This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Die Nibelungen | |
---|---|
Directed by | Fritz Lang |
Screenplay by | Fritz Lang Thea von Harbou |
Based on | Nibelungenlied |
Produced by | Erich Pommer |
Starring | Paul Richter Margarete Schön Hanna Ralph Bernhard Goetzke Theodor Loos Rudolf Klein-Rogge Rudolf Rittner Hans Adalbert Schlettow Georg August Koch Georg John Gertrud Arnold Hans Carl Müller Erwin Biswanger Fritz Alberti Annie Röttgen |
Cinematography | Carl Hoffmann Günther Rittau Walter Ruttmann |
Music by | Gottfried Huppertz |
Production company | |
Distributed by | UFA |
Release dates |
|
Running time | 143 minutes (part 1) 145 minutes (part 2) |
Country | Weimar Republic |
Languages | Silent film German intertitles |
Die Nibelungen ("The Nibelungs") is a two-part German series of silent fantasy films created by Austrian director Fritz Lang in 1924, consisting of Die Nibelungen: Siegfried and Die Nibelungen: Kriemhild's Revenge.
The scenarios for both films were co-written by Lang's then-wife Thea von Harbou, based upon the epic poem Nibelungenlied written around AD 1200. [1] Die Nibelungen received its UK premiere at the Royal Albert Hall in London, where it played for 40 performances between 29 April and 20 June 1924. [2] Siegfried was released in the United States on 23 August 1925, premiering at the Century Theatre in New York City in the short-lived Phonofilm sound-on-film process. Kriemhild's Revenge was released in the U.S. in 1928.
The title character Siegfried, son of King Siegmund of Xanten, masters the art of forging a sword at the shop of Mime. Siegfried hears the tales of the kingdom of Burgundy, the kings who rule there, as well as of Kriemhild, the princess of Burgundy. Siegfried announces he wants to win her hand in marriage, much to the amusement of the smiths. Siegfried demands to be told the way. Mime, who is envious of Siegfried's skill as a swordsmith, claims there is a shortcut to Burgundy through the Wood of Woden, wherein dwell all kinds of dangerous creatures. Siegfried encounters a dragon, and deviates from his path to slay it. He touches its hot, yellow blood and suddenly understands the language of the birds, who instruct him to bathe in the dragon's blood in order to become invincible – except for one spot on his shoulder blade, covered by a falling lime (linden) leaf.
Soon after, the powerful Siegfried trespasses on the land of the Nibelungs and is attacked by Alberich, King of the Dwarves, who has turned himself invisible. Siegfried defeats Alberich, who offers Siegfried a net of invisibility and transformation if he spares his life, whereupon Alberich offers to make Siegfried "the richest king on earth!" [intertitle 1.14]. While Siegfried is mesmerized by the treasure and the sword Balmung, Alberich tries to defeat him, but dies in the attempt. With his dying breath, Alberich curses all inheritors of the treasure and he and his dwarves turn to stone.
Siegfried finally arrives in Burgundy in his new guise as King of twelve kingdoms. A fight breaks out between Siegfried and King Gunther and his adviser Hagen of Tronje, which is interrupted by the appearance of beautiful princess Kriemhild. Hagen asks Siegfried to aid Kriemhild's brother, King Gunther, to win the hand of Brunhild, the Queen of Iceland. The men travel to Brunhild's kingdom, where Siegfried feigns vassalage to Gunther so that he can avoid Brunhild's challenge and instead use the net's power of invisibility to help Gunther beat the powerful Queen in a threefold battle of strength. The men return to Burgundy where Gunther marries Brunhild and Siegfried weds Kriemhild.
Brunhild is not, however, completely defeated. She suspects deceit and refuses to consummate the marriage. Hagen again convinces Siegfried to help. Siegfried transforms himself into Gunther and battles Brunhild and removes her arm-ring during battle, after which she submits to his will. Siegfried leaves the real Gunther to consummate the marriage.
