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Contact manipulation is a form of object manipulation that focuses on the movement of objects such as balls in contact with the body. Although often used in conjunction with "toss juggling", it differs in that it involves the rolling of one or more objects without releasing them into the air.
Many of the techniques found in contact manipulation, such as balancing or rolling a single ball or palm spinning (see "Baoding Balls"), have been performed for centuries. More variations were introduced by vaudevillians such as Paul Cinquevalli. In 1986, American juggler Tony Duncan was reported to be holding audiences spellbound with an act that involved rolling a single ball all over his body. [1]
Michael Moschen brought the form to a new level with his performance, "Light", developed in the 1980s. In this performance he used 75mm clear crystal balls, palm spinning up to eight balls simultaneously. He finished the act by rolling a single clear ball so that it appeared to float over his hands and arms. Moschen received praise from the international circus community for his range of innovative techniques, and he was made a MacArthur Fellow (received a "Genius Award") in 1990. In the 1986 film Labyrinth , David Bowie's character performs contact manipulation throughout the film. These manipulations were performed by Moschen, who stood behind Bowie during filming, reaching around and performing the tricks "blind". [2] In the film's credits, Moschen is credited for "crystal ball manipulation."
In the summer of 1990, John P. Miller (now better known by his pen-name, James Ernest), wrote and published the first edition of the book Contact Juggling, which covers all of the basic contact manipulation techniques and methods for learning them. The first edition had a run of only 100 copies, photocopied and stapled. The second edition was published in 1991, in a comb-bound format, by Ernest Graphics Press, with the author listed as James Ernest. [3] Ernest is credited with coining the term "contact juggling". [4]
In 1991, the video "Michael Moschen: In Motion" (created as the television special "In Motion with Michael Moschen" for PBS's "Great Performances" series) was released. Since then, this form of manipulation has received further popularization through instructional materials and performances developed by artist other than Moschen. Throughout the 1990s, there was continuing contention within the juggling community regarding whether Moschen's ideas were being stolen by performers and juggling instructors (see "Controversy", below). Many resources have since become available for contact jugglers, such as clubs, books, festivals, videos/DVDs, and balls specifically manufactured for contact manipulation.
In 2010, Zoom TV, a direct-marketing company, began mass-marketing "the Fushigi Magic Gravity Ball", an acrylic contact manipulation ball with a steel core (used to prevent the focusing of sunlight through a clear acrylic sphere, a fire hazard). Zoom TV claimed that the ball possesses special properties that make it "appear to float" and improve balance and control [5] (see "Controversy", below), and saw significant commercial success.
In 2010, an updated and revised third edition of the book Contact Juggling [6] was released by Ernest Graphics Press.
Michael Moschen, in interviews, has contested that so-called Contact Juggling does not exist, and that the term Contact JUggling is both self contradictory and erroneous, and created purely for commercial reasons.
Body rolling means manipulating one or more props (usually balls) around the hands, arms, and other parts of the body. Balance is required to hold the ball in various positions of control. This includes tricks such as headrolling and the butterfly, the trick of rolling the ball from the palm to the back of the hand via the fingertips.
The headroll is a trick involving rolling an object or prop, typically a ball, around on the juggler's head. The most commonly performed version is rolling a ball from temple to temple, across the forehead. At some points during the trick, the object may be balanced in place at a certain location on the head. Points where the prop may be balanced (also known as placement, or trap) include: the temple, the center of the forehead, the back of the neck, the eye socket, the mouth, and the most difficult; the top of the head.
Palm spinning means manipulating one or more balls in the open hand so that at least one ball is in motion. Balls may be in both hands or transferred between hands to form graceful and fluid patterns, including rotating a pyramid made of four or five balls in one hand.
Isolation refers to the manipulation of a ball so that it appears to be suspended in place. Similar to sleight-of-hand techniques in magic or fixed-point mime techniques; the performers exploit the clear surface of the ball to hide any noticeable rotation, creating the effect that the ball is still while the performer moves around the ball.
