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Joseph Walton Losey III was an American theatre and film director, producer, and screenwriter. Born in Wisconsin, he studied in Germany with Bertolt Brecht and then returned to the United States. Blacklisted by Hollywood in the 1950s, he moved to Europe where he made the remainder of his films, mostly in the United Kingdom. Among the most critically and commercially successful were the films with screenplays by Harold Pinter: The Servant (1963) and The Go-Between (1971).
Joseph and the Amazing Technicolor Dreamcoat is a sung-through musical with lyrics by Tim Rice and music by Andrew Lloyd Webber, based on the character of Joseph from the Bible's Book of Genesis. This was the first Lloyd Webber and Rice musical to be performed publicly; their first collaboration, The Likes of Us, written in 1965, was not performed until 2005. Its family-friendly retelling of Joseph, familiar themes, and catchy music have resulted in numerous stagings. According to the owner of the copyright, the Really Useful Group, by 2008 more than 20,000 schools and amateur theatre groups had staged productions.
The Royal Theatre of La Monnaie is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions to receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments.
Joseph Jefferson III, often known as Joe Jefferson, was an American actor. He was the third actor of this name in a family of actors and managers, and one of the most famous 19th century American comedians. Beginning as a young child, he continued as a performer for most of his 76 years. Jefferson was particularly well known for his adaptation and portrayal of Rip Van Winkle on the stage, reprising the role in several silent film adaptations. After 1865, he created no other major role and toured with this play for decades.
Achille Edmond Audran was a French composer best known for several internationally successful comic operas and operettas.
The Paris Opera is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the Académie d'Opéra, and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the Académie Royale de Musique, but continued to be known more simply as the Opéra. Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the Opéra national de Paris, it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille.
George Joseph Edwardes was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond.
Sydney Grundy was an English dramatist. Most of his works were adaptations of European plays, and many became successful enough to tour throughout the English-speaking world. He is, however, perhaps best remembered today as the librettist of several comic operas, notably Haddon Hall.
Walter Alfred Slaughter was an English conductor and composer of musical comedy, comic opera and children's shows. He was engaged in the West End as a composer and musical director from 1883 to 1904.
Paquita is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus. Paul Foucher received royalties as librettist.
The Royal Dramatic Training Academy, was the acting school of Sweden's national stage, the Royal Dramatic Theatre, and for many years (1787–1964) seen as the foremost theatre school and drama education for Swedish stage actors. It was established in 1787 by the theatre and art loving King Gustav III and was for many years under the protection of the Swedish royal family.
Robert Atkins was an English actor, producer and director.
The Théâtre du Palais-Royal is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais.
Henri-Joseph Dupont was a Belgian violinist, leader, theatre director (manager) and conductor. The pianist Auguste Dupont was his brother.
Alexandre Lapissida was a French operatic tenor, producer, director and theatre manager.
Arsène Alexandre was a French art critic.
Edmond-Joseph-Louis Tarbé des Sablons was a French journalist and man of letters.
Jonathan Blewitt was an English organist, composer of light operas and songs, and a musical director.
Campocasso, real name Auguste Deloche, was a 19th-century French theatre director.
Joseph William Herbert was a British-born American director, silent-film actor, singer and dramatist notable for being the first person to play Ko-Ko in America in a pirate production of Gilbert and Sullivan's The Mikado (1885) before joining D'Oyly Carte Opera Company touring companies across America (1885–1890).
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