Alexandre Lapissida (9 March 1839, Volkrange - 16 February 1907, Paris) was a French operatic tenor, producer, director and theatre manager. [1]
First singing at Strasbourg, he was taken on by Théâtre de la Monnaie in Brussels in 1868, where he spent most of his career. There he was made a régisseur in 1871 and served as the theatre's joint head with violinist Joseph Dupont from 1886 to 1889. [2] They then passed that position on to Stoumon and Calabresi. After that, Lapissida was taken on by the Opéra de Paris as régisseur général and producer. He produced the Opéra's main operas of the late 19th century including Le Mage by Jules Massenet (1891), Faust by Charles Gounod (1893), Salammbô by Ernest Reyer (1893), Otello by Giuseppe Verdi (1894), Frédégonde by Ernest Guiraud (1895), La favorite by Gaetano Donizetti (1896) and Les Huguenots by Giacomo Meyerbeer (1897). Lapissida seems to have left the stage by 1900.
Today, the Bibliothèque-musée de l'Opéra holds an important part of his correspondence in its "fonds Lapissida".
Georges-Léon-Jules-Marie Feydeau was a French playwright of the Belle Époque era, remembered for his farces, written between 1886 and 1914.
Alexandre Dumas fils was a French author and playwright, best known for the romantic novel La Dame aux Camélias, published in 1848, which was adapted into Giuseppe Verdi's 1853 opera La traviata, as well as numerous stage and film productions, usually titled Camille in English-language versions.
Jean Richepin was a French poet, novelist and dramatist.
Paul Armand Silvestre was a 19th-century French poet and conteur born in Paris.
Joseph Méry was a French writer, journalist, novelist, poet, playwright and librettist.
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Henri-Joseph Dupont was a Belgian violinist, leader, theatre director (manager) and conductor. The pianist Auguste Dupont was his brother.
Pierre-Barthélemy Gheusi, also known by the pseudonym Norbert Lorédan, was a French theatre director, librettist, journalist and writer. He was born in Toulouse and died in Paris.
Émile-Alexandre Taskin, born in Paris on 18 March 1853, and died there on 5 October 1897, was a French operatic baritone mainly active at the Paris Opéra-Comique. He was a descendant of the harpsichord maker Pascal Taskin (1723–1793).
Henri Charles Antoine Gaston Serpette was a French composer, best known for his operettas. After winning the prestigious Prix de Rome as a student at the Paris Conservatoire, he was expected to pursue a career in serious music. Instead, he turned to operetta, writing more than twenty full-length pieces between 1874 and 1900. He accepted some conducting work and also served as a critic and journalist for a number of French newspapers and magazines.
Raymond Jean-Baptiste Ernest Carbonne was a French tenor and stage director who had a long association with the Opéra-Comique in Paris.
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Henri Valentino was a French conductor and violinist. From 1824 to 1832, he was co-conductor of the Paris Opera, where he prepared and conducted the premieres of the first two grand operas, Auber's La muette de Portici and Rossini's Guillaume Tell. From 1832 to 1836, he was First Conductor of the Opéra-Comique, and from 1837 to 1841, conductor of classical music at the Concerts Valentino in a hall on the rue Saint-Honoré in Paris.
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Maurice Ordonneau was a French dramatist and composer. The son of a merchant of eau de vie, Ordonneau was a prolific author in creating theatrical works. He composed, often with the collaboration of other playwrights, composers and musicians, a great number of operettas, opéra-bouffes, comedies and vaudevilles.
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Paul Joseph Guillaume Hillemacher was a French composer and pianist.
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