The Tiger of Eschnapur | |
---|---|
Directed by | Fritz Lang |
Screenplay by | Fritz Lang Werner Jörg Lüddecke Thea von Harbou |
Based on | Das indische Grabmal by Thea von Harbou |
Produced by | Artur Brauner |
Starring | Debra Paget Paul Hubschmid Walter Reyer |
Cinematography | Richard Angst |
Edited by | Walter Wischniewsky |
Music by | Michel Michelet |
Distributed by | Fantoma Omnia-Film Polyband GmbH |
Release date |
|
Running time | 101 minutes |
Countries | West Germany France Italy [1] [2] [3] |
Language | German |
The Tiger of Eschnapur (German : Der Tiger von Eschnapur) is a 1959 West German-French-Italian adventure film directed by Fritz Lang. [1] It is the first of two films comprising what has come to be known as Fritz Lang's Indian Epic; the other is The Indian Tomb(Das Indische Grabmal ). Fritz Lang returned to Germany to direct these films, which together tell the story of a German architect, the Indian maharaja for whom he is supposed to build schools and hospitals, and the Eurasian dancer who comes between them.
Architect Harold Berger travels to India, hired by Maharajah Chandra to build schools and hospitals. While traveling to see the Maharajah, Berger meets Seetha, a temple dancer who has also been invited to the palace. En route, he saves her life when her caravan is attacked by a man-eating tiger.
The two quickly begin to fall in love. During one of their conversations, Seetha plays a song she remembers her father singing. Berger recognizes it as an old Irish song. Because of this memory and the features of her face, he deduces her father might be European. Seetha barely remembers her father, as he left her when she was very little, but suspects this to be true. Regardless of this, she still feels like an Indian woman at heart.
While examining the palace's foundations for reparations, Berger discovers a series of desolate underground tunnels. There, he sees the cells where people sick with leprosy are kept in inhumane conditions. This discovery makes him rethink Chandra's apparent kindness. Berger also finds a secret tunnel that leads to the temple where Seetha is dancing for a religious ceremony. Seetha's dance inadvertently causes the Maharajah to become infatuated with her. As his wife died years before, Chandra now plans to marry Seetha. He treats the dancer with kindness, hoping to gain her affection. However, Seetha only has eyes for the architect. While not being forced to be Chandra's wife, Seetha believes that it is not wise to refuse the ruler's desires. Her sense of duty to him is exacerbated when he saves her from being sexually assaulted by a group rebelling against the Maharajah. This leads to tension between Chandra and Berger. Meanwhile, scheming courtiers, including the Maharaja's older brother, believe that Chandra's potential marriage to the dancer could become a pretext for toppling his reign.
Using the secret tunnel, Berger escapes with Seetha into the desert, just before his sister and her husband, an architect who works with him, arrive in Eschnapur. Chandra informs them that he now wants a tomb to be built before any further work can begin on the previously commissioned buildings. After discovering that Seetha and Berger have escaped, Chandra issues a command for Berger to be killed, and Seetha returned alive for burial in the tomb after its completion. After their horses expire, the couple gets stranded in the desert as a sandstorm begins.
(The story continues in the sequel film, The Indian Tomb)
The film was shot on location in India with a predominantly German cast. [4] Lang was able to get permission from the Maharana of Udaipur to shoot at many locations that were normally barred to Western film crews. One of these was the floating Lake Palace seen much later in Octopussy . [5]
Interiors were shot at the Spandau Studios in Berlin with sets designed by the art directors Helmut Nentwig and Willy Schatz.[ citation needed ]
Lang's Indian epic is based on work he did forty years earlier on a silent version of Das Indische Grabmal. He and Thea von Harbou co-wrote the screenplay, basing it on von Harbou's novel of the same name. Lang was set to direct, but that job was taken from him and given to Joe May. Lang did not control the final form of that earlier version which was a commercial and critical failure at the time, although its reputation has grown in recent years.
Released in 1921, the original version of Das Indische Grabmal had a running time of 31⁄2 hours and was released in two parts. For the remake, Lang also divided the story into two parts that each run about 100 minutes, a length modern audiences can more easily accept.[ citation needed ]
The two films were edited down into one 95-minute feature courtesy of American International Pictures and released in the US in 1959 as Journey to the Lost City—with Seetha's dance scenes heavily trimmed, courtesy of the Hays Office. The negatives of Fritz Lang's original films were thought to be lost, but a set was rediscovered. Fantoma Films restored them in the DVD format, producing one disc for each film. The discs contain both German and English dialogue tracks, plus other extras. They were released by Image Entertainment in 2001.[ citation needed ]
Thea Gabriele von Harbou was a German screenwriter, novelist, film director, and actress. She is remembered as the screenwriter of the science fiction film classic Metropolis (1927) and for the 1925 novel on which it was based. von Harbou collaborated as a screenwriter with film director Fritz Lang, her husband, during the period of transition from silent to sound films.
The Indian Tomb is a two-part 1921 German silent film directed by Joe May.
Joe May was an Austrian film director and film producer and one of the pioneers of German cinema.
Valery Ivanovich Inkizhinov, known as Valéry Inkijinoff, was a Russian-French actor, director and acting teacher. Born to a Buryat family in Irkutsk, he began his career in the Soviet Union, playing the lead role in Vsevolod Pudovkin's 1928 film Storm Over Asia. He immigrated to France in the 1930s, where his strong facial features made him a favorite villain for exotic adventure and crime films.
Spione is a 1928 German silent espionage thriller directed by Fritz Lang and co-written with his wife, Thea von Harbou, who also wrote a novel of the same name, published a year later. The film was Lang's penultimate silent film and the first for his own production company; Fritz Lang-Film GmbH. As in Lang's Mabuse films, Dr. Mabuse: The Gambler (1922) and The Testament of Dr. Mabuse (1933), Rudolf Klein-Rogge plays a master criminal aiming for world domination.
Friedrich Rudolf Klein, better known as Rudolf Klein-Rogge, was a German film actor, best known for playing sinister figures in films in the 1920s and 1930s as well as being a mainstay in director Fritz Lang's Weimar-era films. He is probably best known in popular culture, particularly to English-speaking audiences, for playing the archetypal mad scientist role of C. A. Rotwang in Lang's Metropolis and as the criminal genius Doctor Mabuse. Klein-Rogge also appeared in several important French films in the late 1920s and early 1930s.
The Indian Tomb is a 1959 adventure film, co-written and directed by Fritz Lang. Produced by Artur Brauner, it is an international co-production of West Germany, France and Italy. It is the second film, after The Tiger of Eschnapur (1959), that comprise "Fritz Lang's Indian Epic" duology, which are based on the 1918 novel Das indische Grabmal, written by Lang's ex-wife Thea von Harbou.
The Tiger of Eschnapur may refer to:
Olaf Holger Axel Fønss was a Danish actor, director, producer, film censor and one of Denmark and Germany's biggest stars of the silent film era.
Sabine Bethmann was a German film and television actress.
La Jana was an Austro-German dancer and actress.
Margarete Schön was a German stage and film actress whose career spanned nearly fifty years. She is internationally recognized for her role as Kriemhild in director Fritz Lang's Die Nibelungen series of two silent fantasy films, Die Nibelungen: Siegfried and Nibelungen: Kriemhild's Revenge.
The Indian Tomb is a 1938 German adventure film directed by Richard Eichberg and starring Philip Dorn, La Jana and Theo Lingen. It is the sequel to Eichberg's The Tiger of Eschnapur.
Alexander Golling was a German actor. Golling was a member of the Nazi Party.
The Ufa-Palast am Zoo, located near Berlin Zoological Garden in the New West area of Charlottenburg, was a major Berlin cinema owned by Universum Film AG, or Ufa. Opened in 1919 and enlarged in 1925, it was the largest cinema in Germany until 1929 and was one of the main locations of film premières in the country. The building was destroyed in November 1943 during the Bombing of Berlin in World War II and replaced in 1957 by the Zoo Palast.
René Ferté (1903–1958) was a Swiss actor who worked principally in the French cinema, from 1923 onwards. He is mostly known for performances in a series of silent films directed by Jean Epstein. His roles in sound films were generally less notable, though he appeared in Fritz Lang's Le Testament du docteur Mabuse, and he took the title role in the 1934 sound remake of Judex. After the outbreak of the Second World War he ceased working in films.
Das indische Grabmal is a 1918 novel by the German writer Thea von Harbou. It tells the story of a German architect who is commissioned by an Indian maharajah to create a large monument, only to learn that it is meant for the maharajah's unfaithful lover, who will be buried alive as punishment. The novel has been adapted for film three times, and was not translated into English until 2016.
Gisela Schlüter was a German cabaret performer and actress.