|An American Werewolf in London|
|Directed by||John Landis|
|Written by||John Landis|
|Produced by||George Folsey Jr.|
|Edited by||Malcolm Campbell|
|Music by||Elmer Bernstein|
|Box office||$62 million|
An American Werewolf in London is a 1981 horror comedy film written and directed by John Landis. An international co-production of the United Kingdom and the United States, the film stars David Naughton, Jenny Agutter, Griffin Dunne and John Woodvine. The film's plot follows two American backpackers, David and Jack, who are attacked by a werewolf while traveling in England, causing David to question whether he will become a werewolf under the next full moon.
Landis wrote the first draft of the screenplay for the film in 1969 and shelved it for over a decade. Prospective financiers believed that Landis' script was too frightening to be a comedy film and too humorous to be a horror film. After achieving success in Hollywood with the comedies The Kentucky Fried Movie , National Lampoon's Animal House and The Blues Brothers , Landis was able to secure financing from PolyGram Pictures to produce An American Werewolf in London.
An American Werewolf in London was released in the US by Universal Pictures on August 21, 1981. It was a critical and commercial success, winning the 1981 Saturn Award for Best Horror Film and the first ever Academy Award for Best Makeup. Since its release, it has become a cult classic.A sequel, An American Werewolf in Paris , was released by Hollywood Pictures in 1997.
Two American backpackers from New York City, David Kessler and Jack Goodman, are trekking across the moors in Yorkshire. As night falls, they stop at a local pub called the Slaughtered Lamb. Jack notices a five-pointed star on the wall, but when he asks about it, the pub-goers become hostile. The pair decide to leave, and the pub-goers warn them to keep to the road, stay clear of the moors and beware of the full moon. David and Jack end up wandering off the road onto the moors, and are attacked by a vicious creature. Jack is mauled to death and David is injured. The beast is shot and killed by some of the pub-goers, who came out searching for the boys. Instead of a dead animal, David sees the corpse of a naked man lying next to him before passing out.
David wakes up three weeks later in a hospital in London. He is interviewed by police Inspector Villiers who tells him that he and Jack were attacked by an escaped lunatic, but David insists they were attacked by some sort of rabid dog or wolf. An undead Jack appears to David and explains the beast that attacked them was a werewolf, and reveals that David is now one. Jack urges David to kill himself before the next full moon, not only because Jack is cursed to linger undead for as long as the bloodline of the werewolf that attacked them survives, but also to prevent David from inflicting the same fate on anyone else.
Dr. Hirsch takes a road trip to the Slaughtered Lamb to see if what David has told him is true. When asked about the incident, the pub-goers deny any knowledge of David, Jack, or the attack. However, one distraught pub-goer speaks to Dr. Hirsch outside the pub and says David should not have been taken away, and that everyone else will be in danger when he transforms.
Upon his release from intensive care, David moves in with Alex Price, a young nurse who grew infatuated with him in the hospital. He stays in Alex's London apartment, where they later have sex. Jack, in a more advanced stage of decay, appears to David to warn him that he will become a werewolf the next night. Jack again advises David to take his own life to avoid killing innocent people, but David refuses to believe him. When the full moon rises, David painfully transforms from his human form into a werewolf. David, now in werewolf form, prowls the streets and the London Underground, killing and slaughtering six people in the process. He wakes up the next morning naked on the floor of a wolf enclosure at the London Zoo, with no recollection of what happened, and manages to make his way back to Alex's apartment.
After realising that he became a werewolf and was responsible for the previous night's murders, David unsuccessfully attempts to get himself arrested in Trafalgar Square. He goes to Piccadilly Circus, calling his family from a phone booth to say he loves them, then loses courage when he attempts and fails to slit his own wrists with a pocket knife. David then suddenly sees Jack, in a yet more advanced stage of decay, outside of an adult movie theatre. Inside, Jack is accompanied by David's victims from the previous night, most of whom are furious with David and suggest different methods for him to commit suicide.
David transforms again into a werewolf inside the movie theatre. He decapitates Inspector Villiers, and wreaks havoc in the streets, causing the deaths of many drivers and bystanders. He is ultimately trapped and surrounded in an alleyway by the police. Alex runs down the alley in an attempt to calm David by telling him that she loves him. Although David appears to recognise her for a brief moment, he lunges forward and is shot by police. Alex cries while staring at David, reverted to human form, lying dead and naked on the ground.
John Landis came up with the story while he worked in Yugoslavia as a production assistant on the film Kelly's Heroes (1970). He and a Yugoslav member of the crew were driving in the back of a car on location when they came across a group of gypsies. The gypsies appeared to be performing rituals on a man being buried so that he would not "rise from the grave." This made Landis realize he would never be able to confront the undead and gave him the idea for a film in which a man would go through the same thing.
Landis wrote the first draft of An American Werewolf in London in 1969 and shelved it for over a decade. Two years later, Landis wrote, directed, and starred in his debut film, Schlock , which developed a cult following. Landis developed box-office status in Hollywood through the successful comedy films The Kentucky Fried Movie , National Lampoon's Animal House and The Blues Brothers before securing $10 million financing from PolyGram Pictures for his werewolf film. Financiers believed that Landis' script was too frightening to be a comedy and too funny to be a horror film.
According to Entertainment Weekly , the real star of this film is the Oscar-winning transformation effects by Rick Baker, which changed the face of horror makeup in the 1980s.
Filming took place between February and March 1981 because director John Landis wanted the film to take place during poor weather.
The moors were filmed around the Black Mountains in Wales, and East Proctor is in reality the tiny village of Crickadarn, about six miles southeast of Builth Wells off the A470. The Angel of Death statue was a prop added for the film, but the red phone box is real, though the Welsh road signs were covered by a fake tree.
The pub shown in the film known as the Slaughtered Lamb was actually a cottage located in Crickadarn, and the interior scenes were filmed in the Black Swan, Old Lane, Martyrs Green in Surrey.
An American Werewolf in London was the first film allowed to shoot in Piccadilly Circus in 15 years. Landis accomplished this by inviting 300 members of London's Metropolitan Police Service to a screening of his then-newly released film The Blues Brothers .The police were so impressed by his work that they granted the production a two-night filming permit between the hours of 1 and 4 a.m. Traffic was stopped only three times for two-minute increments to film the automobile stunts involving the double-decker bus.
Filming also took place at Twickenham Film Studios in Richmond Upon Thames.
The film's ironically upbeat soundtrack consists of songs which refer to the moon. Bobby Vinton's slow, soothing version of "Blue Moon" plays during the opening credits, Van Morrison's "Moondance" plays as David and Alex make love for the first time, Creedence Clearwater Revival's "Bad Moon Rising" plays as David nears the moment of changing to the werewolf, a soft, bittersweet ballad version of "Blue Moon" by Sam Cooke plays during the agonizing wolf transformation, and the Marcels' doo-wop version of "Blue Moon" plays over the end credits.
The score was composed and conducted by Elmer Bernstein and recorded at Olympic Studios in London, engineered by Keith Grant. Bernstein's score can be heard during David's nightmares, when Dr. Hirsch drives through the moors to East Proctor, and when Alex confronts David in the alley. Though Bernstein wrote and recorded music to accompany the transformation scene, the director chose not to use it. The three-minute passage was eventually released by Bernstein under the title "Metamorphosis".
This article is missing information about theatrical run.(March 2019)
The film was first released in 1981 on VHS and Betamax under the MCA Videocassette Inc. label and on LaserDisc and CED under the MCA Videodisc label. In 1984, MCA Home Video released it on LaserDisc. This would be the last time Universal would release the movie on home video for 17 years. The following year, Vestron Video acquired the video rights from MCA/Universal and released it on VHS, Betamax and LaserDisc in 1985. It was released again on LaserDisc in 1989 (under Image Entertainment through Vestron) and 1995 (under LIVE Entertainment), and again on VHS in 1990 under the Video Treasures label and 1991 and 1994 from Vestron Video (through LIVE Home Video).[ citation needed ]
The film was first released on DVD in December 1997 by LIVE Entertainment according to a LIVE DVD Advertisement. It was presented in a non-anamorphic widescreen transfer and contained the film's theatrical teaser trailer. Universal eventually got the video rights back and released a 20th-anniversary "Collector's Edition" DVD on September 18, 2001, making it the first time Universal released the film on home video since 1984.It included an audio commentary with actors David Naughton and Griffin Dunne, interviews with John Landis and Rick Baker, a 1981 promotional featurette, silent outtakes, storyboards and production photographs. A coinciding VHS was released on the same day. The high-definition version of the film was first released on HD DVD by Universal on November 28, 2006. A high-definition Blu-ray Disc and 2-disc standard-definition Region 1 DVD release of the film titled An American Werewolf in London – Full Moon Edition was released by Universal on September 15, 2009. The Region 2 DVDs and Blu-ray were released on September 28 and are known as An American Werewolf in London – Special Edition.
The Region 2 DVD release does not include a scene that is fully intact on the Region 1 release and all previous Region 1 and 2 releases. The scene takes place near the end of the film where the character of David calls his parents from a public telephone box. All but the end of this scene had been cut from the Region 2 release due to a mastering error.
As of October 2009, Universal said that they were scrapping all existing faulty stock and issuing replacement DVDs. All Blu-ray releases, however, are intact.[ citation needed ]
In 2016, Universal re-released the film on Blu-ray as a "Restored Edition" to commemorate the 35th anniversary of the film's release.On October 29, 2019, Arrow Video released a 4K restoration as part of a Blu-ray box set that contains all previously released extra material; the documentary Mark of The Beast: The Legacy of the Universal Werewolf; the 2009 making-of documentary Beware the Moon; filmmaker Jon Spira's video essay "I Think He's a Jew: The Werewolf's Secret;" a new interview with Landis; lobby cards and a booklet.
An American Werewolf in London was released August 21, 1981 and grossed $30 million at the box office in the United Statesand $62 million worldwide against the budget of $5.8 million.
On Rotten Tomatoes, the film has an approval rating of 88% based on reviews from 56 critics, with an average rating of 7.8/10. The site's critical consensus states: "Terrifying and funny in almost equal measure, John Landis' horror-comedy crosses genres while introducing Rick Baker's astounding make-up effects."On Metacritic, the film has a score of 55 out of 100 based on reviews from 15 critics, indicating "mixed or average reviews". Kim Newman of Empire magazine gave the film a rating of four out of five stars, writing that "carnivorous lunar activities rarely come any more entertaining than this". Tom Huddleston of Time Out also gave the film a positive review, calling it "not just gory but actually frightening, not just funny but clever".
Halliwell's Film Guide described the film as a "curious but oddly endearing mixture of horror film and spoof, of comedy and shock, with everything grist to its mill including tourist Britain and the wedding of Prince Charles. The special effects are notable and signalled new developments in this field."
Roger Ebert's review was less favourable, he gave it two out of four stars and stated that "An American Werewolf in London seems curiously unfinished, as if director John Landis spent all his energy on spectacular set pieces and then didn't want to bother with things like transitions, character development or an ending."
At the 54th Academy Awards, An American Werewolf in London won the first-ever Academy Award for Best Makeup.[ citation needed ] During the 1982 Saturn Awards, the film won for Best Horror Film and Best Makeup and nominated for Best Actress and Best Writing.[ citation needed ]
A 2008 Empire magazine poll of critics and readers named An American Werewolf in London as the 107th-greatest film of all time.
An American Werewolf in London is chiefly appreciated as a milestone in the comedy-horror genre and for its innovative makeup effects. The Daily Telegraph stated that it was "the first mainstream hit which managed to make its gross-out effects simultaneously shocking and hilarious" and called the signature werewolf transformation scene "stunningly ingenious, without a computer effect in sight, but also suffused with squirm-inducing agony."The Telegraph also cited the slew of 80's genre films which came after An American Werewolf in London, such as Beetlejuice , Gremlins and Evil Dead 2 , which followed the film's example of blending visceral horror effects with comedy. Director Edgar Wright ( Shaun of the Dead ) cited the movie as a major inspiration for his own film-making and a milestone in the genre. The low budget independent movie The Snarling (2018) was heavily inspired by Landis's film and contains various motifs and references including a cameo by Albert Moses paying direct tribute to his role in the film.
Pat Reid of Empire, reviewing the film in 2000, thought that the blending of comedic and horror elements "don't always sit well side-by-side," but called the transformation scene "undoubtedly a classic" because of its "good old-fashioned makeup and trickery making the incredible seem real."
Rolling Stone 's Joshua Rothkopf, writing on the 35th anniversary of the film's release, called An American Werewolf in London an "allegory of exoticized Jewishness". This is embodied by the character of David and his growing awareness of his "otherness" as a werewolf alongside his own outsider status as a Jewish American in England. "Hiding a secret deep within one's body, strange urges, xenophobic glances, accusatory feelings of guilt: David's condition already has a name, and this won't be the first film in which Jewish otherness is made monstrous." The article also celebrated the film as an innovative mix of humor and horror: "a landmark in startling makeup effects" and "a riotous piece of fish-out-of-water college humor."
Michael Jackson, who was a fan of the film, chose John Landis to direct and Rick Baker to direct makeup effects for his 1983 Thriller music video based on the strength of their work in An American Werewolf in London. It went on to become one of the most lauded music videos of all time.
Director John Landis has expressed regret over changing, and even cutting, certain sequences from the final cut of the film in order to earn an R rating in the United States. The sex scene between Alex and David was edited to be less explicit, and an extended scene showing the homeless men along the Thames being attacked by the werewolf was eliminated after a test audience reacted negatively to it.Another showed the undead Jack eating a piece of toast which falls out of his torn throat. Landis also concluded that the werewolf transformation scene should have been shorter—he was so fascinated by the quality of Rick Baker's effects that he spent more time on the scene than he otherwise would have.
A radio adaptation of the film was broadcast on BBC Radio 1 in 1997, produced by Dirk Maggs [ citation needed ]and featuring Jenny Agutter, Brian Glover and John Woodvine reprising the roles of Alex Price, the chess player (now named George Hackett, and with a more significant role as East Proctor's special constable) and Dr. Hirsch, respectively. The roles of David and Jack were played by Eric Meyers and William Dufris.
The film was followed by a sequel, An American Werewolf in Paris , released in 1997.The sequel features a completely different cast and crew, and was distributed by Disney's Hollywood Pictures.
In 2009, a retrospective documentary film, Beware the Moon: Remembering An American Werewolf in London, was released.An accompanying book by the documentary's director, Paul Davis, was published in 2016.
In June 2009, it was announced that Dimension Films was working with producers Sean and Bryan Furst on a remake of the film. This has since been delayed due to other commitments.In August 2016, several reports suggested that Max Landis (son of director John Landis) was considering remaking the film. In November 2016, Deadline Hollywood reported that Max Landis would write and direct a remake.
In December 2017, Max Landis confirmed on Twitter that he had completed the first draft of the script.But beginning in late 2017, accusations by a number of women that Landis had abused them emotionally or sexually began to emerge publicly. In the wake of those allegations, it remains unknown if Landis will be replaced or if the project will be put on indefinite hold.
In November 2019, Variety reported that Robert Kirkman, creator of The Walking Dead comic book series, was in consideration to serve as a producer for a new reboot of An American Werewolf in London.
Creature from the Black Lagoon is a 1954 American black-and-white 3D monster horror film from Universal-International, produced by William Alland, directed by Jack Arnold, and starring Richard Carlson, Julie Adams, Richard Denning, Antonio Moreno, Nestor Paiva, and Whit Bissell. The Creature was played by Ben Chapman on land and by Ricou Browning underwater. The film premiered in Detroit on February 12 and was released on a regional basis, opening on various dates.
The Bride of Frankenstein is a 1935 American science fiction horror film, and the first sequel to Universal Pictures' 1931 film Frankenstein. As with the first film, Bride of Frankenstein was directed by James Whale and stars Boris Karloff as the Monster. The sequel features Elsa Lanchester in the dual role of Mary Shelley and the titular character at the end of the film. Colin Clive reprises his role as Henry Frankenstein, and Ernest Thesiger plays the role of Doctor Septimus Pretorius.
John David Landis is an American film director, screenwriter, producer, and actor. He is best known for the comedy films that he has directed, such as The Kentucky Fried Movie (1977), National Lampoon's Animal House (1978), The Blues Brothers (1980), An American Werewolf in London (1981), Trading Places (1983), Three Amigos (1986), Coming to America (1988) and Beverly Hills Cop III (1994), and for directing Michael Jackson's music videos for "Thriller" (1983) and "Black or White" (1991).
An American Werewolf in Paris is a 1997 horror comedy film directed by Anthony Waller, screenplay by Tim Burns, Tom Stern, and story by Waller, and starring Tom Everett Scott and Julie Delpy. It follows the general concept of, and is a sequel to John Landis's 1981 film An American Werewolf in London. The film is an international co-production between companies from the Netherlands, Luxembourg, France, and the United States.
The Wolf Man is a 1941 American horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney Jr. in the title role. Claude Rains, Warren William, Ralph Bellamy, Patric Knowles, Bela Lugosi, Evelyn Ankers, and Maria Ouspenskaya star in supporting roles. The title character has had a great deal of influence on Hollywood's depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935). This film is part of the Universal Monsters movies and is of great cinematic acclaim for its production.
See You Next Wednesday is a recurring gag in most of the films directed by John Landis, usually referring to a fictional film that is rarely seen and never in its entirety. Each instance of See You Next Wednesday in Landis's films seems to be a completely different film.
Dracula is a 1931 American pre-Code supernatural horror film directed and co-produced by Tod Browning from a screenplay written by Garrett Fort. It is based on the 1924 stage play Dracula by Hamilton Deane and John L. Balderston, which in turn is adapted from the 1897 novel Dracula by Bram Stoker. The film stars Bela Lugosi as Count Dracula, a vampire who emigrates from Transylvania to England and preys upon the blood of living victims, including a young man's fiancée.
The Howling is a 1981 American comedy horror film directed by Joe Dante and starring Dee Wallace, Patrick Macnee, Dennis Dugan, and Robert Picardo. Based on the novel of the same name by Gary Brandner, the film follows a television newswoman sent to a remote mountain resort after a near-fatal incident with a serial killer, unaware that the resort's residents are werewolves.
The Curse of the Werewolf is a 1961 British horror film based on the novel The Werewolf of Paris by Guy Endore. The film was made by the British company Hammer Film Productions and was shot at Bray Studios on sets that were constructed for the proposed Spanish inquisition themed The Rape of Sabena, a film that was shelved when the BBFC objected to the script. While the original story took place in Paris, the location of the film was moved to Madrid to avoid building new Parisian sets. The leading part of the werewolf was Oliver Reed's first starring role in a film and composer Benjamin Frankel's score is notable for its use of twelve-tone serialism, rare in film music. It was also the first werewolf film to be shot in color.
The Incredible Shrinking Woman is a 1981 American science-fiction comedy film directed by Joel Schumacher, written by Jane Wagner and starring Lily Tomlin, Charles Grodin, Ned Beatty, John Glover, and Elizabeth Wilson. This film parodies the 1957 science-fiction film The Incredible Shrinking Man, and credited as based on Richard Matheson's 1956 novel, The Shrinking Man. The original music score was composed by Suzanne Ciani.
Michael Jackson's Thriller is a 1983 music video for the Michael Jackson song "Thriller", directed by John Landis and written by Landis and Jackson. It references numerous horror films, and stars Jackson dancing with a horde of the undead. Ola Ray co-stars as Jackson's girlfriend. The music video was released on December 2, 1983, just over a year after his sixth album, Thriller (1982).
Werewolf of London is a 1935 horror film directed by Stuart Walker and starring Henry Hull as the titular werewolf. It was produced by Universal Pictures. Jack Pierce's werewolf make-up was simpler than his version six years later for Lon Chaney, Jr. in The Wolf Man. Werewolf of London was the first Hollywood mainstream film to feature a werewolf. The film's supporting cast features Warner Oland, Valerie Hobson, Lester Matthews, and Spring Byington.
Richard A. Baker is an American retired special make-up effects creator and actor. He is mostly known for his creature designs and effects. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the inaugural award for the 1981 film An American Werewolf in London.
Sssssss is a 1973 American horror film starring Strother Martin, Dirk Benedict and Heather Menzies. It was directed by Bernard L. Kowalski and written by Hal Dresner and Daniel C. Striepeke, the latter of whom also produced the film. The make-up effects were created by John Chambers and Nick Marcellino. It received a nomination for the Best Science Fiction Film award of the Academy of Science Fiction, Fantasy & Horror Films in 1975.
The Wolfman is a 2010 American horror film directed by Joe Johnston. A remake of the 1941 film of the same name, it stars Benicio del Toro, Anthony Hopkins, Emily Blunt and Hugo Weaving. In the film, an American actor is bitten and cursed by a werewolf after returning to his ancestral homeland in search of his missing brother.
The Werewolf of Washington is a 1973 horror comedy film written and directed by Milton Moses Ginsberg and starring Dean Stockwell. Produced by Nina Schulman, it satirizes several individuals in the Richard Nixon Presidency.
Schlock is a 1973 American low-budget horror comedy film, written, directed by and starring filmmaker John Landis.
The Crazies is a 2010 American science fiction horror film directed by Breck Eisner from a screenplay from Scott Kosar and Ray Wright. The film is a remake of the 1973 film of the same name and stars Timothy Olyphant, Radha Mitchell, Joe Anderson and Danielle Panabaker. George A. Romero, who wrote and directed the original, served as an executive producer. It is about a fictional Iowa town that becomes afflicted by a biological agent that turns those infected into violent killers. The film was released on February 26 and grossed $55 million on a $20 million budget. The critical summary on Rotten Tomatoes calls it "tense, nicely shot, and uncommonly intelligent", and it received mixed reviews on Metacritic.
Universal's Horror Make-Up Show is an attraction located at Universal Studios Florida. It opened with the theme park on June 7, 1990, and is a live show featuring at least three on-stage actors who comically instruct guests on Universal Pictures' legacy of horror movies. It was inspired by the former The Land of a Thousand Faces show at Universal Studios Hollywood.
Curse of Chucky is a 2013 American supernatural slasher film, the sixth installment of the Child's Play franchise. The film was written and directed by Don Mancini, who created the franchise and wrote the first seven films. It stars Fiona Dourif as Nica Pierce, as well as Danielle Bisutti, A Martinez, Brennan Elliott, and Brad Dourif reprising his role as the voice of Chucky. The film grossed $3.8 million in DVD sales.
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