Female Trouble | |
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Directed by | John Waters |
Written by | John Waters |
Produced by | John Waters |
Starring | |
Cinematography | John Waters |
Edited by |
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Music by |
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Production companies |
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Distributed by | New Line Cinema |
Release date |
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Running time |
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Country | United States |
Language | English |
Budget | $25,000 |
Female Trouble is a 1974 American independent [1] dark comedy film written, produced and directed by John Waters. It stars Divine, David Lochary, Mary Vivian Pearce, Mink Stole, and Edith Massey, and follows delinquent high school student Dawn Davenport (played by Divine), who runs away from home, gets pregnant while hitchhiking, and embarks upon a life of crime.
Made directly after his notorious 1972 cult hit Pink Flamingos (which used much of the same cast and was made in a similar low-budget style), Waters also acted as cinematographer and co-editor. The film is dedicated to Manson Family member Charles "Tex" Watson. Waters' prison visits to Watson inspired the "crime is beauty" theme of the film and in the film's opening credits, Waters includes a wooden toy helicopter that Watson made for him.
In Baltimore in 1960, delinquent high-school student Dawn Davenport goes berserk when her parents refuse to buy her the cha-cha heels she wanted for Christmas. In a fit of rage, she topples the family Christmas tree on her mother, and storms out of the house barely even dressed. Dawn hitchhikes a ride with a repulsive, lecherous man, Earl Peterson, who drives her to a dump where they have sex on a discarded mattress. Dawn becomes pregnant, but Earl refuses to support her. She eventually gives birth to a daughter, Taffy, whom she often beats and punishes severely. Dawn works various dead-end jobs, such as a waitress in a diner, and a stripper, and engages in criminal activities such as burglary and street prostitution with her former high-school friends Concetta and Chicklette.
Dawn frequents the Lipstick Beauty Salon and marries Gater Nelson, her hair stylist and next-door neighbor. Donald and Donna Dasher, the owners of the beauty salon, recruit Dawn to be part of an artistic experiment to prove "crime and beauty are the same". They entice Dawn to commit crimes by promising her fame, and photograph her crimes to stoke her vanity.
Gater's aunt, Ida Nelson, is distraught over her nephew's marriage because she wants him to date men instead of women. When the marriage fails, Dawn persuades the Dashers to fire Gater, who moves to Detroit to work in the auto industry. Ida blames Dawn for driving Gater away and exacts revenge by throwing acid in her face, leaving Dawn hideously disfigured. The Dashers discourage Dawn from having corrective cosmetic surgery and use her as a grotesquely made-up model. They redecorate her home, and provide her with new clothes, money and make-up (which they make her inject like a drug). After they kidnap Ida and imprison her in a large birdcage as a gift to Dawn, they give Dawn an axe to chop off her hand as revenge for the acid attack.
Taffy, now a teenager, is distressed by her mother's criminal lifestyle and the fact that Dawn keeps trying to make her believe she is intellectually disabled. Taffy persuades Dawn to reveal the identity of her father, but when Taffy traces him, she finds him drunk, disheveled and living in squalor. She stabs him to death with a chef's knife after he tries to molest her. Taffy returns home, falsely claims she was unable to locate her father, and announces she is joining the Hare Krishna movement. Dawn threatens to kill her if she does.
Dawn, now with bizarre hair, make-up and outfits provided by the Dashers, mounts a nightclub act. When Taffy appears backstage in religious attire, Dawn fulfills her threat and strangles her to death. As part of her nightclub act, Dawn bounces on a trampoline, tears a phone directory into pieces, and cavorts in a crib full of dead fish. She then brandishes a gun onstage and begins firing into the crowd, wounding and killing several audience members. When police arrive to ostensibly subdue the crowd, they shoot several audience members themselves but allow the Dashers to leave when they claim to be upright citizens. Dawn flees into a forest, but is soon arrested by the police and put on trial for murder.