Kriemhild discovers Brunhild's armlet and asks Siegfried about it. Siegfried discloses the truth to Kriemhild about his role in Brunhild's defeat. When the Nibelungen treasure that Siegfried acquired from Alberich arrives at the court of Burgundy as Kriemhild's wedding gift, Brunhild becomes more suspicious about Siegfried's feigned vassalage to Gunther. Brunhild dons the Queen Mother's jewellery and proceeds to the cathedral to enter as the first person, as is her right as Queen of Burgundy. Kriemhild tries to take Brunhild's right of way and an argument erupts between the two Queens. Kriemhild betrays her husband's and brother's secret to Brunhild, who then confronts Gunther.
Brunhild demands that Siegfried must be killed, which she justifies by claiming that Siegfried stole her maidenhood [intertitle 1.94] when he struggled with her on her wedding night. Hagen von Tronje and King Gunther conspire to murder Siegfried during a hunt in the Odenwald. Hagen deceives Kriemhild into divulging Siegfried's weak spot by sewing a cross on the spot in Siegfried's tunic.
After the hunt, Hagen challenges Siegfried to a race to a nearby spring. When Siegfried is on his knees drinking, Hagen pierces him from behind with a spear.
In an evil twist of bitter revenge, Brunhild confesses that she lied about Siegfried stealing her maidenhood in order to avenge Gunther's deceit of her.
Kriemhild demands her family avenge her husband's death at the hands of Hagen, but her family is complicit in the murder, and so they protect Hagen. Kriemhild swears revenge against Hagen while Brunhild commits suicide at the foot of Siegfried's corpse, which has been laid in state in the cathedral.
Kriemhild tries to win over the people of Burgundy to help her exact revenge against Hagen, to whom her brothers have sworn allegiance. Kriemhild bribes the people with money and treasure from the Nibelungen hoard. Margrave Rüdiger von Bechelaren arrives unannounced to woo Kriemhild on behalf of his King, King Etzel, who resides in the land of the Huns. Kriemhild initially declines, but ultimately she recognises the opportunity for revenge in her marriage with Etzel and in Rüdiger's allegiance to her. She forces Rüdiger to swear allegiance to her on his sword. At that very moment, news arrives that Hagen has stolen her wedding gift, the Nibelungen hoard, which Hagen has, unbeknownst to all, sunk into the Rhine river.
Kriemhild travels to Etzel's lands and accepts his hand. As a gift to Kriemhild for bearing him a son, Ortlieb, Etzel grants her a wish. Kriemhild requests Etzel to invite her family to celebrate the Midsummer Solstice with them in the Hun kingdom. In the meantime, Kriemhild bribes Etzel's Hun warriors with money and treasure to avenge her and attack Hagen.
When the Burgundians arrive, the Huns launch an attack on the Burgundian soldiers during their feast in the caves where the Huns reside. The Burgundian Knight Dankwart manages to escape the melee and warns the Burgundian kings who are feasting with Etzel and Kriemhild in Etzel's palace. Upon hearing of the treacherous attack, Hagen of Tronje murders Etzel's son, and battle breaks out. Dietrich of Bern manages to negotiate an exit from the hall for Etzel's royal entourage, which leaves the Burgundian guests imprisoned in Etzel's palace.
The remaining 45 minutes of the film consist of multiple battles in which the Huns attack the Burgundians. Kriemhild offers her family freedom if they surrender Hagen to her. They decline. Ultimately Kriemhild calls upon Rüdiger to fulfill his oath of allegiance by attacking Hagen. Rüdiger refuses, but is forced to by Etzel. At the beginning of the battle, Rüdiger is killed by Volker of Alzey after Rüdiger of Bechlarn himself smote his nearly son-in-law Giselher of Burgundy with his sword. Gerenot carries his dead brother outside the hall to show his sister what she has done with her vindictiveness. Kriemhild grieves for Giselher and begs Gerenot for a last time to surrender Hagen of Tronje to her, but he refuses again and so is killed by the Huns. In a final act of desperation, Kriemhild commands the palace be set alight.
As the flames smoulder, only Gunther and Hagen survive. Dietrich of Bern fetches the two remaining men from the palace and delivers them to Kriemhild, who demands Hagen to reveal the hiding place of the Nibelungen hoard. When Hagen states that he has sworn not to reveal the hiding place as long as one of his kings is still alive, Kriemhild commands Gunther's beheading. When Hagen reveals that no one now knows the location of the treasure apart from him and God, and that God will never tell more than he does, Kriemhild grabs Siegfried's sword from Hagen and cuts him down. Infuriated by Kriemhild's act of murder, Sword Master Hildebrandt stabs Kriemhild from behind.
