family of historical dances that developed alongside and were danced to blues music, or the contemporary dances that are danced in that aesthetic. It has its roots in African-American dance, which itself is rooted in sub-Saharan African music traditions and the historical dances brought to the United States by European immigrants.
The Detroit Opera House is an ornate opera house located at 1526 Broadway Street in Downtown Detroit, Michigan, within the Grand Circus Park Historic District. The 2,700-seat venue is the home of productions of the Michigan Opera Theatre and a variety of other events. The theatre was originally designed by C. Howard Crane, who created other prominent theatres in Detroit including The Fillmore Detroit, the Fox Theater and the Detroit Symphony's Orchestra Hall. It opened on January 22, 1922.
Acrobalance is a floor-based acrobatic art that involves balances, lifts and creating shapes performed in pairs or groups.
The perch is an equilibristic balancing act where one performer balances atop a pole that is being balanced by another performer. Each perch pole has a loop at the top into which the performer may insert either a hand or a foot in order to perform a variety of tricks while hanging down from the loop. During the whole routine, the base at the bottom must balance the pole as the flier shifts their weight from one position to another, climbs up and down, and balances at the top.
Acro dance is a style of dance that combines classical dance technique with precision acrobatic elements. It is defined by its athletic character, its unique choreography, which seamlessly blends dance and acrobatics, and its use of acrobatics in a dance context. It is a popular dance style in amateur competitive dance as well as in professional dance theater and in contemporary circus productions such as those by Cirque du Soleil. This is in contrast to acrobatic, artistic and rhythmic gymnastics, which are sports that employ dance elements in a gymnastics context under the auspices of a governing gymnastics organization and subject to a Code of Points. Acro dance is known by various other names including acrobatic dance and gymnastic dance, though it is most commonly referred to simply as acro by dancers and dance professionals.
Frank Veloz (1902–1981) and Yolanda Casazza (1911–1995) were a self-taught American ballroom dance team, husband and wife, who became stars in the 1930s and 1940s. They were among the highest paid dance acts during this period. They performed on stage in productions such as Hot-Cha!, which ran for 119 shows on Broadway in 1932. They also appeared in popular films such as Under the Pampas Moon (1935), The Pride of the Yankees (1942), Honeymoon Lodge (1943), Brazil (1944) and The Thrill of Brazil (1946), the latter of which is credited as being of major importance to the growth in popularity of Samba in America.
Figures of Argentine tango are elements of Argentine tango.
The Lindy Hop is an American dance which was born in the African-American communities in Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy was a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz, tap, breakaway, and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family.
In dance, floorwork refers to movements performed on the floor. Floorwork is used extensively in modern dance, particularly Graham technique and Hawkins technique, as well as in vernacular breakdancing. Some dance training practices, notably Floor-Barre, consist entirely of floorwork.
Hand to hand acrobatics is a type of performance in which an acrobatic base and flyer balance on top of each other in either a gymnastic or acrobatic medium. It combines strength, agility, flexibility, and balance. For it to be considered hand to hand acrobatics, the top performer (flyer) must be making physical contact only with the base's hands, with the flyer’s hands keeping them balanced. Positions the top can perform in this style of acrobatics are straddles, handstands, pikes, press to handstand, one arm handstands, planches, flags, and many others. Hand to hand acrobatics can also include dynamic catches and throws that either begin with a throw from a hand to hand position or end in a catch in the hand to hand position.