There are various forms of contact balls such as: [7]
Some jugglers have claimed that portions of the book Contact Juggling and any juggling performances that contain elements similar to Michael Moschen's original "Light" performance are breaches of Moschen's intellectual property or copyright. In 1992, Michael Moschen threatened not to attend the International Jugglers' Association annual conference in Quebec, Canada, where he was to be a guest of honor, due to Ted Alspach's favorable review of the book Contact Juggling in the Fall 1991 issue of the IJA's periodical, Juggler's World. [8] In the end, Moschen did attend the festival. [9]
The wide commercial success of the "Fushigi Magic Gravity Ball" in 2010 reignited the controversy within the contact juggling community. The television advertisement consisted of a montage of contact juggling performance, the amazed reactions of audience members, suggestions that the ball appeared to float by itself, and an announcer suggesting that the ball can be quickly mastered "in just minutes." [10] Concerned about the public depiction of contact juggling being accomplished not by skill but by means of a special prop, contact jugglers quickly filled a Fushigi thread to 100 pages on contactjuggling.org. The Winter 2010 edition of the IJA's periodical Juggle features a 4-page article about "the Dynamic/Contact/Sphereplay/Fushigi Controversy" by Brad Weston, including an interview with the president of Zoom TV Products, the marketing firm that produced the Fushigi ball. [11] The following issue featured a rebuttal by a professional contact juggler accusing Zoom TV Products of exploiting contact juggling to sell a deceptively marketed product. [12] The Fushigi ball quickly fell out of production.[ citation needed ]
Juggling is a physical skill, performed by a juggler, involving the manipulation of objects for recreation, entertainment, art or sport. The most recognizable form of juggling is toss juggling. Juggling can be the manipulation of one object or many objects at the same time, most often using one or two hands but other body parts as well, like feet or head. Jugglers often refer to the objects they juggle as props. The most common props are balls, clubs, or rings. Some jugglers use more dramatic objects such as knives, fire torches or chainsaws. The term juggling can also commonly refer to other prop-based manipulation skills, such as diabolo, plate spinning, devil sticks, poi, cigar boxes, contact juggling, hooping, yo-yo, hat manipulation and kick-ups.
Fire performance is a group of performance arts or skills that involve the manipulation of fire. Fire performance typically involves equipment or other objects made with one or more wicks which are designed to sustain a large enough flame to create a visual effect.
Juggling clubs are a prop used by jugglers. Juggling clubs are often simply called clubs by jugglers and sometimes are referred to as pins or batons by non-jugglers. Clubs are one of the three most popular props used by jugglers; the others being balls and rings.
Passing is the act of juggling between two or more people. It is most commonly seen as a subset of toss juggling.
Toss juggling is the form of juggling which is most recognisable as 'juggling'. Toss juggling can be used as: a performing art, a sport, a form of exercise, as meditation, a recreational pursuit or hobby.
In toss juggling, the shower is a juggling pattern for 3 or more objects, most commonly balls or bean bags, where objects are thrown in a circular motion. Balls are thrown high from one hand to the other while the other hand passes the ball back horizontally. "In the shower pattern, every ball is thrown in a high arc from the right hand to the left and then quickly passed off with a low throw from the left to the right hand ." The animation depicts a 3-ball version. Siteswap notation for shower patterns is (2n-1)1, where n is the number of objects juggled. The circular motion of the balls is commonly represented in cartoons as the archetypical juggling pattern, somewhat at odds with reality, where the cascade is more common. By constantly reversing the direction, the box pattern can be formed.
Juggling practice has developed a wide range of patterns and forms which involve different types of manipulation, different props, numbers of props, and numbers of jugglers. The forms of juggling shown here are practiced by amateur, non-performing, hobby jugglers as well as by professional jugglers. The variations of juggling shown here are extensive but not exhaustive as juggling practice develops and creates new patterns on a regular basis. Jugglers do not consciously isolate their juggling into one of the categories shown; instead most jugglers will practice two or more forms, combining the varieties of juggling practice. Some forms are commonly mixed, for example: numbers and patterns with balls; while others are rarely mixed, for example: contact numbers passing. Many Western jugglers also practice other forms of object manipulation, such as diabolo, devil sticks, cigar box manipulation, fire-spinning, contact juggling, hat manipulation, poi, staff-spinning, balancing tricks, bar flair and general circus skills.