Etzel's final words are that Kriemhild should be taken back home to her dead husband, Siegfried, because she never belonged to any other man [intertitle 2.159].
This section needs expansion. You can help by adding to it. (November 2016) |
In 2010, film critic Leonard Maltin gave the film four out of a possible four stars, calling it "a[n] epic masterpiece". In his review he wrote, "A rich treasure trove of folklore and magic, in which Lang creates a mystical geometric universe where the characters play against vast architectural landscapes." [3]
Die Nibelungen was among Adolf Hitler's favorite films and Heinrich Hoffmann stated that he watched it with Hitler at least twenty times. Joseph Goebbels initially criticized the film in 1924 as a "typically Jewish concoction" although "the Jew knows how to direct", but later praised it as "the pinnacle of German achievement" by 1929. Hitler and Goebbels considered making a new film adaption with sound or adding sound to the Lang film, but nothing came from either idea. [4]
The Nibelungenlied, translated as The Song of the Nibelungs, is an epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The Nibelungenlied is based on an oral tradition of Germanic heroic legend that has some of its origin in historic events and individuals of the 5th and 6th centuries and that spread throughout almost all of Germanic-speaking Europe. Scandinavian parallels to the German poem are found especially in the heroic lays of the Poetic Edda and in the Völsunga saga.
Brunhild, also known as Brunhilda or Brynhild, is a female character from Germanic heroic legend. She may have her origins in the Visigothic princess and queen Brunhilda of Austrasia.
Gudrun or Kriemhild is the wife of Sigurd/Siegfried and a major figure in Germanic heroic legend and literature. She is believed to have her origins in Ildico, last wife of Attila the Hun, and two queens of the Merovingian dynasty, Brunhilda of Austrasia and Fredegund.
In German heroic legend, Alberich is a dwarf. He features most prominently in the poems Nibelungenlied and Ortnit. He also features in the Old Norse collection of German legends called the Thidreksaga under the name Alfrikr. His name means "ruler of supernatural beings (elves)", and is equivalent to Old French Alberon or Auberon.
Hagen or Högni is a Burgundian warrior in Germanic heroic legend about the Burgundian kingdom at Worms. Hagen is often identified as a brother or half-brother of King Gunther. In the Nibelungenlied he is nicknamed "from Tronje".
Gundaharius or Gundahar, better known by his legendary names Gunther or Gunnar, was a historical king of Burgundy in the early 5th century. Gundahar is attested as ruling his people shortly after they crossed the Rhine into Roman Gaul. He was involved in the campaigns of the failed Roman usurper Jovinus before the latter's defeat, after which he was settled on the left bank of the Rhine as a Roman ally. In 436, Gundahar launched an attack from his kingdom on the Roman province of Belgica Prima. He was defeated by the Roman general Flavius Aetius, who destroyed Gundahar's kingdom with the help of Hunnish mercenaries the following year, resulting in Gundahar's death.
The term Nibelung (German) or Niflungr is a personal or clan name with several competing and contradictory uses in Germanic heroic legend. It has an unclear etymology, but is often connected to the root Nebel, meaning mist. The term in its various meanings gives its name to the Middle High German heroic epic the Nibelungenlied.
Der Rosengarten zu Worms, sometimes called Der große Rosengarten to differentiate it from Der kleine Rosengarten (Laurin), and often simply called the Rosengarten, is an anonymous thirteenth-century Middle High German heroic poem in the cycle of Dietrich von Bern. The Rosengarten may have been written as early as before 1250, but is securely attested by around 1300. It is unclear where it was written.
Dark Kingdom: The Dragon King is a 2004 German television film directed by Uli Edel and starring Benno Fürmann, Alicia Witt, Kristanna Loken and Max von Sydow. The film is based on the Norse mythology story Völsungasaga and the German epic poem Nibelungenlied, which tells the mythological story of Siegfried the Dragon-Slayer. Richard Wagner's music dramas Siegfried and Götterdämmerung are based on the same material. Dark Kingdom: The Dragon King was written by the husband and wife team of Diane Duane and Peter Morwood and is a Tandem Communications production. It was filmed entirely in South Africa.
Giselher was a king of Burgundy in the Nibelungenlied, brother to kings Gunther and Gundomar I. Historically, these correspond to three sons of king Gebicca, Gundomar, Gislaharius (Giselher) and Gundaharius (Gunther), who ruled the Burgundians in the 410s. His name means "pledged warrior".
Sigurd or Siegfried is a legendary hero of Germanic heroic legend, who killed a dragon—known in some Old Norse sources as Fáfnir—and who was later murdered. In both the Norse and continental Germanic tradition, Sigurd is portrayed as dying as the result of a quarrel between his wife (Gudrun/Kriemhild) and another woman, Brunhild, whom he has tricked into marrying the Burgundian king Gunnar/Gunther. His slaying of a dragon and possession of the hoard of the Nibelungen is also common to both traditions. In other respects, however, the two traditions appear to diverge. The most important works to feature Sigurd are the Nibelungenlied, the Völsunga saga, and the Poetic Edda. He also appears in numerous other works from both Germany and Scandinavia, including a series of medieval and early modern Scandinavian ballads.
Die Nibelungen is a 1966/1967 West German fantasy film released in two parts, Siegfried von Xanten and Kriemhilds Rache. It was directed by Harald Reinl and produced by Artur Brauner. Die Nibelungen starred Uwe Beyer, Karin Dor and Herbert Lom. The two films were a remake of Fritz Lang's 1924 silent classic Die Nibelungen, which was in turn based on the epic poem the Nibelungenlied.
Das Nibelungenlied is a novel by German writer Albrecht Behmel about the medieval epic of the same name. The story follows the Middle High German original.
The Dragon's Blood is a 1957 Italian fantasy film co-written and directed by Giacomo Gentilomo. It is based on Richard Wagner's Der Ring des Nibelungen.
Die Rabenschlacht is an anonymous 13th-century Middle High German poem about the hero Dietrich von Bern, the counterpart of the historical Ostrogothic king Theodoric the Great in Germanic heroic legend. It is part of the so-called "historical" Dietrich material and is closely related to, and always transmitted together with another Dietrich poem, Dietrichs Flucht. At one time, both poems were thought to have the same author, possibly a certain Heinrich der Vogler, but stylistic differences have led more recent scholarship to abandon this idea.
Biterolf und Dietleib is an anonymous Middle High German heroic poem concerning the heroes Biterolf of Toledo and his son Dietleib of Styria. It tells the tale of Biterolf and Dietleib's service at the court of Etzel, king of the Huns, in the course of which the heroes defeat Etzel's enemies, including an extended war/tournament against the Burgundian heroes of the Nibelungenlied. As a reward for their services, Dietleib and Biterolf receive the March of Styria as a fief. The text is characterized by its comedic parody of the traditions of heroic epic.
Das Lied vom Hürnen Seyfrid, or Hürnen Seyfrid for short, is an anonymous Early New High German heroic ballad. The poem concerns the adventures of young Siegfried, hero of the Nibelungenlied and an important figure in Germanic heroic legend. It preserves traditions about Siegfried that are otherwise only known from Old Norse sources and thus attest their existence in oral traditions about Siegfried that circulated outside of the Nibelungenlied in Germany.
Die Nibelungenklage or Die Klage is an anonymous Middle High German heroic poem. The poem describes the laments for and burial of the dead from the Nibelungenlied, as well as the spread of the news of the catastrophe that ended the other poem, and the fates of the various characters who survived. It was likely written at around the same time as the Nibelungenlied, and is appended to it as though it were another episode (âventiure).
Rüdiger von Bechelaren is a legendary hero of German mythology immortalised in the Nibelungenlied saga. Serving as the Austrian Margrave of Pöchlarn and a member of Etzel's court, he becomes conflicted after swearing oaths to uphold two factions that ultimately go to war against each other.
Ortlieb is the son of Kriemhild (Gudrun) and Etzel (Atli) and a minor figure in Germanic heroic legend and literature.