Rob Bottin | |
---|---|
Born | El Monte, California, United States | April 1, 1959
Occupation | Special make-up effects creator |
Years active | 1976–2014 |
Height | 6 ft 5 in (196 cm) |
Robin R. Bottin [1] (born April 1, 1959) is an American special make-up effects creator. Known for his collaborations with directors John Carpenter, Paul Verhoeven and David Fincher, Bottin worked with Carpenter on both The Fog and The Thing , with Verhoeven on RoboCop , Total Recall and Basic Instinct , and with Fincher on Se7en and Fight Club . His many other film credits include The Howling , Legend , Innerspace and Fear and Loathing in Las Vegas .
Well respected in his field of prosthetic makeup (better known as special make-up effects), and described in 2013 as a "special effects genius", [2] Bottin was nominated for an Oscar in 1986 for Best Makeup, and was awarded a Special Achievement Academy Award at the 1991 Academy Awards. [3] He has two BAFTA nominations, and won two Saturn Awards with five further nominations. [4]
Bottin was born in the Los Angeles suburb of El Monte, California. His father was a foreman for a van and storage company. [5] From an early age Bottin enjoyed a steady stream of old horror films, as well as magazines like Famous Monsters of Filmland .
This section of a biography of a living person needs additional citations for verification .(December 2014) |
At age 14, Bottin sent an autograph request which included one of his intricate drawings to well-known special make-up effects artist Rick Baker, who promptly invited him to discuss monsters with him. [6] Eventually he was offered to apprentice with Baker on various films, such as the Star Wars Cantina scene creatures. [6] [7] Bottin portrayed the tallest player in the Cantina band.
His first big solo break was The Howling , where he was called to create an on-screen transformation from man to werewolf when Rick Baker's schedule was busy with a different production. Notably, Bottin's effect in The Howling appeared five months before his mentor Baker's similar scene in An American Werewolf in London .
After asking cinematographer Dean Cundey to introduce him to director John Carpenter, Bottin was hired by Carpenter to create the special makeup effects for his 1980 film The Fog . [8] In that film, Bottin provided the physical makeup effects, and had a small part in the film as Captain Blake.
Bottin's reputation grew when he again worked with Carpenter on The Thing . Bottin worked on The Thing seven days a week (including late nights) for a year and five weeks straight, producing every creature effect (with the exception of the transformed dog, which was partially done by Stan Winston). [9] According to the making of documentary on the DVD, Bottin's schedule was so punishing, and his attention to detail so precise, that after filming finished, he was hospitalised with exhaustion and pneumonia.
Although his work was at first criticized for being too gruesome or distracting from the film's psychological themes, it has since been credited for actually enhancing the feel of the film.[ citation needed ] In one scene in which a character's head stretches off, Bottin decided to melt plastic. Little did he know that the melted plastic released explosive paint thinner so when the director decided to put flame under the camera lens the entire prosthetic exploded. [8]
He later worked on the special make-up effects in Ridley Scott's Legend , which earned him an Academy Award nomination for Best Makeup.
Notably, Bottin designed and built the RoboCop suit in Paul Verhoeven's RoboCop , [10] and designed and built many striking special effects in Verhoeven's Total Recall , the latter of which earned Bottin a Special Achievement Academy Award.
The Thing is a 1982 American science fiction horror film directed by John Carpenter from a screenplay by Bill Lancaster. Based on the 1938 John W. Campbell Jr. novella Who Goes There?, it tells the story of a group of American researchers in Antarctica who encounter the eponymous "Thing", an extraterrestrial life-form that assimilates, then imitates, other organisms. The group is overcome by paranoia and conflict as they learn that they can no longer trust each other and that any of them could be the Thing. The film stars Kurt Russell as the team's helicopter pilot R.J. MacReady, with A. Wilford Brimley, T. K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas G. Waites in supporting roles.
Total Recall is a 1990 American science fiction action film directed by Paul Verhoeven, with a screenplay by Ronald Shusett, Dan O'Bannon, and Gary Goldman. The film stars Arnold Schwarzenegger, Rachel Ticotin, Sharon Stone, Ronny Cox, and Michael Ironside. Based on the 1966 short story "We Can Remember It for You Wholesale" by Philip K. Dick, Total Recall tells the story of Douglas Quaid (Schwarzenegger), a construction worker who receives an implanted memory of a fantastical adventure on Mars. He subsequently finds his adventure occurring in reality as agents of a shadow organization try to prevent him from recovering memories of his past as a Martian secret agent aiming to stop the tyrannical regime of Martian dictator Vilos Cohaagen (Cox).
Paul Verhoeven is a Dutch film director. His films are known for their graphic violence and sexual content, combined with social satire. After receiving attention for the TV series Floris in his native Netherlands, Verhoeven's breakthrough film was the romantic drama Turkish Delight (1973), starring frequent collaborator Rutger Hauer. Verhoeven later directed successful Dutch films including the period drama Keetje Tippel (1975), the war film Soldier of Orange (1977), the teen drama Spetters (1980) and the psychological thriller The Fourth Man (1983).
Prosthetic makeup also known as special makeup effects or FX prosthesis, is the process of using prosthetic sculpting, molding and casting techniques to create advanced cosmetic effects. Prosthetics are used on stage and screen to create fantasy creatures, simulated injuries, or likenesses of other people.