At the trial, the judge grants the Dashers immunity from prosecution for testifying against Dawn. The Dashers feign innocence and completely blame Dawn for the crimes she committed at their behest, and they bribe Ida to give false testimony in order to get Dawn convicted. Although Dawn's lawyer tries to have her found not guilty by reason of insanity, the jury finds Dawn guilty and sentences her to die in the electric chair. In prison, after Dawn says goodbye to her fellow inmate and lesbian lover Earnestine, she is escorted by a priest and two guards to her execution. As Dawn is strapped to the chair, she makes a speech to an imaginary audience as if she were accepting an award, and is then executed.
The lyrics to the title song, sung by Divine, were written by Waters and set to the instrumental track of "Black Velvet Soul" by jazz musician Cookie Thomas. The lyrics foreshadow the ending of the film with Dawn being sent to the electric chair.
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 90% based on 29 reviews, with an average rating of 7.1/10. The website's critics consensus reads, "Director John Waters' affection for camp brings texture to societal transgression in Female Trouble, a brazenly subversive dive into celebrity and mayhem." [6]
Where do these people come from? Where do they go when the sun goes down? Isn't there a law or something?
— Rex Reed [4]
The initial 16 mm release of the film which was shown at colleges ran 92 minutes. However, when the film was blown up to 35 mm and shown theatrically, it was cut to 89 minutes. This version was the only version seen in the United States for many years. However, a recent restoration was done of the original cut, which runs 97 minutes; it has played at this 97-minute length in Europe, however, since its initial release.
The 97-minute version was shown in select theaters and was included in an out-of-print DVD set paired with Pink Flamingos (Female Trouble is still available on DVD as a single disc and as part of the DVD box set Very Crudely Yours, John Waters). This version also has a soundtrack remixed in stereo surround. The 97-minute version contains some additional scenes, including the chase through the woods, as well as an appearance by Sally Turner, the Elizabeth Taylor lookalike customer in the Lipstick Beauty Salon (Turner served as Divine's double in the junkyard sex scene between Dawn Davenport and Earl Peterson).
The film was shown in the 89-minute cut when re-released in 2002.
The 97-minute version is now available on DVD and includes an audio commentary by Waters.
The Criterion Collection released a restored version of the film on DVD and Blu-ray on June 26, 2018. [7] [8]
Harris Glenn Milstead, better known by the stage name Divine, was an American actor, singer and drag queen. Closely associated with independent filmmaker John Waters, Divine was a character actor, usually performing female roles in cinematic and theatrical productions, and adopted a female drag persona for his music career.
Serial Mom is a 1994 American satirical black comedy crime slasher film directed and written by John Waters and starring Kathleen Turner as the title character along with Sam Waterston as her husband, and Ricki Lake and Matthew Lillard as her children. Patty Hearst, Suzanne Somers, Joan Rivers, Traci Lords, and Brigid Berlin make cameo appearances in the film.
Pink Flamingos is a 1972 American black comedy film by John Waters. It is part of what Waters has labelled the "Trash Trilogy", which also includes Female Trouble (1974) and Desperate Living (1977). The film stars the countercultural drag queen Divine as a criminal living under the name of Babs Johnson, who is proud to be "the filthiest person alive". While living in a trailer with her mother Edie, son Crackers, and companion Cotton, Divine is confronted by the Marbles, a pair of criminals envious of her reputation who try to outdo her in filth. The characters engage in several grotesque, bizarre, and explicitly crude situations, and upon the film's re-release in 1997 it was rated NC-17 by the MPAA "for a wide range of perversions in explicit detail". It was filmed in the vicinity of Baltimore, Maryland, where Waters and most of the cast and crew grew up.
David Crawford Lochary was an American actor, one of the regular "Dreamlander" actors in early films of the controversial "trash" film director John Waters. He starred in such films as Pink Flamingos, Female Trouble, and Multiple Maniacs, in which he typically played exotically-dressed, sophisticated perverts. Lochary co-wrote The Diane Linkletter Story with Divine, and worked as an uncredited hair and makeup artist on many of Waters' films. Lochary met Divine at beauty school and used to style his wigs and makeup for parties. Divine later commented that he had "never even heard the word 'drag' before David."
