Mignon is an 1866 opéra comique in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel Wilhelm Meisters Lehrjahre. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's "The Dead" and Willa Cather's The Professor's House. Thomas's goddaughter Mignon Nevada was named after the main character.
Louis Étienne Ernest Reyer was a French opera composer and music critic.
Salammbô is an opera in five acts composed by Ernest Reyer to a French libretto by Camille du Locle. It is based on the homonymous novel by Gustave Flaubert (1862). Initially refused by Paris, Reyer's opera enjoyed its first performance at the Théâtre Royal de la Monnaie in Brussels, on 10 February 1890, with sets designed by Pierre Devis and Armand Lynen. The Parisian premiere at the Palais Garnier took place on 16 May 1892 with costumes by Eugène Lacoste and sets by Eugène Carpezat, Auguste Alfred Rubé and Philippe Chaperon, and Amable and Eugène Gardy.
La belle au bois dormant is an opera in three acts by Michele Carafa to a French libretto by Eugène de Planard after the tale by Charles Perrault.
Fervaal, Op. 40, is an opera in three acts with a prologue by the French composer Vincent d'Indy. The composer wrote his own libretto, based in part on the lyric poem Axel by the Swedish author Esaias Tegnér. D'Indy worked on the opera during the years 1889 to 1895, and the score was published in 1895.
Maurice Arnold Renaud was a cultured French operatic baritone. He enjoyed an international reputation for the superlative quality of his singing and the brilliance of his acting.
Don Quichotte chez la Duchesse is a "comic ballet" by the French baroque composer Joseph Bodin de Boismortier. Although it is described as a ballet, it is sung throughout with a libretto by Charles Simon Favart.
Hésione is an opera by the French composer André Campra. It takes the form of a tragédie en musique in a prologue and five acts. The libretto, by Antoine Danchet, is based on the Greek myth of Hesione and Laomedon.
Antigone is an opera in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy Antigone by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel.
Le maître de chapelle, ou Le souper imprévu is an opéra comique in two acts by the Italian composer Ferdinando Paer. The French libretto, by Sophie Gay, is based on Le souper imprévu, ou Le chanoine de Milan by Alexandre Duval (1796).
Ada Adini was an American operatic soprano who had an active international career from 1876 up into the first decade of the 20th century. She possessed a large, expressive voice which enabled her to sing a broad range of roles that extended from the coloratura soprano repertoire to dramatic soprano parts. She made five recordings with Fonotipia Records in Paris in 1905.
Agustarello Affre was a French operatic tenor. He possessed a powerful, firm and exceptionally beautiful voice which garnered him the nickname the "French Tamagno" in comparison to the great Italian tenor. He was one of the leading operatic tenors in Paris from 1890 to 1911. He spent the last years of his career singing and directing operas in the United States. After World War I, he lived in retirement in France.
Éros vainqueur is an opera or conte lyrique in 3 acts and 4 scenes by composer Pierre de Bréville. The work uses a French language libretto by the poet and novelist Jean Lorrain and was dedicated by Bréville to composer Vincent d'Indy.
Constance Jawureck (1803–1858) was a French mezzo-soprano opera singer.
Jean-Étienne-Auguste Massol was a French operatic tenor and later baritone who sang in the world premieres of many French operas.
Jean Morère was a French operatic tenor, active from 1861 to 1871. He created the title role in Verdi's Don Carlos and sang primarily at the Paris Opera and at La Monnaie in Brussels. He was born in Couladère and died in Toulouse at the age of 50.
Joseph Royer was a Canadian operatic baritone.
Henri Albers, born Johan Hendrik Albers, was a Dutch-born opera singer who later became a French citizen. He sang leading baritone roles in an international career that spanned 37 years and was a prominent singer at the Théâtre de la Monnaie in Brussels and the Opéra-Comique in Paris, which was his base from 1900 until his death. He also sang in 36 performances with the Metropolitan Opera company from 1898 to 1899. He made many recordings for Pathé Records and specialised in the heavier baritone and basso cantante repertoire.
Andréa Guiot was a French operatic soprano. A long-term member of the Paris opera houses, she was known internationally for leading roles especially in the French repertoire, such as Gounod's Mireille and Marguerite, Massenet's Manon and Micaëla in Bizet's Carmen. She appeared as Micaëla when Carmen was first performed at the Opéra de Paris in 1959, and as Mireille in the 1000th performance of the opera at the Opéra-Comique. She performed in the world premiere of Poulenc's Dialogues des Carmélites at the Teatro Colón in Buenos Aires in 1965. Among her many recordings, the 1964 Carmen conducted by Georges Prêtre, with Maria Callas in the title role and Nicolai Gedda as her lover, brought her lasting fame. She appeared at major opera house in France, Europe, and the Americas. After retiring from the stage, she was a voice teacher at the Conservatoire de Paris, succeeding Janine Micheau, her own former instructor.
Claude Méloni is a French baritone of the Paris Opera.
