Woman in the Moon | |
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Directed by | Fritz Lang |
Screenplay by | Thea von Harbou |
Based on | The Rocket to the Moon 1928 novel by Thea von Harbou |
Produced by | Fritz Lang |
Starring | Willy Fritsch Gerda Maurus Klaus Pohl Fritz Rasp Gustl Gstettenbaur Gustav von Wangenheim |
Cinematography | Curt Courant |
Music by | Willy Schmidt-Gentner |
Distributed by | UFA |
Release date |
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Running time | 169 min. (2000 restoration) / Spain: 104 min. / Spain: 162 min. (DVD edition) / US: 95 min / West Germany: 91 min (edited version) (1970) |
Countries | Germany (Weimar Republic) |
Languages | Silent film German intertitles |
Woman in the Moon (German Frau im Mond) is a German science fiction silent film that premiered 15 October 1929 at the UFA-Palast am Zoo cinema in Berlin to an audience of 2,000. [1] It is often considered to be one of the first "serious" science fiction films. [2] It was directed by Fritz Lang, and written by his wife Thea von Harbou, based on her 1928 novel The Rocket to the Moon . [3] It was released in the US as By Rocket to the Moon and in the UK as Girl in the Moon. The basics of rocket travel were presented to a mass audience for the first time by this film, including the use of a multi-stage rocket. [2] [4] The film was shot between October 1928 and June 1929 at the UFA studios in Neubabelsberg near Berlin. [1]
Helius (Willy Fritsch) is an entrepreneur with an interest in space travel. He seeks out his friend Professor Mannfeldt (Klaus Pohl), a visionary who wrote a treatise claiming that there was probably much gold on the Moon, only to be ridiculed by his peers. Helius recognizes the value of Mannfeldt's work. However, a gang of evil businessmen have also taken an interest in Mannfeldt's theories, and send a spy (Fritz Rasp) who identifies himself as "Walter Turner".
Meanwhile, Helius's assistant Windegger (Gustav von Wangenheim) has announced his engagement to Helius's other assistant, Friede (Gerda Maurus). Helius, who secretly loves Friede, avoids their engagement party.
On his way home from his meeting with Professor Mannfeldt, Helius is enticed by a henchwoman of the gang posing as a violet seller. The research that Professor Mannfeldt had entrusted to Helius is stolen, and they also burgle Helius's home, taking other valuable material. Turner then presents Helius with an ultimatum: the gang know he is planning a voyage to the Moon; either he includes them in the project, or they will sabotage it and destroy his rocket, which is named Friede ("peace"). Reluctantly, Helius agrees to their terms.
The rocket team is assembled: Helius; Professor Mannfeldt and his pet mouse Josephine; Windegger; Friede; and Turner. After Friede blasts off, the team discovers that Gustav (Gustl Gstettenbaur), a young boy who has befriended Helius, has stowed away, along with his collection of science fiction pulp magazines.
During the journey, Windegger emerges as a coward, and Helius's feelings for Friede begin to become known to her, creating a romantic triangle.
They reach the far side of the Moon and find it has a breathable atmosphere, per the theories of Peter Andreas Hansen, who is mentioned near the beginning of the film. Mannfeldt discovers gold, proving his theory. When confronted by Turner, Mannfeldt falls to his death in a crevasse. Turner, with samples of the gold, attempts to hijack the rocket, and in the struggle, he is shot and killed. Gunfire damages the oxygen tanks, and they come to the grim realization that there is not enough oxygen for all to make the return trip. One person must remain on the Moon.
Helius and Windegger draw straws to see who must stay and Windegger loses. Seeing Windegger's anguish, Helius decides to drug Windegger and Friede with a last drink together and take Windegger's place, letting Windegger return to Earth with Friede. Friede senses that something is in the wine. She pretends to drink and then retires to the compartment where her cot is located, closes and locks the door. Windegger drinks the wine, becoming sedated. Helius makes Gustav his confidant and the new pilot for the ship. Helius watches it depart, then starts out for the survival camp originally prepared for Windegger. He discovers that Friede has decided to stay with him on the Moon. They embrace, and Helius weeps into her shoulder while Friede strokes his hair and whispers words of comfort to him.
Lang, who also made Metropolis , had a personal interest in science fiction. When returning to Germany in the late 1950s, he sold his extensive collection of Astounding Science Fiction , Weird Tales , and Galaxy magazines. [5] Several prescient technical/operational features are presented during the film's 1920s launch sequence, which subsequently came into common operational use during America's postwar space race:
These items and the overall design of the rocket led to the film being banned in Germany from 1933–1945 [6] [7] during World War II by the Nazis, due to similarities to their secret V-2 project.
Rocket scientist Hermann Oberth worked as an advisor on this movie. He had originally intended to build a working rocket for use in the film, but time and technical constraints prevented this from happening. The film was popular among the rocket scientists in Wernher von Braun's circle at the Verein für Raumschiffahrt (VfR). The first successfully launched V-2 rocket at the rocket-development facility in Peenemünde had the Frau im Mond logo painted on its base. [8] Noted post-war science writer Willy Ley also served as a consultant on the film. Thomas Pynchon's 1973 novel Gravity's Rainbow , which deals with the V-2 rockets, refers to the movie, along with several other classic German silent films. Oberth also advised Hergé for Destination Moon and Explorers on the Moon (1953/4), which has plot points strongly influenced by Woman in the Moon.
Friedrich Christian Anton Lang, better known as Fritz Lang, was an Austrian-born German-American film director, screenwriter, and producer who worked in Germany and later the United States. One of the best-known émigrés from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. He has been cited as one of the most influential filmmakers of all time.
Hermann Julius Oberth was an Austro-Hungarian-born German physicist and rocket pioneer of Transylvanian Saxon descent. Oberth supported Nazi Germany's war effort and received the War Merit Cross in 1943.
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Fritz Adam Hermann von Opel, known as Fritz Adam Hermann Opel until his father was ennobled in 1917, was the only son of Wilhelm von Opel and a grandson of Adam Opel, founder of the Opel company. He is remembered mostly for his Opel RAK demonstrations of the world's first manned rocket-powered ground and air vehicles that earned him the nickname "Rocket Fritz" and which were also highly effective as publicity stunts for his family's automotive business.
The Verein für Raumschiffahrt was a German amateur rocket association prior to World War II that included members outside Germany. The first successful VfR test firing with liquid fuel was conducted by Max Valier at the Heylandt Works on January 25, 1930; and additional rocket experiments were conducted at a farm near Bernstadt, Saxony.
Willy Otto Oskar Ley was a German and American science writer and proponent of cryptozoology. The crater Ley on the far side of the Moon is named in his honor.
Rudolf Nebel was a spaceflight advocate active in Germany's amateur rocket group, the Verein für Raumschiffahrt in the 1930s and in rebuilding German rocketry following World War II.
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Thea Gabriele von Harbou was a German screenwriter, novelist, film director, and actress. She is remembered as the screenwriter of the science fiction film classic Metropolis (1927) and for the 1925 novel on which it was based. von Harbou collaborated as a screenwriter with film director Fritz Lang, her husband, during the period of transition from silent to sound films.
Gustav von Wangenheim was a German actor, screenwriter and director.
The Rocket to the Moon is a 1928 science fiction novel by the German writer Thea von Harbou. Its German title is Die Frau im Mond, which means "The Woman in the Moon". It is about a fictitious Moon mission. The book was translated into English by Baroness von Hutten and published in 1930 as The Girl in the Moon. It was republished in 1977 as The Rocket to the Moon.
Spione is a 1928 German silent espionage thriller directed by Fritz Lang and co-written with his wife, Thea von Harbou, who also wrote a novel of the same name, published a year later. The film was Lang's penultimate silent film and the first for his own production company; Fritz Lang-Film GmbH. As in Lang's Mabuse films, Dr. Mabuse: The Gambler (1922) and The Testament of Dr. Mabuse (1933), Rudolf Klein-Rogge plays a master criminal aiming for world domination.
Otto Willi Gail was a German science journalist and author.
Gustl Gstettenbaur was a German stage, film and television actor.
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The Mistress and Her Servant is a 1929 German silent drama film directed by Richard Oswald and starring Henny Porten, Mary Kid and Fritz Kampers. It was based on the novel of the same title by Georg Engel. It was shot at the EFA Studios in Berlin. The film's sets were designed by the art director Franz Schroedter.
Heinrich Gotho was an Austrian film actor. Born in Dolina, he started his acting career at some provincial theatres until he found an engagement at the Neues Volkstheater in Berlin. The character actor appeared in over 50 films between 1922 and 1933, mostly in smaller roles. He notably appeared in numerous films by director Fritz Lang, among them Dr. Mabuse the Gambler (1922), Metropolis (1927) and M (1931). Gotho was forced to retire from film acting in 1933; as a Jew he could no longer work in Nazi Germany. He died in 1938 in the Jewish Hospital of Berlin-Wedding.
The year 1929 was marked, in science fiction, by the following events.
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