John Samuel Waters Jr. is an American filmmaker, writer, actor, and artist. He rose to fame in the early 1970s for his transgressive cult films, including Multiple Maniacs (1970), Pink Flamingos (1972) and Female Trouble (1974). Waters wrote and directed the comedy film Hairspray (1988), which was later adapted into a hit Broadway musical and a 2007 musical film. Other films he has written and directed include Desperate Living (1977), Polyester (1981), Cry-Baby (1990), Serial Mom (1994), Pecker (1998), and Cecil B. Demented (2000). His films contain elements of post-modern comedy and surrealism.
Polyester is a 1981 American comedy film directed, produced, and written by John Waters, and starring Divine, Tab Hunter, Edith Massey, and Mink Stole. It satirizes the melodramatic genre of women's pictures, particularly those directed by Douglas Sirk, whose work directly influenced this film. The film is also a satire of suburban life in the early 1980s, involving topics such as divorce, abortion, adultery, alcoholism, racial stereotypes, foot fetishism, and the religious right.
Desperate Living is a 1977 American black comedy film directed, produced, and written by John Waters. The film stars Liz Renay, Mink Stole, Susan Lowe, Edith Massey, Mary Vivian Pearce, and Jean Hill.
Multiple Maniacs is a 1970 independent American black comedy film composed, shot, edited, written, produced, and directed by John Waters, as his second feature film and first "talkie". It features several actors who were part of the Dreamland acting troupe for Waters' films, including Divine, Mary Vivian Pearce, David Lochary, Mink Stole, Edith Massey, George Figgs, and Cookie Mueller. The plot follows a traveling troupe of sideshow freaks who rob their unsuspecting audience members.
Dorothy Karen "Cookie" Mueller was an American actress, writer, and Dreamlander who starred in many of filmmaker John Waters' early films, including Multiple Maniacs, Pink Flamingos, Female Trouble, and Desperate Living.
Mary Vivian Pearce is an American actress. She has worked primarily in the films of John Waters.
Mondo Trasho is a 1969 American 16mm mondo black comedy film by John Waters. The film stars Divine, Mary Vivian Pearce, David Lochary and Mink Stole. It contains very little dialogue, the story being told mostly through musical cues.
A Dirty Shame is a 2004 American satirical sex comedy film written and directed by John Waters and starring Tracey Ullman, Johnny Knoxville, Selma Blair, and Chris Isaak. It follows a community in suburban Baltimore divided between people with highly conservative attitudes towards sexuality, and those who have been turned into sex addicts after experiencing concussions.
On Dangerous Ground is a 1951 film noir directed by Nicholas Ray, starring Robert Ryan and Ida Lupino, and produced by John Houseman. The screenplay was written by A. I. Bezzerides based on the 1945 novel Mad with Much Heart by Gerald Butler.
Dreamlanders are the cast and crew of regulars whom John Waters has used in his films. The term comes from the name of Waters' production company, Dreamland Productions.
Don't Play Us Cheap is a 1973 American musical comedy film based on the 1970 musical of the same name. The musical was written, produced, scored, edited and directed by Melvin Van Peebles. Both the original stage musical and the film adaptation are based on Van Peebles' 1967 French-language novel La fête à Harlem (1967).
Divine Trash is a 1998 American documentary film directed by Steve Yeager about the life and work of filmmaker John Waters, and the making of the 1972 film Pink Flamingos, which is written and directed by Waters and stars Divine.
Love Letter to Edie is a 1975 American short documentary by Robert Maier. The film is about actress Edith Massey who starred in many John Waters films such as Desperate Living, Pink Flamingos, Multiple Maniacs, and Female Trouble. The film follows Edith Massey around her Baltimore thrift store, and includes fantasy sequences and stories about her past.
Susan Walsh was an American actress. She worked primarily in the films of John Waters. Because of her work with Waters, she is considered one of the Dreamlanders, Waters' ensemble of regular cast and crew members.
Elizabeth Lamont Coffey Williams, simply known by her maiden name Elizabeth Coffey, is an American actress and transgender activist. Coffey, a trans woman, had small but notable roles in four of the early films of John Waters, becoming a member of the Dreamlanders, his regular cast. Her work has been shown at multiple national venues, including the Baltimore Museum of Art and the Chicago Art Institute.
Edgewise: A Picture of Cookie Mueller is a book by Chloé Griffin published in 2014. Published by Bbooks Verlag, Edgewise is an oral history of the actress and writer Cookie Mueller.