Poi is a performing art and also the name of the equipment used for its performance. As a skill toy, poi is an object or theatrical prop used for dexterity play or an object manipulation. As a performance art, poi involves swinging tethered weights through a variety of rhythmical and geometric patterns. Poi artists may also sing or dance while swinging their poi. Poi can be made from various materials with different handles, weights, and effects.
Michael Moschen is an American juggler.
Hat manipulation is a form of juggling in which the manipulator performs feats of skill and dexterity using a brimmed hat such as a bowler hat or a top hat as a prop. Tricks can range from rolling a hat up and down the various parts of the body to throwing and catching the hat in amusing ways. Hat manipulation is often comedic in nature. Part of the appeal of the art is in the necessary equipment; all that is needed is a good, heavy, brimmed hat, which can be found at many juggling stores. Famous manufacturers of manipulation specific hats are Nils Poll and Dubé. Hat manipulation is also frequently combined with traditional forms of juggling in order to create more varied acts.
In contact juggling, poi spinning, hooping and other types of object manipulation, an isolation is an illusion whereby a prop appears to float in space, with the performer's hands and body moving around it. In reality, the performer is supporting the prop, and countering his or her movement relative to the prop.
Twirling is a form of object manipulation where an object is twirled by one or two hands, the fingers or by other parts of the body. Twirling practice manipulates the object in circular or near circular patterns. It can also be done indirectly by the use of another object or objects as in the case of devil stick manipulation where handsticks are used. Twirling is performed as a hobby, sport, exercise or performance.
Headroll may refer to:
Juggling balls, or simply balls, are a popular prop used by jugglers, either on their own—usually in sets of three or more—or in combination with other props such as clubs or rings. A juggling ball refers to any juggling object that is roughly spherical in nature.
A juggling pattern or juggling trick is a specific manipulation of props during the practice of juggling. "Juggling, like music, combines abstract patterns and mind-body coordination in a pleasing way." Descriptions of patterns and tricks have been most common in toss juggling. A juggling pattern in toss juggling is a sequence of throws and catches using a certain number of props which is repeated continuously. Patterns include simple ones such as the cascade and complex ones such as Mills mess. A juggling trick in toss juggling is a throw or catch which is different from the throws and catches within a pattern. Tricks include simple ones such as a high throw or more difficult ones such a catch on the back of the jugglers neck, as well as the claw, multiplex, and pass. Systems of juggling notation have been created to describe juggling patterns and tricks. One of these is siteswap notation.
Object manipulation are when you dexterity play in which one or more when their people physically interact is when they play with one or more or many object. Many object manipulation skills are recognised circus skills. Other object manipulation skills are linked to sport, magic, and everyday objects or practices. Many object manipulation skills use special props made for that purpose: examples include the varied circus props such as balls, clubs, hoops, rings, poi, staff, and devil sticks; magic props such as cards and coins; sports equipment such as nunchaku and footballs. Many other objects can also be used for manipulation skills. Object manipulation when the ordinary items may be not considered there to be the object manipulation because it is when the object isn't used into an the unusually stylised or skilful way or for a when physical interaction is outside of its socially acknowledged context or when differently from its original purpose.
A juggling robot is a robot designed to be able to successfully carry out bounce or toss juggling. Robots capable of juggling are designed and built both to increase and test understanding and theories of human movement, juggling, and robotics. Juggling robots may include sensors to guide arm/hand movement or may rely on physical methods such as tracks or funnels to guide prop movement. Since true juggling requires more props than hands, many robots described as capable of juggling are not.
Juggling terminology, juggling terms:
