The Big Heat | |
---|---|
Directed by | Fritz Lang |
Screenplay by | Sydney Boehm |
Based on | the Saturday Evening Post serial and 1953 novel by William P. McGivern |
Produced by | Robert Arthur |
Starring | |
Cinematography | Charles Lang |
Edited by | Charles Nelson |
Color process | Black and white |
Production company | Columbia Pictures |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 90 minutes |
Country | United States |
Language | English |
Box office | $1.25 million (US) [2] |
The Big Heat is a 1953 American film noir crime film directed by Fritz Lang starring Glenn Ford, Gloria Grahame, and Jocelyn Brando [3] about a cop who takes on the crime syndicate that controls his city.
William P. McGivern's serial in The Saturday Evening Post , published as a novel in 1953, was the basis for the screenplay, written by former crime reporter Sydney Boehm.
The film was selected for inclusion in the National Film Registry of the Library of Congress in 2011. [4] [5]
Homicide detective Sergeant Dave Bannion, of the Kenport Police Department, is called on to investigate the suicide of a fellow officer, Tom Duncan. Duncan leaves behind a letter addressed to the district attorney. His wife, Bertha, finds the envelope and locks it away in her safe deposit box. She tells Bannion that her husband was depressed because he was in ill health.
The mistress of the late cop, Lucy Chapman, contradicts Mrs. Duncan, telling Sgt. Bannion that Tom Duncan had not been in ill health, and had no reason to kill himself, but had recently agreed to a divorce with his wife. The next day, Lieutenant Ted Wilks is under pressure from "upstairs" to close the case, and orders Bannion to drop his investigation. Lucy Chapman is found strangled to death, her body covered with cigarette burns. Bannion receives threatening calls at his home. He confronts Mike Lagana, a mob boss who runs the city, and discovers that people are too scared to stand up to the crime syndicate. When Bannion ignores warnings to desist, his car is rigged with dynamite. The car bomb kills his wife, Katie. Accusing his superiors of corruption, Bannion insults corrupt Police Commissioner Higgins, accusing him of obeying the orders of Lagana. Higgins puts Bannion on immediate suspension and orders him to turn in his badge. Determined to find those responsible for his wife's murder, Bannion continues to investigate.
He hopes to discover a lead at a nightclub called "The Retreat". When Lagana's second-in-command, Vince Stone, punishes a woman there, burning her with a cigar butt, Bannion stands up to him and his thugs. This impresses Stone's girlfriend, Debby Marsh. The two hit it off and take a cab to the hotel where he is now living. When Debby accidentally reminds Bannion about his late wife, he tells her to leave. Debby reluctantly returns to Stone's penthouse. He accuses her of talking to Bannion about his activities and throws a pot of boiling coffee in her face. Higgins, who had been playing poker with Stone and his group there, takes her to a hospital.
Debby returns to Bannion at his hotel; the left side of her face badly burned and covered in bandages. For protection, he puts her in a hotel room close to his. Debby identifies the man who arranged the planting of the car bomb as Larry Gordon, one of Stone's associates. She also tells him where Gordon is staying. Bannion forces Gordon to admit to the car-bombing, and to reveal that Duncan's widow is blackmailing Stone and Lagana with incriminating documents. Bannion does not kill Gordon, but promises to spread the word that he talked. Afterward, Gordon is killed by Stone's men. Bannion then confronts Mrs. Duncan, accusing her of betraying Lucy Chapman and protecting Lagana and Stone. With his hands at her throat, Bannion tells Mrs. Duncan that if she is killed, the evidence she has against Lagana will be revealed. Before Bannion can follow through on his threats, cops sent by Lagana arrive, and he is forced to leave.
Bannion goes to deal with Stone when Wilks arrives, now prepared to take a stand against the mob and his corrupt boss. Debby goes to Mrs. Duncan and starts talking about their respective associations with gangsters. When Mrs. Duncan attempts to phone Stone for help, Debby shoots her dead.
Bannion tails Stone, who returns to his penthouse where Debby is waiting for him. She throws boiling coffee in his face in an act of revenge. In retaliation, Stone shoots her. After a short gun battle, Bannion captures Stone. As Debby dies on the floor, she confesses to shooting Mrs. Duncan. Stone is arrested for murder and officer Duncan's damning evidence in the note he left behind for the D.A. is made public. Lagana and Higgins are indicted, and Bannion is reinstated to his job as a homicide detective.
The film was based on a serialized fiction by William P. McGivern, which appeared in the Saturday Evening Post from December 1952 and was published as a novel in 1953. Initially, McGivern's novel was to be produced by Jerry Wald, who wanted either Paul Muni, George Raft or Edward G. Robinson (who worked with director Fritz Lang in Woman in the Window and Scarlet Street ) for the role of Dave Bannion. Columbia Pictures paid $40,000 for McGivern's novel. Lang directed the film while Sydney Boehm wrote it.
Boehm changed many details in the novel. Commissioner Higgins is not in the novel and Lieutenant Wilks is the corrupt policeman. An honest policeman called Cranston, who was in the novel, was omitted from the film.
In the novel, it is not known until the end that the widow of the policeman who had killed himself (named Deery in the book, Duncan in the film) was blackmailing Lagana. Debby shoots her and then mortally wounds herself. After Stone is cornered by Bannion, he is killed by another policeman. Instead of taking place in Philadelphia, the film takes place in the fictional city of Kenport.
Columbia wanted Marilyn Monroe to play the part of Debby Marsh but did not want to pay the fee 20th Century Fox demanded for the loan of their star, so Gloria Grahame was cast instead.
Rex Reason was slated to play either Tierney or Detective Burke, but his agent wanted a larger part. In the end, Reason was not cast and Peter Whitney and Robert Burton got the roles of Tierney and Burke respectively.
In the scene at the bar where Stone and Bannion first meet, the house band is performing "Put the Blame on Mame," a song also heard in the 1946 noir classic Gilda , also starring Ford, and also produced by Columbia. [6]
The Academy Film Archive preserved The Big Heat in 1997. [7]
"The... memorable violence in The Big Heat... implies that the world must be destroyed before it can be purified."
— Film historian Andrew Sarris in "You Ain’t Heard Nothin' Yet": The American Talking Film History & Memory, 1927–1949. [8]
The New York Times and Variety both gave The Big Heat very positive reviews at the time. Bosley Crowther of the Times described Glenn Ford "as its taut, relentless star" and praised Lang for bringing "forth a hot one with a sting." [9] Variety characterized Lang's direction as "tense" and "forceful." [10] Critic Roger Ebert subsequently praised the film's supporting actors and added the film to his personal canon of "Great Movies". [11]
Writer David M. Meyer states that the film never overcomes the basic repulsiveness of its hero, but notes that some parts of the film, though violent, are better than the film as a whole: "Best known is Gloria Grahame's disfigurement at the hands of psycho-thug Lee Marvin, who flings hot coffee into her face." [12]
According to film critic Grant Tracey, the film turns the role of the femme fatale on its head: "Whereas many noirs contain the tradition of the femme-fatale, the deadly spiderwoman who destroys her man and his family and career, The Big Heat inverts this narrative paradigm, making Ford [Det. Bannion] the indirect agent of fatal destruction. All four women he meets—from clip joint singer, Lucy Chapman, to gun moll Debby—are destroyed." [13]
On the review aggregator website Rotten Tomatoes , 94% of 70 critics' reviews are positive, with an average rating of 8.6/10.The website's consensus reads: "Presented with stark power by director Fritz Lang, The Big Heat is a delightfully grim noir that peers into the heart of darkness without blinking." [14]
The film is recognized by American Film Institute in these lists:
In December 2011, The Big Heat was selected for inclusion in the Library of Congress' National Film Registry. [18] Proclaiming it "one of the great post-war noir films", the Registry stated that The Big Heat "manages to be both stylized and brutally realistic, a signature of its director Fritz Lang." [18]
Harold and Maude is a 1971 American romantic black comedy-drama film directed by Hal Ashby and released by Paramount Pictures. It incorporates elements of dark humor and existentialist drama. The plot follows the exploits of Harold Chasen, a young man who is intrigued with death, and who rejects the life his detached mother prescribes for him. Harold develops a friendship, and eventual romantic relationship, with 79-year-old Maude who teaches Harold about the importance of living life to its fullest.
The Graduate is a 1967 American independent romantic comedy-drama film directed by Mike Nichols and written by Buck Henry and Calder Willingham, based on the 1963 novella by Charles Webb, who wrote it shortly after graduating from Williams College. The film tells the story of 21-year-old Benjamin Braddock, a recent college graduate with no well-defined aim in life who is seduced by an older married woman, Mrs. Robinson, but then falls for her daughter, Elaine.
From Here to Eternity is a 1953 American romantic war drama film directed by Fred Zinnemann and written by Daniel Taradash, based on the 1951 novel of the same name by James Jones. It deals with the tribulations of three United States Army soldiers, played by Burt Lancaster, Montgomery Clift, and Frank Sinatra, stationed on Hawaii in the months leading up to the attack on Pearl Harbor. Deborah Kerr and Donna Reed portray the women in their lives. The supporting cast includes Ernest Borgnine, Philip Ober, Jack Warden, Mickey Shaughnessy, Claude Akins, and George Reeves.
Scarlet Street is a 1945 American film noir directed by Fritz Lang. The screenplay concerns two criminals who take advantage of a middle-aged painter in order to steal his artwork. The film is based on the French novel La Chienne by Georges de La Fouchardière, which had been previously dramatized on stage by André Mouëzy-Éon, and cinematically as La Chienne (1931) by director Jean Renoir.
Gloria Grahame was an American actress. She began her acting career in theater, and in 1944 made her first film for MGM. Many biographies indicated she was born Gloria Grahame Hallward but she adopted the surname Grahame, her mother's acting name, as her professional name. She was raised a Methodist.
In a Lonely Place is a 1950 American film noir directed by Nicholas Ray and starring Humphrey Bogart and Gloria Grahame, produced for Bogart's Santana Productions. The script was written by Andrew P. Solt from Edmund H. North's adaptation of Dorothy B. Hughes' 1947 novel of the same name.
The Man Who Never Was is a 1956 British espionage thriller film produced by André Hakim and directed by Ronald Neame. It stars Clifton Webb and Gloria Grahame and features Robert Flemyng, Josephine Griffin and Stephen Boyd. It is based on the book of the same name by Lt. Cmdr. Ewen Montagu and chronicles Operation Mincemeat, a 1943 British intelligence plan to deceive the Axis powers into thinking the Allied invasion of Sicily would take place elsewhere in the Mediterranean.
The Big Sleep is a 1946 American film noir directed by Howard Hawks. William Faulkner, Leigh Brackett and Jules Furthman co-wrote the screenplay, which adapts Raymond Chandler's 1939 novel. The film stars Humphrey Bogart as private detective Philip Marlowe and Lauren Bacall as Vivian Rutledge in a story that begins with blackmail and leads to multiple murders.
Celia Lovsky was an Austrian-American actress. She is best known to fans of Star Trek as the Vulcan matriarch T'Pau, and to fans of The Twilight Zone as the aged daughter of an eternally youthful Hollywood actress.
The Blue Gardenia is a 1953 American film noir starring Anne Baxter, Richard Conte, and Ann Sothern. Directed by Fritz Lang from a screenplay by Charles Hoffman, it is based on the novella The Gardenia by Vera Caspary.
The Big Clock is a 1948 American thriller directed by John Farrow and adapted by novelist-screenwriter Jonathan Latimer from the 1946 novel of the same title by Kenneth Fearing.
The Ghost and Mrs. Muir is a 1947 American supernatural romantic fantasy film starring Gene Tierney and Rex Harrison. It was directed by Joseph L. Mankiewicz, and is based on a 1945 novel written by Josephine Leslie under the pseudonym of R.A. Dick. In 1945, 20th Century Fox bought the film rights to the novel, published only in the United Kingdom at that time. It was shot entirely in California.
The Sound of Fury is a 1950 American crime film noir directed by Cy Endfield and starring Frank Lovejoy, Kathleen Ryan, Richard Carlson. The film is based on the 1947 novel The Condemned by Jo Pagano, who also wrote the screenplay.
William Peter McGivern was an American novelist and television scriptwriter. He published more than 20 novels, mostly mysteries and crime thrillers, some under the pseudonym Bill Peters.
Not as a Stranger is a 1955 American film noir drama film produced and directed by Stanley Kramer, starring Olivia de Havilland, Robert Mitchum, Frank Sinatra and Gloria Grahame. It is based on the 1954 novel of the same name by Morton Thompson, which topped that year's list of bestselling novels in the United States. The film's supporting cast features Broderick Crawford, Charles Bickford, Lon Chaney Jr., Lee Marvin, Harry Morgan and Mae Clarke.
Mildred Pierce is a 1945 American melodrama/film noir directed by Michael Curtiz and starring Joan Crawford, Jack Carson, and Zachary Scott, also featuring Eve Arden, Ann Blyth, and Bruce Bennett. Based on the 1941 novel by James M. Cain, this was Crawford's first starring role for Warner Bros., after leaving Metro-Goldwyn-Mayer, and she won the Academy Award for Best Actress. In 1996, Mildred Pierce was deemed "culturally, historically, or aesthetically significant" and selected for preservation in the United States Library of Congress National Film Registry.
White Heat is a 1949 American film noir starring James Cagney, Virginia Mayo and Edmond O'Brien, and directed by Raoul Walsh.
Houseley Stevenson was a British-American character actor who was born in London on July 30, 1879, and died in Duarte, California on August 6, 1953.
Just This Once is a 1952 American romantic comedy film directed by Don Weis and starring Peter Lawford, Janet Leigh and Lewis Stone. It was produced and distributed by the Hollywood major Metro-Goldwyn-Mayer. The film's sets were designed by the art director James Basevi.
Dorothy Green was an American stage, film, and television actress. Her career spanned more than four decades, with her work principally being in supporting roles on many popular television series from the early 1950s into the 1980s.
{{cite web}}
: CS1 maint: bot: original URL status unknown (link)