RoboCop is a 1987 American science fiction action film directed by Paul Verhoeven and written by Edward Neumeier and Michael Miner. The film stars Peter Weller, Nancy Allen, Daniel O'Herlihy, Ronny Cox, Kurtwood Smith, and Miguel Ferrer. Set in a crime-ridden Detroit in the near future, RoboCop centers on police officer Alex Murphy (Weller) who is murdered by a gang of criminals and revived by the megacorporation Omni Consumer Products as the cyborg law enforcer RoboCop. Unaware of his former life, RoboCop executes a campaign against crime while coming to terms with the lingering fragments of his humanity.
Legend is a 1985 American epic dark fantasy adventure film directed by Ridley Scott, written by William Hjortsberg, and starring Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten, Billy Barty, Cork Hubbert and Annabelle Lanyon. The film revolves around Jack, a pure being who must stop the Lord of Darkness who plots to cover the world with eternal night.
RoboCop 2 is a 1990 American science fiction superhero action film directed by Irvin Kershner and written by Frank Miller and Walon Green. It stars Peter Weller, Nancy Allen, Dan O'Herlihy, Belinda Bauer, Tom Noonan and Gabriel Damon. It is the sequel to the 1987 film RoboCop, the second entry in the RoboCop franchise and the last to feature Weller as RoboCop until he returned in Mortal Kombat 11, RoboCop: Rogue City and other media; it is also the last film Kershner directed before his death in 2010.
The Howling is a 1981 American horror film directed and edited by Joe Dante. Written by John Sayles and Terence H. Winkless, based on the novel of the same name by Gary Brandner, the film follows a news anchor who, following a traumatic encounter with a serial killer, visits a resort secretly inhabited by werewolves. The cast includes Dee Wallace, Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Balaski, Kevin McCarthy, John Carradine, Slim Pickens, and Elisabeth Brooks.
Richard Alan Baker, known professionally as Rick Baker, is an American retired special make-up effects creator and actor. He is mostly known for his creature designs and effects. Baker has won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the inaugural award for the 1981 horror comedy film An American Werewolf in London.
Officer Alex JamesMurphy, commonly known as RoboCop, is a fictional cybernetically enhanced officer of the Detroit Police Department from Murfreesboro, Tennessee, and is the main protagonist in the Robocop franchise. Murphy is killed in the line of duty, and is resurrected and transformed into the cyborg law enforcement unit RoboCop by the megacorporation Omni Consumer Products (OCP). In the original screenplay, he is referred to as Robo by creators Edward Neumeier and Michael Miner.
Greg Cannom is an American special make-up effects artist. He is the recipient of several accolades, including five Academy Awards and two Saturn Awards, and has been nominated for four Primetime Emmy Awards and four BAFTA Awards.
Christopher Tucker was a British make-up artist for theatre and film. He specialized in the creation of prosthetic make-up for horror films. Among his notable works were the make-up effects for The Elephant Man, The Company of Wolves, and the stage musical The Phantom of the Opera.
Miles Teves is a Hollywood artist and conceptual designer who works on television productions, films, and computer games.
Bodily mutilation in film refers to practical effects implemented on a film set during production, in contrast to special effects, which are applied in post-production. The primary objective is to visually depict physical trauma endured by a character, aiming to elicit emotional responses from the audience and foster empathy towards the character. Bodily mutilation is most usually portrayed in the context of horror, but is also used in other genres, such as medical dramas or war films. It is used primarily either to shock or fascinate the audience of a film, or to add a sense of realism. Improved special effects in recent decades have seen an increase in the prevalence of bodily mutilation in film.
Mark Rappaport is an American special make-up effects artist.
Dave Elsey is a make-up artist known for special make-up effects, creature effects and animatronics in films such as X-Men: First Class, Ghost Rider, Star Wars, Hellraiser, Alien 3, and Indiana Jones. He was born on February 2, 1967, in London, England to Marie and Derek Elsey. From 1999 to 2011, Elsey lived in Sydney, Australia with his wife Lou while working on the TV science fiction series Farscape. He currently resides in Los Angeles, California.
Steve Johnson is an American special effects artist whose career has spanned more than thirty years. His work has appeared in over 200 films, countless television shows, theme parks, commercials, and music videos. Some of his best-known creations include Slimer for Ghostbusters (1984), the alien seductress Sil for Species (1995), Robin Williams's robotics for Bicentennial Man (1999), and Doctor Octopus's arms for Spider-Man 2 (2004).
William Forsche is an American special effects artist whose career has spanned more than thirty years. His work has appeared in many films, most of which are horror and science fiction projects, though he has occasionally created effects for other films, such as Beetlejuice (1988) and The Nutty Professor (1996).
An air bladder effect, or simply a bladder effect, is a special effect created for motion pictures. The effect employs plastic or latex balloons—known as "bladders"—which are concealed beneath the surface of foam latex or similar prosthetics. Attached to the bladders is a system of tubing that allows them to be inflated. When the bladders are inflated underneath the prosthetics, it results in the prosthetics appearing to shift, bubble, swell, or pulsate.
The special effects of the 1990 action film Total Recall were developed by visual-effects company Dream Quest Images, with contributions by Stetson Visual Services, Metrolight Studios, and Industrial Light & Magic. Over 100 visual effects were produced for the film, which relied almost entirely on practical effects at a time when computer-generated imagery was a new and rarely-used technique.